Background - Rising garage rockers Gaffa Tape Sandy launch their punishing new single Meat Head, building on their brand of high-octane, adrenaline-fuelled rock ‘n’ roll delivered with a vital message.
“Meat Head was written as an attack on the type of mind-sets people harbour which involve believing that they somehow own or have the right to the body of another person”, the band stated. “The song is intended to be a pointed finger, an accusation and a vexed comment aimed towards reckless attitudes that exacerbate rape culture. It’s a topic we feel strongly about, and so wanted to perform with passion and indignation”.
With drummer Robin Francis’ viciously executed pre-choruses and bassist Catherine Lindley-Neilson’s fierce vocal delivery, the subject of the song can be widely felt within the performance just as much as the lyrics, adding to the wave of momentum surrounding the trio heading into the summer months.
One of NME’s 100 Essential Acts for 2018, the Bury St. Edmunds outfit have already toured across the UK with Indoor Pets this year and will be hopping all over the festival circuit with imminent slots at Latitude (BBC Introducing) and Y Not following raucous displays at The Great Escape and Live At Leeds. WEBSITE.
Feisty garage rock with plenty of punk attitude oozes throughout 'Meat Head' a sub three minute sonic blast of timeless and sincere "message attached" no nonsense rock.
Background - "Falling" is the second single to be taken from the forthcoming debut album by Allo Darlin' drummer Mikey Collins. Hoick is due out via Fika Recordings on 17 August. The song is a bright, upbeat pop number with call and response vocals provided by Laura Kovic from Tigercats. It is about Mikey proposing to his wife, something he swore blind he'd never do.
The video was shot on a summer's day in London, bringing the track to life, adding colour and movement, featuring the dancer Dessy Adesuwa, who choregraphed the piece herself. As Mikey explains; "London always shows it's best side on a sunny day and we shot the footage in ten hours around Little Venice, Fitzroy Square and St James Park... much to the joy of many onlookers."
Mikey explains further about the song; "This is about the process of proposing to my wife. About how I changed my opinions on marriage and how I changed my mind from it being something that I never wanted to do to being something very important to me!"
With Hoick, Mikey Collins combines his love of solid grooves and joyous harmonies to create a fun and sonically varied record. Mikey played most of the instruments and mixed the record himself, with some assistance from Laura Kovic (Tigercats) on vocals and fellow Allo Darlin' member Paul Rains on lead guitar. The flicker of his previous band provided the building blocks of an upbeat, positive record, but Mikey wanted to add his own quirky, disco spin & sonic expansiveness, aided by co-producer John Winfield (who has worked with Jimmy Somerville), with the aim of making a record that people stood a chance of being able to dance to. To create this eclectic sound, Mikey draws on influences are as far flung as Dexy's Midnight Runners, Bruce Springsteen & Todd Rundgren as well as more current artists such as Night Works, Matthew E White and Father John
It was a real pleasure to share the first single from Mikey Collins and the second one 'Falling' is equally special and pleasing to feature. Once again we are treated to some refined pop sensibilities, the smooth delivery and upbeat lilt, is taken up a further notch by the dual harmonies, and the video really is "the icing on the cake."
Background - LA-based, post-punk band Polyplastic have released their new EP, Not No. Polyplastic is the project of Los Angeles natives Charlie Ellis and Emily Ibarra.
Inspired by his time as a welder in North Philadelphia, Ellis’s songwriting is influenced by industrial and post-punk genres, marrying lyrical melodies with angular guitar lines and a driving rhythm section.
With a few bare-bones demos, the band started playing shows in LA and touring the US, supporting acts such as Wolf Alice, Ryley Walker, Draemings, and Tennis System. Polyplastic have released a few one off singles over the past few months, leading up to the release of their EP, Not No, due out June 29th. The band will be touring nationally, in support of the EP. TWITTER.
The single from Polyplastic's brand new EP 'Not No' is 'Next Slide' which exclusively includes 'Memphian Circles' as the B side. The band develop intriguing post punk orientated music where the vocals are just right for the genre adding depth and passion, whilst the musical backdrop is solid and robust.
Background - The sounds of Portishead, Mitski, Beirut, Beach House, and Angel Olsen have been key to the formation of Moon Panda. After the duo of Californian songwriter Maddy Myers and Danish guitarist Gustav Moltke decided on the talents of Bristolian synth player George Godwin and London-based percussionist Alfie Webber to join them, they settled on Brighton in 2018 as their creative base to launch Moon Panda.
Their debut single ‘Rabbit’ released June 29th on boutique record label My Little Empire is an impressive introduction with dark undertones. “Rabbit is about unhealthy love.” Myers explains. “It’s someone so infatuated with their partner that they can’t end their tragic, dependent relationship.” Inspired by a character formed in Heiko Julien’s collection of wit-filled 21st century love poems ‘I’m Ready To Die A Violent Death’, Myers looks to personify the atmosphere evoked. “I wanted ‘Rabbit’ to feel quite hypnotic and have some edge. Like a predator lurking around.” The single was produced by Cameron Blackwood who has also recently worked with the likes of Florence & the Machine, The Horrors, British Sea Power, and London Grammar.
Moon Panda create a hypnotic, mellow soundscape, with lush electronic harmonies and dense drums that weave throughout and leave an instantaneous desire for more. The fragility and sensitivity felt in ‘Rabbit’ has been part and parcel of Myers’ songwriting journey throughout her life. In fact, she was sparked into first picking up a guitar at 16 after her self-confessed sweetly sheltered childhood saw its first glimpse of the real world when her treasured adolescent possessions were stolen from a broken into car. “I had a really charmed, kind, upbringing and it was the first time I’d ever really felt cruelty,” explains Myers.
With a mismatch of influences including the misunderstood maverick composer Charles Ives, the intricate, technical guitarist Erik Mongrain, and US alt-lit writer Heiko Julien, it might come as some surprise that Moon Panda create such beautifully relatable songs - but it results in a perfect balance of intrigue and understanding. WEBSITE.
The musical landscape is uncomplicated and could even be described as precise on 'Rabbit'. The vocals are alluring to say the least, and all elements combine to give a lush a distinctive sound. There are influences and comparisons to be made, these however are positive as the result is a song that seemingly begs to be heard again.
Background - Hannah Featherstone is Franco-British artist. Her voice glides through styles and ranges. Her piano sets a steady groove. Her music blends the catchy riffs of electro pop with the off-beat meanderings of jazz.
Born in England and raised for the most part in France, she's never been able to choose between the two countries and finds herself most at home somewhere in between. Brought up in a family of musicians, she was naturally immersed in music from the start. Her extensive experience of singing in classical and gospel choirs, but also in jazz, world music and pop ensembles, has nourished an eclectic and unique sound.
Hannah makes herself at home on any stage, in both small and large venues, fashioning her own space with a relaxed vibe that quickly spreads to the audience. As a result, every performance ends up feeling like a real heart-to-heart between her and the audience, varying in number from tens to thousands.
Her new album, Word Bound, explores both the creative and reductive power of words, using her lyrics and their musical setting to reach beyond what meets the eye. What is left when labels are stripped away?
What's in a name, opening track from album Word Bound, is both quirky and catchy. Seemingly playful, this song takes a jab at the incessant urge to label one another and the pressure to prove our worth through status. "Beyond the glitz and the glam that we feign, everyone tries to differ... Are we not one and the same?"
In collaborating with young French music producer Estienne Rylle and with established drummer David Allevard, Hannah Featherstone has developed a subtle and powerful electro backdrop for her pop-jazz harmonies. 'Word bound': a truly authentic and disarming album has just been released. WEBSITE.
Electro pop with plenty of class, is probably an understatement on 'What's In A Name' simply because of Hannah Featherstone's sublime vocals. They add a subtle jazz dimension to the song, indeed they are outstandingly melodious and combine seamlessly with the soundtrack, this one is very memorable.
Background - Sydney's Slow Culture share new single 'Idle Motion' Atmospheric and beautiful, Slow Culture's eponymous debut EP is awash in rich, ambient tones and captivating melodies. Juxtaposing the complexities of jazz, the hypnotic rhythms of psychedelia and the effective simplicity of alternative rock, the Sydney four-piece have poured an ocean of imagination into their debut, resulting in four majestically idiosyncratic songs.
Opening to the sound of chatter and eerie synths, Idle Motion is the first single set to be launched on July 20. An infectious vocal melody and a relentless groove blend with the instrumentation, paving the way as the song displays the group’s elegance and unfiltered energy.
Engineered by Richard Lake and mixed by Steve James, the new material is as sonically textured as it is meticulously written. The delicacy of the band's nuances are captured and presented perfectly in balance with their outright intensity. Layering lavish, reverb-soaked vocals atop sophisticated beats, every track has unshakable foundations, around which the band paint texture upon texture.
Comprised of Jack O'Neale (vocals/guitar), Ben Grover (drums), Leon Moore (guitar) and Payton Ellis (bass), Slow Culture are unafraid of treading new ground and Idle Motion takes them down this very rewarding path. FACEBOOK.
'Idle Motion' opens with a post rock feel, partly due to the more sombre vocals immersed in a guitar laden surrounding. The energy and vibrancy increases, and their chosen description of alt rock becomes more fitting, as does the recognition that this is an imaginative and beautifully crafted song.
Background - Los Angeles-based rock goddess Jesse Jo Stark releases her highly anticipated debut EP Dandelion today. The album was written and produced by Jesse Jo, her guitarist Thomas Hunter and Dan Taylor (The Heavy). Steve Jones (Sex Pistols) also makes a special appearance on guitar for the lead track, “Dandelion.” The vibe of Dandelion is on brand – spooky and beguiling, with nods to rock and roll, blues, and old country.
Jesse Jo Stark is the femme fatale alternative music has been starving for. If Nick Cave and Elvira had a one-night stand, she might be the resulting progeny. Her last 5 singles – “Down Your Drain,” “Driftwood,” “April Flowers,” “Deadly Doll” and “Fire of Love” – have generated over 1 million Spotify plays and earned praise from fans and critics alike.
Jesse Jo has also secured her place as an emerging voice in rock with her scorching live shows, opening for Guns N’ Roses, Jane’s Addiction, headlining her own month-long residency at The Echo in Los Angeles and supporting indie darlings Sunflower Bean on a six-date domestic tour.
A lifetime music obsessive schooled at the altar of David Bowie and Fleetwood Mac and a born rock star, she represents the future of rock with a wink to its past. Jesse Jo Stark will release her first full length record this September. TWITTER.
We featured Jesse Jo Stark a couple of times in 2017 and the new song 'Dandelion' is the first of five tracks on the EP of the same name. Once again the atmospheric rock vibes are present throughout, as are the melodic hooks and her natural and appealing rock vocals.
Background - Joey Sweeney is a Philadelphia-based songwriter who has been writing songs and prose since in the 1980s. Over the years, he has fronted the influential Philly bands The Trouble With Sweeney and The Barnabys, as well as recording and performing as a solo artist. The Neon Grease’s sound is rooted in a nighttime city vibe of rain-slicked streets with neon signs’ glow reflecting off them. It’s an album very much about the cities, and the way Sweeney's city or your city is changing. You could say the city is the central character, but there’s also much about falling in and out of love, being with your friends and not being with your friends... all against the backdrop of looking for some kind of grace, while down the street, they’re tearing the old church down.
His songs and records have received widespread critical acclaim over the years; of his last record with The Trouble With Sweeney, Fishtown Briefcase. Sweeney’s songwriting draws inspiration from sources as disparate as 1970s Philly nightlife folklore and Denis Johnson’s The Incognito Lounge. In their new songs, chiming guitars, classic rock sax solos and rainy bedroom Velvet Underground listening sessions all blend together. In these songs are little stories of triumph over dirty circumstance and grace under pressure, with the friendship of an urban family “street band” woven throughout.
Joey’s sharing “And Soon” the lead single from Catholic School that features Renée LoBue of Elk City on vocals (whose new album Everybody's Insecure is out now on Bar/None). Sweeney wanted to write something beautiful and hopeful about the experience of coming out of loss, saying “I liked the idea that ghosts could turn friendly, and that in grief you could have the kind of grace that Sandy Denny has on Who Knows Where The Time Goes? (which is referenced in the song)."FACEBOOK.
The musical arrangement is thoughtful and beautifully laid out, giving distinction to each instrument as they shine through with style. 'And Soon' is a gently flowing song, where the vocals and duet are peaceful and dreamy, an alt rocker of sorts, this is music of real class.
Background - Scottish Fiction Records are proud to present strong suit; the third single to be taken from Glasgow indie four piece wojtek the bear's debut album a talent for being unreasonable.
Previous singles made out of maps and oil & water have both received airplay from the likes of Roddy Hart and Janice Forsyth on BBC Radio Scotland, Tom Robinson on BBC 6Music, and Amazing Radio.
strong suit is a stripped back duet weaving the tale of a warring couple trading lyrical blows and features an incredible vocal performance from the band's Scottish Fiction label-mate Annie Booth. Of the lyrics lead singer Tam Killean describes the track as being "probably the most viscerally honest thing I've ever written. I think we've all been in fights or arguments in relationships before where if we were to stop for even just a second we'd realise how pointless or unproductive it was. I'd wanted to write an old style country & western duet for a while now and when we got Annie in to work with us we knew we had something special."
strong suit is released digitally on 27th July 2018 via Scottish Fiction Records. TWITTER.
We shared 'oil & water' back in May and are really pleased to be able to feature the third single 'strong suit' ahead of the bands debut album release. The band have developed a consistently distinct and attractive sound, that lingers somewhere between indie and alt rock. The vocals and harmonies are notable, there is a sense of earnest intent that adds a level of drama, and the music might be slightly understated, yet it remains fabulous.
Background - AK Patterson have released the video for ‘It’s Not Over Till They Cry’, lifted from the band’s forthcoming debut EP ‘Shadows’, which is produced by Charlie Andrew (Alt J, Marika Hackman) and due out on 15 August, 2018 through East City Rockers in partnership with Andrew’s own Square Leg Records. Following a support slot for Alt J earlier this year and appearances at The Great Escape and Dot To Dot, AK Patterson have further summer festival dates lined up including Latitude and the Cambridge Folk Festival (full run of shows below). The band are sharing a new track every month in the run up to the EP’s release, with ‘It’s Not Over Till They Cry’ following previous releases ‘Shadows’ and ‘Lady Greyling’ - watch here.
Speaking about the surreal video for the slow-spooling waltz, singer Alex Patterson says; “‘It’s Not Over Till They Cry’ is about being a performer, the pressures of having to deliver something emotional and moving every time, but also the desire to do so. It's also about why people or an audience are drawn to dark melancholic things. There are a lot of references to the theatre - I love the dark underbelly the theatre has, the drama behind the curtain, the desperation in performers eyes which is often covered up by glitz and glamour.”
AK Patterson has been dubbed a ‘woman possessed’, disappearing to a place of fierce enchantment each time she sings. The foundations of Patterson’s voice - which switches from a whisper to flashes of emotion - were laid growing up in a music-obsessed household in suburban Cambridge. The likes of Jeff Buckley and Bjork were played heavily, alongside a more unpredictable love for Portugal’s traditional Fado singers. A curiosity for the unknown was deepened by travels including a period spent by Patterson living with monks in Japan.
An accomplished guitar and fiddle player, she and her bandmates, Alfie Weedon and Nat Reading, build a rich musical world. Classically trained, Weedon provides backing vocals and versatile double bass playing, having previously spent time in Senegal living with the country’s traditional Griot musical storytellers and poets. Reading’s restless multi-instrumentalism meanwhile, has led him to play everything from Balearic pop to classical guitar with the National Youth Guitar Ensemble. WEBSITE.
Live Dates: 15 July SOUTHWOLD Latitude Festival 20 July SALISBURY Larmer Tree Festival 4 August CAMBRIDGE Cambridge Folk Festival 27 August KETTERING Green Belt Festival
Our second feature for AK Patterson is 'It's not over till they cry' which follows on from 'Lady Greyling' which we shared earlier last month. Once again we are treated to some soft and quite enchanting music accompanied by intense, emotional vocals. As the drama of the song unfolds, something of a mini epic arrives both musically and with the video, just two songs in, and I am really up for the arrival of the new EP.
Background - Welsh rock trio The Joy Formidable are returning with yet another huge step forward, in the shape of upcoming fourth album “AAARTH”. Propelled by their restlessness and curiosity, the band continue to sit at the forefront of inventive and aggressive guitar music, taking what can be done with the instrument to new levels with each album. Still commanding festival mainstages around the world, and following a rapturous response to their sold-out UK live return at last week’s Robert Smith-curated Meltdown Festival, the band are now able to share full details of the album, along with brand new single “The Wrong Side”. It was premiered on Radio 1 by Huw Stephens last night said "it's brilliant isn't it... a pleasure to bring you that this evening… I’m really looking forward to seeing them at Reading & Leeds.”
The Wrong Side” follows recent single “Dance of the Lotus” and is a lurching, hulking giant of a track that aligns and progresses all of the band’s best qualities – a crushing, intense rhythm, remarkably inventive, snaking guitar work, and a soaring vocal melody – pushing things forward on an album that promises to be their most vibrant and experimental yet. Lead singer and guitarist Ritzy Bryan explains; “With life not always being that kind, you can either go down a really dark hole or you can smear yourself with colour and reverie and try to forget. That’s what we did with AAARTH; we threw ourselves into this beautiful vivacious collage of experimentation, real meets unreal, and stopped giving a fuck about things that didn’t matter, and started caring more about the things that are worth your time.”
“AAARTH” marks a transformative, near-psychedelic rebirth that channels long-held anger, soundtracking a chaotic global period of injustice and division, setting it against a deeply poignant backdrop of personal experiences and healing. Although the album came into being as the band travelled the globe and recorded in their mobile recording studio, the music intertwines the whispering hills of Wales with the otherworldly rainbow canyons of the Utah / Arizona border. “AAARTH” unites the personal with the mythical and symbolic, as Bryan continues; “We’ve definitely made a colourful, mystical collage with this record, partly because of our surroundings. Those multi-coloured sunsets & the primeval elements of nature in the Southwest – it’s emboldened our imaginations in the songwriting and the production. I love stories and seeing symbolism and meaning change with different cultures and interpretations. I see it in my lyrics, a lot of the imagery plays on being ambivalent because I’m often expressing a lot of things at once. That’s true of the title; it falls somewhere between a scream, an exaltation, a play on words, and then this motif of the bear (“arth” in Welsh) that spiritually represents strength, wisdom & healing.” WEBSITE.
Energised and gorgeously tight guitar and drums and determined yet melodic vocals ensure that 'The Wrong Side' is very quickly digging it's rhythmic hooks in deep. The song gradually increases it's intensity, this is one hard to ignore rocker.
Background - Berlin is in love is the second single excerpt from Nicht Vergessen, the forthcoming album of Neapolitan band Starframes. Dreamy guitars, familiar melodies, magical riffs and synth pads coming from new wave tradition paint a perfect background for the main characters of the story, Friedrich and Akelei. They walk through the streets of Berlin, full of love and high thoughts and fly over the threat of war for a little while.
Just as the other tracks, Berlin is in love is directly related to the homonymous chapter of the novel, written by Raphael Bramont, voice and guitar of Starframes, that will follow the album release. The story takes place in Berlin from the 1940s up to contemporary days and gives a wide view on modern society by following the dramatic life events of main character Friederich Braun.
The video was directed and mixed by the members of the band and combines some original faces of guys playing in the streets of Berlin during 1961 with coloured and evoking flashing lights that move faster and faster as the song builds up.
Active since 2004 and based in Naples (Italy), Starframes released their debut album Street Politics in June 2009 (Mile High Music Records, UK), follow-up Ethereal Underground in January 2011 (BulbArt, IT), and self-produced EP Unwired in summer 2014. Nicht Vergessen is set to be released in autumn 2018. FACEBOOK.
'Berlin is in love' has a rich and expansive musical backdrop allowing the smooth melodic vocals to embed themselves deeper in the mix without distraction. There is plenty of personal feeling throughout the piece, and the forthcoming album should be a good one if this teaser is anything to go by.
Background - With a groundswell of support greeting their arrival on the Yorkshire music scene in late 2017, Leeds-based six-piece Talkboy share their eagerly anticipated debut offering Mother, more than living up to the hype.
Combining their playful indie rock with captivating melodies and layers of vocal harmonies, Talkboy shift between euphoric walls of noise and intimately sweet soundscapes. They show a real glimpse of their unbridled potential in this first release.
Drawing immediate comparisons to the likes of The Big Moon and Alvvays, the sextet have already delivered stellar displays at Live At Leeds and Gold Sounds alongside a sold-out BBC Introducing showcase (curated by Abbie McCarthy) with more dates in the pipeline. Produced by Alex Greaves (The Orielles, The Boxing, TRASH), Talkboy’s Mother is out now and available on all digital platforms. TWITTER.
Dual vocals and fresh and refined indie rock music are the hallmark of 'Mother' a song that helps define what catchy actually means. Talkboy have something special going on here, it's uplifting and as they cleverly mix power, refrains and melody together, the result is some rather addictive music.
Background - Leeds quartet Far Caspian unveil new single Let’s Go Outside, the second track taken from their forthcoming debut EP, out via UK label Dance To The Radio. Following on from the majestic Holding On, which turned heads when it drifted into the online sphere’s consciousness, Let’s Go Outside reaffirms the band’s knack for hazy, infectious dream-pop.
Whilst Far Caspian have been based in Leeds since formation, frontman and guitarist Joel Johnston has only recently moved over to England from his native Ireland. This upheaval provides the basis of Let’s Go Outside’s themes.
“Although it's a pretty upbeat instrumental, the lyrics touch on depression and feeling far from something you could call home,” he states, “The whole EP is loosely based on my experiences of moving to England and feeling a disconnect to living in a new city for the first time.”
Referencing this dichotomy between themes and music with the playful self-nominated tag of ‘melanjolly’, Far Caspian’s wistful sound calls to mind the likes of Local Natives, Real Estate, Grizzly Bear or Band of Horses. However where those bands’ textures lean on the symphonic side, the lo-fi origins of the project in Johnston’s university halls, before Nath Sayers (guitar), Alessio Scozzaro (bass) and Jof Cabedo (drums) came in to complete the line-up, lends Far Caspian’s sound a comforting, insular edge.
However there’s a simpler catalyst too for the upbeat elements of the song: “We recorded and mixed the track, along with the rest of the EP in our basement. When we were doing 'Let's Go Outside' there was a crazy snow storm going on, I think it was about 1 degree in that room. That's probably why it's a bit faster than the rest of the tracks.” TWITTER.
'Let's Go Outside' is rapidly gaining some much deserved attention ahead of the bands debut EP. Far Caspian manage to mix hook laden dream pop with an upbeat feel. This is both refreshing and relaxing, with the bonus of having a level of energy that gives the song that little extra "something" to make it stand out.
Background - Central Virginia’s band of brothers Sons of Bill release their new album 'Oh God Ma'am' on 29 June on Loose. Now, with just a few days left before the record is out, the band have shared album opener 'Sweeter, Sadder Farther Away'.
'Oh God Ma’am', Sons of Bill's latest LP is the band’s most coherent artistic statement to date-- subtle, risky, and sonically ambitious. Recorded both in Seattle with west coast indie legend Phil Ek (Shins, Fleet Foxes) and in Nashville with Sean Sullivan (Sturgill Simpson) and mixed by Peter Katis (The National, Interpol) the album shows the Wilson brothers moving beyond the galvanic americana-rock comfort zone of previous efforts, for a more elegant and restrained sound-- a darker, and more complexly layered rock record that manages to be the band’s most emotionally intimate and sonically expansive.
Insistent, dancey rhythms and dreamy, hook-filled, pyrotechnics abound, creating a deceptively anthemic mood around songs that are in and of themselves intensely introverted.
'Oh God Ma’am' is a coming-of-age record for an over-stimulated age-- equal parts post-adolescent anxiety and old-soul humility-- literate, gorgeous, and darkly contemplative. WEBSITE.
Sons of Bill will tour the UK and Europe in August: Mon 13th - The Hope, Brighton (UK) Tues 14th - Omeara, London (UK) Weds 15th - Tunnels, Bristol (UK) Thurs 16th - Brudenell, Leeds (UK) Fri 17th - Broadcast, Glasgow (UK) Sat 18th - Soup Kitchen, Manchester (UK) Sun 19th - Rescue Rooms, Nottingham (UK) Tues 21 Aug - Blue Shell, Cologne (DE) Weds 22 Aug - Milia Club, Munich (DE) Thurs 23 Aug - Musik & Frieden, Berlin (DE) Fri 24 Aug - Stage Club, Hamburg (DE) Sat 25 Aug - Once In a Blue Moon Festival, Amsterdam (NL).
Our third feature for Sons Of Bill in less than a couple of months tends to suggest we are already pretty keen on the bands album 'Oh God Ma’am' due out this coming Friday. So hot on the heels of 'Easier' and 'Firebird '85' we now have the latest song share 'Sweeter, Sadder, Farther'. The song exists somewhere between alt rock and something a little deeper and personal, it's also immersed in emotional feeling, and really does emphasis that this band are comfortable, outside of their comfort zone, if you get my point.
Background - Moon: Heavy, melodic, spacious; echo-laden guitars; post-rock bass; shifting time signatures; haunting ethereal vocals. Moon formed in 2010 when drummer Chris Schneberger met guitarist and vocalist David Azizinamini through Craigslist and invited a bassist he'd tried out with before. The sound they made was instantly cavernous and chiming. After writing a few songs, the sound of the band grew heavier and more propulsive.
The group played some initial shows in small clubs in late 2010, and early 2011. After an early EP, Started In The Dark, Moon recorded their debut album in 2012. Finding and Losing the Light featured six songs including the titular two song suite.
Bigger shows followed, opening for Sleepy Sun and Hounds Below at Chicago’s Double Door, opening for Driftless Pony Club at Subterranean Chicago, Blood Red Shoes at Subterranean and Kinski at Subterranean. In addition, Moon headlined their own show with local bands Nature Show and Royale. In 2012 Moon recorded their follow-up EP, Always Summer.
Their original bassist decided to follow his dreams and left for Brooklyn at the end of 2012. After an exhausting search, Moon found new bass player Chris Shen, formerly of A Birdsong Valentine. Moon released their third album, Extinction, on June 8, 2018. BANDCAMP.
If your in the mood for some extremely fine rock music that's not stuck in any one particular genre, then the album 'Extinction' from Chicago band Moon merits further inspection. Whether it's alt rock, prog rock, or modern indie rock, Moon comfortably excel. Plenty of energy is matched by some notable melodic hooks and the vocals impressively soar above the tight and gutsy rock and roll. This is one of those unpretentious albums, where the band enthusiastically present us with some timeless, well crafted rock music to be reckoned with.
Background - Following on from the critical praise she received for her debut single ‘Wings’, Brooklyn-based dream pop artist Kirsten Knick aka Völuspa has now returned to deliver her next beautifully ambient release, ‘Feel You’.
Much like her work to date, ‘Feel You’ occupies that tentative bridge between ethereal ambience and a lucid dreamlike experience that aims to excite the hairs on the back of your neck. Mixing a light piano-led feel with minimal percussion, the front woman conjures up a feeling of pure warmth that touches the soul as she manages to breathe life into every beat.
Having cut her teeth as an artist by performing with the likes of Spiritualized and Hot Chip over the last few years, Völuspa is seen as more of a Beach House meets Lana Del Rey kind of artist. With already a strong buzz floating around her, ‘Feel You’ looks set to be the sound that defines her and the path she has set up for herself.
Völuspa on the new single: "Feel You was written in response to the calls of a loved one heard through the wind coming from the mountains in Montana. The song is about our infinite existence and how death is just an illusion." ‘Feel You’ was released last Friday via Icons Creating Evil Art, and is due to become the start of a very busy year for her. WEBSITE.
The song begins in a low key and gentle musical manner, before being joined by some distant, dreamy and enchanting vocals. Understated dream pop throughout, 'Feel You' is calm, with a warm emotional vibe, it's one of those, stop everything and listen tunes!
Background - Indie surf rock outfit Dentist have announced they will release their third album 'Night Swimming' via Cleopatra Records on July 20. Dentist centers around the songwriting partnership of Emily Bornemann (vocals and bass guitar) and Justin Bornemann (guitar), who had been writing songs and performing together in various ways since first meeting in 2008. The band is rounded out by Matt Hockenjos on drums.
Rightfully earning their place as one of New Jersey's buzziest bands, Dentist was named one of the top 10 bands at this year's SXSW by Mercury News and a darling of critics at NPR, Stereogum, Flood Magazine and more.
The new 'Night Swimming' album juxtaposes catchy indie surf pop with lyrical themes about social anxiety and heartache. ' Night Swimming' showcases an aggressive approach to their beach inspired pop with lyrics covering the spectrum of human emotions. Produced by Andy Bova and Justin Bornemann, this album was mastered by Jürgen Engler (Die Krupps, Nico, Iggy and The Stooges, Queensryche).
"This album was an attempt to capture all the different aspects of ourselves and create something that we would want to listen to," says Justin Bornemann. "Musically we are attracted to rawness and simplicity, but melodically we lean towards a pop aesthetic. The lyrics tend to be focused on social anxiety, heartache and loss, but sometimes reveal love and optimism," adds Emily Bornemann. WEBSITE.
One of eleven tracks on the new 'Night Swimming' album 'Corked' provides something of an idea of what is in store. Described as indie surf rock, the emphasis for a good number of the songs is rock, often with a driving beat and some vibrant energy. Hooks and melodic arrangements are almost always present, and when the band ease of the gas, they do create some beautiful indie surf vibes.
Background - "I See Sadness" is the new single from English musical visionary, producer and songwriter Paul Steel, taken from his forthcoming concept album Carousel Kites. One of the most poppy and accessible tracks on the album, Paul describes it as basically a rewrite of Pixar's Inside Out. We see our protagonist "I" coming to the end of his kaleidoscopic journey of redemption with a new lease of life. As he explains; "I went about living my days positively. When I observe the people around me I see sadness in all of them. It's not all I see but it felt good not to be alone. Sadness is a crucial part of happiness, only before I wallowed in it rather than using it as a springboard to get what I want in life."
Carousel Kites is the second album from musical visionary and songwriter Paul Steel. A mere ten years since his extraordinarily ambitious debut as a nineteen-year-old April & I, the new album sees a triumphant return with an irreverent and excessive assault of psychedelic pop - a loose concept album reflecting his rocky trajectory through the quagmires of the music industry, finding salvation through a Mr Ben-inspired shop portal. The intervening years saw him hailed as the second coming of Brian Wilson, endorsed by luminaries such as Andy Partridge from XTC, Van Dyke Parks, Stephen Kalinich and Sean Lennon, he was signed to and then unceremoniously dropped by a major label for not being commercial enough, and then finding regular work as a jobbing songwriter for the likes of Mika and Empire Of The Sun and numerous battery farmed pop sensations. His music also features in the Oscar winning film The Shape Of Water by Guillermo Del Toro.
Carousel Kites had a working title of April & II (only works written down) with a fleshed-out narrative that starts with the very same 'I' from his debut record of ten years ago, now grown up and miserable in April's absence, standing on the edge of Beachy Head about to end it all. He’d not only lost his sole source of inspiration but also his will to carry on. Pulled from the precipice Carousel Kites proceeds to tell the story of his salvation through a Mr Ben inspired fantasy shop door where he enters a kaleidoscopic Faustian nightmare encountering grotesque characters of his own making before eventually stumbling upon his own take on happiness, living forever in his dreams. FACEBOOK.
Paul Steel's musical creativity and determination to go with his heart rather than the musical industries "big boys" may have held him back commercially which is a little ironic considering the catchy and easily assessable nature of 'I See Sadness.' A gorgeous psychedelic pop song with the occasional hint of Beach Boys magic along the way, as a foretaste of 'Carousel Kites' this is one huge suggestion to check out everything past and future from this artist.
Backdrop - The darkly sophisticated London duo Swoone, result of the unique combination of seductive vocals from Siobhan De Maré (Mono, Violet Indiana) and captivating music by Gary Bruce, is set to release debut album Handcuffed Heart via Saint Marie Records.
Siobhan De Maré (daughter of Tony Meehan, drummer of the Shadows) with her former band Mono entered the UK charts reaching the Top 20, while track 'Life In Mono' was used for the soundtrack of the film Great Expectations featuring Robert De Niro and Gwyneth Paltrow. Siobhan went on to form Violet Indiana with the likes of Robin Guthrie, former guitarist of Cocteau Twins.
Gary is a self-taught composer and producer; he has no musical training or knowledge, his keyboard has the notes written on them pencil and he slowly develops guitar chords from scratch! Instead of using musical theory Gary painstakingly creates a musical landscape navigated by feelings alone. It is this probing of the heart that produces music that is refreshingly genuine and instantly arresting.
This is an album brimming with genuine emotions, depth and heartbreaking beauty. Every song is a film in miniature, from a classic thriller, to David Lynch to European cinema. Think Portishead's homage to John Barry with touch of 60's soul and Enoesque colour. Diverse influences include 90's trip hop, The Carpenters, Billy Holiday, dub, The Ronettes, shoegaze, Nina Simone, Dusty Springfield, Chris Isaac, Donny Hathaway, Al Green and Pink Floyd! There is no following fashion here, just the love offeeling music deeply. Cavernous guitars, swelling strings and super cool beats; on top of it, stunning melodies and poignant lyrics delivered by Siobhan's beautiful voice populate a gorgeously rich and cinematic aural landscape. FACEBOOK.
The first of eleven tracks on 'Handcuffed Heart' the debut album from Swoone is 'This Bullet Never Kills'. It makes for a good indicator of the consistent quality and imagination the collection of songs brings, however as the duo tackle different musical directions and moods, expect much more, in terms of exploration and creativity, always with the emphasis on quality & passion.
Background - Pioneers of a genre called ‘Trip Jam’, which fuses elements of Latin, funk, psychedelia, soul and hip hop music, Peluché are a troupe of intrepid troubadours whose freewheeling artistry already has them pegged them as a standout force in London’s rapidly diversifying sound.
The trio have shared brand new single ‘To Be A Bird’ and announced their debut album ‘Unforgettable’, to be released on One Little Indian on September 21st. The album is already shaping to be one of the most distinct and vital British sounds of 2018.
Speaking about ‘To Be A Bird’, the band said: “This track started as a trip jam in Syd’s studio (Wilton Way in Hackney), where we came up with a guitar, bass and drum groove and the song developed from there. The melodies in the clarinet and chorus vocals soar over the beat to represent the liberated bird flying away from societies pressures to conform. The video is an abstract piece of art representing the distraction of advertising and consumerism, floating in the black emptiness whilst the world passes you by.”
All self-taught musicians, they formed in 2014 through a beautiful stranger in a customer service encounter and quickly formed a strong musical bond through their love of jamming. Peluché jam in their self-built studio space in a garden shed, and always record the foundations of tracks live. Their live shows are partially improvised, drawing the audience into their unusual world. Their live video series, The Shed Sessions, shows an insight into this musical realm and have allowed the band to share new music and visuals directly to their fans. FACEBOOK.
OK lets keep this simple, Trip Jam is the genre and 'To Be A Bird' is the song. All you need to do now, is dive in and immerse yourself within this melting pot of musical styles and absolutely gorgeous music.
Background - On March 2, 2018 RIP Records released a new single, “Mustard Tears” as part of their RIP Introduces series. The track is the first to be heard from Guts Club’s fully electric album, Trench Foot, which will be self-released on July 6, 2018. Trench Foot marks a thoughtful deviation from the characteristically shaky Guts Club to one more deliberate in composition and voice.
Upon going electric, Baker developed a new command and agency over her songwriting unheard in previous recordings. The album maintains Baker’s violent and dark undertones, this time with increasingly pointed observations on regret, privilege, and retribution. WEBSITE.
Tour Dates: June 22 New Orleans, LA at Howling Wolf July 6 New Orleans, LA at Banks St. Bar (Album release show!) August 9 Memphis, TN at The Lamplighter Lounge August 10 Nashville, TN at Little Harpeth Brewing (With India Ramey) August 11 Columbus, OH at The Tree Bar August 12 Pittsburgh, PA at TBA August 13 Philadelphia, PA at TBA August 14 Brooklyn, NY at Wonders of Nature (With Clint Michigan and Jennifer O’Connor) August 15 Baltimore, MD at The Crown August 16 Charlottesville, VA at The Southern August 17 Asheville, NC at The Burger Bar August 18 Athens, GA at Flicker Bar
At the beginning of March this year we shared 'Mustard Tears' from Guts Club making note of the "emotional and definitive vocals" as key to the song. If anything the singing on 'Metal Arms' takes things even further in a passionate and very personal manner. With the subtle, delicate and sensitive musical backdrop, this is a beautiful and moving song.
Background - Former Fat White Family, Phobophobes & Misty Miller drummer Dan Lyons returns with new single Gargoyle. Described as “Quintessential surrealist Anglo-pop”, the self-produced Gargoyle is co-written with Sean Lennon during a trip to New York. Previous single Big Moon featured on Spotify’s Fresh Finds: Six Strings and received support from BBC 6Music’s Steve Lamacq & Tom Ravenscroft, Radio X’s John Kennedy, Clash Magazine and more. Dan has previously supported the likes of The Libertines, Boy Azooga, Childhood, Goat Girl and performed at this year’s SXSW & Great Escape festivals. INSTAGRAM.
Dan Lyons is an individual that musically speaking is worthy of more than just some passing attention. It's not just who he has performed with, or even the notion that he destroys the Spinal Tap image of your average rock and roll drummer, it's more because of songs like 'Gargoyle' and 'Ribbons. Both exude creativity, alongside some timeless cornerstones of all that is right with pop and rock music. That might be a bold statement, but I reckon it has some mileage.
Background - Tomberlin, the rising Louisville, KY-based artist, has released a video for "Seventeen," the latest from her deeply moving Saddle Creek debut album, At Weddings. On her deeply moving debut album At Weddings, Sarah Beth Tomberlin writes with the clarity and wisdom of an artist well beyond her years. Immeasurable space circulates within the album's ten songs, which set Tomberlin's searching voice against lush backdrops of piano and guitar. Like Julien Baker and Sufjan Stevens, she has a knack for transforming the personal into parable. Like Grouper, she has a feel for the transcendent within the ordinary. Born in Jacksonville, Florida, and now based in Louisville, Kentucky, Tomberlin wrote most of At Weddings while living with her family in southern Illinois during her late teens and early twenties. At 16, she finished her homeschooling curriculum and went to college at a private Christian school she describes, only half-jokingly, as a "cult." By 17, she had dropped out of school, returned home, and begun to face a period of difficult transition in her life. The daughter of a Baptist pastor, Tomberlin found herself questioning not only her faith, but her identity, her purpose, and her place in the world. "I was working, going to school, and experiencing heavy isolation," Tomberlin says of the time when she first began writing the songs on At Weddings. "It felt monotonous, like endless nothingness. It was a means to get through to the next step of life." In songwriting, Tomberlin found relief and lucidity she had trouble articulating otherwise. When she was 19, she wrote "Tornado" on her parents' piano, and began to develop confidence in her music. A year later, she had written enough songs to fill an album. WEBSITE.
'Seventeen' is a seriously good singer, songwriter track, with gorgeous vocals and a beautifully crafted musical arrangement that adds even more emotion. Very impressive, as is the whole album.
Background - After living the visions of other artists as the lead singer of numerous rock, metal and electronica bands, the well-traveled, long gigging L.A. based singer-songwriter who became Reina Mora chose the perfect moniker to capture her multi-cultural background and Latin-tinged vibe she brings to her fresh brand of alternative pop. The exotic national bird of Puerto Rico – where her parents were born and she lived for several years growing up – the Reina Mora is colored blue, yellow, orange and black and is known to sing all night long.
Reina offers a powerful and compelling introduction to her developing artistry with the release of “Trouble,” the sultry and sensual, yet eminently rockin’ lead single from her upcoming full length debut album Birds Eye View. “Trouble’ is about taking control over your sexuality,” Reina says. “I wanted to write a song about being seductive and empowered as a woman with that sexuality and not be ashamed of it. I was a tomboy growing up and previously never spoke about sex in my songs, so in the spirit of the authenticity that drives the entire album, that was one of my inspirations. The others were the classic ‘Criminal’ by Fiona Apple and ‘Do I want to Know?’ by Arctic Monkeys. ‘Trouble’ reflects my influences, from the singer/songwriters I love to the Latin music I grew up listening to. Thematically, the trouble can go either way – either I am trouble or the guy is…I wanted to leave the interpretation open as far as who is seducing who.”
As a songwriter and performer, Reina is no longer afraid to be authentic and reveal the dark challenges she and her family went through – including having all their possessions washed away when Hurricane Georges hit Puerto Rico in 1998 and being homeless and moving from shelter to shelter with her mom when they first moved to Los Angeles. Produced by Omer Avni (Mary J. Blige, Jason Derulo, Alien Ant Farm), Birds Eye View is a rich, stylistically diverse collection of personal material that traverses the struggles and successes she’s experienced throughout her life. She dissects her tumultuous relationship with her family in the tribal flavored “War Dance” and conveys her love in “Brighter Sky” and in both English and Spanish with “Cielo Azul”. Reina’s favorite song is also her most personal: “Winter in June,” a raw, heartfelt tribute to her biggest inspiration, her grandfather. With its delicate percussion, swelling cello, and acoustic guitar, her tender vocals convey the pain she felt from his loss and the strength she gained from him. WEBSITE.
'Winter In June' is a folk tinged and heartfelt song. The music adds an element of traditional roots music vibes, the vocals just glide melodically above, and collectively they draw us into Reina Mora's world.
Background - Mayflower Madame have just shared their new video for "Before I Fall". Mayflower Madame was formed in Oslo in 2010. They started rehearsing in a desolate industrial building where they had to share the space with a carwash company. Amidst the gritty surroundings, their hazy, smoke-laden sound seemed to be conceived naturally and the band soon recorded a four-track demo. Just months later, they won the award "Unsigned Band of the Week" on one of Norway’s biggest radio channels.
After nearly five years of playing a bunch of live shows across Scandinavia and carefully crafting their sound along the way, Mayflower Madame's debut album Observed in a Dream finally arrived in 2016. The album proved to be well worth the wait and it's dazzling display of darkly inflected post-punk swathed in shimmering psychedelia earned them rave reviews. Since then the band has toured both in Europe and North America. They have shared the stage with bands like Crystal Stilts, Night Beats, La Femme, Psychic Ills and Moon Duo, which further gives you an idea of their sonic landscape.
The 'Premonition' EP is Mayflower Madame’s first release since their debut and is also a forewarning for the upcoming second album - expected to be launched in late 2018. The band consists of Trond Fagernes (vocals/guitars/bass), Haavard Haga (guitars), Ola Kyrkjeeide (drums) and Petter Marberg (bass). FACEBOOK.
We featured the song 'Premonition' last month and 'Before I Fall' makes for a welcome follow up. The bands brooding atmospheric feel is all apparent again, with perhaps just a little more melody this time, the stark post punk style is becoming increasingly addictive.
Background - San Francisco's The She's have shared the second video, "Ashes", off their first album in 6 years, "all female rock and roll quartet". About The Video: Directed and Edited by Max Freeland, Cameras by Robbie Julian, Trey Flanigan Assisting. Shot in San Francisco at The Chapel Special thanks to Stephanie Escoto. Starring: 20 artists/musicians including The She's, Megan Dabkowski, Colin Burris, Katiana Mashikian, Maya Bakaley, Marty Gray, Elle Carroll, Dylan Lockey, Trey Flanigan, Zachary Vito, Meg Webb, Chris Dunsmore, Molly Bolten, Sara Gibbs, Marisela Guizar, Kelley Coyne, Halley Lamberson. Members of Pardoner, World Smasher, Sirena Victima, dot Vom, Women's Audio Mission, Pllush, and many more!
"This video is very close to our hearts! First of all, we wanted our friends to direct, shoot, and star in the video. We knew we just wanted to get as many people we loved into one video as possible. That was how the concept started. As a band we joke around about the "sassy" delivery of the words Sami gives, so we thought it would be really funny to see a bunch of our friends pretend to lip-sync the song.
With the help of the director Max we all agreed to take a "picture day" angle with the video, kind of copying the intro of the TV series Freaks and Geeks, and asked everyone to sort of dress up like they would have in middle school (which we all know is not the best time for anyone's sense of style). In the end, we are just so happy to have a video highlighting friends of ours who are all talented in their own ways, and were nice enough to partake in all kinds of silly choreography and other shenanigans the day of the shoot. We hope watching the video people can tell just how much of a good time we all had making the video." - Hannah Valente (of The She's). FACEBOOK.
It was back in September last year that we featured 'Heartache' from The She's and 'Ashes' is another fine rocker which has some garage and punk feel to it. The video is an additional plus point to enjoy!
Background - New Zealand synth pop musician Princess Chelsea (aka Chelsea Nikkel) is back with her fourth album The Loneliest Girl, due for release via Lil' Chief Records on 7 September. The first single from the album "I Love My Boyfriend" sounds like a garage rock trio who just discovered the Mellotron. The video was shot by Chelsea at her Auckland home in front of a green screen, cloning herself to create a band.
"I Love My Boyfriend" is about feeling attracted to somebody else when you're in a monogamous relationship. The narrator feels guilty about their feelings for another person even though they "love their boyfriend" and don't intend to act on it. It's sung in a cheesy girly sort of way inspired by 60s pop songs with the word "boyfriend" in the chorus. However, the lyrics are pretty cynical, particularly in the spoken word section in which the narrator appears to make fun of their own feelings. The music emulates this contrast of sweet and sour with pretty harps and harpsichords set against a dirtier garage rock arrangement.
The Loneliest Girl was recorded by Chelsea between 2016 and 2017 in her home studio in West Auckland, New Zealand with production assistance from labelmate Jonathan Bree. Chelsea’s trademark arrangements featuring classic 80s Synths (Yamaha DX7, Roland D-50), ambient guitars, and orchestral instruments are all here but are presented in a more refined and simple manner than on her previous releases.
Stylistically The Loneliest Girl moves away the more uniform synth sounds of The Great Cybernetic Depression to more eclectic territory similar to her first release Lil’ Golden Book and certainly sounds like a record made by a lover of pop music across all genres from 60s girl groups to 80s power ballads, and late 80s acid house to 90s pop. Like her earlier work, adult issues are presented in a humorous and sometimes childlike manner, and this juxtaposition rather than softening the blow makes jarring social commentary hit harder. FACEBOOK.
Princess Chelsea returns with 'I Love My Boyfriend' accompanied by a clever and creative video. Her music never ceases to impress me, and with another album on the way, I expect there are a good number of other people, full of anticipation after this seductive tease of a song.
Background - Basement Revolver just released a new track from their anticipated debut LP Heavy Eyes. Knocking is probably the heaviest song on the album for me, personally. I often still can’t sing it without crying. I wrote it after writing my family a long letter that came clean about my past, and about some of the shit that I have been through.
Hard things that left me feeling shameful, or like a disappointment to them – things that made me feel like I wasn’t the “good Christian woman” that they had hoped I would one day become. The letter came after a few years of hardcore wrestling and rebelling against what I believed in response to a traumatic event in my life. I got to a point where I didn’t recognize myself, or all the anger that I was holding inside. I basically kept telling myself that I was garbage, broken, unlovable, used and a whole other slur of things.
I think that knocking was my way out of that dark place. I told my boyfriend everything, and he just loved and supported me through it. I told my family everything, and they felt that they could understand me better. When it came time to talk to God about it (I’m sorry I don’t love getting religious, but it is where this song comes from and so I feel that I have to be honest about that), I felt grace, and forgiveness and acceptance. I felt like he/she had been standing there, waiting for me to get to a place where I was able to move on and forgive myself – and a place where I wasn’t angry or shutting God out. It reminded me of a story that I was told when I was a little girl and it is super cheesy (I think its in the Bible somewhere too) about God just standing at the door of our hearts, and knocking, waiting for us to open up - Songwriter Chrisy Hurn on "Knocking". WEBSITE.
It's just over two years since I first came across Basement Revolver and with this being our seventh feature, I am inclined to let the statistics do the talking. Needless to say 'Knocking' is as beautiful as it is personal, the album is indeed looked forward to with anticipation.
The Wolfhounds - The Anti-Midas Touch / Disgusted, E7.
Background - Spiky UK pop legends The Wolfhounds hit the vaults with 'Hands In The Till: The Complete John Peel Sessions'. Originally formed as teenagers in 1984, The Wolfhounds released four critically acclaimed LPs and numerous singles, appeared on the NME’s influential C86 cassette, extensively toured the UK and continental Europe, finally disbanding in 1990. The band reformed in 2006 at the request of St Etienne’s Bob Stanley to celebrate 20 years since the release of C86, and inflicted a severe guitar noisefest on an unsuspecting indiepop crowd at London’s ICA. Since 2012 they have been recording and releasing new material.
At the peak of media attention over the new bands promoted by the C86 cassette, The Wolfhounds recorded three four-song sessions for the BBC’s legendary late-night John Peel Show between March 1986 and January 1987, capturing all the excitement and youthful exuberance of a band just catching the public imagination. With an energy born of sweaty, rammed gigs in the function rooms of London pubs and a willful experimentation nurtured in suburban bedrooms and garages away from watchful eyes, The Wolfhounds blasted their raw live sound straight to tape with little in the way of overdubs or the more considered studio polish of their excellent albums.
Every song from these sessions is now gathered together on Hands In The Till, making a surprisingly coherent whole despite the heady disorganized thrust of the times and a couple of line-up changes in the meantime. More wiry and angular than most of their C86 peers, The Wolfhounds had more in common with The Fall than The Byrds, and "Hands In The Till" shows them at their caustic best.
The Wolfhounds are now (hyper-)active again, releasing two full-length LPs in recent years and performing at several popfests (including Berlin and New York) and Stewart Lee’s All Tomorrow’s Parties, as well as regular club dates of their own. The band continue to be more relevant than ever, grabbing their home country’s woes by the horns on the recent double LP, "Untied Kingdom or How to Come to Terms with your Culture" (which featured guest musicians from such bands as PJ Harvey, Gallon Drunk, Scritti Politti and Evans The Death), Hands In The Till is sure to illuminate such an expansive modern work’s precocious teenage beginnings, as well as providing the band’s contemporary listeners a nostalgic buzz – forever, a real all-ages show! FACEBOOK.
Two songs 'The Anti-Midas Touch' and 'Disgusted, E7' are shared as a taster from the bands John Peel sessions, set for release in full as 'Hands In The Till'. That it's all from over thirty years ago makes me feel my age, still never mind The Wolfhounds ain't getting any younger either, but those rock and roll genes are still keeping them active. With musical roots like these, they have had plenty to build upon.
