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H.C. McEntire - Portland - Scott Goldbaum - The Velvet Hands

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H.C. McEntire - New View. H.C. McEntire shares “New View,” the latest single from her forthcoming album Every Acre, which releases January 27 via Merge Records. Accompanied by a music video directed by Jethro Waters and performed by choreographer/dancer Maya Orchin, “New View” straddles the line between music and poetry, weaving back and forth between each realm. Citing poets “Day, Ada, and Laux, Berry, and Olds,” McEntire’s voice is at moments fierce and others tender, offering a sense of both giving and taking, releasing and claiming. H.C. McEntire expounds on the new single: “Inspired by a late-night meditation under an October full moon, the lyrics for ‘New View’ were written from a place of possibility and promise – the feeling of falling in love, affirming its realness and rawness, committing to the openness and bravery required for it to fully emerge, being willing to let it lead. It is about leaning into the notion that what you seek is seeking you and making room for its manif

Sunglasses For Jaws - Life In Mono - Nick Kizirnis - Raven Shelley

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Sunglasses For Jaws - For Another Day. London based outfit Sunglasses For Jaws have released their new single "For Another Day" alongside a video directed by Andrea Banjanin. The new single is the second track be released from Sunglasses For Jaws' upcoming album 'A Room In Europe' - out 16th February 2023 via Pony Recordings. Combining a love of Scott Walker, Somalian 70’s funk, Hollywood strings with a dash of Portishead, new album 'A Room In Europe' was produced by the band in their East London studio, mixed and mastered by Elliot Heinrich  (Sorry, Parquet Courts, Deadletter). New single "For Another Day" stems from an acoustic guitar piece the band had previously written - inspired by Bach’s use of a sustained bass-line staying in one place while a melody plays alongside it. This initial idea grew in the studio with the addition of synth chord triggers and a wonderful string arrangement composed by Clementine Brown. Elevating the song to a mo

Metronomy Ft Sebastien Tellier - Marthe Halvorsen - The Adam Ft Lasse Storm

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Metronomy Ft Sebastien Tellier - J'en Ai Assez Vu. Metronomy share Small World (Special Edition), a new version of their acclaimed seventh studio album Small World that features reimagined versions of the record’s songs by some of the band’s favourite artists, and is available digitally from today via Because Music. Today, fans can hear Porij’s characteristically sonically expansive version of "Life and Death", and watch the festive video directed by Diane Sagnier, for "J’en ai assez vu", Sébastien Tellier’s version of Small World’s closer "I have seen enough". Of the collaboration, Metronomy band leader Joe Mount adds: “I once did a remix of the Sébastien Tellier song, La Ritournelle. It was impossible to improve it or to turn it into anything I liked better than his wonderful original. Still, the arrogance of adulthood made me push on. I met Sébastien for the first time about fifteen years later—only last year in fact in Paris. I don’t know which co

Erik & the Worldly Savages - Verra Cruz

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Erik & the Worldly Savages - Burn My Life. Erik Mut is a man on a mission, having broken the shackles of Western society and trailblazed his own path of rebellion, adventure, leadership and musical passion. His powerful Folk Punk project Erik & the Worldly Savages musically and lyrically reflects his manifest philosophy of seeking personal freedom, cutting ties with the past, reprogramming your mind and embracing life wholeheartedly. An expat since 2008, Erik left his home in Toronto, Canada at the age of 25 to let the cultures of the world wash over him, inspiring his life, work and music. Erik & the Worldly Savages formed in 2008 while Erik was in Belgrade, Serbia. While based in London and Belgrade, the band played over 250 shows across Europe with lineups of musicians from many countries. In 2016 he started Support Adventure, a company which gives remote jobs to expats and digital nomads, now with more than 160 staff members living in over 20 different countries, creat

Dayna Kurtz - Fe Salomon - Mazey Haze

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Dayna Kurtz - Lulu and the Broadsides (album). New Orleans music is for dancing. From King Oliver’s hot jazz to Big Freedia’s frantic bounce, whether the sounds are made for quick-stepping in a parade or swaying slow in your sweetheart’s arms, the common thread running through nearly all of it is that it’s made to move to: wiggle, shimmy, shake your hip and let your backbone slip. With a wide-mouthed, window-rattling sound that stacks up solidly alongside the great blues shouters – Big Maybelle, Big Mama Thornton – Lulu and the Broadsides double-dog dare you not to get out there and move what the good Lord gave you. There’s the whomping “Pretty Good Love,” their scorching, primal take on Iggy Pop’s “I Need Somebody,“  the noirish strut of “You’re Trouble” and Dayna’s tender, aching sounds-like-a-classic soul-ballad “How Do I Stop.” This is heart-thumping, pulse-pounding blues for both body and spirit, for joy and desire – scorching ballads for slow grinds side-by-side with red-hot mov

Bad Hammer - Emily Breeze - SOMOH

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Bad Hammer - Away. Berlin-based shadow-pop newcomers Bad Hammer have shared sombre love song, 'Away'. The track and accompanying video are the final pieces to be shared ahead of the release of their debut album, End Of An Age, which is due out this Friday. On their new album, the duo blend melancholic melodies with poignant guitar riffs, meandering along warm synth pads and subtly driving drum beats to dazzling effect. Thematically the songs that make up their forthcoming debut, End of an Age, are connected by referring to a state of being on hold, undetermined, between looking forwards and back, holding on to something and anticipating change. Bad Hammer are Lisa Klinkhammer (synthesisers, vocals) and Johannes Badzura (guitar, drums, vocals). In 2019, they released their debut EP, Extended Play, and have been touring extensively throughout Europe ever since, opening for like-minded artists including Molly Nilson, Sean Nicholas Savage, Jaakko Eino Kalevi and more. The album’s

Nigel Wearne ft Lauren Housley - Welcome to the 21st! - That Old Quiet Lighthouse - Astro Yeti

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Nigel Wearne ft Lauren Housley - To The Edge. Ominous, poignant and mysterious; To The Edge is a potent lament of fate gone wrong. Two lovers by the riverside grappling with truth; that irrevocable moment when the past cannot be undone and everything changes. Why was the timing so wrong? “We needed truth / But now there ain’t time to heal”. Wearne’s lush Gretsch guitar swathed with spooky Hammond organ, drums and double bass set the scene. Morricone-esque horns tug at the heartstrings, as Wearne and Housley croon and cast shadows across the tale in all its mystery. A soulful, minor-key slow-burn that skirts the fringes of jazz and 60s rock ‘n’ roll. It was early 2019 in the bustling Arts Café in Montreal, Canada. Nigel and Lauren were both in town to showcase at Folk Alliance International and found themselves on camera as part of a documentary on theconference. Instantly hitting it off, they spoke about the future of folk music and their mutual admiration of John Prine, all the whil

The Trouble Notes feat Carola Zerega - Little Tealeif - Thomas Truax

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The Trouble Notes - Liberty Awaits feat Carola Zerega. Liberty Awaits is an epic paying tribute to the great immigrant voyage. “The initial idea for the song came when trying to pay homage to my late grandfather, Leon English.” Says Bennet. “His ancestors fled hard times in Ireland and crossed the Atlantic in search of a better life. I wanted to highlight the importance of that journey to my very existence.” While drawing influence from the Great Famine that led to the death and displacement of millions of Irish, the song is meant to tell a broader tale of the migration saga and transcontinental journey. Featuring on the track is Ecuadorian singer Carola Zarega, who along with the band, channeled her own experiences when contributing to the recording. The track begins with a melancholic violin melody. Eerie string arrangements and the dreamy vocals of Carola Zarega create a contradictory soundscape that leaves the listener a feeling of hopeful despair. An upbeat folk dance coaxes the

Signe Marie Rustad - Jackson Mico Milas - Ruth Lyon - Siv Jakobsen

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Signe Marie Rustad - Bark Up Someone Else's Tree. Norwegian singer songwriter Signe Marie Rustad has shared 'Bark Up Someone Else's Tree', the second taste of her forthcoming new album, Particles Of Faith. Of her new single, Rustad says: "The song is about how it's easy to close your eyes to the stuff that doesn't work in a relationship, as long as there is passion and you (think you) are in love. Looking in the rearview mirror, you might have known all along what would be the downfall, but letting go when you are emotionally attached to someone can be extremely hard. At least it is for me." Known for her poetic lyrics and clever songwriting, and backed by a tight knit band that’s been with her for years, Rustad’s new album offers a natural transition from her already classic third album, When Words Flew Freely (WWFF). However, Particles of Faith also brings something completely new and fresh. Particles of Faith is hard to place in any one genre, meld

SUEP - Plastic Barricades - Emiliana Torrini & The Colorist Orchestra - Laure Briard

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Photo - Josh Cohen and Max Warren SUEP - In Good Health. London indie supergroup SUEP announce long-awaited debut album Shop and drop new single ‘In Good Health’ with a poignant and trippily kaleidoscopic-pop video. SUEP is led by Georgie Stott (Porridge Radio, Garden Centre) and Josh Harvey alongside George Nicholls (The GN Band, Joanna Gruesome, The Tubs), Will William Deacon (PC World, Garden Centre), and Ollie Chapman. Together they make oddball car-boot-sale pop songs with a sprinkling of theatrical storytelling inspired by a mutual love for Paul McCartney, Jona Lewie, the B-52s, Devo and other performative freaks enjoying themselves. New single ‘In Good Health,’ fronted by Georgie Stott, is a darkly euphoric and pleasantly strange meeting of Siouxsie Sioux and Jona Lewie, with a playfully discombobulating mix of 80s jangly guitar, chirpy keyboard, and moody post-punk. The song was written by Georgie following a stay in hospital due to a mental health crisis, and tackles mental h