BEEHIVE CANDY

This is a small collection of studio session and rehearsal material from The Faces during the recording of Ohh La La at some point between September 1972 and January 1973. There is always a story behind the recording of an album and in this case we are quoting wikipedia ( so excuse any errors) - With his career in the stratosphere due to successes from his solo albums, Rod Stewart  became increasingly distanced from his band mates, who were by the time of the album's recording little more than his backing group in concerts. As a result, according to Ian McLagan, Ooh La La was "Ronnie (Lane)'s  album", Stewart distracted enough to have missed the first fortnight's worth of sessions. The album's recording would be plagued by Stewart's absence. Nonetheless, producer Glyn Johns held the group together, helping to placate tensions as he had with the Beatles during their Get Back  sessions and helping the group to record a strong album in the style of its

Another bumper edition of 2010FM so no waffle just the background to the bands and one or to opinions, take it as read regarding each artist that if we include them, we like them! Unsolved Mysteries start us off this time around and just makes our spirit soar, superb music that is full of fun, energy and is very very catchy. The official stuff says's - Marc Jacobs designer by day, BMX rider by trade, and all around energized front man, Jon Lynn draws his inspiration from everything weird that you barely recall from childhood memories and channels it into his spangly electro-pop group Unsolved Mysteries. Originally starting off as a solo-project in 2004, Unsolved Mysteries eventually expanded to include producer Colin Alexander and guitarists Bryan Keller and James Chapman, to further groom their sound to the chiseled, mystic dance pop that it is today. The latest full-length album, Tragic Trouble is a collection of warped pop songs with tints of The Radio Dept’s hazy electro,

I was first introduced to Ten Years After through their third album Stonedhenge way back in 1969. Although the album itself was quite experimental for some reason it 'registered' with me and their following four albums became firm favorites of mine and still get an airing from time to time these days. Ten Years After may have reached a wider audience as a result of Woodstock, however one way or another they would have broken through with their explosive mixture of rock'n'roll, blues and exceptional musicianship. This is Ten Years After live at the Winterland, San Francisco, California back on the 30th April 1971. Alvin Lee may have been the photographers favorite and his guitar playing is astonishing however TYA were always a band and listening to this concert I am reminded of just how much each member contributed to the overall mixtures of styles and creativity. There is even a drum solo (what would a rock gig in the early seventies have been without the obligat

This is Nico & Tangerine Dream recorded live at the Cathedrale Notre-Dame, Reims, France, way back on the 13th December 1974. This recording was sourced from the a broadcast of the event on France Inter Radio and has been widely circulated as a silver CD boot. The majority of this recording is of Nico performing solo with a Harmonium (she was the supporting artist) however over time Tangerine Dream seem to have been 'upped' considerably in the credits. The venues audio characteristics along with Nico's haunting style have a significant effect on this recording that as a result produced music of a timeless and fascinating nature. About.com included this event in a list of 10 Infamous Concerts and had the following to say: ' Tangerine Dream —those krautrock  innovators turned new-age synth wallpaperists— picked an amazing venue for a show in December, 1974: Notre-Dame de Reims Cathedral; which had historically hosted the coronations of French Kings. Unfortuna

For lovers of instrumental music this is a stunning concert from Mogwai recorded live at The Gothic Theatre, Denver, Colorado, USA, back on the 3rd May 2006. Audio quality is superb and would pass comfortably as an official release. Five of the tracks are from the album 'Mr Beast' which was released just two months earlier on March 6th, 2006. For those of you new or unfamiliar with Mogwai, they are a Scottish post-rock band, who formed in 1995 in Glasgow. Wikipedia rather clinically states 'the band typically composes lengthy guitar-based instrumental pieces that feature dynamic contrast, melodic bass guitar lines, and heavy use of distortion and effects' . They do occasionally sing and track eight 'Cody' is a beautiful example of this dimension, however these guys are so good, that they just draw you into their layers and textures in every piece. Their style has been influenced by bands including MC5, My Bloody Valentine, Sonic Youth, Fugazi, and post-

The final selection for September and a shed load of great music to cover, so plenty of copying from PR material to give some background on the artists, as is always the case take it as read that we like and recommend checking out these people. The Phantom Band was pulled together from all four corners of Scotland, settling on Glasgow as PB HQ. Duncan Marquiss (guitar), Gerry Hart (bass), Andy Wake (keyboards), Rick Anthony (vocals) and Greg Sinclair (guitars) are a volatile cabal of creative contradictions: a disorientating amalgam of music, art and performance that defies categorisation and provides an object lesson in how to forge something distinct and unique from well-worn sources. Checkmate Savage won plaudits from the mainstream music press and the indie blogs alike, finding famous fans in Peter Buck and comic artist Frank Quitely, while the influential music emporium Piccadilly Records named it their album of the year. Their new album may be The Wants, but what do The Phan

This is Flo & Eddie live in concert at The Roxy Theatre, Hollywood, California, USA back on the 26th September 1976. Flo & Eddie are Howard Kaylan, "Eddie", and Mark Volman, "Flo" aka "Phlorescent Leech". The two were the original founding members of the wonderful sixties band The Turtles. After the Turtles dissolved, Howard Kaylan and Mark Volman first joined the Mothers of Invention  as "Phlorescent Leech & Eddie". Due to contractual restrictions made early in their career, Mark and Howard were prevented from using the name "The Turtles", as well as their own names in a musical context. The Phlorescent Leech and Eddie were actual nicknames of two of the Mothers of Invention road crew. When bandleader Frank Zappa  was injured during a concert in London in 1971, Kaylan and Volman found themselves at an impasse, as the Mothers of Invention were out of action for a time. They responded to these events by recording The