BEEHIVE CANDY

This is Dame Shirley Veronica Bassey , performing live with the BBC Concert Orchestra at the Electric Proms, Roundhouse London, England on the 23rd October 2009. One of the aims of Beehive Candy has been to provide variety and diversity in musical styles and genres. This has ensured that those who contribute tend to listen to music they might otherwise just pass by. Shirley Bassey is a superb live performer and this concert both reminds us of some of her wonderful hits across decades and that really good artists can appeal to audiences across different generations. It was announced in July 2009 that Shirley Bassey was recording a new album, with David Arnold as producer. By September 2009 artists who had written songs for the album included Manic Street Preachers, Gary Barlow, KT Tunstall, Pet Shop Boys, Kaiser Chiefs, John Barry and Don Black. The 11-track album, entitled The Performance , was released on the 9th November 2009. Shirley Bassey headlined at the BBC Electric Proms in he

This is Aerosmith on the final night of their US 1988 tour. The gig took place at the Pacific Amphitheater, Costa Mesa, CA, USA back on the 15th September 1988. The album 'Permanent Vacation' was released in September 1987, becoming a major hit and the band's bestselling album in over a decade (selling 5 million copies in the U.S.), with all three of its singles 'Dude (Looks Like a Lady)', 'Rag Doll', and 'Angel' reaching the Top 20 of the Billboard Hot 100. The group went on a subsequent tour with label mates Guns N' Roses who have cited Aerosmith as a major influence. The tour was reportedly 'intense at times' because of Aerosmith's new struggle to stay clean, amidst Guns and Roses well publicized rampant drug use. Source: Soundboard. Sound Quality : Very good stereo mp3@192kbps. Genre: Rock. Set: Full Set. Set List: Disc 1 01 Rats In The Cellar 02 Same Old Song And Dance 03 Heart's Done Time 04 Let T

Shamelessly copying and pasting from their MySpace site here's the background on another band to watch out for in 2010. ' City Light was started by Seattle singer songwriter Matt Shaw with long time friend and bay area producer Nick Andre, who's releases have featured Gift Of Gab, Lateef, Lyrics Born and more. As the project progressed they called upon musician and producer Denver Dalley from Desaparecidos, Statistics, and Intramural and Seattle singer songwriter Andy Fitts from Airport Cathedral and Aqueduct. Together the four of them worked to create one record from three corners of the country that mixed genres of indie-pop, rock , and hip hop. The end result is a dark and unique pop record full of catchy tunes, experimental electronica, and driving beats '. The album 'Burned Out Bright ' is due for release on the 26th January 2010, and having just listened through, this one is going on my personal play again list. You can also here more over on their MySpac

Time flys by and it's is already over six years since the passing of Warren Zevon . There has been some dispute over the source of this broadcast, Warren clearly mentions the venue as London and the BBC did indeed broadcast his London concert in 1988 however the song order slightly differs. As far as I can gather this is a rebroadcast of the London show by a Dutch radio station, who may have edited the original a little. Leaving the detail aside this is an excellent concert from Warren Zevon accompanied by a superb band. The original performance was on the 25th January 1988 at London's Hammersmith Odeon. Source: FM Broadcast. Sound Quality: Very good stereo mp3@256 & 320kbps. Genre: Singer Songwriter, Rock. Set: Edited Broadcast Set. Set List: 1. Lawyers, Guns & Money 2. Detox Mansion 3. Boom Boom Mancini 4. Johnny Strikes Up The Band 5. Roland The Headless Thompson Gunner 6. Reconsider Me 7. Excitable Boy 8. Sentimental Hygiene 9. Accidentally Like A Martyr 10. Wer

Now I like quirky and different, and mention the likes of the Bonzo's or Monty Python and my 'musical radar' tends to activate! Patrick and Eugene are yet another reason to keep an eye on whats new in the world of music, especially in these troubled times where record companies are inclined towards nicely packaged conformity or well controlled and marketable rebels. The UK press has stated "Banjos, bongos and alarm clocks, '20s jazz and '60s pop and sampled insect noises, Patrick & Eugene's irrepressibly eccentric summer romp has got it all." - NME "Whimsically English songs where Dixieland jazz intermingles with Afro-Cuban rhythms." - Q The Patrick & Eugene sound is comprised of banjos, ukuleles and sunshine pop vocals combined with whistles, bells and bongos to produce unique but accessible music for post-modern vaudevillians, with nods to Monty Python, Derek & Clive and even Woody Allen. Try to imagine Noel Coward on stage wit

By 1988 Gary Lucas was making a name for himself in New York as a solo artist having left Captain Beefhearts Magic Band some years earlier. Having written 'Grace' & 'Mojo Pin' with Jeff Buckley in 1991 Jeff began performing with Gary Lucas in his band Gods And Monsters . As has been mentioned on the previous Jeff Buckley post, days after Gods and Monsters officially debuted in March 1992, Jeff Buckley decided to leave the band. In October 2002 Gary Lucas released 'Songs To No One' an album of material from studio sessions, home tapes, and club performances over two years of collaboration between himself and Jeff Buckley. The final track on that album 'Grace' was from a live performance at the Roulette Club in New York. This is the full set recorded live at Club Roulette, New York on the 5th April 1992. Source: Soundboard. Sound Quality: Very good stereo mp3@256kbps. Genre: Alternative Rock. Set: Full Set. Set List: 1. Dinks Song 2. Sweet Thing

This is Bruce Hornsby and The Range recorded from the Midnight show broadcast live by WNEW-FM, New York on the 2nd September 1986. The band formed in 1984 and were signed to RCA Records in 1985. Bruce Hornsby's recording career started with the biggest hit he has had to date, entitled "The Way It Is". It topped the American music charts in 1986. With a propulsive yet contemplative piano riff and the refrain, That's just the way it is / Some things will never change / That's just the way it is / But don't you believe them , the song was catchy and described aspects of the American Civil Rights movement and institutional racism. The song also hit a nerve with the American public, reflecting dissatisfaction with perceived economic decline in the early-to-mid 1980s. In years to come, the song would be sampled by at least six rap artists, including Tupac Shakur, E-40, and Mase. Source: FM Broadcast. Sound Quality: Very good stereo mp3@192kbps. Genre: Contempo