BEEHIVE CANDY

Bar Pandora - Vice Vice Vice. Ahead of the release of her debut self-titled EP on July 5th, Bar Pandora has shared new single 'Vice Vice Vice'. Bar Pandora is the alt-pop project of Coventry based artist Charlie Tophill, who has previously released music under her own name and also plays in York band The Howl & The Hum. The project owes its name to a literary cafe in La Latina, Madrid, where in 2017 she used to hang out with her friends talking literature, life and feminism over red wine and fizzy sweets. Drawn to the idea of collaborating with a producer who works outside of the musical world she usually inhabits, Tophill began working on her debut EP with jungle producer Simply Dread. The result is deliciously off-kilter yet melodious alt-pop, playfully sewn together from the offcuts of personal experience; field recordings, journal entries and improvised fragments which bop along to a rich undercurrent of harmonic synths, guitars and dynamic beats. New single ‘Vice Vice

Heavy Gus - Still To Be. California-based indie/rock trio Heavy Gus have shared their new single “Still to Be” along with the accompanying music video. The latest track to be released from their debut album Notions (out August 5th via BMG Records), the infectious song finds beauty everywhere it looks. The band stated, “‘Still to Be’ is about the roller coaster of falling in love and staying there. It’s an apocalyptic ode to dying hand in hand presented as a summertime love song.” “Still to Be” follows the release of the high energy single “Weird Sad Symbol,” that Under The Radar called “genuine live-wire indie rock sound.” The long-distance-love-song “Dinner For Breakfast” is also out now along with the group’s psychedelic-tinged debut track “Do We Have To Talk?” Formed in the high desert town of Bishop, CA, Heavy Gus is led by singer, songwriter, guitarist Dorota Szuta along with multi-instrumentalist Stelth Ulvang of The Lumineers and percussionist Ryan Dobrowski of Blind Pilot. The

The Hooten Hallers - Heal It. The Hooten Hallers forthcoming album Back In Business Again is due out September 9, 2022 and heres the first taste! For the past fifteen years, The Hooten Hallers have been crisscrossing the country as inveterate road warriors, bringing their peculiar vision of Americana–a fiery rock and roll fever dream birthed in Missouri’s fertile musical heartland. They’ve put so many miles into the road that they’ve burned through multiple tour vans and left twisted metal and frayed rubber strewn across the road behind them. With their aptly named new album, Back In Business Again, the trio roar back on to the international stage with ten incendiary new original songs drawn from their many travels and inspired by the hardships that all touring musicians have faced throughout a seemingly never-ending pandemic. There’s hope in these new songs, but tinges of madness too, driven by the raw drumming of Andy Rehm, the infernal growl and swirling guitars of John Randall, and

Photo - Nora Canfield Kyshona - Rise The Tide. Nashville-based, critically-acclaimed artist and activist Kyshona has released "Rise The Tide," today. The track is a swampy, foot-stomping anthem about how when one of us is supported and excels, the tide rises for everyone, inspired by her fellow artists, activists, and change-makers. Of the song, Kyshona says, "Over the past three years, I have seen it all around me from acknowledgment of things that are wrong in the music industry to people lending support, giving space, and making strides. As artists in our community are finally being placed in the spotlight, with each success we have individually, we rise the tide together. This song acknowledges and celebrates that--and is meant as a call of encouragement to keep doing the work that isn’t always easy." Kyshona's latest album, Listen, was lauded by NPR, Billboard, No Depression, Rolling Stone, Rolling Stone Country, The Bluegrass Situation, and more. Listen c

Why Bonnie - Sailor Mouth / Hot Car. New-York-by-way-of-Texas transplants Why Bonnie release two tracks, “Sailor Mouth” and “Hot Car,” off of their forthcoming debut album, 90 in November, out August 19th on Keeled Scales. Following the sunny “90 in November” and previously-released single “Galveston,” album opener “Sailor Mouth” crashes into existence with a squeal of feedback and a burst of distorted guitar. The track is “about growing around your memories. Your foundation never changes but your relationship to it is always evolving,” explains Blair Howerton. The hazy “Hot Car” is sweltering, with a hypnotic synth line mimicking the way a mental loop of dormant thoughts that surface in the warm cocoon of a car speeding towards its destination in the dead of night. Howerton elaborates: “We wanted to include a contrast to the sunny disposition of the album. ‘Hot Car’ is meant for those quiet, contemplative, solo night drives.” 90 in November is inspired by fellow Texans Townes Van Zan

Photo - Kristi Jan Hoover The Early Mays - On A Dying Day. Pittsburgh-based duo The Early Mays announce their forthcoming EP,Prettiest Blue, which will release on July 1, 2022. Composed of artists Emily Pinkerton and Ellen Gozion, the pair sing Appalachian-inspired songs over a lush accompaniment of fiddle, banjo, guitar, and harmonium. Somewhere on the border between old-time music and modern American songwriting, The Early Mays have built a band with harmonies that feel like home. It’s a partnership that has shared slow-burning, perfectly paired vocals for ten years—from NPR’s Mountain Stage to house concerts all over the mid-Atlantic “I think part of our aesthetic comes from being introspective people,” Gozion reflects, “We don’t have a flashy, fast sound, but if you let the music engulf you, there are lots of layers. Our songs give people a place to slow down.” “The Early Mays rehearsals are restorative for me,” adds Pinkerton. “The hours spent in Ellen’s living room, with coffee

Jillette Johnson - My Closet Life. Nashville-based artist Jillette Johnson has just released her new EP Normal Kid and released the official video for the new song “My Closet Life.” The EP arrives with a trio of music videos directed by Grant Claire that were shot over the course of a single day on a vintage Sony Betamax 88 camera. The four song EP was co-written and produced by Joe Pisapia who collaborated with Johnson on her critically acclaimed 2021 album It’s A Beautiful Day And I Love You. “‘My Closet Life’ is about crawling out of isolation and into the company of friends who light you up,” explains Johnson. “It’s about finding your people, and allowing yourself to belong. Influences: David Byrne, Abba, MGMT.” The Normal Kid EP draws upon late '70s new wave, early '80s synth-pop, and '90s R&B, finding Johnson turning personal revelations about childhood dreams and adulthood realities into universal pop anthems. Last month, Johnson released the official video for

The Deer - I Wouldn't Recognize Me. The Deer announce their new album The Beautiful Undead due September 9 on tastemaking indie label Keeled Scales (Katy Kirby, Sun June, Twain, Buck Meek) and share its first single, “I Wouldn’t Recognize Me” via official music video. The Deer’s 2019 label debut Do No Harm marked a set of breakthroughs for the Austin five-piece. Bandcamp called it a “a country-rock dream machine,” while NPR described it as "haunting and gorgeous ... moody and incapacitating." The album topped the KUTX chart and earned a nomination for the Austin Music Awards’ Album of the Year. When live music took global pause, The Deer had momentum to sort. They took it to the studio, a pressure cooker not only for creativity, but suddenly, for existential contemplation. The result is an uninhibited collection reflecting upon what it means to lose your sense of purpose. Lead single “I Wouldn’t Recognize Me” is a vibrant embrace of the endlessness of change, in fact, an

Rachael Dadd - Moon Sails. On 14 October 2022 wildly creative free-form songwriter Rachael Dadd is to release her brand new studio album Kaleidoscope via Memphis Industries. The first taster is ‘Moon Sails’ which comes with a video directed by Narna Hue. Kaleidoscope is Rachael’s second album for Memphis Industries and follows 2019’s Flux, which was released to much acclaim and which she was touring when the pandemic struck. Like so many people disconnected from their communities and struggling through the lockdowns, Rachael Dadd turned inwards, seeking escape through music and connection through songwriting, and her hope is that when people listen to Kaleidoscope “they will feel held and find space to breathe, grieve and celebrate.” "Music for me usually comes from a place where I’m in a state of flow and free-child: playful and explorative and sparked by the infinite possibilities that creating it can bring,” she continues, “so kaleidoscope, a toy with infinite possibilities of