BEEHIVE CANDY

This is the Boomtown Rats live in concert at the Middlesex Polytechnic in Hendon, North London, back on the 16th September 1978. This recorded version has been circulated as 'Dont Believe What You Hear' and is reckoned to be the best audio quality boot of the show, however it unfortunelty misses the last song of the gig (Do The Rat). BBC TV recorded the concert, and from distant memory I think it was shown 'live', I remember watching it, and from Bob Geldof's comments it would appear to be the case. The sheer energy and the incredibily professional performance from a 'band of the time' bring back great memories. Source: BBC TV Broadcast (audio). Sound Quality: Very good stereo mp3@320kbps. Genre: Rock, pop, New Wave. Set: Broadcast element of concert. Set List: 1. Mary Of The 4th Form 2. Me & Howard Hughes 3. I Never Loved Eva Braun 4. Don't Believe What You Read 5. Rat Trap 6. Kicks 7. Joey's On The Street Again 8. Living On A Island 9. She

This set of Genesis outtakes have been given some very real care and attention by the 'Progressive Rock Remasters Project', and rather than duplicate effort I have taken the release notes to provide the background details. On a personal note I have always felt that the era after Peter Gabriel left the band was as creative and inspiring with the albums from 'A trick Of The Tail' through to 'Duke' remaining firm favorites of mine, although if I was pushed for my all time favorites I guess 'Foxtrot' and 'Selling England By The Pound' would be two of the 'top three' along with the album these outtakes are associated with. From the release notes: The Sheffield brothers built Trident studios at No. 17 St. Anne’s Ct. Soho in 1967. This studio was the recording site for many rock albums of the 1960’s and 70’s including David Bowie’s Ziggy Stardust and many tracks from the Beatle’s White Album. The Genesis sessions captured on this CD were re

Much has been said and written about Ian Dury and come to that, about his band The Blockheads. Indeed Ian Dury and The Blockheads live in concert were one cohesive unit that took the recorded material and rather than just replicate the songs seemed to breathe additional life and dimensions into everything. Ian Dury had a stage presence that was affected in part by his disability caused by polio as a youngster, but more because of his humour, artistic capabilities, and connection with the audience. The Blockheads added with skilled musicianship that seemed to be effortlessly delivered and yet so powerful and uplifting. OK it is obvious I was a fan of Mr Dury and have great respect for the Blockheads, not only because of what I have mentioned so far, but as an aside in an earlier form as The Loving Awareness Band, the Blockheads had very strong links with Radio Caroline. This is probably one of the most circulated bootlegs of the band and a fine reminder of just how good they were in

In no particular order or priority 2010FM Magazine just grabs what we like and are happy to give a quick plug to, or a whole hearted recommendation along with gushing praise, see if you can spot the difference or better still just check out the artists we feature. Last Ma n Standing finally have a release date in the USA for their debut album 'False Starts and Broken Promises' and it is January 12th 2010. Here in the UK they have received a lot of interest and some excellent reviews in the major music press. Don't just take our word for it, take a look at the review in UNCUT Magazine by Gavin Martin. Max Vanderwolf’s band have a colorful ingenuity of Bowie’s 70’s floor shows and the wild spirit of Tom Waits- which means the are essentially rock theater, but with attitude. Stylistically they cram a lot- sometimes too much- in, but the policy usually works. This collection of bedraggled songs duly incorporates the cabaret angst of ‘70s Lou Reed, dust bowl Mariachi, and Stee

Lets start 2010 with some real rock energy from just over thirty years ago courtesy of Pat Benatar . Pat's big break into music had happened a year before this concert when she headlined New York City’s famous Tramps nightclub from March 29th to April 1st, 1978, where her performance impressed representatives from several record companies. She was signed to Chrysalis Records by founder Terry Ellis the following week. "There was a long period of three years, when I spent my time taking demo tapes around and being rejected by one record company after another. Then just two days after the debut concert with the band, we were signed to a record contract..." Recorded in June and July 1979, Pat Benatar debuted the week of August 27th 1979 with the release of 'I Need A Lover' from the album 'In the Heat of the Night'. This concert just over a year later captures Pat Benatar on classic form at the Paramount Theatre, Seattle, Washington, USA back on November 22nd,

One reviewer of this show wrote "If you've never heard Lucy Kaplansky perform before, you're in for a treat. Her songs can be dark and brooding, uplifting and joyous, personal and revealing; always satisfying. The recording quality here gives you the sense that you're sitting in the first few rows of the hall. Download this show, put on a good pair of headphones, and re-live an extraordinary evening with a superb singer-songwriter". As audience recordings go this is better than some soundboard copies of shows I have heard. There are a few level issues on track one that are quickly fixed, apart from that this is a superb recording. Performing live in concert at The Beachland Ballroom, Cleveland, Ohio, USA on the 10th February 2006 this is Lucy Kaplansky. Source: Audience (Studio Projects C4's, cards, DIN, 3' right of center, 25' back, 6.5' high) . Sound Quality: Very good stereo mp3@320kbps. Genre: Folk, singer songwriter. Set: Full Set. Tra

From the Internet Archive (IA) this is the New Riders Of The Purple Sage live at the Fillmore West, San Francisco, USA back on the 2nd July 1971. The group emerged from the psychedelic rock scene in San Francisco in 1969, and its original lineup included members of the Grateful Dead. After a few warm up gigs throughout the Bay Area in 1969, the New Riders (for all intents and purposes John Dawson and David Nelson) began to tour in May 1970 as opening act with the Grateful Dead. This relationship continued on a regular basis until December 1971. Throughout much of 1970, the Dead would open with an acoustic set that often included John Dawson and David Nelson before segueing into the New Riders and then the electric Dead. By the time the New Riders recorded their first album in late 1970, change was in the air. Dave Torbert, a young Bay Area musician, replaced Phil Lesh. After Mickey Hart went on sabbatical from music in early 1971, Spencer Dryden (from Jefferson Airplane) began

This is Leonard Cohen live at the Royal Albert Hall, London, England back on the 30th May 1988. The performance was recorded by the BBC (from their own soundboard) but never subsequently broadcast. In 1987, Jennifer Warnes's tribute album Famous Blue Raincoat helped restore Leonard Cohen's career in the USA and the following year he released 'I'm Your Man', which marked a drastic change in his music. Synthesizers ruled the album and Leonard Cohen's lyrics included more social commentary and dark humour. It was Leonard Cohen's most acclaimed and popular since Songs of Leonard Cohen. "First We Take Manhattan" and the title song have become two of his most popular songs. Source: Soundboard (BBC). Sound Quality: Very good stereo mp3@192kbps. Genre: Folk, folk rock, blues. Set: Full Set*. Track List: 01 Dance Me To The End Of Love 02 Ain't No Cure For Love 03 Who By Fire 04 Bird On The Wire 05 I'm Your Man 06 Sister

Here's a band I really do like and new little about until those very nice folk at Paper Garden Records sent me a copy of their current album, and am I glad they did! I reckon a lot of people are gonna be 'getting into this band' in 2010, and those already in the know are probably feeling rather smug. Alcoholic Faith Mission are from Copenhagen however started out in Brooklyn in 2006. Whether it is the contradictory band name, the band’s multinational conception, or just the creation of eerily beautiful music, Copenhagen’s Alcoholic Faith Mission have already proved their worth in Europe with coverage in NME, AOL UK and more in addition to consistently selling out high-profile shows across the European continent. Listen: 'We All Have Our Shortcomings' Website: MySpace . Buy MP3's: Alcoholic Faith Mission Bio: Alcoholic Faith Mission started in Brooklyn, NY in 2006. The apprentices of dejection, Thorben Seierø Jensen and Sune Sølund, were wandering around in t

This is The Specials live in concert back in January 1980 at Hurrah's, NYC. The Specials began at the same time as Rock Against Racism which first gathered in 1978. According to Jerry Dammers, anti-racism was intrinsic to the formation of The Specials, in that the band was formed with the goal of integrating black and white people. 2009 has seen the band undertake a 30th anniversary tour (minus Jerry Dammers, however Terry Hall has stated 'the door remains open to him'). The tour has been very well received, their performance on BBC's 'Later With Jools Holland' can be seen on You Tube HERE . This concert takes us back three decades to a much younger band. Source: FM Broadcast Sound Quality: Very good stereo mp3@256kbps. Genre: 2 Tone, Ska, New Wave. Set: Majority of set Track List: 01 Monkey Man 02 Rat Race 03 Blank Expression 04 Rude Boys Outa Jail 05 Too Hot 06 Doesn't Make It Alright 07 Stupid Marriage 08 Too Much Too Young 09 A Message To You

Double Trouble is a collection of live performances recorded during The Breeders 1993 tour. Formed in 1988 their first album, Pod (1990), received critical acclaim but was not commercially successful. The Breeders' most successful album, 1993's Last Splash, produced the hit single "Cannonball", and this material is from the tour that promoted the Last Splash album. The Breeders' history began when Kim Deal, then bassist of the Pixies, began writing new material while the band were on a post-Surfer Rosa tour of Europe with Throwing Muses. As neither band had plans for the short term, Kim Deal discussed possible side-projects with Throwing Muses guitarist Tanya Donelly. After rejecting the idea of creating a dance album together the pair decided to form a new band. Source: Soundboard Sound Quality: Very good stereo mp3@320kbps. Genre: Alternative Rock. Set: Compilation from various gigs. Track List: 01. Iris 02. Cannonball 03. Saints 04. Hag 05. Fortunately Gon

Some email promo's have me yawning from about the second line onwards this one started as follows and kind of gained my attention. 'After an arduous recovery from a touring accident on the Autobahn while on tour in Germany (singer and main creative force Mike Law broke seven bones on the left side of his body) Brooklyn's New Idea Society has finally regained the momentum that was brewing on their previous album, "The World Is Bright and Lonely" (2007)'. Now I will be upfront and say I had not previously registered New Idea Society however having gained my attention I gave the two songs from the forthcoming album a listen and reckon they deserve at the very least a fairly decent plug from the Beehive. Listen: 'Thorns' Website: Official . MySpace . Buy: New album release TBC. Background: The new song is from an upcoming album produced by Andy LeMaster (Bright Eyes, Azure Ray). They are a huge departure from the bands previous recordings. Tracked i

For those who are not familiar with The Ditty Bops they are an American band from Los Angeles, California. They were previously with Warner Brothers, however they now self produce their material. They are noted for their tight vocal harmonies and playful style, and are headed by Abby DeWald (vocals and acoustic guitar) and Amanda Barrett (vocals, mandolin and dulcimer). For those of you who are familiar with their wonderful music, then this is an absolute delight! This is a full concert of the band performing live at The Freight & Salvage Coffee House (The Home of Traditional Music) in Berkeley, California. This concert took place on the 7th March 2008 and the recording includes both sets. Source: Soundboard (see comments). Sound Quality: Very good stereo mp3@192kbps. Genre: Folk, bluegrass, blues, western swing, ragtime. Set: Full Set Set List: Set One: 1. Intro 2. In The Meantime 3. Million Dollars 4. You Made Me Love You 5. Feel From The Outside In 6. Seed Of Wonder 7. Skin

Welcome to 2010FM where Beehive Candy will feature new artists, albums, events and the like, that capture our attention in the coming year. We kick off a couple of weeks early with Mighty Tiger who have just been signed up to Paper Garden Records and their 'Western Theater' album is scheduled for release on March 9th 2010. Seattle’s Mighty Tiger are a five-piece Capitol Hill dwelling chamber-pop group and also plan to tour down to SXSW and back with fellow Seattle rockers, 'Grand Hallway'. Listen: “33 1/3” Website: MySpace . Label/Buy: Paper Garden Records - Release tbc. Bio: With its members emerging from the Midwest and the Southwest, this particular collection of musicians unified in the dreary Pacific Northwestern Seattle, WA. Drawing from influences as diverse as Harry Nilsson to The Flaming Lips, Mighty Tiger applies vintage pop sensibility to indie rock innovation, creates a sound that is uniquely their own. Western Theater, Mighty Tiger's full-lengt

'The Tour of Life' is the only ever tour by Kate Bush . During the 1979 tour, Kate became the first ever singer to use a wireless headset radio microphone on stage, which enabled her to incorporate extensive dance routines into her live shows. A number of reasons have been suggested as to why she subsequently abandoned touring, among them her reputed need to be in total control of the final product, which is incompatible with live stage performance, a rumour of a crippling fear of flying, and the suggestion that the death of 21-year-old Bill Duffield severely affected her. Bill Duffield, her lighting director, was killed in an accident during her 2nd April concert at Poole Arts Centre. Kate Bush held a benefit concert on the 12th May , with Peter Gabriel and Steve Harley at London's Hammersmith Odeon for his family. The tour comprised of 28 dates including five nights at The London Palladium. This is from her concert at the Carr'e Theatre in Amsterdam, Holland on

If I have some new music that I want to listen to I expect I am not alone in listening whilst doing something else like surfing the net or whatever. The Morakestra were playing in the background yesterday and I was trying to write an article and in the end I had to turn them off. Not because there was anything wrong, quite the opposite actually as they are so catchy, tuneful, and full of great guitar hooks and songs that they became a total distraction. Which of course is a joy as I love those moments when you realise you are listening to something that connects home. OK the band themselves have been around for a while, indeed their web site adds 'F ounders and key creative minds David and Will Mora are twin brothers who were proudly born and raised in the West Texas border city, El Paso, Texas. Fellow El Pasoan Jim Ward contributed to the rebirth of Morakestra via production and recording of the band's latest album, Witness to Connection, out June 2nd, 2009 on indie label Str

Are you ready to rumble? There is nothing like a blast of rockabilly and a blues belter or two, to clear the cobwebs and the Stray Cats certainly know how to liven things up as was the case here back in the early 1980's Now I am a little confused over the venue or even city that this gig was actually from. The silver disc boot says the band were live in Los Angeles on April 28th 1982. It's just that the song 'Rumble In Brighton' keeps on having the lyrics changed to 'Rumble in Toronto' something the audience seems to appreciate. That aside this is one rocking concert from the band at the peak of their musical journey. It's not until 'Lonely Summer Nights' that the band slow things down a little, showing how well they could recreate 1950's rock'n'roll in differing styles. Source: Soundboard. Sound Quality: Very good stereo mp3@320kbps. Genre: Rockabilly. Set: Full Set. Set List: 1. Baby Blue Eyes (4:22) 2. Double Talking Woman (3:47)

We are reliably informed that Daisy McCrackin was born in San Francisco and now lives in Los Angeles. So what else can I add, well having read her bio on MySpace her original move to LA was to develop an acting career, with some notable Hollywood credits to her name including 3000 Miles To Graceland (with Kurt Russell and Kevin Costner.) She also had the honor of being one of Michael Myers teen victims in a Halloween sequel from 2002 (no wonder she switched over to a music career), however clearly her artistic yearnings eventually led her away from LA for a while as she slowly developed her song writing and guitar skills. Having listened to her debut release 'Rodeo Grounds' I have to say there is something special about Daisy and her music. I would imagine she will appeal to both folk and indie fans alike, the comparisons are there (from Joni Mitchell to Beth Orton) however she has a unique and very intimate style that has a personal and charming edge. Listen: 'tell her&

This is the second in our new occasional series under the banner 'Rarities and Collectors Items' where the audio might not be first class but the interest factor is likely quite high. It's over thirty years since Sandy Denny passed away, and yet her influence as a folk singer and artist has remained down the years, her ability to interpret anything from traditional folk too folk rock setting the benchmark for those that have followed. This is a beautiful set recorded by a member of the audience who edited out the gaps and some applause however retained her conversation with the audience along with the songs. Being a small venue and with a respectful audience the intimate nature of the concert can be felt and heard. Performing on October 12th 1972 at the Guildhall, Newcastle, England this is the much missed Sandy Denny. Source: Audience recording Sound Quality: Very good for audience recording and era mp3@320kbps. Genre: Folk, Electric Folk. Set: Majority of set. Set