BEEHIVE CANDY

Mazey Haze - Sad Lonely Groove. Mazey Haze is the moniker of 21 year old Amsterdam-based artist Nadine Appeldoorn. Today she releases her debut single "Sad Lonely Groove". Dreamy guitar-driven indie-pop reminiscent of Beach Fossils, Alvvays, Jay Som and Men I Trust, debut single "Sad Lonely Groove" is an honest reflection on a moment in Appeldoorn's life where time felt like it was standing still. "If I was further from you I’d get it all  / your face looks the same / as if I was floating around in dead air for months or days" Appeldoorn sings atop a wave of atmospheric synths, funk-filled bass lines and skittering percussion -  as she reminisces in the aftermath of a tough break-up. Speaking on the track, Mazey Haze said: "The song is about me feeling the lowest and loneliest I’ve ever felt in my life. I hadn’t built lots of friend relationships yet and I forced myself to be alone with myself. It’s about missing the guy I thought I was in love w

Samantha Margret - The Party. Singer-songwriter Samantha Margret has released her spirited and carefree new single “The Party.” Mirroring old Hollywood glamour with a flirtatious demeanor, the track rings of seductive musicality. With subtle chirps of saxophone combined with hoppy lyrics, Margret delivers a playfully canny and sophisticated piece of music with a music video soon to follow. “The Party'' is now available to stream and download on digital music platforms worldwide. “It’s so easy to get drawn into what everyone else thinks is cool or trendy, but that’s not really how we find joy,” says Samantha Margret. Finding affirmation on her own, “The Party” was written after Margret feared losing her voice and writing music for others instead of her own creative joy. Feeling a similar pressure, writer Juliette Reilly joined Margret in their first session, and “The Party” became a song about finding their own power and enjoying it even in the face of the judgement of others.

Trunky Juno - Serial Killer Vibes. Trunky Juno warmly greets us with new single ‘Serial Killer Vibes’, a lovely slice of upbeat acoustic technicolour-pop crafted in his basement studio in the North East of England. The song expands on his already eclectic repertoire by dressing up an anxiety fuelled lyric with Trunky’s trademark charming melodic hooks and balmy tones. Lyrically ‘Serial Killer Vibes’ is the musical equivalent of meeting a fist bump with a handshake, then calling someone the wrong name before accidentally insulting their mother whilst verbally digging a hole that seems to get deeper and deeper with every word. And even though this incident happened four years ago, its 3AM and you haven’t slept because you’re still thinking about it, asking yourself “why did I say that”. Distil all of that down into a song and you get ‘Serial Killer Vibes’. Talking about the song, Trunky says: “'Serial Killer Vibes’ is a track that haunted me for a long time because I knew there was

Artwork by Dan Brown-Hozjan The Naysayers - Yesterday. Background from the band - We're a sub-arctic indie rock four piece from Whitehorse, Yukon. "Yesterday" is out now on Coax Records from our self-titled LP to follow on June 25, 2021. It's a visceral song about living grief, and the helplessness of loss, reconciling the death of someone who's still alive. "Yesterday" has evolved to include and acknowledge the grief from physically losing others in this past year to addiction, and the realization, I will never be able to say goodbye. The video emphasizes the inherent vulnerability of the song because it's made entirely of my grandmother's personal super 8 footage from the '50s and '60s. Head over to YouTube to watch and subscribe. This song is a slow burn rock song, for screaming into the void, or for taking shelter from the storm. Yesterday by The Naysayers ========================================================================== Han

Kety Fusco - Ma Gnossienne. One year after the release of her debut album DAZED, the young Italian-Swiss harpist and composer Kety Fusco gives us a very personal version of the famous song "Gnossienne N.1" by Erik Satie. In this modern reinterpretation, which Kety has entitled "Ma Gnossienne", the harp is used in an unconventional way to generate sounds that have nothing to do with its classical timbre.  The entire sound system is set up with sounds of vinyl scratched on metal strings, objects struck on the soundboard of the pre-sampled classical harp, and analogue effects manipulated live. Switzerland-based Kety Fusco has embarked on a unique harp sound research. She works with Delta Electric Harps from Salvi Harps, who have taken Kety on as their official Ambassador.  Her exploration of harp and effects technology began successfully with the debut of her album DAZED, described by Swiss critics as "a white fly". Kety Fusco has over 80 concerts throughout

Layla Frankel - Postcards From The Moon (E.P). With a musical style that pays homage to the spirit of the late, great Etta James (according to the site Rock at Night), Layla Frankel moved to Nashville in 2017 when she was fresh off a cross-country tour.  Her new EP Postcard From the Moon includes the single “You Can't Love Me Like I Loved You,” which was selected as a finalist in the John Lennon Songwriting Contest. Postcard From the Moon was recorded at Startstruck Studios in Nashville, produced and mixed by Jim Kimball (who has toured and recorded with an extensive roster of artists that includes Reba McEntire, Faith Hill, Tim McGraw, and Justin Timberlake), engineered by Todd Tidwell and the executive producer was Mary Johnson. The EP also features some of Nashville's top session players. Postcard from the Moon by Layla Frankel ============================================================================ Charly Lowry + The Heart Collectors - Navigating to Hope. The next vid

T. Hardy Morris - Shopping Center Sunsets. T. Hardy Morris is set to return with The Digital Age of Rome on June 25th via the New West Records imprint Normaltown Records. The 10-song set was produced by Adam Landry (Deer Tick, Rayland Baxter) and mixed by engineer Nate Nelson. It follows the Diamond Rugs and Dead Confederate member’s 2018 acclaimed Dude, The Obscure. After touring Dude, The Obscure, Morris had 13 new songs demoed for a new album. He was excited to get his band together to rehearse the songs before hunkering down in the studio to record...then the pandemic hit. Sequestered at his Athens, GA home with his family, Morris, like most everyone else in the past year, mulled over what was truly important to him and in response, crafted an entirely new set of songs. Enlisting a group of musicians including Drive-By Truckers drummer Brad Morgan, singer-songwriter Faye Webster and many others, Morris pulled no punches with his mesmerizing lyrics and hazy brand of southern glam r

Emily Kate - The Whole Time. Recording artist, Emily Kate perfectly bridges the gap between country and pop with her unique sound and lyrical storytelling. Born and raised in Toronto, Emily Kate’s love for music started at a very young age. She grew up inspired by her musical family and influenced by Taylor Swift, Keith Urban, Kelsea Ballerini, and Danielle Bradberry. Pulling from real life experiences, her music conveys relatable thoughtful messages weaved with fresh, soulful melodies. Her meaning filled lyrics coupled with her warm sound is often described as Kelsea Ballerini meets a motivational speaker. “I want to be able to say something with my music. For people to connect with themselves and feel inspired when they listen…while also having fun.” – Emily Kate Working with CMAO nominated Producer of the Year, Shawn Moore, her anticipated debut EP All In, reveals a strong willed female artist, sure to impact the lives of current and future fans. Giant, the first single off her EP,

Peter Drucker and Alyssa Messina - Pathetic. Songwriter turned accidental frontman; Peter Drucker has developed a style that loosely threads the line between an out-of-phase Kanye blended with “Montana” era John Mayer. He creates melodies with infectious enthusiasm, and a lyrical intensity spanning a well crafted collection of glimpses into his mind. Youthful and ambitious, Peter burst onto the scene in 2018, with an armoury of tracks ranging from electric guitar driven synth-pop, to catchy, heartfelt string-centred ballads; all aided by a uniquely soulful voice and a dominant sense of groove that leaves listeners mumbling choruses into the night. Based out of Toronto, he is performing and writing every chance possible, honing and developing his craft by working with local and global talents such as Laguil (J-SOUL, DVBBS & lil Baby), Roy Hamilton III (George Nozulka, Mia Martina) & Kevin Howley (of Running Red Lights). “Each song tries to say something. If people don’t talk ab