Josaleigh Pollett - Bywater Call - Lynn Hollyfield - Rusty Shackle - Black Bordello - Bri Fletcher

Josaleigh Pollett - If I Let It Quiet (Album).

Salt Lake City-based singer-songwriter Josaleigh Pollett has issued their fourth full-length album, ‘If I Let It Quiet.’ Produced by long-time collaborator Jordan Watko (Crowd Shy), the record is released via Audio Antihero (Frog / Tiberius / Avery Friedman / CIAO MALZ / Darren Hayman) and Lavender Vinyl on digital and vinyl. A tour of the Pacific Northwest and West Coast accompany the album's release. The work of Pollett and Watko has received a slow burn of recognition over the years, reaching a broader audience with 2023’s electronics-infused ‘In the Garden, By the Weeds,’ thanks to support from notable outlets, including NPR Music’s All Songs Considered, as well as awards and end-of-year lists.

Pollett went on to share bills with St. Vincent, Torres, Deep Sea Diver, DeVotchKa, Mini Trees, and Hibou, as well as performing at Kilby Block Party. Outside of their work with Watko, Pollett’s output included a prolific run of collaborations that included Ekko Astral in 2024 and 2025, in addition to writing a song a day in January 2025 (released as ‘bro’s bad january’). 

“This album is an exploration of what it takes to quiet the noise of geographical and emotional distance in order to hear ourselves and the ones who see us. In true independent DIY fashion and similar to 2023's In The Garden, By The Weeds, If I Let It Quiet is recorded mostly at home between my Salt Lake City makeshift home studio and Jordan's apartment in Japan. The difference this time is that we're bringing in more collaborations. In particular, Andrew Goldring, who in addition to mixing and mastering, brought deeper instrumentation to If I Let It Quiet.” – Josaleigh Pollett. 

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Bywater Call - Broken Souvenirs (Album).

A powerhouse seven-piece Southern soul, roots rock outfit from Toronto, Canada; Bywater Call was nominated for the 2025 UK Blues Award for International Blues Artist of the year for the second straight year, alongside artists such as Beth Hart and Walter Trout.

The band has also received multiple Independent Blues and Canadian Maple Blues Award nominations including Entertainer, Electric Act and Best Female Vocalist for the 2024 Awards Season.

Bywater Call’s music is an exploration of life’s highs and lows. From intimate ballads that lay bare the complexities of human emotion to electrifying anthems that demand to be played at full volume, their catalogue is a journey through human experience, featuring influences from the likes of The Band, The Wood Brothers, Tedeschi Trucks Band, Otis Redding, Little Feat, Sly and the Family Stone, and many more.

Often transcending genres, Bywater Call is known for their dynamic, emotional live shows, featuring powerful vocals and exciting interplay between all band members. And now, on the heels of a highly successful European tour and in the middle of their American tour here is their new album. 

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Lynn Hollyfield - Diving In (Album).

We have the new folk album Diving In from award-winning singer-songwriter Lynn Hollyfield. The album was produced by Grammy-nominated Seth Glier and 
is a stunning collection of songs that reveal the twists and turns in life, our humanness, loss, love, the times we are in, and the path we choose to go through. The range of styles on the album can mostly be called contemporary folk, with a few having a traditional feel and a timeless vibe.

Blend a beautiful alto voice, crisp acoustic guitar, and a heartfelt perspective on the world, and you have Lynn Hollyfield. Known for her warm stage presence and emotionally rich songs, she connects effortlessly with audiences. Writing in a contemporary folk style, Lynn weaves in jazz-influenced chords and bluesy guitar alongside passionate vocals, think Mary Chapin Carpenter meets Bonnie Raitt with a touch of George Gershwin. The result is her own distinctive voice, witty, soulful, and reflective.

Lynn has been writing songs since her teenage years, growing up on Staten Island, NY, surrounded by a wide range of musical influences, from jazz greats like Ella Fitzgerald and Frank Sinatra to artists like The Beatles and Neil Young. She began performing locally at a young age and later gained recognition as part of the duo Hollyfield & Spruill, appearing at festivals such as the Falcon Ridge Folk Festival.

After launching her solo career, Lynn released several acclaimed albums, including LAYERS (2010), IN THE BALANCE (2014), and LOOK UP (2024), earning national and international airplay along with multiple songwriting awards including being listed in the Top Artists/ Top Albums for the International Folk Alliance. During the pandemic, she also published a children’s book, The Tree, The Ship and Me, with its accompanying song recognized as a finalist in the Mid-Atlantic Songwriting Contest.

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Rusty Shackle - Stand Up Tall.

Welsh Folk / Rock band 'Rusty Shackle' new single 'Stand Up Tall' was released Friday 24th July. Taken from their forthcoming Album 'Mayfield' which is set for release at the end of August. A raw, heartfelt reflection on friendship, self-confidence andperseverance when times are hard. The universal message inviteslisteners to find their own meaning within the song, but at its heart,it serves as a mantra of encouragement for anyone who feels lost oroverlooked in life.Musically, the track embraces a stripped-back folk sound inspired bythe poetic storytelling of Neil Young, the pastoral textures of The Decemberists and Fleet Foxes, and the understated warmth of Wilco.The unvarnished arrangement allows the song's message to takecentre stage, creating an intimate and timeless atmosphere thatreflects its themes of resilience, compassion, and hope

Rusty Shackle are a hard-gigging folk-rock band from South Wales, known for their infectious energy, anthemic songs, and genre-blurring sound drawn from folk, rock, and indie roots. Since forming in 2010, they’ve built a loyal following through relentless touring and a reputation for exhilarating live shows that get crowds on their feet.

The band have released five studio albums to date, each one expanding their sonic palette while staying rooted in rich melodies, heartfelt lyrics, and a love of storytelling. Their 2022 release, Under a Bloodshot Moon, reached number 2 in the UK Folk Albums Chart and was praised as “a winner” by Get Ready to Rock and “their finest album yet” by Liverpool Sound and Vision.

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Black Bordello - Fugue.

Art-rock provocateurs Black Bordello announce their new EP, Midheaven Tempest, due 18th September 2026 via AWAL, and unveil its first offering with the new single 'Fugue' (24th July 2026), a Fitzgeraldian world of sepia-tinted nostalgia. 'Fugue' offers the first glimpse into the immersive world of Midheaven Tempest, a collection that sees Black Bordello deepen their singular dialogue between art-rock, post-punk and cinematic atmosphere. Expansive yet intimate, the EP embraces contrast, where ornate arrangements meet raw immediacy, and gothic romanticism collides with moments of striking clarity.

With 'Fugue', the band continue to blur the boundaries of artistic, gothic and experimental rock, while drawing more openly from the dramatic sweep and melodic ambition of 1970s rock music. Threaded with baroque flourishes and taut post-punk tension, the single unfolds as a richly layered introduction to the conceptual landscape of Midheaven Tempest, hinting at an EP that is both emotionally resonant and sonically adventurous.

The romantic Hammond-organ introduction to ‘Fugue’ evokes 1920s picture houses and travelling carnival calliopes, hinting at a Fitzgeraldian world of sepia-tinted nostalgia. But any promise of reverie is quickly upended by the verse’s psychedelic, buoyant theatricality. Dripping with the weary, eye-rolling detachment of Peggy Lee’s Is That All There Is?, the track instead unfolds in a haze of Velvet Underground fuzz, Black Heart Procession gloom, and Nick Cave–esque refrains. It moves through jarring shifts in tempo and melody, each one underscoring the band’s restless drive to experiment rather than settle into nostalgia.

Speaking on the single, vocalist and songwriter Sienna Bordello says: “Fugue is a joyful stab into the cardboard cutouts on the set of society's stage. It's our gift to music nerds, inspired by Bach.” 

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Bri Fletcher - Salt Water.

Nashville country artist Bri Fletcher releases new single "Salt Water." Bri Fletcher is crying good tears on her new single, “Salt Water,” an R&B-leaning country anthem that cleverly uses the healing properties of salt water as a remedy for heartbreak. While the production embraces a smoother, more soulful sound, Fletcher’s signature storytelling remains at the heart of the track, blending emotional honesty with undeniable vulnerability.

The song explores the idea that sometimes the first step toward moving on isn’t pretending you’re okay — it’s allowing yourself to feel everything. Fletcher transforms tears into a symbol of hope with the lyric, “Thought I’d never be the one to cry online / But WebMD just said I’ll be alright.”

Its memorable chorus reinforces the song’s central message: “Salt water, it’s good for my skin / I ain’t bothered, it’s got healing benefits / It’ll clean my wounds, rid me right of you / When these tears are running down my face / Salt water, yeah I’ll be okay.”

“Salt Water” marks another step in Fletcher’s evolving artistry, pairing contemporary R&B influences with the heartfelt lyricism that first established her as a country songwriter. It’s a reminder that growth doesn’t always come from hiding your emotions — sometimes it comes from embracing them. With “Salt Water,” Bri Fletcher continues to carve out a lane entirely her own, proving that authentic storytelling can transcend genre while resonating with anyone who has ever cried, healed, and found strength on the other side of heartbreak.

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Lynn Hollyfield - Big Little Lions - Penny Lane Pickets - Michael Kelly - Mama's Broke - Strange Plants - 64 Funnycars

Lynn Hollyfield - Blindspot.

We have the new folk single and music video “Blindspot” from award-winning singer-songwriter Lynn Hollyfield. The poignant song, “Blindspot” was written after losing a family member and a friend to the fentanyl crisis. She shares, “Afterwards, I couldn’t help but wonder if I had been truly open and caring when I was with them. Was there anything I could have done to help them? I’ll never know and it’s one of those hard life lessons - too little too late." The single was produced by Grammy-nominated Seth Glier. 

Blend a beautiful alto voice, crisp acoustic guitar, and a heartfelt perspective on the world, and you have Lynn Hollyfield. Known for her warm stage presence and emotionally rich songs, she connects effortlessly with audiences. Writing in a contemporary folk style, Lynn weaves in jazz-influenced chords and bluesy guitar alongside passionate vocals, think Mary Chapin Carpenter meets Bonnie Raitt with a touch of George Gershwin. The result is her own distinctive voice, witty, soulful, and reflective.

Lynn has been writing songs since her teenage years, growing up on Staten Island, NY, surrounded by a wide range of musical influences, from jazz greats like Ella Fitzgerald and Frank Sinatra to artists like The Beatles and Neil Young. She began performing locally at a young age and later gained recognition as part of the duo Hollyfield & Spruill, appearing at festivals such as the Falcon Ridge Folk Festival.

After launching her solo career, Lynn released several acclaimed albums, including LAYERS (2010), IN THE BALANCE (2014), and LOOK UP (2024), earning national and international airplay along with multiple songwriting awards including being listed in the Top Artists/ Top Albums for the International Folk Alliance. During the pandemic, she also published a children’s book, The Tree, The Ship and Me, with its accompanying song recognized as a finalist in the Mid-Atlantic Songwriting Contest.

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Big Little Lions - They Say It Builds Character.

As multi award winning cross border duo, Big Little Lions are going to be releasing monthly singles this year Beehive Candy who are genuine fans of their sumptuous music will just rinse and repeat their background again this month. Big Little Lions are a duo who were born out of a collaboration that won them a JUNO Award in 2014. Since then they have been cranking out infectious folk pop songs that are jam-packed with emotion and tight harmonies that sound like the product of two people working side-by-side instead of living in different countries. 

They have released 7 albums to date, which have garnered them awards and nominations including the CFMA Ensemble of the Year, Independent Music Awards Americana Sing of the Year and John Lennon Songwriting Competition Song of the Year. Their critically acclaimed music has appeared on the CBC’s Top 20 and featured on shows like q and Vinyl Cafe. The duo consists of Paul Otten and Helen Austin, both hugely prolific songwriters - their music has been placed in hundreds of movie trailers, ads, network TV shows.

Their live show is quite the spectacle with Paul playing drums, bass and keyboard all while singing lead vocals. Helen, who is no slacker either, sings, plays guitar and foot percussion. They use every limb, and then some, to make two people sound like a full band.

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Penny Lane Pickets - Penny Lane Pickets / The Dawning (feat. The Rocksteady Crackers).

What if The Beatles grew up in the 90s California punk scene? Meet the Penny Lane Pickets. Straight out of Santa Cruz, the Penny Lane Pickets are here to bridge the gap between a 184 BPM moshpit and a 60s pop melody. Led by the grit of Jax Miller and the driving, distorted walking bass of Sky Bennett, this four-piece is fulfilling their lifelong dream: crashing the legendary Epitaph/Hellcat Records sound head-first into the timeless songwriting of Lennon & McCartney.

Produced and mixed by Sam Dekker, their sound is a high-energy explosion. It’s got the frantic, distorted soul of Rancid and The Suicide Machines, the brass-heavy punch of The Mighty Mighty Bosstones, melodic hooks of Goldfinger and the soaring infectious energy of The Interrupters.

But look closer, and you’ll hear the "secret sauce": psych-rock textures and 60s pop-inspired choruses that refuse to leave your head. With a powerhouse brass section (featuring the Rocksteady Crackers) providing the fire, the Pickets deliver a sound that is as much about the "Penny Lane" harmonies as it is about the "Ruby Soho" attitude. This debut single serves as a high-octane prelude to their upcoming full-length album, Copper & Chrome, set to drop on December 18th.

Penny Lane Pickets · Penny Lane Pickets

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Michael Kelly - Anyway (Album).

Michael Kelly is a singer, songwriter, picker and performer. His new album, Anyway, encompasses a wide range of musical influences expressed from a well-honed folk, blues and bluegrass sensibility. He worked the D.C. club circuit early in his career and at one point, took a job at a celebrated Georgetown music venue where he would take money at the door, run inside to re-stock the bar, change clothes to perform a short opening set, then re-stock the bar and head back out to the door. 

He recalls, “Oddly enough, the change of clothes threw people off and only rarely did anyone recognize me as the opening act, although the bands and the regulars were always super supportive.” On-line lessons with Nashville icon Russ Barenberg helped develop a more melodic guitar approach and led to a deeper dive into bluegrass, which included workshops, festivals and wide-ranging cadre of mentors. 

Songs on Anyway include One Good Friend and Joseph, which placed first at the New Song Festival in Winfield, Kansas, in 2024 and 2025, respectively, and Chesapeake Waterman, which placed first at the Common Ground on the Hill Acoustic Roots 2024 songwriting competition. 

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Mama's Broke - The Nameless.

Mama’s Broke, the Nova Scotian duo of Amy Lou Keeler and Lisa Maria announce their new album, Reunion, out August 28 via Free Dirt Records and Forward Music Group and share the latest single, “The Nameless.” Building on their JUNO-nominated album Narrow Line (2022), which saw the pair invited to perform on the legendary NPR Tiny Desk, Reunion reflects a world coming apart in plain sight, tracing fractured communities, the erosion of shared ground, and the growing awareness that the systems we were taught to trust no longer hold or deliver the promises they were meant to keep. The songs don’t preach or prescribe; they reflect, holding up a mirror and leaving space for something else to take shape.

“The Nameless” are the women who are often reduced, in memory and history, to narrow, simplified roles,” explains the band, “their complexity stripped away in favour of labels they are expected to embody, whether flawlessly or tragically.” 

“The Nameless” presents four archetypes: the “scorned lover”, defined only by the man who left her rather than her own life; the “callous mother” judged by her perceived failures without regard for her struggles; the victim of domestic violence, absorbed into statistics while attention and sympathy lingers on the perpetrator; and the missing daughter, whose story evokes a place like the Highway of Tears, where many women, disproportionately Indigenous, have vanished. The headlines, demographic headings and acronyms will never convey the full story of a life, or the true weight of the violence that women face every day.

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Strange Plants - Time Killing.

Continuing upon this year’s previous releases, “Lay Your Mind” and “Ground Falls Away,” Strange Plants share “Time Killing,” a contemplative and expansive psych-rock single that blends atmospheric textures with a sense of quiet, underlying tension. Wistful and immersive, the track leans into themes of existential reflection and the slow passage of time, capturing the feeling of moving through life’s routines while something deeper simmers beneath the surface.

The song’s origin traces back to a period of heavy literary influence. “At the risk of sounding absurdly pretentious, I was reading a lot of Charles Bukowski at the time,” explains songwriter Matt Brannon. “So it created a sort of temporary supercharged nihilism.” That perspective shaped the song’s core idea; a meditation on time, purpose, and the subtle weight of existence.

Built around a rich, retro-psychedelic sound palette, “Time Killing” unfolds with layered instrumentation and tonal contrast. Trippy string arrangements intertwine with shimmering lap steel, creating a unique sonic blend that sets the track apart within the band’s catalogue. The result is a sound that feels both expansive and grounded; classic in influence yet exploratory in execution.

The recording process brought together a striking group of collaborators. Loel Campbell (Wintersleep, Billy Talent) contributed drums, while Christine Bougie (Bahamas) added lap steel and Drew Jurecka (Dua Lipa) arranged the song’s sweeping strings. The track was mixed by Chris Shaw and co-produced alongside JUNO Award-winning producer Michael Phillip Wojewoda, further elevating its textured, cinematic feel.

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64 Funnycars - Happy Go Lucky (Album)

After decades out of print, 64 Funnycars’ cult college rock debut Happy Go Lucky finally returned May 27 through 604 Records. Originally released at the tail end of Canada’s late 80s campus radio boom, the record captured a band that never aimed for cool detachment or punk orthodoxy, instead leaning hard into melody, momentum and the simple thrill of making people move. Nearly four decades later, Happy Go Lucky still sounds remarkably alive in its looseness and charm.

The band formed in 1987 through UVic campus radio circles, bonded by a shared love of groups like Young Fresh Fellows, Hoodoo Gurus, Buzzcocks and The Replacements, bands where hooks and personality mattered just as much as volume. While much of Victoria’s reputation at the time centered around heavier and more abrasive acts, 64 Funnycars carved out their own space, blending power pop, melodic punk and jangly college rock into something energetic, playful and unpretentious. Songs moved fast, choruses arrived early and the energy always felt slightly on the verge of tipping over.

That unpredictability became central to the band’s identity at Harpo’s, the legendary Victoria venue that helped define the Pacific Northwest underground touring circuit through the 80s and early 90s. Long before they became festival headliners, bands like Pearl Jam, Alice in Chains, Blind Melon and No Doubt came through the room, and the Funnycars quickly became part of that same ecosystem. Their sets thrived on joyful chaos: no fixed setlists, rotating lead vocals and an anything-can-happen atmosphere that made even local shows feel electric. The band later joked that they were “the chess club on tour,” a line that captured both their self-awareness and total lack of rock-star pretension.


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