BEEHIVE CANDY

Clap Your Hands Say Yeah - Down (is Where I Want To Be). Background - Clap Your Hands Say Yeah, heads into its twelfth year and the release of its fifth album, The Tourist. Like previous Clap Your Hands Say Yeah records, The Tourist nods to Alec Ounsworth’s musical heroes—a group that includes artists such as John Cale, Robert Wyatt, Tom Waits and Nick Cave. However, this album also shows a natural progression from previous records. “Better Off” and “The Vanity Of Trying” are lush, keyboard-augmented songs, while “A Chance To Cure” and “Ambulance Chaser” are rhythmically askew, and the sighing “Loose Ends” is delicate, acoustic-based folk-rock. Ounsworth spent about a week recording The Tourist at Dr. Dog’s Philadelphia-based studio with a drummer and bassist. After that, he and engineer Nick Krill spent a few months “tidying things up” and recording additional embellishments: backup vocals, keyboards, guitars and more percussion. That gives The Tourist more of a band feel than the

Brandon Krebs - Alarm Pheromones. Background - “Avant-garde pop for everybody, filled with romantically gloomy soul voyages” is the best way to shorthand the windswept ache of Brandon Krebs’ widescreen rock. “Making records for me is a therapeutic process almost,” Seattle songwriter/musician/producer Brandon Krebs explains. “It's my favorite thing in the world.” Krebs has decided to go with creating under his own name for new album Refuge In Exile, due out in mid-March. A deliberate change up from the heavy guitar-rock of his last release Tethered to A Piece of Falling Sky (recorded under previous moniker Stranded Sullivan), Refuge In Exile’s instantly breathtaking sweep and rhythmically undulating hooks challenge its title’s reveal of how it was made intimately and mindfully in an uncertain two-year period of the artist’s life. The nine-song full-length will be released both digitally and on vinyl. Krebs says it comes from an urgently transitional period in which he did a lot o

Dirty River - Purple Dreams. Background - Alternative, eclectic country duo Dirty River formed in 2012 around the talents of singer/songwriters Lea May and Jimi Dobbs. Lea was working as a solo artist and needed a fuller sound. Jimi was also searching for something different, having played in bands and solo for more than 20 years. Somehow their voices found each other and it was inevitable that this was the beginning of something that needed to be heard. This dynamic duo are passionate storytellers who have only just begun to tell their story. Their new single, ’Purple Dreams’, is ultimately a love song that depicts the story of two people desperately searching for a kindred spirit who has the ability to love honestly and see them for who they truly are. “The song started out very different in the beginning, the guitar melody was a lot darker. I asked Lea to write the second verse and somehow she came out with this completely different vocal melody... I rewrote the guitar parts and

Spiral Stairs - Dance (Cry Wolf). Background - Spiral Stairs (Pavement's Scott Kannberg) will release his second album under that name, Doris and the Daggers, on March 24 on the Nine Mile label in the US, on Domino in Europe and on Coolin' By Sound in Australia / New Zealand. This week he has shared the first single and video from the album, "Dance (Cry Wolf)". The video stars Jason Lytle of Grandaddy who plays the part of Spiral Stairs in the video. The album features guest appearances from Matt Berninger of The National, Broken Social Scene's Kevin Drew and Justin Peroff, Kelley Stoltz and Shudder To Think's Adam Wade. Spiral Stairs has also launched a Pledge Music campaign where fans will have the option of buying archival Pavement and Preston School of Industry merch and memorabilia (or a DJ set, private show, trip to IKEA or a round of golf with Scott) along with their pre-order of Doris and the Daggers. The Real Feel – the Pavement guitarist and Prest

Joe Goodkin - Never Come Back. Background - Joe Goodkin’s musical career took an unusual turn when he wrote a thirty-minute adaptation of Homer’s “The Odyssey” for voice and guitar. For years now he has been a travelling bard performing this piece all over the country. It’s the same ethos that has worked its way into his trinity of EPs, starting with Record of Life and now continuing with Record of Loss. If you’re unfamiliar with Record of Life, the 6-song EP is an extremely personal record—sorrowful, profound, and a reminder of the human condition. It’s a visual record in that his lyrics provoke powerful imagery and have you examining your own life in the process and taking comfort in the fact that you aren’t alone. Record of Loss is conceived of as the first side of an eventual piece of vinyl... one side is called Record of Loss, the second side (to be released in summer 2017) will be called Record of Love --as in, Love and Loss are the two sides of Life—to complete a trilogy with