BEEHIVE CANDY

High South - Change In The Wind. Nashville’s High South dropped their Change in the Wind EP this past Friday. With impressive three-part harmonies (courtesy of vocalists Kevin Campos, Jamey Garner and Phoenix Mendoza), a dedication to songwriting and unwavering optimism, the Nashville-based band High South has developed a dedicated following across Europe, where they’ve been touring regularly since 2015. Now they’re breaking into the American market with Change in the Wind, a captivating project that draws comparisons CSNY, Doobie Brothers and The Band. High South teamed with producer Josh Leo, known for his work with Nitty Gritty Dirt Band and Kim Carnes, engineer Niko Bolas (Neil Young, Warren Zevon), guitarist Jack Pearson (Allman Brothers Band), keyboard player Tony Harrell (Flying Burrito Brothers), drummer Nir Zidkyahu (Genesis) and singer Raul Malo (The Mavericks) to create the six tracks that make up Change in the Wind. WEBSITE . High South may draw some notable comparis

Melby - Overthinking. Since debuting with catchy single Human early 2016 things have moved steady for Stockholm psych pop act Melby. Last year's debut EP received praise from both Swedish and international sources, making Melby one of the most exciting names on the Swedish indie scene. The band returned with Reject just before the summer, a summer which then saw tour dates in London and Berlin, as well as working on their upcoming debut album. New single Overthinking is yet another piece to the exciting puzzle that is Melby's music and another step in what is forming to be one very promising career. The new cut is out today via Stockholm label Rama Lama Records. The band often gets comparison to fellow swedes Dungen and Amason but Melby’s dynamic sound, with influences from folk, psych, indie and pop, stand out. The quartets light, semi-psychedelic folk pop is led by Matilda Wiezell’s enchanting voice which fits perfectly with Melby’s unique musical landscape - a sound that&

Blushing - The Truth / Sunshine. Comprised of two tightly knit husband and wife teams, Austin-based band Blushing originated in the summer of 2015 after vocalist and guitarist Michelle Soto shared her songs with long-time friend and classically trained vocalist Christina Carmona. Picking up the bass, Carmona helped to fully flesh out tracks and the two incorporated their husbands Jake Soto on drums and Noe Carmona on lead guitar.  With an unwavering passion audible and visible in both their recordings and their live performances, Blushing's individual and underlying strengths elevate the band to proficient proportions while simultaneously maintaining a strong coherence and vision as a unit. Blushing draws on a multitude of diverse influences, arriving somewhere between the rough-edged and atmospheric tones of Lush and the sweet clarity of The Sundays. Their debut EP "Tether" was self-released in 2017, followed by their EP "Weak" on Austin Town Hall Record

pronoun - you didn't even make the bed.      One-woman band, pronoun (Alyse Vellturo) releases her new single 'you didn't even make the bed' (Rhyme and Reason Records) today, taken from her forthcoming record due Spring 2019. pronoun sings of her frustrations of a break up that ended with a messy apartment, in the new track that maintains her niche, lo-fi sound and post-punk sensibilities blended with pop aesthetics that has garnered praise from the likes of The New York Times, NPR, and others. She explains- "I wrote this when I got home after an ex had just moved out and left it kind of a mess, when I just wanted to scream at the sky, when it was the final straw." pronoun explains, "It transitions from the sad, defeated phase of a break up in to the angry one. This whole record addresses that phase, the one where you're like "really...REALLY?!". Back in 2016, pronoun released her debut EP, 'There's no one new around you,' a

Droves - Time. Forming a refracted evolution of darkly singed synth-punk, Droves' anti-ethos to contemporary musical embrace is transfixing. After making their debut at this year's sold-out Yours & Owls Festival, the new project, hailing from Wollongong, blooms into an inspired and precise collision of beautifully dark anomalies. Dominated by a dark, futuristic '80s influence, the Droves portfolio features ambient synth strikes, programmed drums and ugly guitars soaked in reverb. Droves started out with a goal of bringing electronic dance culture to post-punk by singing dark hooks and melodies over quite powerful drums and subs. The group is Phillip Spiteri on vocals and keys, Taylor McAuliffe on guitar and vocals, Jonathan McKenzie on drums, Tiernan Browne on guitar and Luise Martin on bass. 'Time' is Droves' most stark remark to their stylistic and impressionist darkwave. The group's synthetic incarnation of pop, rock and synth precursors all cerem

Amethysts - How It Is. Electronic duo Amethysts share mellow new offering How It Is, expertly crafting their brand of ambient pop to perfection with a series of awe-inspiring hooks. Working with esteemed producer Shuta Shinoda (Daughter, Ghostpoet) and taking full advantage of the acclaim edging their way, the East Anglians excel in this latest effort, relying on their masterful pop sensibilities and soothing synths to create an intense, atmospheric experience. Speaking ahead of its release, the band stated: “‘That’s just how it is’ is a phrase that’s thrown around all too easily. You can’t manifest anything positive with negativity. Everything can be changed, anything can be the way you want it to be, if you truly believe in yourself and do something about it. How It Is explores modern life struggles, stigmas and tackling self doubt”. Having racked up over a million plays on streaming platforms with their first few releases alongside BBC Radio 1 and 6 Music airplay and sessions w

Annie Dressner - Don't Go / Fades Away. Since moving from her hometown of New York City to the UK seven years ago, singer-songwriter Annie Dressner has received considerable recognition from her live shows, as well as both her debut album, "Strangers Who Knew Each Other's Names" (2011), her EP "East Twenties" (April 2013). Dressner's second in-studio album with producer Nigel Stonier (Thea Gilmore) will be released today 26 October 2018. Her songs have been played on Radio 2 and 6 music, among other local BBC radio stations and has been frequently played on the Caffe Nero playlist. Dressner's songs are delivered with a such conversational ease, it often seems as if she is reading from an intimate letter or a book, set to music. Her straightforward lyrical style, sharp ear for wordplay and crisp, lilting vocals offer listeners a front row seat to her stories, as they take shape above the understated music. She has been compared to an up-tempo Mazz