BEEHIVE CANDY

Trudy and the Romance - Is There A Place I Can Go. Background - Somewhere among the daydreamers and heartbreakers, beauty queens and jock teens, Trudy and the Romanceare looking to lure you into their suitably skewed, cinematic world. On new single Is There A Place I Can Go’, the trios dubbed Mutant 50s Pop takes a more contemplative turn. The single is part of their Junkyard Jazz EP, which will be released through B3SCI on November the 17th.  From character creation to alter-ego exploration, Trudys overtly-romanticised, technicolour realm runs deep. Like David Lynch dicing and splicing Walt Disney film reels, Junkyard Jazz EP is a larger-than-life introduction to their saccharine sound, right through to the Grease-style illustrations by LA-based artist Hello Thunderpuss. Their upcoming Junkyard Jazz EP - recorded in former vicarage, Stockports Eve studios with producer David Pye - takes its title from another genre they use to describe their seemingly hotchpotch influences. “Ou

Lachlan Vines - This Could Mean The End. Background - Lachlan Vines combines soulful, emotive vocals with rich, colourful, modern sounds. His fusion of Rock, Soul, Pop and Electronic music provides truly original songs from the Sydney-sider. Lachlan was born and raised in Inner-West Sydney where, as a die-hard Muse fan in high school, he started teaching himself to play piano like Matt Bellamy. Though piano was and still is his first love, as he went deeper into music and song writing he found a need to branch out to more varied means of musical expression, namely the electric guitar, which he learnt by listening to the likes of John Mayer and Stevie Ray Vaughan who taught him above all else the endless melodic and expressive potential of the guitar solo – a lesson Lachlan sure puts into practice with devotion, as can be heard in his new single, ‘This Could Mean The End.’ ‘This Could Mean The End’ was written, produced and recorded by Lachlan Vines at his residence in Glebe, Sydne

Twin Seas - Alpha Pup. Background - On Friday, September 29th, LA Dream-pop newcomers -- Twin Seas -- will release their highly anticipated debut self-titled LP.  Following in the footsteps of fellow East-LA creatives, Chicano Batman, Twin Seas has built a strong following in the SoCal area, playing to energetic, dancing crowds! Out of the East LA creative hotbed, Twin Seas was born. Inspired by 80s new wave, 60s psychedelia -- and of course, their own Latin roots -- Twin Seas creates a fresh soundscape that leads the listener on a voyage of warm tones and sun-kissed melodies.  After forming in 2016, Twin Seas have made a name for themselves in the LA indie rock scene, playing to excited and loyal audiences all over the SoCal area. The crowd can't help but dance when the band breaks into favorites such as "Surf Wave", "Machine Gun", and "Alpha Pup." In a short time, the band has perfected the art of live performance.  Twin Seas completed their

We Used to Make Things - Yes Man (no no no). Background - We Used To Make Things are an East London based band, the product of a fusion of influences as diverse as ELO and The Beatles, taking in Indie Rock, Punk and Horns along the way to create an explosion of sound, perfectly exemplified by new single 'Yes Man'. The song is a about embracing the powerlessness inherent in our modern lives before a chaotic and angry eruption of sound rallies us with a battle cry against apathy, a catchy earworm of dissatisfaction. The band chose a name to hint at their disillusionment with post-industrial Britain but also more personally about a danger that accompanies adulthood, that of losing the ability to play, make mistakes, be creative and ultimately, make things. The songs on their album are shaped by warm, witty lyrics about dissatisfaction, personal politics, open plan offices and the kind of characters Mike Leigh and Pinter would be proud of. It is in turn funny, poignant and

A Million Machines - Come Tonight. Background - LA-based synth pop outfit A Million Machines have announced they will release their first full-length self-titled record in November 2017, preceded by the single ‘Come Tonight’. Featuring 11 tracks, this album is a synth pop kaleidoscope, densely layered in clean, modular synthesizers and a heavy melodic aesthetic between light and darkness.  ‘Come Tonight’ is a pulsating electronic burner that echoes Depeche Mode in its technical attack of modular synths, coupled with passionate male vocals. "This song encourages an awakening to the state of the world. An awakening to prejudice, corruption and human rights. An awakening to a revolution," says vocalist Fate Fatal.  The entire debut album is, in essence, a blast of heart-thumping beats, stomping propulsion and intoxicating melodies. Fatal injects his gloomy obsessions with an ultra melodic harmony, abetted by MIG, a conscientious technician with an understanding of the inn

Pageants - Chai (חַי‎). Background - Pageants' (members of Avi Buffalo, Cherry Glazzer & Best Coast) first single "Chai ( חַי)" has just been released. This teases their upcoming album 'Forever' which will be dropping November 3rd. Pageants was formed by Rebecca Coleman in the aftermath of leaving Avi Buffalo (Sub Pop) in 2010, a band in which she was a founding member at the age of sixteen. Frustrated with clashing personalities and differences in musical sensibility, she, along with two other Avi Buffalo defectors, set out to revive the simplicity and spirit of earlier days. Diaristic yet dreamy and abstract in nature, her songs merge pop levity with melancholic lyrical undercurrents.  Collaborating with boyfriend Devin O’Brien to flush out demos, their debut LP, ‘Forever’ was close to completion in 2015. When label interest around the album hit a wall, the band decided to hold off on finishing the record while pursuing other opportunities.  Coleman

Desert  Mountain Tribe - Interstellar. Background - London based alternative/indie rock trio Desert Mountain Tribe are releasing the song ‘Interstellar’ from their 2016 debut album ‘Either That Or The Moon’ as a new single. It coincides with the band’s appearance at Manchester Psych Fest 2017 on 2nd September.      Edited from its original nine minute duration to just under five, the BVB Version of this epic track also boasts a superb video directed by Daniel Turner of Sound & Colour. Turner explains the extraordinary camera method employed on the promo clip as follows : “It is effectively made to look like one single shot - going from wide to super close up, with the band rotating on a stage, speeding up and slowing down in a sort of ‘Matrix’ effect, with lights flashing and streaking in sync with the music. Together with my Director of Photography, I have developed a way to use multiple cameras to make a super-huge frame that we can zoom in and out of, and a way to time al