BEEHIVE CANDY

Rodney Cromwell - Get Me To Prague / Radagast The Brown. Rodney Cromwell is the nom-de-plume of Adam Cresswell. Both tracks on this new single were recorded while Cresswell was in his first band SALOON that operated between 1998-2003. Saloon released three albums with Track & Field (UK) and Darla (US). They toured extensively in Europe, supporting the likes of STEREOLAB, ELECTRELANE, QUICKSPACE and OF MONTREAL. They are remembered mostly today for their 3 John Peel Sessions and four Festive 50 entries, including the number one in 2002.  ‘Get Me To Prague’ was written and recorded in 1999 on a Yamaha four-track tape recorder using a bomtempi organ, casiotone and Moog Rogue. Recorded in a single evening, the track is an exploration into proto-germanic electronica in the style of Ralf & Forian era Kraftwerk.  Taking 22 years to get a mix he was happy with, Cresswell cites this as because “I didn’t like the snare sound.”  In 2001, Saloon were asked to offer a track for a tribute t

Drew Haley - A Good Woman. Drew Haley's emotional and heartwarming music video for her latest single "A Good Woman" has officially debuted just in time for the holidays. Drew Haley's heart is permanently on her sleeve, but her latest single allows listeners into her childhood and her relationship with her mother. With a singer-songwriter flair and her signature lush vocals, Haley paints a vivid picture of her loving mother's sacrifices and lessons that the singer has carried with her throughout her life. Through home videos, our hearts burst as we get glimpses of Haley’s ordinary yet beautiful childhood. These nostalgic moments are interspersed with shots of Haley today, reflecting on the impact her mother, Laura, has had on her. From the perspective of a daughter who was given a life full of love, "A Good Woman" fuses nostalgia with gratefulness. Despite all the sacrifices Laura made as a single mother, Haley’s lyrics reflect on the unconditional love

Mark Welles - It Started Last Fall (Album). Flashback to early 2020: Maybe it was becoming a new father, the onset of a global pandemic, middle-aged malaise, or all three. A period of introspection led me to reevaluate what I value most in life, what brings me joy.  What I found was something was missing — music. Although a lifelong musician and longtime songwriter, I had let my passion for music take a backseat to my corporate career and other endeavors. I realized I needed to bring music back into the forefront, and that I had something to contribute creatively. After buying some new equipment, transforming a spare bedroom into my home studio, dusting off some old songs and writing a few new ones, I set out on recording a body of work to represent my unique musical voice. The result is “It Started Last Fall”, my debut album of 11 original songs about love, setbacks and looking forward. I hope you enjoy the music, and greatly appreciate your interest and support! Whilst Beehive Candy

Talmont - Moving Further Than Before. Mixed by Marta Salogni – who co-produced Romy’s “Lifetime” alongside Fred Again.., Joy Anonymous and Jamie XX – and built by the band around a brass sample from Italian composer Piero Umiliani’s “Blood River”, South London-based three-piece Talmont released new single “Moving Further Than Before” on 10th December 2021, the second single lifted from forthcoming full-length. Originally from Lincoln and Leeds then later meeting at Goldsmiths in London, Talmont is Martha (songwriter and lyricist) with Joe and Jules (across production and instrumentation). Martha admits that her lyricism is based upon an embellished, filmic view of the past. Gleaming with lucid stories, she references Joni Mitchell as an inspiration, though at times a song is merely there to portray an emotion she was feeling at the time, whether it’s anxiety, excitement, or apprehension. Previous single and debut “IDATMT” saw support from BBC Introducing in Lincolnshire’s Hannah Fletc

Josienne Clarke - Driving at Night. When award-winning singer, songwriter and producer Josienne Clarke was performing at a show prior to lockdown, a moment meeting a fan afterwards remained fixed in her memory. “There was this one woman who came up to me at the merch table in tears. She was a fan pleading with me to write something in the style of how I write, but more positive,” Clarke recalls, saying that while the fan had been visibly touched by her emotive, melancholic songs, she was craving something more joyous. The fan told Clarke she was going through her own difficult time. “She wanted something with hope, something with a bit of light in it,” Clarke recalls. This is where Clarke’s new EP, I Promised You Light was born. After the release of her critically acclaimed album A Small Unknowable Thing earlier this year (which earned four-star reviews from the likes of The Financial Times and MOJO), Clarke set about her next project with the words of her fan front-and-centre. “It st

Photo - Annabeth Trondsen Selci - Ghost. Calgary-based art-pop artist Selci released their latest single “Ghost,” mixed by Sylvia Massy, with a stunning visual accompaniment, directed by the artist herself. Watch + share via YouTube. “Ghost” offers a first taste into what will be a fruitful 2022, as Selci puts the finishing touches on a two-part album project, details of which will be announced next month. Discussing “Ghost,” Selci noted that, “it’s about being ghosted - literally and figuratively. The first verse is about the elusiveness of truth. This feels augmented in our current reality with the lack of trustworthy sources and the influx of political conspiracies. The second is about being ghosted by a love interest and washing it away with liquor. The third is an outcry - it gives me the feeling of falling to my knees in surrender to the things that I cannot control in this life. This song is very much a response to the political climate of the past two years. It takes the lamen

Eucereon - Go. Eucereon is a UK/US based DIY singer, songwriter, and producer. Improvised guitar riffs, beats, and vocals shaped through her loop station along with personal and introspective lyrics create the ambient landscape of the music. Eucereon now unveils her haunting new offering ‘Go’. The folk-tinged indie ballad combines wistful vocals and a foreboding guitar line with delicate synths, creating a melancholic soundscape to capture the dark themes of the track.  “Go is about codependency masquerading as love, and the fear of leaving when you're made to feel you can not leave. The context of the song is based on one particular evening, as many of my songs are. ” Eucereon explains. Using her loop pedal to create layers of guitar riffs and vocal harmonies, she created the somber atmosphere of the track. This song went through several different sets of lyrics before the ones it ended up with, coming from an improved stream of consciousness technique Eucereon often uses when wr

Teeniest - A Hand to Hold Forever. Beehive Candy are really fond of these two artists music whether together as Teeniest or apart in other ventures. This song is no exception as the (and we quote) "acoustic-guitar-based and thematically seems all warm & fuzzy, but the accompanying vibraphone and eerie science fiction/horror undertones create a rather unsettling vibe." The video notes tell us: This music video for this song is inspired by the virtual reality game, Lone Echo 2, an emotional highlight of which is two friends holding hands. In this outer space adventure, the two friends are Captain Olivia Rhodes and her assistant robot, Jack. Excellent writing and voice acting (Troy Baker and Alice Coulthard) really give Jack and Liv vitality and personality. Olivia has a fully-realized human character. Through banter, jokes, and working side by side, she becomes your friend -- this emotional connection is the real surprise in VR. When she is in peril, you feel a visceral ne

Photo - Tina Dubrovsky Sweet Tempest - Modern Justice. "This is our song about worldwide misery and we would love for you to dance to it” – Sweet Tempest ‘Modern Justice’ is the 2nd song in a trilogy of new tracks with accompanying videos directed by Matthew Thorne. It is a closer look into a series of gritty, grubby, thought-provoking vignettes filmed in Eastern Europe in stark but nonetheless nuanced contrast to the bright lights and sleek surfaces of the songs. “This song is about the strange and almost perverse situation, wherein one is sat here in the center of Europe where things could be considerably worse, and reading, seeing or hearing about the immense amounts of injustice inflicted upon people around the world. Modern Justice’s’ original inspiration was a different kind of power imbalance: the demonstrations about democracy in Hong Kong and how screwed they seemed and, it turned out, were. Worst of all, the disheartening realisation that to some extent, you’re complete