Thursday, 18 August 2016

Over the next few days, Beehive Candy will be making a few changes, that we hope will improve both our visitors experience, and improve the support we provide for new artists, and new music releases.

These will include placing all new music video features on the home page. BeeVids will stay in place for the time being, however all new video features will be on this page. We are also working on improving page loading time, along with a number of other ideas, that we look forward to introducing soon. As always thankyou for dropping by.

Four More: The Alpacas - The Wicked Whispers - Coast Modern - Henry Jamison

The Alpacas - Wax.

Background from the band - In some ways our new single is about being happiest playing a gig. But it's also about how being social when you don't always want to be is a trade off for doing what you love. Getting what you want also means keeping yourself in check.

Musically, it’s as if Johnny Ramone joined The Strokes as a 3rd guitarist. Lyrically it's also inspired by the song 'Left of the Dial' by The Replacements from their 1985 album 'Tim'.


Our forthcoming album was produced, engineered, and mixed by Kevin Dietz (The Cranberries, Alexisonfire, Placebo, Nelly Furtado). It was recorded at Metalworks in Toronto and Slipone Digital in Newmarket, Ontario, Canada. 


The Alpacas are Nick Harper, Greg Lee, Brett Garner, and Brent Lee: a four-piece rock and roll band from Barrie, Ontario. The Alpacas aim to write honest, hooky, and heavy tunes that strike a balance between raw and refined. The Alpacas live show is loud and quiet, fast and slow, tidy and unkempt –– but above all, The Alpacas look to create some good time vibes and entertain an audience.

With a tight indie rock feel, 'Wax' explodes with the choruses and just rocks in between. The band pack power chords alongside a belting rhythm and just hook you in.

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The Wicked Whispers - If I Set You Free.

Background promo - The new double A side single “If I Set You Free / Zodiac Girl” released on 21st Sept via Electone Records. Two years on from their debut album Maps of The Mystic, and with a plethora of sold out vinyl releases and UK / EU tours under their belts, Merseyside’s fast-rising psychedelic sons The Wicked Whispers return with news of a brand new double A side single release in If I Set You Free / Zodiac Girl.

Though rather than re-tread the ground that brought the band their initial swell of attention, these new tracks reveal the band to be revelling in a new-found focus; ideas come fully formed, hooks latch on instantly, and where once their bristling fountain of creative concepts threatened to overshadow the songs underneath, their more direct approach to the craft is a refreshing shift to their own more distinctive strain of the genre.

If I Set You Free, punctuated with organ flourishes, dramatic guitar stabs, and a tumbling vocal melody, calls to mind The Coral at their best, while Zodiac Girl – the perfect counterpart to If I Set You Free - shows the band’s more wistful and thoughtful capabilities, with its soaring refrain of “Zodiac Girl”.

Live Dates:
Oct 6 This Feeling, Water Rats, London
Oct 21 Buyers Club, Liverpool
Oct 27 Hare & Hounds, Birmingham
Nov 26 Vortex Lounge, Cumbernauld


The video for 'If I Set You Free' is a sixties psychedelic feast of colours, whilst the song oozes those timeless vibes of days gone by. The band bring their own fresh ideas to the table and create a spectacular sound. Highly recommended!

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Coast Modern - The Way It Was.

Background - Step onto a jungle cruise with Coast Modern and explore the wonders of the new track, 'The Way It Was'. A few Coast Modern facts - 10 million streams across three songs with previous songs, "Guru", "Animals," and "Hollow Life" hit #1, #2 and #3 on HypeMachine respectively. 

The band played their first shows at SXSW this March, toured with The Wombats, BØRNS this Summer and plan a US tour with The Temper Trap this Fall, plus festival appearances at Bumbershoot, The Meadows and Life Is Beautiful.

Live Dates:
September 2 - Bumbershoot - Seattle, WA
September 19 - Wonder Ballroom - Portland, OR***
September 21 - Commodore - Vancouver, BC***
September 23 - Life is Beautiful - Las Vegas, NV
​September 25 - Gothic - Denver, Colorado***
September 27 - Varsity - Minneapolis, MN***
September 28 - Metro - Chicago, IL***
September 29 - Majestic Theatre - Detroit, MI
September 30 - Phoenix - Toronto, ON***
October 1 - The Meadows - Flushing, NY
October 4 - Royale - Boston, MA***
October 5 - TLA - Philadelphia, PA***
October 6 - 930 Club - Washington, DC***
October 8 - Variety Playhouse - Atlanta, GA***
October 9 - 3rd and Lindsley - Nashville, TN***
October 11 - Granada - Dallas, TX***
October 12 - White Oak - Houston, TX***
October 13 - Emo's - Austin TX***
October 16 - Observatory North Park - San Diego, CA***
October 17 - Observatory - Orange County, CA***
October 18 - Belasco Theatre - Los Angeles, CA***
October 19 - Warfield - San Francisco, CA***
*** supporting The Temper Trap​
 

'The Way It Was' is one of those songs that demonstrate a band that are happy to do their own thing. There is a loose feeling throughout, along with sing along vocals, ideas galore, sometimes a little quirky, often happy, this is one fine song

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Henry Jamison - Real Peach.

Background - Henry Jamison, is an extraordinary songwriter who will be releasing his debut EP called The Rains on October 14th via Akira Records, and has now shared “Real Peach”, the brilliant first single from the EP, ahead of its official release this Friday, August 19th and a brief Northeast tour later in August.

Assuming that a person’s interesting lineage or pedigree in such things has any relevance at all, which is certainly unclear, Henry Jamison was perhaps predisposed to songwriting. His great-great-great-great-great-great-great (etc.) grandfather was the 14th century poet John Gower (friend to Chaucer and Richard II) and his great-great-great-great grandfather was George Frederick Root, the most popular songwriter of the Civil War era.

Probably more relevant is that his mother is an English professor and his father a classical composer who gave him a Korg 8-track recorder and his first guitar, so Henry has some talented writing roots in his bones, and the songs that comprise The Rains prove this to be fact. These songs show a central interest in exploring inner worlds, observing their treasures and holding none in contempt. They run the gamut from an earnest reckoning with romantic upheaval ("Real Peach"), to a knee-jerk and distorted view of the same ("Through a Glass"), to storm-driven dreamscapes ("The Rains" and "Dallas Love Field").

Live Dates:
8/25 - Burlington, VT - New City Galerie
8/27 - Brooklyn, NY - Pete’s Candy Store
8/28 - Portland, ME - The Garage
8/29 - Cambridge, MA - Zuzu


'Real Peach' is typical of the overwhelming quality of the October EP release 'The Rains'. Comprising of five beautiful songs, thoughtful words sung with tenderness are accompanied by an understated and predominately acoustic soundtrack. Melodic through and through, and with delicate harmonies, the EP really is something quite special.

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Wednesday, 17 August 2016

Midweek With: The Heroic Enthusiasts - Heartracer - Cosmonauts - Hiva Oa - Apothek

The Heroic Enthusiasts - Summer Serenade.

Bakground bio - On Monday, New York indie rock band The Heroic Enthusiasts released their new EP The Second Three on JamTom Music. Inspired by experiences traveling in Italy and France, The Second Three builds on the band's polished indie rock sound that is reminiscent of definitive 80’s post-punk groups such as Echo and the Bunnymen and The Smiths.

Back in the 16th century, the Catholic friar and astronomer/philosopher Giordano Bruno gazed up at the stars enraptured by the poetry he saw in the elliptical patterns playing out in the sky. For Bruno, math, science, art, and romance were all one and the same ­­ a perspective that resonated so much James Tabbi and Tom Ferrara that they chose to name their band after Bruno's epic work Gli Eroici Furori -- literally "On the Heroic Passion" but commonly known as "The Heroic Enthusiasts." Much as they did for Bruno, numbers for this band function as a window into matters of the heart.

Both math majors and music lovers of Sicilian descent, Ferrara and Tabbi understand that form derives its beauty from a dance between precision and an intangible quality that can't be quantified. Yes, they write songs that stick in your memory and make you want to sing them out loud. But they also add discreet touches of sophistication, leaving a note out of a chord, for example, so that your ear strains to hear it and then introducing contrast by adding the note they've been implying all along. The way their guitar lines mesh together brings to mind the approach of master weavers and designers as much as it does musicianship in the conventional sense.

The Second Three follows the success of The Heroic Enthusiasts’ debut effort, Memory Wheel, released in February of 2016. "Summer Serenade" sets the tone of the EP, wrapped in themes of summer love and relationships of the past, present and future. Inspired by experiences traveling about in Italy and France, The Second Three builds on the bands polished indie rock sound that is reminiscent of 80’s classics like Echo and the Bunnymen and The Smiths.


We featured The Heroic Enthusiasts back in February with their debut release, Memory Wheel. Featured song 'Summer Serenade' from the bands brand new EP sees the band continue to impress. It's one of three superbly crafted songs, their brand of indie rock has depth, heartfelt vocals and an expansive musical sound.
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Heartracer - Hollow.

Background - Chris and Chip Cosby grew up in the suburbs of Richmond, Virginia. Early on, the brothers took a liking to 80’s pop culture from Nightmare on Elm Street to Back To The Future to the super cheesy martial arts movies starring Jean Claude Van Damme. It was a time when the United States economy was booming, people still bought records, Blockbuster still populated every street corner, and social media wasn’t the dominant influence on society. However, more importantly for the brothers this decade represented the golden era of catchy melodies and pop sensibility. The nostalgia for this period of their lives became the foundation of what would eventually become Heartracer. Chris and Chip had finally come together after years playing separately. After all Chris wasn't always aware of his music ability. He grew up watching his older brother Chip play in bands his whole life, but it wasn't until the suicide of a close friend that Chris realised his musical ability. As a mechanism to cope with his grief Chris began playing on the piano in his parents living room, using singing and songwriting as a form of catharsis.

In the summer of 2014 Chris was inside his home studio above his garage next to a broken AC unit playing a little melody and singing the words "If you go where I go, then you'll fall where I fall." A simple, yet poignant line about transcendence. A song about the way a song should make you feel if you will. Why are human beings drawn to sound? What is that we love music so much and how does something so simple make us feel so much? That was the inspiration for what eventually became the single "Heartracer." Little did the brothers know that at this time this song would come to define their signature and distinctive retro-electro pop sound and would eventually be chosen to be their identity. The pulsing and shimmering synth in the sweat of a summer afternoon paved the way to their sophomore release Summer Gold. This EP showed confidence and maturity in the direction of Heartracer's signature and distinctive sound and gave Heartracer their first national exposure. Since then Heartracer has toured and played with several international acts to at capacity crowds Future Islands, Jimkata, Banks, Pvris, Joywave, The Peach Kings, Priory, and Third Eye Blind.


'Hollow' begins with a dreamy musical feel, that comes alive with soaring vocals and from then just continues to build. Melodic, with a wonderful interface between the guitars and singing, put simply this a superb song.

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Cosmonauts - Party At Sunday.

Background - Cosmonauts came into being in 2009 in outer space or Orange County, depending on the way you like to look at things. The band was originally formed by Derek Cowart and Alexander Ahmadi after he heard Cowart play a Spaceman3 song solo at a show in their home town of Fullerton, CA. The two were students at different high schools but as it turned out, of the same musical school of thought: two lovers of lo­fi, adorers of the atmospheric, kindred pop­loving spirits. The two bonded over the Velvet Underground and Brian Jonestown Massacre, and quickly turned their mutual appreciation club into a band. Cosmonauts have been making music ever since, picking up bassist James Sanderson and a host of different drummers along the way (the spot is currently filled by Mark Morones). Now residing in Los Angeles, they’ve put out a number of releases (including three full length albums) through Burger Records and various other labels.

They’ve toured extensively through the US and Europe, and played alongside Brian Jonestown Massacre, The Pixies, Slowdive, Black Lips, Belle & Sebastian, and more, though Cosmonauts don’t exactly fit neatly into the fabric of their scene: too psychedelic to be punk, too punk to be psychedelic, and too absorbed in making their own brand of music to care. Their latest offering, A­OK!, is out August 19th via Burger Records. 


From the imminent album release AOK! the track 'Party At Sunday' showcases the band in a more laid back mood. It's a calming, melodic and atmospheric piece, and only one aspect of their material. The ten track album has some real rockers, the occaisional energetic wall of sound piece, and bags of imagination. Hard to pigeonhole, the new album for me is bursting with well delivered ideas.

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Hiva Oa - Seskinore.

Background - Belfast duo, Hiva Oa are pleased to share their brilliant and brooding new single Seskinore on Gold Flake Paint today. The track is taken from their forthcoming EP, mk2 (part 1) - out September 16th.

New material from Hiva Oa has been a long time coming. Sometimes, it seems, a period of inactivity is better for a band than one of constant creation. With the release of their forthcoming EP mk2 (part 1), core members Stephen Houlihan and Christine Tubridy departed Edinburgh, returning to their native Ireland seeking renewed inspiration. Hiva Oa retain the mystery and ambition of their former incarnations, but inject a heavy thrum to their intricate patchwork style, and turn their attentions to themes of fear, loneliness, abandonment and awakening.

On lead single A Great Height the band continue their controlled experimentation by marrying primal, dizzying electronica and a swelling bass hum, with minimal guitar patterns to create a tightly wound, suffocating and intense atmosphere that sets the tone for the EP. Somewhat appropriately it’s an anxious listen, the influence of Thom Yorke on vocalist Stephen Houlihan here provides the forlorn, and almost hopeless, punctuating refrain “…and I fall from a great height.”  Elsewhere Seskinore demonstrates their skill in developing percussive motifs that flit from the suspenseful and shuffling, to eruptive, deafening, conclusions. A powerful resolution to each composition is never far from the minds of Hiva Oa.

The latter part of mk2 (part 1) begins to bring subtler intricacies to the fore. Christine is awash with swathes of gentle guitar, gifting the four-minute piece a transcendent quality that, coupled with another yearning vocal, offers the listener a brief glimpse into one of the EP’s more intimate moments, in this near-fearful, dream-like, serenade. Closing track Jonny Brazil again shifts unassumingly from sinewy indie-rock before revealing a raft of squalling guitars and inter-playing vocal melodies. Hiva Oa have become masters of developing atmospheres proving that, for them, a visit to old pastures has worked wonders.


Second time around on Beehive Candy, and on the strength of this hopefully not the last. Hiva Oa have the knack of keeping the listener guessing where any given song is going, even when well into the piece and 'Seskinore' is no exception. In our last feature I descibed Hiva Oa as producing "intense and swirling music" with the new single I would add, powerful and hypnotic.

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Apothek - Invited.

Background - Together they have “a confidence that evades other artists early on” (Stereogum), but for Apothek’s Morten Myklebust and Nils Martin Larsen, this is one debut that has been years in the making. News of the pair’s eponymous debut album – ‘Apothek’ released September 30 via Propeller Recordings – materialises with new single ‘Invited’, which rather aptly contains one of the oldest elements on the record.

“The chorus for ‘Invited’ was originally meant for a different project,” Larsen explains, “but at some point, we started playing around with it during an Apothek session and realised we had to use it.” From somewhat subdued beginnings comes perhaps the most immediate pop song on the album – impressive from a duo already hailed “so joyously epic” by The Guardian.

It hints to the intricate and meticulous nature of Apothek’s full-length foray, a labour of love blurring the boundaries between electronic and organic. “All over the record, we had this mantra that what felt like an integral part of the band’s sound was trying to make acoustic sounds sound really mechanical and mechanical sounds sound acoustic,” Larsen says. “We spent a lot of time reamping synths, running them through different gritty effects and trying to make my old piano sound like a strange synth.”


Apothek create vibrant, melodic and distinct songs, that clearly work for me, as this is their third feature in around a year. In a few words, joyously luscious and emotionally intriguing.

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Tuesday, 16 August 2016

Genre Wander: Nick Waterhouse - Seth Lakeman - Lovecat

Nick Waterhouse - It's Time.

Background promo - On September 30th, California rhythm and blues revivalist Nick Waterhouse will return with his third full-length studio album, Never Twice. The first track off of the album was unveiled yesterday via Bandcamp. Never Twice will be released via Innovative Leisure digitally on CD and 180 gram vinyl. Today, Nick Waterhouse has also announced a fall U.S. Tour. Highlights include Music Hall of Williamsburg in Brooklyn on October 8th, The Bottom Lounge in Chicago on October 4th and The Rock and Roll Hotel in Washington DC on October 12th. More tour dates to be announced soon.

With Never Twice, Nick Waterhouse returned to his original collaborator, producer Michael McHugh (Black Lips, Ty Segall, Allah-Las). McHugh was a local legend in the oft-underrated Orange County music scene that Nick grew up in. McHugh was the first person to ever put Nick on tape and in an effort to re-capture the vibrancy of the Huntington Beach scene of Nick's youth, he invited McHugh up to his current home of San Francisco to work the boards once again. Once he had McHugh on board, Nick began cold-calling his favourite players, all of whom miraculously said yes. Jazz musician Bob Kenmotsu's contributed flute, Tom Waits and Elvis Costello collaborator Ralph Carney on sax, Dr. Lonnie Smith protege Will Blades on Organ and a virtual whose who of muso legends on horns, bass and guitar. The result is an exuberant and impeccably recorded album of songs, showcasing Waterhouse's prowess as a musician and a band-leader.


'It's Time' is a clever mixture of styles, a little jazz, plenty of blues and a pleasing soulful delivery. This is a splendid song, a teaser and a half, for the September album release, and just so cool.

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Seth Lakeman - Meet Me In The Twilight.

Background - Seth Lakeman’s eighth studio album is a stunning combination of his dynamic songwriting and playing, the genius of legendary producer Ethan Johns and the sublime harmony vocals of emerging young female trio Wildwood Kin. Between them they have conjured up an epic, soulful album of compelling songs that are stripped back to their very essence.

Ethan Johns has worked with the likes of Ryan Adams, Kings of Leon, Paul McCartney, Tom Jones, Ray LaMontagne, Laura Marling, The Staves and Crosby, Stills and Nash.  He agreed to produce the album after Seth sent him one roughly recorded song on his mobile phone, with Wildwood Kin adding their lush harmonies to his own gritty lead vocals.

Continuing Seth’s unique vision for recording in inspiring locations – previous albums have been recorded in a church and a copper mine - the 11 tracks for “Ballads of the Broken Few” were cut ‘live’ with an organic, acoustic vibe in the Great Hall of a Jacobean Manor House and they shine with the atmosphere of that setting. The spiritual-sounding songs have a trance-like quality: they encompass evocative contemporary messages, yet have an ethereal sound as if they have been hanging in the air for centuries. Ethan has let nothing impair the raw, visceral content - just enshrined the pure sounds of voices and ringing instruments. He comments "The kind of record I like captures human performance."

The mood is set from track one. Seth’s soaring vocals are perfectly complimented by the seamless harmonies of Wildwood Kin - two sisters (Emillie and Beth Key) and their cousin (Meghann Loney), also from Devon. When Seth met them at a local charity gig, he was immediately struck by their effortless ability to create intuitive harmonies. There is Seth's trademark stomp, his swooping, sighing and aching fiddle and viola, and strident electric tenor guitar. Multi-instrumentalist Ethan can't resist joining in on subtle underlying "dirty" electric guitar, mandolin and even hurdy-gurdy!


One of twelve songs on the forthcoming album, 'Meet Me In The Twilight' typifies the excellent music that Seth Lakeman consistently delivers. The words written in the third paragraph above, put things far more eloquently than I can, they are also an honest appraisal of what is a delightful album.

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Lovecat - Song For Eternity (feat. Jill Possible).

Background - Lovecat is the DIY synth-pop project from the Vienna-based producer David Haering, and “Song For Eternity” features the very talented Jill Possible on vocals.

The Great Catsby is an album full of driving rhythms, playful basslines, and above all, the voice of a hopeful romantic. It will be coming out exactly five years after the release of his debut EP, and follows various radio hits in Europe and a remix for Morrissey's legendary guitarist and co-writer Boz Boorer. 


The album also explores his past experiences in various rock and punk rock bands, and the gray days between one night of partying and the next. The forthcoming album The Great Catsby is out September 9th via Fabrique Records.

Just a week or so ago we featured the first single, and hot on it's heels comes another really fine share from Lovecat. It's another lively soundtrack oozing energy and rhythm and the vocal duet just rounds the whole song off in style.

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Monday, 15 August 2016

Three Good Ones: Room1Fourteen - Novaa - Cocoa Futures

Room1Fourteen - So Cold.

Background promo - Room1Fourteen are an indie rock trio based in-between England and Switzerland. The band is made up William Mayos (vocals / guitar / piano /songwriter), Rob Green (guitar / production) and David Dasenbrook (drums /bass). “So Cold” is their free download single taken from their debut album “Control”, which are both available on 5th September 2016. “So Cold” is a rock n roll song sprinkled with melodic guitar hooks and a driving rhythmic section.

Will’s vocal is seamless and controlled hiding an underlying sense of frustration to whomever it concerns. The single and album are the follow up to the bands debut “Living In Dreams” EP (2015), which received airplay in Europe, U.S.A and Switzerland along with some positive blog support. They are planning to tour the album in the U.K. as lead vocalist Will is English and wishes to play live in his homeland. 

The bands influences are some of our rock n roll greats from Oasis, to Blur, The Smiths and Pink Floyd, which can be heard in their diverse rock output throughout the album. Keeping true too the great’s who paved the way before us the bands name comes from the number of a hotel room where what can only be described as something truly rock n roll occurred … Rock n Roll forever

There is something of a classic indie rock feel with 'So Cold', and enough of the bands own style and composition skills, to make the song extremely likable. Vocals are refined and sit well in the mix above some tight and powerful trio rock musicianship. The above cited influences are just that, this is no copycat band and if this is the benchmark for Septembers debut album, things are looking good.

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Novaa - Hands

Background - Novaa releases new single 'Hands' off her upcoming Stolen Peaches EP. "Hands" is about trying to connect to someone but not being able to get past the physical level. I tried to give it a very hypnotic, trance-like and also dark atmosphere that is meant to reflect that desperate feeling of not being able to see someone fully and clearly behind his/her human layers. During the song the protagonist is constantly questioning the relationship to the other person and tries to build a deeper connection. But as the efforts turn out to be pointless the protagonist tries to get that depth and devotion by destroying the relationship.

Novaa is a singer, songwriter and producer, and at only 19 years old, comparisons have been made to highly significant and creative artists such as Björk and Grimes. Within her unique sound which draws from elements of Electronica, Folk and Pop, Novaa creates an impactful new genre - "Organic Electronic". Belted by her crystal clear vocals, she builds on soundscapes that float above the common ground. Past the depths of everyday things and activity she finds fragile frameworks of sounds and vibrant bass notes, forming her own musical galaxy and creating magical new worlds to explore.


If the name Novaa seems familiar to you, it may just be because we featured her less than a month ago, with the song Rose. 'Hands' continues the trend of thoughtful, intriguing and melodic music indeed the nine track EP is something very special, with an eclectic mixture of electronic music and Novaa's beautiful vocals.

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Cocoa Futures - The Blue.

Background - Composed around an eerie, looped ice cream-van siren and a big dumb bass riff, ‘The Blue’ is sonically fitting for a track concerning the symbiotic relationship of the gleeful and the gloomy. “It’s a good idea to feel sad sometimes,” says Cocoa frontman Greg, “but the things you can do to avoid feeling down can be really, really fun.” It’s a sentiment delivered through a song that’s anchored by a super-fat metronomic midtempo groove that administers dancefloor thrust to melodic trills and percussive interjections while Greg urges us all to “Catch Up”. Characteristically Cocoa Futures, ‘The Blue’ is electro-inspired dance-oriented pop, at once absorbing and accessible but equally as adventurous, revealing new surprises and musically creative tricks with every listen. Fuck art, let’s dance? No need. Cocoa Futures have them both covered. “Our ethos is pretty simple – to be ambitious about making music we’re proud of. And to have a nice time.” Greg, Cocoa Futures

Scotland-bred and London-based, Cocoa Futures are the brainchild of frontman Greg (vocals/bass). They specialise in pristine pop harmonics crossed with a taste for the unexpected. Greg assembled a band including Dave (drums), Zoe (keys) and Jack (guitar) and first came to prominence in 2014 through the self-released upbeat singles ‘Do Something’ and ‘Scotland’, while commanding distinguished reviews for their select live shows, which included the Great Escape and Camden Crawl festivals. This early promise served as a staging post for the band to determine their musical direction and decamp to the studio to write. And write. Crafting and developing manifold demos became a daily pastime for Greg and when he sent a batch of these over to producer Marc Withasee (Micachu & the Shapes), he received a wordless reply that contained an amazing first draft of what would evolve into ‘The Blue’. Withasee and Cocoa Futures bonded over a love of ‘messed up’ pop and the producer was instrumental in setting tempos, tweaking arrangements and bringing out the band’s penchant for building tracks around loops and effects as they collaborated on the four-song ‘Blue’ EP, completed in early 2016. When Greg shared the results with Lost In The Manor Records, the label wasted no time in offering the band a contract and the EP’s release will coincide with a number of key London launch dates. ‘Blue’, mixed by Max Taylor and mastered by Jason Mitchell, is immediate yet intriguing, a collection of fantastic pop moments wrapped up in music of great depth, and its release seems set to propel Cocoa Futures to the frontline of UK pop’s key innovators.

Live:
Friday 16 September: Ryan’s Bar, London N16 (‘The Blue’ single launch)
Friday 7 October: Blogtober Festival, The Finsbury, London N4
Saturday 3 December: Sebright Arms, London E2 (‘Blue’ EP launch).


'The Blue' is due for release on 16th September, with the EP following in early December. The single is a wonderfully mixed up pop song, for me it's brings memories of Devo and Talking Heads, whilst in effect sounding like neither. I guess that's the wonder of "messed Up" music, and I just love it!

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Anna Smyrk - ZOCO - Howling Bells - TCBYML

Photo - Michelle Grace Hunder Anna Smyrk - This is a Drill . Naarm/Melbourne based singer-songwriter Anna Smyrk shares a poignant moment o...