Posts

Tomberlin - Reina Mora - Mayflower Madame - The She's - Princess Chelsea - Basement Revolver - The Wolfhounds

Image
Tomberlin - Seventeen. Background - Tomberlin, the rising Louisville, KY-based artist, has released a video for "Seventeen," the latest from her deeply moving Saddle Creek debut album, At Weddings. On her deeply moving debut album At Weddings, Sarah Beth Tomberlin writes with the clarity and wisdom of an artist well beyond her years. Immeasurable space circulates within the album's ten songs, which set Tomberlin's searching voice against lush backdrops of piano and guitar. Like Julien Baker and Sufjan Stevens, she has a knack for transforming the personal into parable. Like Grouper, she has a feel for the transcendent within the ordinary. Born in Jacksonville, Florida, and now based in Louisville, Kentucky, Tomberlin wrote most of At Weddings while living with her family in southern Illinois during her late teens and early twenties. At 16, she finished her homeschooling curriculum and went to college at a private Christian school she describes, only half-joki

Dead Naked Hippies - The Rock'n'Roll Hi-Fives - No Coward Soul

Image
Dead Naked Hippies - Guillotine. Background - Thrashing into life in late 2016 with their caustic brand of punchy post-punk, Dead Naked Hippies return with their first track of 2018 - the raw, gritty and atmospheric Guillotine. Capturing the trio, and frontwoman Lucy Jowett especially, at their most honest both sonically and thematically, the track builds on a steady release of acclaimed singles. Opening with a low-key guitar and drum groove, before bursting into fiery life for a cathartic chorus courtesy of Jowett’s trademark vocals, this conflict of duelling musical identities echoes the lyrical messages being conveyed. "Guillotine is an exploration of grief” the vocalist explains, “It’s the fine line between wanting to retaliate to someone who has caused you hurt, versus choosing to cut out the dead weight they have created in your life.” Serving as an excellent vignette for this universally relatable emotional struggle is just one facet of the track, and Dead Naked Hi

Oldermost - Tempesst

Image
Oldermost - Same To Me. Background - “Same To Me” is the brand-new second single that Philadelphia’s indie rock band Oldermost ahead of the release of their new album How Could You Ever Be The Same? that AntiFragile Music is releasing on Friday, July 13th, following its rollicking lead single "The Danger of Belief”. The introspective song was one of the first written for their new album, and is one of its gorgeous, hazy stand-outs. It’s also frontman Bradford Bucknum’s thesis about love, and how embracing change is a liberating act that permits deeper possibilities of loving someone and loving one’s self. It also highlights the bands’ penchant for creating era-blending Americana-infused rock & roll with a more indie rock vibe in the vein of The War On Drugs (their Philly contemporaries!) or Wilco. How Could You Ever Be The Same? includes two songs that Oldermost previously released but felt like had a home on the new album, including the undeniable track “Honey With Tea”,

Jaicee Rentz - Michael Nau & The Mighty Thread - Orions Belte

Image
Jaicee Rentz - Superzoomy Space Ships (feat. Kaleb Schnepf) Background - Teen singer-songwriter Jaicee Rentz hails from the sunny shores of San Clemente, California where the breezy ocean vibes made an indelible impression on her. Themes of nature and space are often swirling around her lovely rustic-Inspired tunes, influenced by the anthemic dance pop of Carly Rae Jepsen and the earthy acoustics of The Lumineers.  Jaicee’s debut release, Colors, is a striking calling card for her warm, mature vocals and tactile musings - the kernels of which were all received as midnight downloads, captured as song sketches and later fleshed out into full productions at Roshambo Sound. In the studio, Jaicee multi-tracked keys, guitar and banjo while stamping each track with her punchy, nuanced vocals and oddball sound flourishes. A prodigious musical outpouring, reminiscent of early Beck in its tight grasp of sonic scope and psychedelic turnarounds. “I want to give away my tiny wisdoms” she admit

Telete - Sons of Bill - Treetop Flyers

Image
Telete - Like Honey. Background - Following shows with Julia Jacklin, Rainbow Chan, Totally Mild, Hatchie and high praise for their deeply affecting sound, akin to "being mown down in a field of violets", Perth chamber/dream pop duo Telete (Teh-leh-tee) announce the wide release of 'Spectator', their surprise debut EP on Friday 22 June. Their new single 'Like Honey', delivering "what it says on the tin" (Nat Tencic, triple j) is out now. Drawing inspiration from acts such as Broadcast, Julia Holter and Beach House, Perth’s Telete (Mai Barnes & Hayley Ayres) weave strings, synth lines and canned percussion together to build warm-hued compositions that simmer underneath intimate vocals. Telete's "dramatic and delicate" heartrending version of a lullaby (Declan Byrne), 'Like Honey' has already oozed its way onto playlists for triple j Home and Hosed, triple j Unearthed, Triple R's Out On The Patio, RTRFM's Out To L

Odetta Hartman - Piney Gir - Sarah Sharp - Deux Trois

Image
Odetta Hartman - Sweet Teeth. Background - NYC artist Odetta Hartman, who will release her new album 'Old Rockhounds Never Die' through Memphis Industries on 10th August, has unveiled a new song ‘Sweet Teeth’. “Featuring sounds from a construction site, this song depicts a bold young woman defiantly determined to rebuild herself,” explains Odetta. “It’s an anthem to independence, self-acceptance, irreverence, and generally just not giving a f*k about what anybody else thinks.” 'Old Rockhounds Never Die' is a bonanza of beautiful contradictions: intimate yet fiercely internationalist, spiritual and yet tangible, sweet and also sexy. It convenes with the ghosts of the past while marching relentlessly forwards. Drawn from experiences as far-flung as riding a train from San Francisco to Chicago with an old-style, rootin'-tootin' cowboy for company ('Cowboy Song'), to experiencing the intense natural beauty of Icelandic waterfalls ('Dettifoss'),

Johnny Mafia - Juanita Stein - Everything by Electricity - Vallens

Image
Johnny Mafia - Big Brawl Background - Johnny Mafia have long been high rollers in the burgeoning post-garage punk rackets gripping the country of France over the last few years; high-energy explosive acts like The Scaners, Escobar, Les Grys Grys, Les Lullies and The Arrogants have been burning up stages across Europe and USA with a vengeance, adding their craft to the long list of fine French exports suited to the more cultivated of music connoisseur. The group hail from Sens, Burgundy (which is known more for it’s wheat and cereal production than rock ‘n’ roll) and bring a young, snotty, explosive and ferociously fun energy that drives audiences into a near-frenzy. Inspired by classics like The Ramones, T-Rex, and The Clash, they also draw heavily on contemporary acts like Ty Segall, Jay Reatard, and the Wavves. With their signature reverb-soaked slap-back fuzzed out sonic attack, Johnny Mafia embodies punk attitudes and spirit of past and present with a firm foothold into their

Palm Ghosts - Seaside Heights - Social Station

Image
Palm Ghosts - Architecture (Album). Background - Nashville-based outfit Palm Ghosts present their new album 'Architecture', which is being released by Ice Queen Records. The band offers a balanced blend of cinematic dream pop with dark indie, celebrating sounds from the most colorful of musical decades, the 1980s. Palm Ghosts is a five-piece led by songwriter / producer Joseph Lekkas (bass and vocals), Erica Whitney Wilkes (vocals and keyboards), Ben Douglas (guitars and keyboards), Jason Springman (guitars), and Rene Lambert (drums). Collectively, they are influenced by groups such as Cocteau Twins, Peter Gabriel, Dead Can Dance, New Order and The Cure. Lekkas founded Palm Ghosts in Philadelphia in early 2013 as a creative outlet for dealing with a severe bout of depression and anxiety that left him incapacitated. Discovering that music was his only path through the mire, he spent a particularly long Philadelphia winter recording a batch of introspective songs that was to