BEEHIVE CANDY

Telete - Like Honey. Background - Following shows with Julia Jacklin, Rainbow Chan, Totally Mild, Hatchie and high praise for their deeply affecting sound, akin to "being mown down in a field of violets", Perth chamber/dream pop duo Telete (Teh-leh-tee) announce the wide release of 'Spectator', their surprise debut EP on Friday 22 June. Their new single 'Like Honey', delivering "what it says on the tin" (Nat Tencic, triple j) is out now. Drawing inspiration from acts such as Broadcast, Julia Holter and Beach House, Perth’s Telete (Mai Barnes & Hayley Ayres) weave strings, synth lines and canned percussion together to build warm-hued compositions that simmer underneath intimate vocals. Telete's "dramatic and delicate" heartrending version of a lullaby (Declan Byrne), 'Like Honey' has already oozed its way onto playlists for triple j Home and Hosed, triple j Unearthed, Triple R's Out On The Patio, RTRFM's Out To L

Odetta Hartman - Sweet Teeth. Background - NYC artist Odetta Hartman, who will release her new album 'Old Rockhounds Never Die' through Memphis Industries on 10th August, has unveiled a new song ‘Sweet Teeth’. “Featuring sounds from a construction site, this song depicts a bold young woman defiantly determined to rebuild herself,” explains Odetta. “It’s an anthem to independence, self-acceptance, irreverence, and generally just not giving a f*k about what anybody else thinks.” 'Old Rockhounds Never Die' is a bonanza of beautiful contradictions: intimate yet fiercely internationalist, spiritual and yet tangible, sweet and also sexy. It convenes with the ghosts of the past while marching relentlessly forwards. Drawn from experiences as far-flung as riding a train from San Francisco to Chicago with an old-style, rootin'-tootin' cowboy for company ('Cowboy Song'), to experiencing the intense natural beauty of Icelandic waterfalls ('Dettifoss'),

Johnny Mafia - Big Brawl Background - Johnny Mafia have long been high rollers in the burgeoning post-garage punk rackets gripping the country of France over the last few years; high-energy explosive acts like The Scaners, Escobar, Les Grys Grys, Les Lullies and The Arrogants have been burning up stages across Europe and USA with a vengeance, adding their craft to the long list of fine French exports suited to the more cultivated of music connoisseur. The group hail from Sens, Burgundy (which is known more for it’s wheat and cereal production than rock ‘n’ roll) and bring a young, snotty, explosive and ferociously fun energy that drives audiences into a near-frenzy. Inspired by classics like The Ramones, T-Rex, and The Clash, they also draw heavily on contemporary acts like Ty Segall, Jay Reatard, and the Wavves. With their signature reverb-soaked slap-back fuzzed out sonic attack, Johnny Mafia embodies punk attitudes and spirit of past and present with a firm foothold into their

Palm Ghosts - Architecture (Album). Background - Nashville-based outfit Palm Ghosts present their new album 'Architecture', which is being released by Ice Queen Records. The band offers a balanced blend of cinematic dream pop with dark indie, celebrating sounds from the most colorful of musical decades, the 1980s. Palm Ghosts is a five-piece led by songwriter / producer Joseph Lekkas (bass and vocals), Erica Whitney Wilkes (vocals and keyboards), Ben Douglas (guitars and keyboards), Jason Springman (guitars), and Rene Lambert (drums). Collectively, they are influenced by groups such as Cocteau Twins, Peter Gabriel, Dead Can Dance, New Order and The Cure. Lekkas founded Palm Ghosts in Philadelphia in early 2013 as a creative outlet for dealing with a severe bout of depression and anxiety that left him incapacitated. Discovering that music was his only path through the mire, he spent a particularly long Philadelphia winter recording a batch of introspective songs that was to

Esther & Fatou - Home Background - Belgian duo Esther & Fatou release new single Home, a captivating and dreamy folk-pop track, perfectly tuned-in for long upcoming summer evenings. Written over the course of last summer, it’s the follow up to their wintery debut single At Night. Introduced by galloping percussion and a beguiling piano pattern, Home soon bursts into an addictive chorus replete with trademark rootsy instrumentation and symphonic production, without losing focus on the chemistry between each half of the duo. This is the key tenant to their sound, the hauntingly beautiful harmonies and the way their pin-point vocals play off of one another. “‘Home’ recounts a response to a confrontational situation”, Esther & Fatou explain, “In a state of complete disbelief, we are trying to escape the things we can’t handle. There’s nowhere to process, there’s only the road. Searching for some peace of mind.” Once again produced by Isbells mastermind Gaetan Vandewo

Mercy Flight - Entropy.  Background by Steve York of Mercy Flight - The band Mercy Flight is a natural evolution of my music. Together with powerhouse musicians – Tony Rabalao & Thomas McKay (Joy Drop), Ricky Tillo (Lady Gaga), Dan Miller (Valerie Dour) and Katey Morley (Gypsy Soul) - we combine to create Mercy Flight’s indie folk sound with a modern twist. “Entropy,” the first single from our forthcoming record, explores the importance of human connection in a disintegrating world. Technologies designed to bring us together are tearing us apart and destroying our physical realities. “Entropy” is a reminder to connect in the moment. Set for release on June 15th, Humanizer continues to explore the relationship between humanity and technology. I’ve watched the music industry change from the inside over the past 20 years, and reflect what I’ve witnessed on our new album. Humanizer was recorded straight to analog tape at Revolution Recording in Toronto. FACEBOOK . 'Entropy

Lucy and the Rats - Melody. Background - Lucy And The Rats is the new band from now London based singer/guitarist Lucy Spazzy, formerly one third of Australian punksters The Spazzys.  Once settled in London in 2015, she set about assembling a new band being “bored of playing at home by herself”, subsequently linking up with guitarist Joe To Lose (Los Perros, Johnny Throttle), bassist Mike Cannibal (Animal Cannibal), and drummer Manu (Thee Tumbitas). A pair of ear grabbing singles followed as the band made a stir on the live scene in the Capitol, in turn nationally and all over the world sharing stages with the likes of Buzzcocks and Paul Collins along the way. Produced by Johnny Casino and Jim Diamond (White Stripes, Dirtbombs), their first album is an inescapable tap on the shoulder of the broadest attention and recognition, a sweet sounding proposition so so easy to run off with. FACEBOOK . It was in late 2016 that we first came across Lucy And The Rats, then they disappeare

Kris Angelis - Photobooth. Background - "Photobooth is about a real night that I thought would be the beginning of something and it turned out to be the end, but the joy and hopes of that night were saved forever in the photos. I wrote it because I've always thought photo booths were romantic and that concept would be fun to write a song about, but also as a bit of a catharsis for a heartbreak. The song is more upbeat and nostalgic than one might imagine, because its about those memories captured in the flashes of the photo booth. On a larger scale its about the moments in life that could become tainted by how they ended up, but trying to allow them to keep their happiness." ~ Kris Accomplished singer-songwriter, Kris Angelis, visits bittersweet nostalgia on her new single, “Photobooth.” Over the years, Angelis has experimented with a myriad of sounds and ideas, though never straying from the lyrical reflections and life experiences that make her music undeniably rel

Ana Silvera - Circle Of Chalk. Background - Since the 2012 release of her debut album, 'The Aviary', singer-songwriter Ana Silvera's work has garnered broad acclaim from audiences and critics alike. Her uniquely ethereal brand of alt-folk has seen her perform at SXSW, Iceland Airwaves Festival, Liverpool Royal Philharmonic and more, whilst recent collaborations include composing for Royal Ballet, duetting with Imogen Heap and singing original songs with early music consort Concerto Caledonia.Now six-years after her last full-length record, Silvera is about to release her sophomore album, ‘Oracles’. “It was Marcus Davey, artistic director of the Roundhouse, who was really the Oracles fairy-godfather. I’d sung in choirs till the age of 15, so that was always my musical foundation. Then Marcus mentioned this great, experimental in-house choir [REC] who were keen to collaborate. It was a very open-ended commission, basically ‘do what you want, use the choir somehow’. I don