BEEHIVE CANDY

Caz Gardiner & The Badasonics - Out Of Time. Background - The Badasonics mixes soul and funk together with Jamaican riddims and horns with the soulful rock and reggae voice of Caz Gardiner to deliver a pulsating party of soul steady beats. Caz has performed with the BandHouse Gigs, Newmyer Flyer productions and The Beat Hotel. She was the lead singer for The Ambitions, a 60's influenced soul/ rock band which in 2008 was nominated for a Wammie (Washington Area Music Association) in the best new band category; and the rocksteady / reggae band Caz and The Day Laborers. In 2010, she was nominated for a Wammie in the best traditional blues / RnB vocalist category for her work with Caz and The Commotions. The Badasonics, consisting of former members of The Moon Invaders & The Caroloregians, were also known as the busiest backing band for Jamaican artists in Europe and have played with Lee ‘Scratch’ Perry, Ken Boothe, Alton Ellis, Dave & Ansel Collins, Rico Rodriguez, Dore

Lung - Butcher. Background - 'All the King’s Horses' marks a shift from Lung’s first album, Bottom of the Barrel. The content was largely influenced by the band’s experiences from their national tours. “We’re excited that it [the new album] is going to be out of our heads and into the world.” Wakefield explains, “The album reflects what we (Daisy, Rachelle, and me) have experienced as a band touring around this confusing and awesome country. It is a snapshot of what we have seen, lived-through, and what’s been shared with us. The record aims to take you on a journey of personal and shared struggles and goes to some pretty vulnerable places. I hope that people listening to the record get some sort of cathartic release by the end of it.” Sonically the album has a dark, biting edge. Kate Wakefield (vocals, cello) and Daisy Caplan (drums) have developed a powerful, sinister sound created from total immersion into music culture and life on the road. Thematically, the record

The Mutineers - Couldn't Get Over You. Background - Ahead of releasing their new five-track 'Threshold' EP and launching a busy 2018 national tour schedule, The Mutineers present the first single from this EP. 'Couldn't Get Over You',  a pleasantly wistful offering guided by a longing feeling and lulling melodic line. A bit earlier, they unveiled the new video for 'Drug For That', filmed and directed by California-based photographer and visual artist Clovis IV.  The track, previously released on 'Live At B-Side', will be offered as a bonus track on a special Bandcamp edition of the EP. Based in Portland, Oregon, The Mutineers are a rock n roll husband-wife duo with country leanings and punk rock tendencies. With Brian Mathusek on guitar and Merry Young on drums, the couple share vocal duties. Sounding like a cross between Johnny and June with John Doe and Exene, and a bit of Nick Cave and PJ Harvey, their sound esthetic is influenced by such

The Montreals - Y2K. Background - The Montreals’ incorporate sleazy R&B hooks, So-Cal rock, and a dash of disco blended into your favourite smoothie. Their stand-alone singles deadheads and Sardines were positively received nationally and internationally, cartwheeling the line between polished and raucous, with the former attracting multiple radio plays on Triple J (Australia) and KCRW (United States). Y2K, the latest track from The Montreals, is now available. Collectively, their music has clocked over 800,000 streams on Spotify and been consistently added on coveted international playlists including Fresh Finds and Indie Arrivals. The new single, Y2K marks an exciting shift in direction which will turn heads and break beds :) Y2K combines bedroom pop with sleazy R&B hooks, and a dash of jazz hands. “It contains a bunch of weird samples (cc: lazers) - it was a G time weaving lots of subtle nick nacks in the track.” Y2K was recorded in a humble home studio in Thebarton, SA

Cosmic Strip - Sugar Rush. Background - Dreamy shoegazers Cosmic Strip share their latest irresistible dose of psychedelia in new single Sugar Rush, taken from the band’s debut EP Heavenly out now. Marshalled by supremely talented frontwoman Camella Agabalyan, the London outfit have already attracted a ton of praise with widespread acclaim throughout the online community and encouraging festival displays at the likes of The Great Escape, Citadel and Wilderness. “I wanted to write a song about the feeling of addiction whether it’s sugar, love, a drug, whatever your vice is”, Camella stated. “I personally really connect to dreamy, druggy songs like Air, My Bloody Valentine, Beach Fossils, Slowdive, The Jesus & The Mary Chain etc so I wanted to inspire myself from that feeling but also show the darker side of addiction that you might not always get from those types of songs”. TWITTER . Opening layer by layer with some gorgeous and refined guitar work 'Sugar Rush' builds

Grizzly Coast - Zuzu's Petals. Background from Grizzly Coast - My background as a poet, mixed with my lifelong affinity for playing music, lead me to blending the two mediums on my debut album Gold Lined Path.  My new single, “Zuzu’s Petals,” showcases my expansion into a full-band sound, and my commitment to free-falling even deeper into my lyrics. “Zuzu’s Petals” is about the feeling of self-assurance – something that struck me on a refreshing upswing that I rode after going through a breakup. Finding simple luxuries in both solitude and community, and really focusing on music were what brought me back home to myself. With the song’s upbeat tempo and lyrics, I aimed to evoke the excitement that you feel when you’re inspired by the boundless possibilities that exist in your future. This video attempts to capture the growth and joy that solitude can bring, and frames it in a single summer’s day, FACEBOOK . Grizzly Coast's vocals are quite beguiling as well as beautiful

Dead Naked Hippies - Rare. Background - With an angular opening riff that batters its way into your head and stays rattling around in there all day, Rare is the ferocious new offering from Leeds art-rock trio Dead Naked Hippies. Don't be fooled by the initial ferocity, Rare serves to empower others and front woman Lucy Jowett is not holding back: “It is a song about self love. I think we're quick to judge the term & deem it laughable or irrelevant in fear of being arrogant, or weird. But if you take a hard look at the society we live in, it's clear to see why so many people struggle to feel content in their own minds and their own bodies. I've always struggled with myself and it sickens me to think that so many other people feel the same. It needs to change.” Expanding more on the band’s mission, and where latest release Rare fits in – Lucy says: “We're used by advertising companies, so they can make money out of our discontentment. Bombarded with images of

Tom Auton - Stay. Background - Self taught musician, Tom Auton will be releasing his highly anticipated EP Big Little Glass Bowl on September 14th. “I spent months hitting my head against the wall. How on earth do you build a colossal fanbase overnight?! Then I realised; it’s useless being a ‘small fish in a big pond’, I need to be a ‘BIG fish in a SMALL pond’. I’m wasting time splashing about, trying to be heard from every single person on the planet, It’s my hometown I need to pour myself back into. A crowd draws a crowd. It’s this new mindset that inspired me to plunge back into Cardiff, put on my first headline show which subsequently sold out at 150 capacity. Big Little Glass Bowl is for not only my pond, but all the other musicians who are trying to be a small fish.” - Tom Auton. Influenced by Royal Blood and John Mayer, the singer-songwriter has already made his mark, breaking the top 8 in Fender’s Undiscovered Artist of the Year Award, showcasing himself to an audience of ov

Foxhole - After The Walk. Background - “After the Walk” is the soaring second single that Foxhole is sharing ahead of the release of Well Kept Thing, the post-rock band’s first new album since 2006’s Push/Pull EP. Written under one of the live oaks that pepper Austin, TX, album opener “After the Walk” (which was mixed by the Grammy-winner Stephen Roessner and mastered by Bob Weston from Shellac) is an attempt to bring joy and elation to post-rock, a genre not exactly known for its bright side. A close listen reveals coins dropping to the floor as the song empties out, as well as a misplaced chuckle in a guitar mic at the break. It’s a celebration of friendship — the sort of excitement that comes not from swelling cymbals and cinematic guitars, but from being in the same room as old friends, who remember parts of you that you’d nearly forgotten. Written across 12 years, five states and three countries, Well Kept Thing is a sonic autobiography, telling the story of a band growing up

Mars Motel - Green (The Eclipse Sessions - Live). Background - Mars Motel is a dream-rock band from Brooklyn, NY presenting an explosive and immersive sound which originates from melodic elements of 1990’s Brit-Pop as well as the raw, driving rhythms of the early 2000’s NYC rock scene. Well before the official name and creation of Mars Motel, the music began as a series of psychedelic, Brit-Pop-inspired bedroom demos written by singer/guitarist Sarik Kumar during his last year of high school. For almost 10 years, the demos were left on an old computer and almost forgotten until the summer of 2016, when Kumar rediscovered them while visiting his childhood home on Long Island. After a couple of successful singles being released in the last two years since Mars Motel was formed, including “Green” and “Living in the Moment”, The Eclipse Sessions live EP was released in late July of this year. Recorded on August 21, 2017 at Mission Sound during the first solar eclipse the contiguous Un

Martin Van Ruin - Current Day (album). Background - Current Day is the follow-up release to Martin Van Ruin’s critically-acclaimed debut, Every Man a King. A collective project from some familiar Chicago faces (members of Derek Nelson & The Musicians, Jenny Dragon, Planetsexploder). The seven-piece’s new album sees the group exploring increasingly modern sounds while building upon the ideas that led critic Jessica Hopper to write that their debut was “one of the best local albums of the year; a sprawling folk-rock work with vintage country and chamber elements … an album in a classic sense.” Also for American Songwriter to say that “fans looking for Chicago’s next Wilco may want to check out Martin Van Ruin,” and for the Chicago Sun-Times to write that “The Bob Dylan and Neil Young comparisons are inescapable for this new folk rock supergroup.” Current Day was recorded over a series of sessions in 2017 at the Music Garage in Chicago and was engineered by Mike Lust (Tight Pha