Saturday, 27 June 2026

Re Mattei - Blank Instrument - Real Monte - Killian Walsh - Brand New Heartache - Cassandra Coleman

Re Mattei - Hot Mess.

After earning chart success, industry recognition, and a growing reputation for crafting songs that resonate with everyday life, country artist and songwriter Re Mattei returns with "Hot Mess," an empowering new anthem for women who embrace every side of who they are.

Set to appear on her forthcoming album Stories Lived, arriving later this summer, "Hot Mess" captures the duality familiar to millions of women: the polished professional during the week and the adventurous, carefree spirit who emerges when the workday ends. Co-written by Mattei and Courtney Bach, the song is equal parts country swagger, heartfelt storytelling, and unapologetic celebration of authenticity.

Inspired by a group of women Mattei worked alongside in Lawrenceburg, Tennessee, "Hot Mess" tells the story of a woman who spends her weekdays making deals in heels but lives for weekends filled with tailgates, four-wheelers, fishing trips, and quality time with the people she loves.

"I was fascinated by how these women balanced so many responsibilities while still making time to enjoy life," says Mattei. "They weren't worried about being perfect. They weren't afraid to get dirty, laugh hard, and simply be themselves. At its heart, 'Hot Mess' celebrates those moments when we allow ourselves to be perfectly imperfect and are loved just as we are."


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Blank Instrument - Brand New.

Boorloo/Perth artist Blank Instrument, the musical project of singer-songwriter Kim Franklin, unveils her new single 'Brand New', out yesterday Friday, June 26, the first taste of her forthcoming debut album 'Jumping at Ghosts', due later this year.   

While the warm, country-tinged folk release explores the end of a relationship and the hope that follows, it also marks the beginning of an album made possible by Franklin's late friend Julie, whose encouragement and generosity helped bring the long-held dream of recording a full-length record to life.

The album's origins can be traced back to one of Franklin's final conversations with Julie, a close friend she met years earlier while working together in the public service. Bonded by a shared love of music, storytelling and conversation, the pair remained close long after moving on to different careers. 

Before her passing in 2023, Julie told Franklin she wanted to leave her some money to help "pursue her dreams". That gift ultimately funded the recording of 'Jumping at Ghosts', allowing Franklin to enter Sundown Studios and realise a project that may otherwise have remained out of reach. More than a debut album, the record stands as a lasting tribute to friendship, generosity and the people who shape our lives.


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Real Monte - Take Me To The Sky.

The vintage soul-pop journey of Real Monte continues with its second chapter! With their new single "Take Me To The Sky," the Swiss band once again has a great tune to offer.  

Swiss radio station Radio Basilisk summed it up perfectly in April: "Real Monte invite listeners on a musical journey that stylishly blends the past and the present." Meanwhile, Belgian music blog Concertmonkey described the band's sound as a "vintage soul-pop journey," and youth radio station 4TNG in Winterthur selected their debut single as its Song of the Day.

Together with countless live performances, these accolades have helped Real Monte build a loyal and steadily growing fan base over the past few years. Their debut single "Go Go Go" achieved remarkable success this spring, receiving more than 500 radio plays on stations across Switzerland and abroad.

Now it's time for the follow-up: "Take Me To The Sky." An upbeat, carefree summer soul-pop song with a modern touch, it captures the timeless spirit of the 1950s and 1960s while bringing it into the present day.


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Killian Walsh - Ise (Album).

Experimental electronic artist and multi-instrumentalist Killian Walsh releases his new album ‘Ise’, accompanied by focus track ‘Let’s Dance’, featuring his daughter Elise SW. Following the release of previous singles ‘Let’s Float’ and ‘Let’s Play Bongos’, the full body of work now arrives as a deeply personal and emotionally expansive collection that cites a journey through grief, reflection, healing and renewal.

The album is named after the Irish word for “she”, with ‘Ise’ serving as a gesture of respect to the women who have shaped Killian’s life. Created during a profoundly transformative period following the deaths of his wife and father, the album emerged organically as a creative response to loss, gradually evolving into a complete work that captures both emotional vulnerability and artistic growth.

Killian Walsh comments: “Music has been part of my life from a very young age, and I had what I can only describe as a pull to do something. This album is effectively the story of the journey of my grief, realising that grief is a form of madness and all the emotions attached to that. It's also the journey of me looking into my past, because you really start looking at yourself and asking, ‘What are you doing? Why am I here? What is the point in all of this?”

Across the album’s eleven tracks, ‘Ise’ draws upon a broad spectrum of electronic influences including Ambient, House, Trance and Techno, while also reflecting Killian’s roots in traditional Irish music. Developed alongside collaborators in Dublin, Berlin and Australia, including renowned producers and engineers Tobias Neumann and Johannes Manuel, the album balances analogue textures, immersive sound design and melodic depth with an unmistakably human emotional core.

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Brand New Heartache - New Alchemy.

"New Alchemy" is the third single and title track from Brand New Heartache's forthcoming debut album, A New Alchemy (Mule Kick Records), arriving July 24. The single and accompanying video was released yesterday. Brand New Heartache, the husband/wife duo consisting of Eleese and Matthew Meschery, take their cues from the rich traditions of authentic Americana while channeling anthemic, indie-pop vibrations and dreamy harmonies. After having formed the band in Oakland, CA, the pair made a consequential move in 2022 to Madison, TN just outside of Nashville. With a rotating cast of session players that included members of Chuck Prophet’s band, Counting Crows, and Aimee Mann's touring band, they’ve sharpened a captivating sound and built momentum in East Nashville as they gear up for their release on Mule Kick Records.

​Blending dreamy harmonies, Americana roots, and indie-pop atmosphere, "New Alchemy" explores the exhilarating uncertainty of a first romantic connection—that moment when attraction seems to bend reality and transform ordinary time into something magical. As songwriter and vocalist Matthew Meschery explains: "That first hint of romantic love seems to transform time and space and defy the laws of physics and pure reality."

Brand New Heartache is the husband-and-wife duo of Matthew and Eleese Meschery. Originally formed in Oakland before relocating to the Nashville area, the pair draw inspiration from artists such as Gram Parsons and Emmylou Harris, John Prine, Aimee Mann, The New Pornographers, and The Head and the Heart. Their debut album was produced and mixed by Michael Patterson (Beck, The Notorious B.I.G.) and features contributions from an accomplished cast of musicians from the Nashville and Bay Area scenes.


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Photo - Sophia Matinazad
Cassandra Coleman - Maggie.

Emerging singer/songwriter Cassandra Coleman has released her new single “Maggie.” A wistful ode to faded friendships, “Maggie” reflects on the ambivalence of growing apart from someone over time. Coleman’s sharp vocals cut through the driving instrumentation as she reminisces about bittersweet truths and blunt realities. “‘Maggie’ represents friendships lost by time and change - the bittersweet reality of outgrowing parts of our lives while still carrying gratitude for what they meant to us,” stated Coleman. “It hurts to lose a friend and it hurts to get older and realize you invested more into your dreams than your people.”

Cassandra Coleman will make her television debut next week on June 30th where she’ll perform the new single on The Kelly Clarkson Show. After closing out a batch of tour dates with AMBLE earlier this month, Coleman announced she will be performing in front of her biggest audience to date at Hyde Park in London on July 4th with Mumford & Sons. The appearance will cap off a limited run of Europe and UK dates opening for Angus & Julia Stone. This fall, Coleman will also perform at Oceans Calling Festival in September and Austin City Limits in October.

“Maggie” arrives after a series of new singles that have quickly established Coleman as one of indie-pop’s most compelling new voices, hailed for her “immense talent” (Paste) and “an artist who refuses to be defined by any one thing” (Rolling Stone). She previously released the “ethereal…haunting” (Melodic Magazine) “Dying Star” this spring, which finds Coleman with eyes on the horizon as she envisions a prescient visit with her future self. The sweeping instrumentation soars beneath her lush vocals anchored by wisdom-seeking lyrics that grapple with fate, longing, and the search for meaning. “‘Dying Star’ is a walk with the woman that I’ll become,” stated Coleman. “Curious of the knowledge that time has given her, I ask what the future holds. She reminds me that worry is a thief, time is an illusion, and the ones we love make the journey worth walking.”


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Friday, 26 June 2026

The Southern Tiers - HIGHSIGH - T.R. Burge & The Temple - FLOK - Pocket Lint - Samuel S.C.

The Southern Tiers - Holiday.

School's out for the summer, but for many of us summertime doesn't guarantee a break from the daily grind. The Southern Tiers are here to sympathize with their new single “Holiday” - the perfect anthem for your next spontaneous road trip or weekend getaway! Burnout is a real drag, and let's face it, there's not enough red-letter days on the calendar. 

Sometimes you've got to take back a little control, make up your own holiday and take a break from your busy life. The Southern Tiers have self-produced this energetic, freeing jam with mixing and mastering by local legend Evan Sieling, (Luke Bower, Young Mister, Kyle Reynolds, Lance and Lea).  Let it motivate you to pick a destination and head off into the sunset for some much-needed “me time.”

The Southern Tiers sound is exciting, yet also cozy and cinematic. It’s refreshing, while giving a nod to the classic influences that paved the way. Their new single “Holiday” is raw, relatable, and easy to listen and sing along to as the open road beckons your name. Listeners will find solace as this song shows solidarity with anyone who's felt over-worked and in need of a break. 

"Holiday" brings to mind the likes of Noah Kahan, Edward Sharpe & the Magnetic Zeros, and Drew Holcomb & the Neighbors. Enjoy the dusty guitars, driving drums, triumphant choruses, and playful vocal performances from this plucky Americana duo. Give it a listen and dust off your suitcase for a long-overdue Holiday!


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Photo -  Matt Mehlan
HIGHSIGH - I Love the Room I Live In.

HIGHSIGH have just announced their debut album 'Once Bend' which is due out July 31st on Joyful Noise Recordings. Along with this news, the trio of Robert Lundberg (JOBS), John Dieterich (Deerhoof), and Matt Mehlan (Skeletons) shared the record's lead single and video, "I Love the Room I Live In." The song features vocal and lyrical contributions from Macie Stewart (Finom) as well as percussion from Max Jaffe.

"I Love the Room I Live In" originated from a bassline that Ro Lundberg recorded during a session in Woodstock with Shannon Fields back in 2012. "We were experimenting—listening to lots of Morris Day and the Time, and New Jack Swing, improvising, jamming, extrapolating out from there," Lundberg says. "This bassline popped out as we rolled, and I fell in love with it. It didn’t get used there, but I kept carrying it around in my head for years. It was one of the first scraps I offered John and Matt." Around this foundation, the track took shape with driving drums, layered chopped-up synths, and biting yet lyrical improvised guitar.

The band shared a music video shot by the trio's very own Ro Lundberg and edited by Ryan Hover. In it, time-lapse footage of a hotel room is cut up and abstracted, revealing psychedelic colors, patterns, and textures.


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T.R. Burge & The Temple - Eagle Fly.

T.R. Burge & The Temple released ‘Eagle Fly’ yesterday June 25th, the debut single from the Manchester and Berlin-rooted band. It marks the first release under the band name for T.R. Burge, who has been writing and recording as a solo artist for a number of years, and represents the full realisation of a project that has been taking shape, across cities and collaborators, for considerably longer than its 2024 formation date might suggest.

Recorded at Klangbild Studios in Berlin with producer Martin J. Fiedler, the track is slow-moving and atmospheric; strings-led, dreamy, and built around a slow rock pulse that gives it a cinematic, unhurried weight. It sits in similar territory to the hypnotic, wandering energy of the Brian Jonestown Massacre, an influence the band cite directly, and one that shaped the song's mood and sense of drift from the earliest stages of its writing.

The song's origins are characteristically unplanned. T.R. Burge and an old friend rented a cottage in rural Scotland and worked through a set of initial ideas away from any studio pressure or outside influence — an approach that suited the track's subject matter well. Those early sketches were then taken to Berlin, where the full band recorded with Fiedler at Klangbild, and the song expanded considerably. Aninka Rosa's violin — the element perhaps most central to what T.R. Burge & The Temple sound like — was added as the sessions developed, giving the track much of its emotional reach and the quality that makes it feel both intimate and wide open at once.

Lyrically, ‘Eagle Fly’ is a song about the difficulty of hearing your own voice. Written against a backdrop of personal grief and the particular kind of introspection that brings, it deals with the accumulated weight of other people's expectations — the opinions, cultural pressures, and received ideas that quietly shape how a person moves through the world — and the work involved in setting those aside. It arrives, ultimately, at something hopeful. The connection to both Manchester and Berlin runs through it: two cities that have each, in different ways, demanded something honest from the band.


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Photo - Lucy Craig
FLOK - Stop Turning.

FLOK are a Manchester based four-piece, blending alternative rock with punchy, emotional songwriting. Shaped by the city’s venues and deep musical history, their sound feels rooted in Manchester whilst moving with a modern energy. The band have built a steady momentum in their hometown, growing from the basement of their local pub to the main rooms of a number of the city’s most iconic venues.

Their live presence is defined by high-energy performances, playing to expanding audiences across England, with summer touring dates secured in Sheffield, London, Medway, Glasgow and more. FLOK have recorded two original tracks with Sugar House Studios, including their debut single “Running Out”, which has received support from John Kennedy on Radio X second track; “Stop Turning” follows now and a debut EP expected in September.

With their first release, and live activity widening, FLOK are establishing a reputation as one of the North-West’s most exciting new bands within the grassroots promoter circle, and are now determined to bring their unique sound to venues nationwide!


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Pocket Lint - Wunderkammer (Album).

After many years away from music, Mark Heffernan pulled out his old suits and revisited the fragments his previous band had left behind. What began as an attempt to finally complete unfinished songs soon evolved into something much larger and synthy-er.

Mark first began his musical journey at the Guitar Institute in London between 1999 and 2000, an experience that ultimately taught him he wanted to create from instinct and emotion rather than rigid methodology. Fast forward to the summer of 2020: sitting on his balcony with sheets of sandpaper, Mark attempted to teach himself the art of carving cameos from amethyst. After weeks of purple dust, sore hands, and mounting frustration, he surrendered to another creative instinct and returned to the studio. Pocket Lint was born.

Since then, Pocket Lint has create his own sound and atmosphere, with a penchant for storytelling. Drawing influence from Bowie, Roxy Music, Soft Cell, Human League, Japan, Magazine, and Sakamoto, while channelling the poetic romanticism of Shelley and Coleridge, Heffernan creates music that feels both timeless and deeply rooted in his present. His releases have already earned recognition including Bandcamp’s New & Notable honour for the album Gallery, while the single “Cyanometer” received praise from Moonbuilding Zine.

Now, Pocket Lint presents his most immersive and ambitious work to date: Wunderkammer. Inspired by the German concept meaning “cabinet of curiosities,” Wunderkammer transforms the album into a sonic museum, a collection of strange, beautiful, and emotionally charged exhibits waiting to be discovered. Museums, galleries, forgotten artefacts, literature, and historical fragments all informed the creative process, with each song representing its own carefully curated object inside the collection. “A Wunderkammer has no such pretensions” Heffernan explains. “All it hopes to do is present objects that the owner thinks are beautiful or interesting. By doing so, they create a multi-faceted mirror. This is my Wunderkammer.”


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Samuel S.C. - I Need A Moment.

Today Samuel S.C. releases the latest track in its single series, "I Need A Moment." Produced by the masterful J. Robbins, the track barrels through two minutes of classic indie featuring uncluttered verses and soaring choruses, complete with the band's trademark boy/girl harmonies -  before ascending into a breathtaking prologue led by vocalist Vanessa Downing. It’s a powerful conclusion to a dynamic year of music—and a thrilling teaser for the band's upcoming 2027 full-length album.

Samuel S.C. (FKA Samuel) continues to bridge the gap between '90s indie-rock and timeless punk. Originally a cornerstone of drummer Eric Astor’s legendary Art Monk Construction label, the band reformed in 2021 with their DIY spirit firmly intact. Five years, one LP, one 7”, one split 10” and a 2nd LP in the works, S.C. isn't just maintaining momentum—they’re accelerating.

The group's 2026 trajectory is defined by a prolific streak that finds the band continuing to evolve and explore sounds that refuse to fall neatly into any sub-genre. Releasing one single per month since January, this month SSC shares their final installment of the series, “I Need a Moment”. Equal parts soaring indie rock and contemplative post-punk, "INAM" arrives on the heels of a dynamic set  -  the casual shimmer of "Mind Flies" (May), the straight-ahead melodic crunch of “Celestial” (April), the simmering and moody “Get Red” (March), the unbridled howl of "Push the Needle" (February), and the wistful, nostalgic "Another Good Lie" (January). These single releases follow a landmark year featuring a 10" split release with Florida’s Pohgoh and standout performances at Fest (Gainesville) and the inaugural Several States Festival in Chicago. 


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Wednesday, 24 June 2026

Johnny Delaware - Nicole Atkins - Late Stay Ultra Girls - Nora Stanley

Johnny Delaware - Regret Town.

Johnny Delaware (co-founder and former member of Susto) will release On God’s Time on July 24, 2026 via Normaltown/New West Records. The 10-song set was produced by Delaware and recorded in his adopted hometowns of Mexico City and Charleston, SC - the album follows 2024’s Para Llevar. This week we have “Regret Town” as a taster for the album. Talking about this Delaware says, “For ‘Regret Town,’ I wanted to be able to express some internal emotional concerns about my relationship with life, the lifeline of everything, what’s important to focus my energy on, and what I needed to fulfill so I don’t grow older with any distaste. I wanted to project that existentialism into a song along with my dreams to be on the big stage.” 

The captivating On God’s Time isn’t so much a meditation on mortality as an embrace of our ephemerality. The collection looks to death as a means of putting life itself into focus, as a lens through which to understand the meaning and purpose of our dwindling days on this planet. The songs here are firmly rooted in the spiritual realm of the cosmic drifter, full of larger-than-life characters navigating their way through a world of tragic beauty and infinite wonder, and the performances are loose and raw to match, guided by instinct and tracked live and in the moment. 

It’s a moving snapshot, a timeless exploration of love and loss and gratitude and regret rooted in the promise that our impermanence isn’t a curse, but rather a gift. Delaware says, “Life is wonderful and painful and a lot of times it’s not easy, but it’s not supposed to be easy. We’re all on a mission to do what’s in our hearts before they stop beating. That’s the only journey that matters.  


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Nicole Atkins - When The Night Falls.

Nicole Atkins is proud to announce her long-awaited new album 'Drama', arriving via Sun Records / Wicked Game Records on Friday, 18th September. The acclaimed singer-songwriter’s seventh studio album and first all-new full-length release in over six years, 'Drama' is heralded by the first single, 'When the Night Falls', available everywhere now.   
 
“I got together with my old friend Emery Dobyns to write a song together,” said Nicole Atkins. “We had these chords, and the feeling from the music reminded me of something I would’ve written for my first album, Neptune City, and I thought about where I was back then. The toxic love affair. And tying it into who and where I am now, and being able to write a song about terrible love from a place of power. Some would call it growth. I’m just still in love with the ‘sound’ of heartache. It gets me like no other.” 

Largely recorded live over four productive days in her current home base of Nashville, TN, with GRAMMY® Award-nominated musician/producer Pat Sansone (Wilco, The Autumn Defense, Robyn Hitchcock), 'Drama' sees Atkins exploring the isolation, separation, and loneliness of a long-distance marriage through her signature fusion of musical genres and intimate lyrical songcraft. The album came together at the behest of her close friend and touring partner Chris Isaak, who signed her to Sun Records as part of his strategic alliance with the historic label as both artist and curator of new projects with his new imprint, Wicked Game Records. Drama spans style and era with smart design and an irrepressible buoyancy, from the girl group rush of “Trippin' On Teardrops” and Memphis soul-styled “For No One” to the James Bond-meets-Stevie Nicks noir of “Danny” and the wonderfully moody duet with Isaak, “Cue The Symphony.” 


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Photo - Tim Burden
Late Stay Ultra Girls - Chasing Rats, Polly.

Late Stay Ultra Girls release the new single 'Chasing Rats, Polly', a track which captures the unique dancefloor swagger meets creeping paranoia that stylises the project. After a decade immersed in the rich and varied musical landscape of Bristol, multi-instrumentalist Tim Burden steps out from the shadows of collaboration to introduce his striking new solo project: Late Stay Ultra Girls. Known for his work across an eclectic spectrum, from the alt-rock urgency of The Hideaways to the country inflections of Billy Driscoll and Taynee Lord, and the high-camp glamour of Doreen Doreen, Burden now pivots to something altogether more personal, visceral, and unguarded.

Under the moniker Late Stay Ultra Girls, Burden sheds the safety of the sideman role in favour of a sound that is deliberately unstable and compellingly “wonky.” The result is a distinctive blend of swung art-rock: barrel-house piano colliding with motorik synth-noir and expansive post-rock noise.

On ‘Chasing Rats, Polly’, Burden takes you on an uneasy journey from bravado to paranoia. Exploring themes of shallow bravado and the ways people bend the truth in an effort to be liked, admired, or taken seriously - it's a reflection on performance, self-image, and the consequences of presenting a version of yourself that isn't entirely real.

Recorded with acclaimed producer Stew Jackson (Massive Attack), musically ‘Chasing Rats, Polly’ undergoes a dramatic transformation midway through. What begins with a blend of off-kilter indie and dance-driven momentum gradually gives way to a dark, brooding bridge. Shifting from its tight rhythms to a more sprawling, anthemic, 70 rock influenced swell of soaring guitars and haunting vocals, the shift adds an unsettling edge to the narrative and provides the song with a compelling emotional arc - moving from swagger and confidence into a sound which is both cathartic and anthemic, yet introspective and unsettling. Messy, inventive, and sonically absorbing.


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Photo - Rachel Andes
Nora Stanley - Catfish.

"Catfish", the second single from Nora Stanley's solo debut, is out today. The track unfolds slowly and beautifully, built from a simple synth drone and delicate nylon-string guitar, with baritone guitar, koto, and layers of saxophone drifting in and out of view. What draws me in most, though, is the vulnerability at its center — Nora sings about the ways emotion can cloud judgment and the clarity that only arrives with distance. It's spacious, intimate, and quietly devastating.

If Nora’s name sounds familiar, it may be from her work with artists like Cassandra Jenkins, The New Pornographers and Fred Frith, or from Distance of the Moon, her acclaimed 2023 collaboration with Benny Bock. As a multi-instrumentalist, composer, and improviser, Nora has spent years bringing her singular voice to other artists’ projects. On Glass, she steps fully into the spotlight, drawing inspiration from Anne Carson’s writing to explore themes of reflection, separation, and the ways we see ourselves mirrored back through others. Co-produced with Nate Mendelsohn (Frankie Cosmos, Dougie Poole), the result is a beautifully crafted indie-rock record that feels both intimate and expansive.

Glass is one of those small big words poets most prize. Reflective and transparent, hard and fragile, natural and supernatural, Glass is polymorphic. As a saxophonist, flute player, clarinetist, and synth player, Nora Stanley has accompanied many of our most cherished living songwriters, including Cassandra Jenkins, Beth Orton, and The New Pornographers. She has performed improvised creative music with Benny Bock, Fred Frith, Kenny Wollesen, and Peter Apfelbaum, too. Luckily for us, Glass is not a simple summation of these not-so-disparate paths. The complexity of that giant noun characterizes Nora’s approach to this record’s production as much as it does the variegated career that led to its existence. Glass is a record of subtly devastating songs by a cool headed observer; a mirror and a window.


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Tuesday, 23 June 2026

Hecojeni - American Aquarium - Josaleigh Pollett - Tony Fox

Hecojeni - Riding The Merry Go.

Hecojeni contacted us directly with their current single 'Riding The Merry Go' which immediately grabbed our attention for all the right reasons. There is a freshness to their indie rock styling, it's energised and yet melodically engaging which might be a prolonged way of saying it's catchy, but worth the extra  words in our opinion. The background - Hecojeni is an indie rock duo from Greenville, South Carolina creating melody-first songs that move between alt-folk balladry and groove-forward indie rock, with reviewers drawing comparisons to The Breeders, Talking Heads, and David Bowie. Heath Cobb writing, playing and vocals, Jeff Niebuhr writing, playing, and producing. The catalog moves easily between alt-folk balladry and groove-forward indie rock. 

The story behind the band is unusual. In April 2022, Jeff and Heath tracked a single song together on a portable rig in Port Royal, South Carolina — Catch Me When I Fall. The session ended, and Heath disappeared. Not figuratively. He moved onto a boat a mile off the South Carolina coast and stayed there for two years, kayaking in once a week for supplies, running five to twelve miles a day on the mainland with no headphones, no infrastructure, no audience.

Jeff finished the song anyway. He released it in November 2023 — less a debut single than a flare into open space. Heath surfaced in April 2024. What followed wasn't a comeback. It was an eruption. Fragments Jeff had been carrying for years collided with songs Heath was bringing back fully formed, and what had been a band-in-progress turned into a catalog: Catch Me When I Fall, Christmas Lost Today, Human Race, Only in My Mind, Summer's Calling, Riding the Merry Go, with more in the pipeline.


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American Aquarium - Twin Flames.

Amidst the defiant stomp of new album New Ways to Lose, out this Friday, June 26th via Losing Side Records, American Aquarium band leader BJ Barham finds a moment to joyously celebrate a love so strong it could last lifetimes on “Twin Flames.” Over an E Street-style, horn-drenched shuffle, Barham sings an emphatic ode to his wife, declaring “and it felt like we knew each other for the last couple centuries.” Barham has never sounded so happy, and who can blame him. 

“In Plato’s The Symposium, he suggests that human beings spend their entire life seeking their ‘other half’ to complete themselves and this song is my take on that idea,” explains Barham. “Roaming through this realm in search of the kind of love that feels like a missing part of yourself. The kind of love that feels like you’ve known that person forever. The kind of love that leaves you feeling empty and broken when you think of a life removed from them. The kind of love that I think we all yearn for.”

On American Aquarium’s new album New Ways to Lose, Barham and his band of road warriors turn two decades of survival into a driving, deeply-felt rock & roll statement — one built on resilience, reinvention, and the hard-earned clarity that only comes with time. Produced once again by multi-time Grammy winner Shooter Jennings, the album was recorded in Los Angeles over a 10-day session that captured the band at their most immediate and alive. Much of the record was tracked live, with Jennings encouraging spontaneity and instinct over perfection, while a round of overdubs offered the opportunity to add three-part harmonies and horn arrangements to the songs. The result is a muscular, cinematic record that embraces both sides of American Aquarium's identity: the bruised confessionals of a songwriter who's already spent decades sharpening his craft, and the full-throttle release of an anthemic, amplified rock & roll band.



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Josaleigh Pollett - Like a River.

Salt Lake City-based singer-songwriter Josaleigh Pollett issues the "Like a River" single ahead of their fourth full-length album, ‘If I Let It Quiet, and West Coast tour. Produced by long-time collaborator Jordan Watko (Crowd Shy), the new record will be released July 24th via Audio Antihero. The work of Pollett and Watko has received a slow burn of recognition over the years. Following Pollett’s warm and rootsy solo debut 'Strangers,' the duo initially found acclaim together in 2020 with the Indie Rock crunch of their ‘No Woman Is the Sea’ album. They reached a broader audience still with 2023’s electronics-infused ‘In the Garden, By the Weeds,’ thanks to support from notable outlets, including awards and end-of-year lists.

Although the continuation of Pollett and Watko's collaboration was never in question, the new album's creation faced new challenges due to Watko's relocation to Japan. Despite this separation, the pair opted to make their first cross-continent collaboration more ambitious and exploratory than what had come before. 

“Like a River is about an attempt at quieting the noise of my own thoughts and of a chaotic world around me in order to try to be more resilient. A too-late-coffee-fueled yellow-light-lit silent moment - having arrived at myself just in time to feel my pulse speed up and the news of the day sweep me away into frothing rapids. Hoping for the peace of a quiet river bank, only to remember that a river is swift, chaotic, and ever-changing the earth beneath it. Inspired by Paul Simon's Peace Like a River- a song I've always held in my heart as a beautiful protest song." – Josaleigh Pollett. 


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Tony Fox - Rising.

Tony Fox describes "Rising" as: "A song about rising above darkness and difficulty. It’s about shining even when times are hard, inspiring people to rise, inspiring people to shine, and reminding them that they are beautiful." Tony Fox is a female-fronted 3-piece band from Cornwall, creating pagan-punk rock & roll, psych-poetry music. The songs and performance blend raw energy with passion & spirit.

Tony Fox is an enigma - an androgynous, mysterious character and the musical alias of Jessica Cox. Jess grew up in the depths of West Cornwall, where post-industrial economic deprivation meets the seaside holiday village, where alternative thinkers and artists came to seek solitude from materialistic society, meeting farmers and fishermen. The band’s music portrays this landscape, with tones of punk through powerful, poetry-led lyrics about the life's hardships.

Currently working as a three-piece Tony Fox drives performance with costume, mixing pagan masks with big dresses, adding guitar feedback and crowd dancing to connect with the audience. The band met through a love of surfing and music; things that keep young people alive in Cornwall. They wanted to create a sound of their own, a step away from over-engineered bands and technical perfection. This music is about heart. It's about taking rock & roll back to where it began. The project is a DIY collaboration that has been helped along through friends and favours, and for the most part self-funded by Jess (a single mother who experienced a period of homelessness with her daughter during the making of the album). The grit and determination of her story – economically and emotionally – are present in the album which fizzes with soul and heart.


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Monday, 22 June 2026

Allison Russell - The Question - Beth Peabody - DegHerl - Amber Hotel - James White & The Wild Fire

Allison Russell - Black Lavender (ft. Brittney Spencer).

Allison Russell recently announced her third studio album In The Hour of Chaos. The album, produced by Russell and Dim Star, is a fervent plea for connection in this time of alienation, isolation, and dread. It’s an album that is meant to make you feel good and, in these times, feeling good is a radical act. Now, she shares the album’s latest song “Black Lavender” featuring the earthy soul of Brittney Spencer.

Of “Black Lavender,” Russell notes: We are swimming in rivers - flash floods! - of adrenaline right now. Black Lavender is a song about extending grace and soothing comfort to a chosen sister… the kind I have trouble extending to myself… But the beautiful thing is, she’s the same way - and she gives it all back and some. Brittney Spencer is a voice for all the ages who we NEED right now. We saved this song for Juneteenth for a reason. Black women have been showing up for each other in this way as long as we’ve been here, and we can’t stop won’t stop now! Incomparable - That’s what we all are, you know - Precious, Magical.

The songs on Allison Russell’s In the Hour of Chaos are meant to reverse the tides that pull us farther and farther apart, even from ones we love the most. It’s only fitting that Russell leaned into her vibrant and ever expanding community of artists and friends to create a collaborative song suite that goes far beyond a succession of features. 


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The Question - I'm So Glad (EP).

Oglio Entertainment have now released 'I'm So Glad' a newly remastered four-song collection from legendary LA mod trio The Question, available digitally for the first time ever. Often regarded as the first—and arguably most influential—mod band to emerge from Los Angeles, The Question built a devoted following in the early '80s through packed live shows, college radio support, and their appearance on the landmark WarfRat Tales compilation. Their blend of mod, power pop, and '60s R&B earned them a cult reputation that continues to resonate decades later.

Though they never achieved mainstream success, their influence can still be felt today. Members of No Doubt were longtime fans of the band, frequently attending shows and sharing bills with The Question during their formative years on the Southern California club circuit. More recently, No Doubt has paid tribute to those roots by prominently featuring multiple vintage Question flyers throughout promotional materials and fan experiences surrounding their Sphere performances.

I'm So Glad continues Oglio's ongoing archival series spotlighting The Question's catalog and celebrating a band whose influence continues to far outweigh the size of its recorded output. Now, I'm So Glad emerges from the archives with renewed clarity, offering listeners another glimpse into a band that consistently balanced immediacy and musical depth. Featuring four tracks—"Head On Straight," "I Can Feel It," "I'm So Glad," and "Have To Say Goodbye (Slow Version)"—the release showcases many of the qualities that made The Question unique: infectious melodies, driving rhythms, sharp musicianship, and an unmistakable sense of style that still feels fresh decades later.

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Beth Peabody - Get It Out / Out And About.

Beth Peabody has been a key member of the Jim Basnight Band since 2019, and after seven years of incredible harmonies, it’s time for her to shine on her own. Her musical roots run deep—she grew up in Cooperstown, NY, and lived in various cities including Billings, MT, Huntsville, AL, and Tacoma, WA. She spent her youth immersed in musical theater and choir, developing her impressive three-octave range and near-perfect ear.

With six years of piano lessons under her belt, Beth discovered her passion for singing and playing music. After meeting Sean in 2017, Beth joined him in their duo, Untamed Spirit, before becoming a harmony vocalist in the Jim Basnight Band in 2019. Her influences range from Classics like The Turtles and The Beatles to powerhouse female vocalists like Reba McEntire, Christina Aguilera, P!nk, Patsy Cline, Sara Evans, and Stevie Nicks.

About the Singles “Get it Out” is a driving, basic, no-frills rocker, which showcases her style which drips playful pop sensibilities, while staying down to earth and soulfully irreverent. It harkens back to classic hits by new wave rockers like Blondie, the Pretenders, and the Bangles. “Out and About” is a bit more complex musically, but seamless in its direct approach. It reminds me compositionally of the Replacements, and other cool ‘80s and ‘90s indie pop acts like Hoodoo Gurus, Gin Blossoms, and perhaps even a little like my old band, the Moberlys.

Beth’s new singles embody the creative energy and talent that has made her a standout performer, and I couldn’t be more thrilled to share them with you. These songs, along with the rest from these sessions, are a testament to the hard work and dedication of everyone involved in their creation.


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DegHerl - Nicht Nur.

Nicht Nur is the first single from DegHerl's album, due out in early October 2026. The song is a live favorite, and also one of the most impactful tracks in their repertoire, in which the German-language vocals of Italian-Austrian keyboardist Daniela Gullotta are chiseled between empty and full spaces, made of straight kick drums and minimalist riffs. It features a martial intro and a melodic central riff with angular and frenetic accents. Dark, seductive, and obsessive at the same time, as certain desires can be, caressing and sharp as a knife.

Nicht Nur could easily fit in the middle of a playlist with The Cure, Nina Hagen, Siouxsie. Xmal Deutschland, Malaria!, but somehow it also fits with the more contemporary Molchat Doma, Lebanon Hanover, and Drab Majesty. DegHerl were born in 2013, having as their main source of inspiration post-punk and new wave between the end of the '70s and the mid-'80s. The previous genre (and non-genre) experiences of the singer/guitarist Raffaele K. Salinari (in Bologna in the 70s and 80s) and of the bassist/singer Antonio "Toni" Tronchin (in the post-Great Complotto period/area, which also led him to the founding of bands such as Joycut in the early 2000s), converge and mix with other musical influences, thanks to the arrival in 2015 of the guitarist Alessio Franzoni (garage, psychedelia, kraut, indie-rock).

Daniela's voice is the perfect counterbalance to Salinari's vocal timbres, which alternates Lou Reed's style with lines closer to punk and British wave. In 2025 the band found balance with the arrival of Andrea Giorgi on drums, whose attitude is essential, clean and energetic, and with a background of studies in the Conservatory of classical percussion, with insights into contemporary minimalism such as Steve Reich and Philip Glass.


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Amber Hotel - Broken Glass.

We have the second single from the upcoming debut album Permanent Vacancy (Out Dec 11th via TCBYML). Following the nocturnal drive of "No Plans," Chicago’s Amber Hotel shifts gears into a high-speed collision of 1979 Gothic Pop and New Wave urgency. Their latest single, "Broken Glass," is a masterclass in the "up-beat but melancholic" aesthetic, a track that dances through the wreckage of a self-inflicted mess.

Built on a foundation of dry, driving drums and a bouncy, melodic bassline, "Broken Glass" captures the frantic energy of early The Cure combined with the precision of Interpol. The track's engine is a clean, jangly electric guitar that stabs through the air with staccato riffs, creating a sound that is as catchy as it is claustrophobic. It’s the sonic representation of a nervous breakdown you can actually dance to.

Lyrically, the song is a raw, deadpan confession of pride and regret. Baritone vocals deliver a "hiccupy," emotional performance that maps out the aftermath of a slammed door and a shattered house. From the "silver on the floor" to the tight-throated silence in the hallway, "Broken Glass" explores the "stupid way to win" by letting the cold air in. With its charm and production, "Broken Glass" feels like a lost 1980s classic found in a dusty Chicago basement. As the second glimpse into their debut album Permanent Vacancy, Amber Hotel proves they are the masters of the "fever dream" post-punk sound, capturing the exact moment when you realize you didn't mean it... or maybe you did.
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James White & The Wild Fire - How To Replace Anxiety With A Broken Heart (EP).

The five track EP showcases some of the groups most complete and accessible work to date, bringing a driving sense of energy, some sparkling musicianship and songcraft which captures a cathartic sense of inner turmoil. Through their country, Americana, and psychedelic-bluegrass tendencies the band bring the essence and urgency of their live shows to the studio recordings whilst also displaying an uncanny ear for earworm melodies.

Even before its official release, the EP is already making an impact, reaching Number 1 in Rock and Number 2 in Country on Amazon Music’s pre-orders alone - an early signal of strong anticipation following their return after nearly three years away. Formed in 2019, James White & The Wild Fire continue to carve out a distinctive space at the intersection of psychedelic folk rock and traditional American roots music. A sound blends atmospheric, expansive textures with the structural clarity of bluegrass and Americana, anchored by the direct and emotionally unfiltered songwriting of James White. (band leader and songwriter).

Speaking about the EP, James explains: “I feel this EP is a metamorphosis. What was blueprinted as lyrics, chords and scratch tracks written and recorded between 2022 and 2026 during a time of immense heartbreak, turmoil, confusion and loss became one of the most beautiful and sincere things I have ever made. I couldn't be more proud of this EP, the musicianship of the members of this band, and how they brought the concept of it to life. It immortalises the lowest period of my adult life and created something that I am so excited to show the world.

I hope those that resonate with the themes tune in to the message that such levels of loss, heartbreak and pain are all part of a journey, that there is another side beyond what feels like an inescapable void, and that even when we carry our loss with us, there can be immense joy, freedom validity and peace on the other side. I hope you enjoy the incredible musicianship put on full display by Brooke, Lee, Joe, Mike and myself. We left everything out there for you."


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Re Mattei - Blank Instrument - Real Monte - Killian Walsh - Brand New Heartache - Cassandra Coleman

Re Mattei - Hot Mess. After earning chart success, industry recognition, and a growing reputation for crafting songs that resonate with eve...