BEEHIVE CANDY

Background: yourfeetstoobig (or yftb) is 22 year old Chicago resident Kevin Benishek. Currently working under the moniker yourfeetstoobig, Kevin Benishek is a artist/musician who has in the past dabbled in everything from hip-hop beats to lo-fi experimental projects. "My methods are constantly changing and evolving" as Kevin puts it. What was once an electronic bedroom project (started in 2009) has quickly grown into live shows. Blending a multitude of different genres, everything from pop, shoegaze and freak-folk finds its way into the yourfeetstoobig soundwaves. Since the release of his first self-released EP, Hunter/Gather (released January 19th), his lo-fi, pop tracks have been featured on SIC Records 100th release, loveSICdisco, with the likes of Memory Tapes, Memory House and Niva. Tracks have also been released through the digital singles label Beko-DSL. yourfeetstoobig's tracks are upbeat, but engaging and beautiful to listen to anywhere. The dance pop-inf

Rather than just rewrite the liner notes that accompanied this I have just copied and pasted them in full, the story behind this is all there and reads as follows. As early as in the late ’60s, Frank Zappa was already planning a big box called The History & Collected Improvisations of the Mothers of Invention. Among the discs in the collection (it has been reported as a 12-record set, then a 10-LP set and later a nine-disc set) is The Weasel Music. Some tracks from this big box found their way to Weasels Ripped My Flesh in 1970. According to one review on the internet, “This is Zappa’s most avant garde work. If Ornette Coleman, Albert Ayler and Peter Brotzmann got together and made a rock album, it would sound like this.” The wikipedia notes: “Weasels Ripped My Flesh mostly captures the Mothers on stage, where they employ frenetic and chaotic improvisation characteristic of avant-garde free jazz.” The Weasel Music Acetate would fit right at home on Weasels Ripped My Flesh.

This is Supergrass live at Rock City, Nottingham, England back on the 18th January 1998. The band split up last year (2010) siting musical differences however during their eighteen years together a legacy of energised, excuberent performances both live and recorded will I am sure be remembered with great fondness by many. In mid-1994, Supergrass issued their debut single "Caught by the Fuzz" on the small independent local (Oxford) label Backbeat Records. The song recounts lead singer and guitarist Gaz Coombes' experience of being arrested and cautioned by police in possession of cannabis. The limited release of vinyl copies sold out quickly, thanks in part to support from John Peel on his Radio One show. The Parlophone label signed the band and re-released the single in the autumn of the same year. It achieved the rare feat of both NME and Melody Maker "Single Of The Week" status in the same week. "Mansize Rooster", released in February 1995, peak

This is Debbie Harry performing live at the Metro Nightclub in Melbourne, Australia back on the 20th March 1990. This was the only gig outside of the UK and USA in 1990 (as I understand) and the set list was a mixture of solo material and Blondie songs. Debbie released the album Def, Dumb and Blonde in 1989. At this point she reverted from "Debbie" to "Deborah" for her professional name. The first single "I Want That Man" was a hit in Europe, Australia, and on the U.S. Modern Rock Charts. The success of the single propelled the album to number 12 on the UK charts. However, with little promotion from her record company in the US, it peaked at number 123. She followed this up with the ballad "Brite Side" and the club hit "Sweet and Low". "Maybe for Sure", a track originally recorded by Blondie for the Rock and Rule animated film, was the fourth single released from the album in June 1990 to coincide with a UK tour (her seco

Background: When you think of finely tuned guitar-pop, Stockport, UK is not what necessarily comes to mind as a breeding ground for the next big thing. Indie rockers The Kill Van Kulls - now Manchester-based - have only been together for six months and have already garnered attention from the likes of XFM and BBC. While finding inspiration in a disused mill and working through the night to sharpen their upbeat four to the floor, kick heavy pop songs, The Kill Van Kulls plan to release their first single “Fools Wish” via the band’s own label on February 28th. In the grand tradition of Echo & The Bunnymen, what started out as a three piece plus a drum machine, has evolved into a more robust and lush sounding quartet that’s reminiscent of The Doves, The Cure, Simple Minds and pretty much any John Hughes film soundtrack. More recent artists with the same flair for indie pop and new wave rock that come to mind include Twin Shadow, Brahms, Amazing Baby, and Neon Indian. Their lead

This is Brinsley Schwarz in concert back on the 19th June 1974 at the former Top Rank venue in Cardiff, Wales (UK). This is a superb recording and demonstrates what a first class live act the band truly were. Nick Lowe (bass, vocals) and Brinsley Schwarz (guitar, vocals) originally met at Woodbridge School where they played in school bands with Barry Landerman (keyboards, vocals) and Phil Hall (guitar). In 1964, whilst still at school, they toured RAF bases in Germany as "Sounds 4+1". On leaving school, Schwarz formed "Three's A Crowd" with Pete Whale (drums) and Dave Cottam (bass). Landerman joined in 1967 and they renamed themselves "Kippington Lodge". Their first two singles, produced by Mark Wirtz, in a close-harmony pop style, both flopped. Cottam left, and Schwarz invited Nick Lowe to join. Landerman then left to join Vanity Fare, Bob Andrews joined on keyboards, and finally, Whale was replaced by Billy Rankin on drums. Although the next thr

Background: Kopecky Family Band released a limited edition, hand-assembled split 7” vinyl with friends, and Seattle locals Ivan and Alyosha on February 4th 2011. Animal and I Was Born to Love Her feature on the two-track release. Both bands have long been vinyl enthusiasts and thought it the ideal time to offer their friends and fans a limited edition piece of music to not only listen to, but to keep as a creative addition to their music collection. The artwork was designed in-house by Kelsey Kopecky, and the vinyl was lovingly packed and assembled at Kopecky Headquarters. Kopecky Family Band is readying themselves for a busy 2011 after achieving much in 2010. The band kicked off the year at SXSW in Austin, wowed locals and industry execs at Next Big Nashville, and floored the likes of Bob Boilen at CMJ in New York. A solid work ethic and collaborative approach to songwriting resulted in two EP releases in the second half of the year - The Disaster and (Of Epic Proportions), plus