BEEHIVE CANDY

Ashley Shadow - Grey. The Vancouver, B.C.-based songwriter, Ashley Shadow has shared her new single, "Grey" which follows on the heels of the MOJO-tipped "For Love" and the Stereogum and Brooklyn Vegan-approved "Don't Slow Me Down" (feat. Bonnie "Prince" Billy). "Grey" arrives as another installment of Shadow's forthcoming second album, Only the End which comes mixed by Joshua Wells (Destroyer, Lightning Dust, ex-Black Mountain) and is set for release via Felte on September 24, 2021 (CD/Digital) & October 29, 2021 (Vinyl). The new release follows her eponymous self-titled debut which found critical acclaim at Stereogum, The A.V. Club, KEXP, Brooklyn Vegan, FLOOD, Under the Radar, and more. Ashley Shadow describes the new single as "a gentle moment of existential dread", a notion mirrored in the track's lyrics as she sings, “Grey took over the sky/far too much to think about, don’t try.” However, any temptation

Lily Konigsberg - That's the Way I Like It. Lily Konigsberg, a member of the beloved art rock band Palberta, is announcing her solo debut LP. The album arrives after what has been a busy 18 months for Konigsberg, who released her first solo EP on long-time Palberta label Wharf Cat Records (Water From Your Eyes, Dougie Poole) to an extremely positive reception in March of 2020 (Pitchfork described it as a collection of left-field pop that sits "at the center of a Venn diagram containing haunted dolls, Arthur Russell, and Ariana Grande"), before Palberta released their most critically-acclaimed record to date in January of this year ("a gleefully odd record...perfectly Palberta" according to the New York Times), which was followed by the release of a compilation of her early solo recordings culled mostly from Bandcamp and Soundcloud releases. Her new album is called Lily We Need To Talk Now (out October 29th on Wharf Cat), with the title taken from a text she rec

Bumsy and the Moochers - Living The Nightmare. Chicago, Illinois-based ska sextet Bumsy and the Moochers are set to release their latest single, “Living The Nightmare,” on Friday, August 20. The single is their first in a series of singles releases that will result in a mini-EP release with Sell The Heart Records (Neckscars, Decent Criminal, etc.). The video for "Living The Nightmare" was directed and edited by Katie Makes Films. Although publications like The Washington Post began touting the “ska revival” earlier this year, Bumsy and the Moochers are likely quoting LL Cool J under their breath; they’ve been here for years. Since 2012, Bumsy and the Moochers have been riding a tidal wave sound reminiscent of ’90s pop punk and ska. They deliver melodic vocals, killer horn lines, and steel string shredding hot and fresh to your ears. In 2015, Bumsy and the Moochers debuted their first full length release Bored Up! with the Easily Distracted EP following hot on its heels the f

Montgomery Church - The Great Divide. Cielle Montgomery and James Church are Montgomery Church - a blend of acoustic folk, Americana and bluegrass influences, grown and distilled in the Snowy Mountain ranges of country New South Wales. With their organic union of dobro and guitar, harmony vocals and thoughtful songwriting, this captivating duo are enthralling in their dynamic intimacy and offer up some of the sweetest darn sounds being heard around Australia's alt. country scene right now! Since their formation, Montgomery Church have been quietly but quickly gathering a fan base who site their undeniable chemistry as a rare and beautiful thing to see live. "Montgomery Church are like the Australian version of Gillian Welch and Dave Rawlings but if Gillian was the daughter of Allison Krauss...sitting on a porch, with tea not whiskey... I'm a tad obsessed! The most graceful duo literally gracing stages right now!" - Fanny Lumsden “The Great Divide” is written about a

Amanda Anne Platt & The Honeycutters - Dallas / Reverie. Since April, Amanda Anne Platt & The Honeycutters have been releasing music from their upcoming collection, The Devil and The Deep Blue Sea, a concept suite built from songs recorded under the straitened circumstances of quarantine and envisioned as a “deconstructed album,” released, not as a package, but in a series of paired singles, with each pair drawing on both of the titular concept’s two sides.  The latest, “Dallas” and “Reverie,” finds the Organic Records artist bearing down on unanswered questions, whether they’re framed in a slowly simmering country-rocker (“Dallas”) or by the more introverted, acoustic treatment of “Reverie.” “‘Dallas’ is kind of a tribute to our old tour van, Toby (no vehicle of mine goes without a name),” Platt notes — though, as is often the case, the ostensive subject barely makes an appearance in the song’s lyric — ”and also to all that went on in the years I spent traveling the country i

Josienne Clarke - The Collector. “You’re the collector / You’ll keep me forever / A small unknowable thing / With you as preceptor,” Josienne Clarke sings on new single ‘The Collector’, a song inspired by writer John Fowles' novel of the same name. For her new album A Small Unknowable Thing, due out this Friday, Clarke is flying solo. No label, no musical partner, no producer. For the first time since her early beginnings, Clarke is in complete control of her songwriting, arranging, producing, release schedule and musical direction. On 'The Collector', Clarke experimented with unusual sounds, marrying earthy folk with cutting industrial noise. Recording the sound of her phone interface via her Cornell amp, Clarke processed it using some Logic pre-sets to make a sound that eventually resembled an angle-grinder. It’s heavy noise grates and cuts, reflecting the horror of the woman’s treatment.  “Having read [Fowles’] book again, I just identified with some of the themes of it

The Grahams - Beyond The Palisades The Grahams’ Alyssa and Doug Graham are New Jersey raised, New York bred, but Nashville based — a cross-section of regional influences that allows them to slip in and out of genres like they’re changing clothes. Their unique sound landed them at the top of the Americana charts when their first album, Riverman’s Daughter, was released in 2013, led to the critically acclaimed Glory Bound in 2016, and their affair with a more alt-pop sound on 2020’s Kids Like Us (co-produced by the late Richard Swift and Lucious’ Dan Molad).   Their music has landed them in every major music publication and grown them a legion of dedicated fans around the world. In 2021 their music has evolved again into a nostalgia-inducing mellow gold sound with a nod to mid-century soul and classic UK pop. If that sounds like a mouthful, it’s by design. Consider their upcoming three song EP Sha La La (October 15th) a moment of bliss before the duo’s next full album, due in 2022. A to

Astrid Swan - Not Your Mom. Quite a touching story – Astrid Swan will release what is her 5th studio album in October this year. After being shortlisted for the Nordic Music Prize and a second nomination for a Finnish Grammy, Astrid has put together what may well be her final group of songs in what is a lullaby to her daughter to grow up with. To give a little more context, in 2019, Swan published a memoir Viimeinen kirjani, which touches on her personal experiences of mothering, artistic development, life with metastatic breast cancer, analysing the contexts of feminism, class, whiteness, Finnish and American cultural confluence, romance and illness culture. Speaking about the new record, Astrid said, “Mothers sleep at night (or at least wish to). In their sleep they cannot mother, because they go away into dreams, just like the kids they tucked into bed in the evening. At night mothers are adrift in the world, they have their secrets, their past selves and their current desires. In

Favours - Right Back. Favours are made up of Jacq Andrade and Alex Zen. They released their first LP, “Made to Wait”, in 2020. It was recorded at Candle Recording Studios in Toronto. Their song “Stowaway” was featured on Netflix and CBC Gem. Recently, Favours joined forces with Jacq’s brother, Mark Andrade and built a home recording studio in a former halfway house in Mimico.  Throughout the pandemic, Favours tracked a ton of music in their home studio. Their EP, “Left Behind”, will be released in 2021 and it features a fresh dreampop, new-wave sound inspired by their shared love of the DIY post-punk feel of Robert Rental.  The band collaborated with a strong team for this upcoming EP. They enlisted the talents of Broken Social Scene’s Brendan Canning who plays bass on the EP, the engineering chops of Tallies’ Dylan Franklin who engineered the drums and bass, and the mixing prowess of Alexandre Bonenfont. Favours · Right Back ==========================================================