Meagre Martin - The Lemon Twigs - Ivan Moult - Tom Emlyn

Meagre Martin - All My Thoughts

Berlin via Boston up-and-coming indie project Meagre Martin share their gripping and intimate new single, "All My Thoughts." The track is out now on Mansions and Millions.

On the track, the lead-member Sarah Martin offers: "All My Thoughts' is about the pervasive feelings of grief and how we internalize it. How we continue to reference grief and the ones we've lost for the entirety of our lives. It describes how grief can shape the way we move through the world after those people are no longer here to advise us. It talks about this afterlife connection and also the ultimate fear of mortality and failure."

Meagre Martin is a Berlin-based indie music project founded by African-American musician/songwriter Sarah Martin (she/her) in the summer of 2021. Sarah is originally from Boston MA, but moved to Berlin Germany in the fall of 2017. Searching for meaning in a crumbling global climate, this project was created as a means of survival, and catharsis through uncertain times. A few months into the project's culmination, Freddy and Max joined the band to make a solid trio.

Blending together elements of lo-fi and new-Americana, Meagre Martin is a culmination of experience rooted in healing, through lyricism that gives nostalgia new layers and expands grief’s potential. Although Meagre Martin is a relatively new presence in the Berlin indie scene, they've already made a big impact, performing at shows all over the city. The band is now poised to broaden their reach beyond Berlin, having been hard at work on new music, including their newest single out now via Mansions and Millions.

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The Lemon Twigs - Everything Harmony (Album).

On Everything Harmony, the fourth full-length studio release from New York’s The Lemon Twigs, the prodigiously talented brothers Brian and Michael D’Addario offer 13 original servings of beauty that showcase an emotional depth and musical sophistication far beyond their years as a band, let alone as young men. While they eagerly devour musical influences from everything and everywhere, they have somehow arrived at a cohesive and dynamic sound that speaks to our troubled times.

Having bounded onto the music scene with their precocious 2016 debut Do Hollywood, they threw caution to the wind two years later on their followup Go to School. By the time of their third album, Songs for the General Public (2020) The Lemon Twigs had begun to pull from a wide range of multigenerational inspirations, expertly darting from twee chamber pop balladry to full on glam punk, mixing plaintive singer-songwriter confessionals with an almost Syd Barrett sense of outré pop. In an interview from the time, they expressed an interest in creating “something really beautiful sounding” based on vocal harmonies and developing their combined melodic sensibilities into a setting where “the sounds were as important as the songs” themselves.

On Everything Harmony, the brothers have fully realized that vision, with a unified “Lemon Twigs sound” that successfully blends their distinct personalities while giving voice to their diverse and eclectic influences. Opening the album with the unassuming acoustic folk of plaintive “When Winter Comes Around,” which echoes the sophisticated grandeur of classic Simon & Garfunkel recordings, they immediately switch things up to the sunny classic pop motif of “In My Head.” From that point on Everything Harmony makes it clear that the Lemon Twigs can’t be pinned down.

Having recently worked with friends like Natalie Mering, with whom they appeared on the latest Weyes Blood album, they also collaborated with classic rock hero Todd Rundgren on his most recent album, Space Force. Rundgren, himself no stranger to eclecticism, says he can relate to their time-tripping approach to contemporary pop.

“They started when they were five and six years old, doing TV and Broadway and things like that,” says Rundgren. “So, they have built-in appreciation for music that is of a couple of generations before theirs. I think they were bored by the music of their own generation, and since you can’t fast forward to the music of the future, you just start going backwards to music that was made before you were born. I can empathize with that impulse, because I did that too, back in the seventies.”

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Ivan Moult - Written On The Wall.

Cardiff-based singer-songwriter Ivan Moult announces the release of his new single 'Written On The Wall’, taken from his upcoming album 'Songs From Severn Grove'.

The single is released today May 5th. Following on from his last single, ‘Out Of Time’, Moult’s latest offering showcases hisunique blend of indie-folk, soulful vocals andpoignant lyrics that delve into themes of love,loss and hope.

Speaking about the single, Moult said: "Lyrically a song about having a conversation with a new partner about their previous lovelife/partners. Acknowledging their experience. Questioning whether or not you want to or need to know their romantic past. Trying to reassure them things wouldbe different.

Observing it’s apparent in other ways without needing to be discussed.” ‘Songs From Severn Grove’, which is due out on May 26th, showcases Ivan's voice front and centre, with layered harmonies and a soundscape of delay-soaked electric guitars, drums, and bass.

Ivan Moult is set to release his third album, 'Songs From Severn Grove', this Spring on independent Welsh record label, Bubblewrap Collective. His previous albums have received radio support from BBC Radio 6 Music and BBC Radio Wales, and have been featured on Folk Radio UK.

Ivan's second album, 'Longest Shadow', released in 2018, won him festival slots at Cornbury Festival, Folk on The Dock, and Festival of Voice, as well as support slots with This Is The Kit, Becca Mancari, and Willy Mason. For this new album, Ivan played, recorded, engineered, and mixed all of the instruments himself at his home studio in Cardiff. The album charts a journey of growth and change, beginning with the lockdown during the 2020 pandemic and continuing through Ivan's experiences of fatherhood and the development of his love and relationships.

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Tom Emlyn - It Doesn't Bother Me.

Prolific Swansea artist Tom Emlyn has shared the video for his latest single 'It Doesn't Bother Me'. It's the follow-up to ‘Broken Mirror’ and ‘Like a Cigarette', it's the last of three singles leading up to the album ‘Return Journey Revisited: Scaredycat Vol 1’ released today Friday the 5th of May 2023.

Engineered by Randell Denning, BBC studios Swansea in 2018 ‘It Doesn’t Bother Me’ rattles with introspection, as Emlyn sketches out nightmarish visions of characters who lose themselves in the pursuit of success. Amidst a scorched strum of fuzzy guitars, battered acoustics and skippy keys and synths. It’s a raw earworm that tries to throw off the shadow of doubt.

Emlyn says: “This song is from the mind of an unreliable narrator, trying to convince himself of his own aloofness as much as he is the listener. It paints a nightmare picture of self-doubt, anxiety, dead-end jobs, bad decisions, time running out. Schizophrenic images of audible lights in the engine yard. Losing your real self in the pursuit of money, recognition, anything. The masks we wear to convince ourselves and others of our resilience.”

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headboy - The South Austin Moonlighters - Meris Gantt - Jeremie Albino

headboy - Reservoir.

London trio headboy have shared their new single "Reservoir" - the latest taste of the band's upcoming debut EP 'Was It What You Thought', out 9th June via Blitzcat Records. In recent months the band have played host to an exhilarating run of sold-out headline shows in the capital, alongside notable support slots with Porridge Radio, Goat Girl, DEADLETTER, Peaness, Melin Melyn, Hotel Lux, Heartworms and THUS LOVE.

Swaying from lo-fi bedroom tones to tumultuous blasts of snarling post-punk, headboy's blend of influences, ranging from Sleater-Kinney and Radiohead to Modest Mouse and Grizzly Bear informs the immediacy of their sound, whilst the band also note the impact of post-punk and no wave acts á la Gang Of Four, Orange Juice, Pixies and Television.

Consisting of guitarist/bassist and vocalist Mars West (they/them), bassist/guitarist vocalist Jess Collins (she/they) and drummer Oli Birbeck (they/them), headboy have already established themselves as a beguiling force to be reckoned with on the live stage, cultivating a devoted following in London and further afield, following press and radio tips from Steve Lamacq (BBC 6 Music), So Young Magazine, The Independent, Gigwise, The Rodeo + more.

New single "Reservoir" tells a story of passion, intimacy and connection in the disorientating aftermath of a breakup; venturing into single life. Delivered through a lens of deceptively dark, climactic post-punk, "Reservoir" tracks those brief, fleeting moments of lust, in a haze of sweaty, dimly lit clubs.

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The South Austin Moonlighters - Make A Livin'.

Austin, TX - Legendary, Saxon Pub-bred quartet The South Austin Moonlighters were riding high on the success of their 2019 opus Travel Light with top billing on the alt-country charts and festival appearances throughout the U.S. and Europe when the world came crashing to a screeching halt in 2020. Fortunately for the band and their fans alike, the Moonlighters are veterans of Austin’s scrappy, DIY music scene and were never going to let a little loss of momentum stop them. With the help of a wildly successful crowdfunding campaign, The South Austin Moonlighters—Lonnie Trevino Jr., Chris Beall, Daniel James, and Hunter St. Marie—took to the studio with producer Steve Berlin (of Los Lobos fame) and got right back in the saddle, cutting ten tunes that would eventually become their brand new album, From Here To Home.

At its core, From Here To Home is an album of rebirth and acknowledgement. It’s a recognition of where The South Austin Moonlighters have been, and a peek at all of the exciting places they are going and want to head towards in the future. Take the title track for instance, which is a song that Beall and Trevino Jr. wrote together. It’s a tale of finding oneself on the road, not necessarily lost, but unmoored. Despite this estrangement, the group finds power in the songs they write, carrying them through another day. “From Here To Home is a journey back to rediscovering why we started doing this in the first place,” Trevino Jr. says, before his co-conspirator helps him complete the thought in a way only the closest of collaborators can: “Because that's the only thing we want to do–make joyous music.”

The South Austin Moonlighters recently released their first single from From Here To Home, the bouncing, half-time groove of “Make A Livin’"; a deceptively deep, upbeat song about what it really means to make ends meet for a family. “What should we be providing?’’ asks Beall, who wrote the song with his good friend Rodney Black. He expands, “Surely ‘ourselves’ would be the most important thing, and yet there are multiple generations of parents working so much they rarely see their kids. Lots of folks have to work like that, unfortunately. But could there be a ‘line’ that gets crossed when too much is just ‘too much?’ The TV bill, the new car, the nicer house....maybe we should let go of a few of those things and not have to be shackled to the workplace to pay for them.” Packaged within textures of gritty guitars and vintage bass thump, “Make A Livin’” is one of those rare songs that makes listeners dance and think, and that quality is the Moonlighters’ party piece that runs from beginning to end of From Here To Home.

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Meris Gantt - Fine.

Meris Gantt just announced the “Fine” single released yesterday. Taking the listener on an emotional journey through grief, loneliness, and acceptance, the song holds a special meaning as it is a conversation with her father, who passed away nine years ago.

Through powerful lyrics, “Fine” conveys a message of reassurance to Gantt’s father and to herself that it is okay to let go and move on. It is also a poignant reminder that we are all doing the best we can in life. The song evokes a feeling of loneliness that many can relate to, especially in a world that is constantly changing.

Gantt reveals that she didn’t realize she was writing this song about her father until a pivotal moment on a hike, where the lyrics to the bridge poured out of her. The song not only reflects on Gantt’s childhood but also provides a global perspective, tying in thoughts and emotions from the Covid-19 pandemic.

“Fine” is a powerful and emotive song that will undoubtedly resonate with anyone who has experienced loss, loneliness, or the struggles of trying to adapt to a changing world.

The single is off Gantt’s upcoming EP, “Forced Revival,” due out June 2. The EP tells the story of a journey mired in strength – a tale of perseverance, passion, and a deep connection to the power of music. Gantt explores life’s journeys with longing, regret, and the silver linings that lie in between through a soulful blend of smoky vocals, Bluegrass Americana, healing melodies, and honest and to-the-point songwriting.

Meris Gantt · Fine

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Jeremie Albino - You I’m Waiting On.

Buzzy Americana artist-to-watch Jeremie Albino has released a captivating live performance video with his band, The Rosehall Band, for soaring new single “You I’m Waiting On.” Shot and directed by longtime creative partner and collaborator Mark Klassen, the video transports viewers back in time to the historic Owl’s Club in Toronto. The old legion hall, frozen in time, serves as the ultimate backdrop and perfectly pairs Jeremie’s soulful golden sound with the memories painted on the walls.

The artist’s highly anticipated sophomore studio album, Tears You Hide, will be released on June 9th. Lead single “Across the Hall,” released earlier this spring, is a testament to Albino’s visual songwriting style, telling a story of hope and longing in challenging periods. He’s currently on the road with fellow Americana artist Sierra Ferrell for a series of West Coast tour dates, and all shows are sold out.

Recorded entirely live off the floor, Tears You Hide is a catalog of feelings from time passed that serves up an ode to family, resilience, and the road ahead. The deeply personal nature traverses Albino’s development as an artist and captivating songwriter. Experiences with tragedy, grief, and love tumble throughout, grounded in moments of joy and the hope it brings — a house party, a tumbleweed, tears in a mother’s eyes, an open door, a faceless angelic voice.

The artist found support from the team instrumental in the production of his earlier work - The Rosehall Band, his original backing band, and Andrija Tokic (Alabama Shakes), who co-produced his critically acclaimed debut full length. The importance of working with a supportive and collaborative community is something that he knows the value of not only in his music but also from his days as working as a farmer in Prince Edward County.

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Maya’s Radio Orchestra - Nora Kelly Band - Blusher - Ruby Waters

Maya’s Radio Orchestra - Suntrap.

Maya’s Radio Orchestra has released the luminescent new single “Suntrap,” available on all streaming services this Wednesday, May 3rd.

"Suntrap" is a song about Maya’s uncomfortable realization that capitalism and the need for productivity are incompatible with human nature, and are having a detrimental effect on communal mental health. The song hints at dusty underground jazz bars with sweeping strings, swirling harps and honey-like vocals, with an understated piano underpinning the structure that fully supports the warm arrangement.

It’s easy jazz but with elements of classical music and triphop, a melting pot of influences coalesce supported by Maya’s masterful writing and playing of strings, harps, piano and glockenspiel. The expanded jazz band is punctuated with glittering whispers of synths from producer Lauren Gilmour whilst lazy drums reminiscent of Portishead or Zero 7 keep us in a dreamlike trance.  

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Nora Kelly Band - Lay Down Girl.

Montreal quartet, Nora Kelly Band, have returned with  their new single, “Lay Down Girl,” and announced their debut album, Rodeo Clown, which arrives August 25 via Mint Records. Rodeo Clown was written by Nora Kelly, produced by Kelly with Ethan Soil, and mixed by Pietro Amato (The Luyas/Belle Orchestre). Pre-order Rodeo Own here.

Going clown-mode runs deep in this first single and its accompanying music video. When people think “clown” they think funny, or maybe creepy, but always of that painted smile. For a song about overcoming one’s tendency to people please, a painted smile makes for the perfect metaphor. Watch the uproarious video directed by Gabie Che.

“The lyrics to this song were direct advice that I was giving to myself, to stop being a ‘Lay Down Girl’,” notes Kelly. “To stop staying put, acting sweet and putting everyone else first. Other people’s approval had been my priority for so long that over time my connection to what I liked and what I wanted had become weak. The lyrics are advice to this former self, with a chorus that chants, ‘I’ve been a fool…I’m going back to school, but this time my education’s gonna be ‘bout myself.”

"Lay Down Girl" was hatched this way in the first months of the pandemic. Like everyone else, Kelly had a lot of time for introspection and for feeling scared and lonely, realizing that she had surrounded herself with ‘cool’ people but not necessarily people who supported her, the way she supported them. "It was painful to realize but ultimately caused me to make changes in my life, including walking away from my post-punk project DISHPIT and toward my dream to play in a country band,” continues Kelly. “'Lay Down Girl’ will always be a catalyst song for the Nora Kelly Band, because in its lyrics I’m giving myself the advice to start the band before the band even existed."

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Blusher - Backbone.

Meet Blusher, the confessional Melbourne-based 3-piece who make euphoric pop music, laced with chaos, camaraderie and an unbridled gritty confidence.

Today they announce their debut EP, aptly titled Should We Go Dance? – set for release on Friday 14 July via Atlantic Records/Warner Music Australia. The news comes alongside the release of their brand new single, ‘Backbone’ - a powerful anthem about the aftermath of heartbreak - and ahead of the trio’s international debut at Brighton’s The Great Escape Festival. The trio have also been announced as special guests, joining Swedish pop powerhouse Tove Lo on her upcoming Australian headline shows having already supported Aurora earlier in the year.

Speaking on ‘Backbone’, and how it came from the whiplash and aftermath of a breakup, Blusher explain how they wanted to "sing about the way that heartbreak can strengthen and empower friendships. It’s a fiery, energetic love song to the friends who have your back through it all. Backbone is aptly named, its themes of power, confidence and deep friendship are the foundation of our band."

The new single is accompanied by the music-video-quality-visualiser which features Blusher in their alter-ego ‘choose your fighter’ personas. Speaking on the concept behind this, they explain; "when we first wrote the song, we had visions of 80s workout routines/Charlie's Angels/a “choose your fighter” moment in an anime video game.  It made us think about what our video game characters would be. We saw ourselves channelling an element in each of our verses. Miranda’s verse is powered by fire and lit by red brake lights, Jade’s, a watery moment with a tear filled champagne glass, whilst Lauren’s air bending bridge propels you to the dance floor and breathes new life into you."

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Ruby Waters - Flash Flood.

Today, JUNO Award-nominated, indie/alternative rock artist Ruby Waters has dropped her newest single “Flash Flood” via Wet Records. Waters continues to push the envelope with her heavier sound and unapologetically raw and sensuous lyrics with “Flash Flood”, remaining forthright in her convictions to being her true authentic self.

After recently selling out her 2022 North American Soaking Wet Tour, Waters is coming off her widely received US based Spring Chicken tour. This month she will head to The Great Escape festival in Brighton, UK for a handful of shows and will continue her tour into the United Kingdom.

With a 2022 JUNO Nomination for Alternative Album of the Year and two top five singles at Alternative Radio under her belt, Waters is more determined than ever to continue bringing her most authentic self to her craft with a promise of new music and exciting news coming in 2023.

Hailing from the small town of Shelburne, Ontario, Ruby Waters' journey is much like her music - eclectic, always evolving, and unfeigned. A Métis person born to two artists, music has always been a familiar presence. Since her 2022 Juno-nomination for alternative artist of the year, Waters has continued to push boundaries and blaze her own trail as one of North America’s most promising independent artists. To date, her highly acclaimed sophomore EP, If It Comes Down To It (2020), has amassed over 12 million global streams. She has also sold out headline shows across the US and Canada and plans to bring her show over to Europe and the UK for the first time in 2023.

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Inkfields - Teeniest - Rob I. Miller

Inkfields - The Third Side of the Coin (Album).

The Third Side of the Coin is the second album from Edinburgh based artist Inkfields, following on from the single of the same name, it sees the songwriter dicing with fate on the toss of the coin.

Eclipsing his previous releases with a carefree, bluesy soul tinged record that builds from his classic bedroom indie sound, The Third Side of the Coin feels like the complete package in the context of Inkfields work to date, weaving between psychedelic glimpses and classic indie guitar sounds. There’s a feeling of optimism and confidence emitting from the record, highlighting Inkfields as a songwriter at the top of their game.

Moving from surf tinged indie to funky disco enthused pop The Third Side of the Coin swaggers along with delighting harmonies, unnerving chills and locked in grooves that assault the senses in the best way possible. Inkfields, the guise of Samuel James-Griffiths, began in Dresden, Germany as a spontaneous after work street music experiment, moving through Sweden, Southern Germany and finally to Edinburgh. The music has been forged through thousands of hours of street music across dozens of cities in Europe, from -12 to +40 degrees, through rain, snow, wind and sun.

Over the years the music has journeyed through genres and matured with time, releasing debut album Beneath the Waves in 2018, followed by a single a month experiment through a lot of lockdown, and has found his true sound on The Third Side of the Coin. Each of the tracks on the Creative Scotland funded The Third Side of the Coin will have a specific piece of artwork made for them, to outline certain species of animal and plant that are endangered in Scotland, raising awareness of some unusual species that people may not be aware of.

Inkfields · The Third Side of the Coin

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Teeniest - Billie Eilish won't follow me.

Teeniest is a duo from Brooklyn, New York (USA). Their music is alive with beauty and color, whether it's a gentle acoustic folkie tune or an all-out electric guitar rock assault.

This quirky song takes a wry look at pop stardom and music streaming algorithms, with a good dose of kind-hearted humor. 

We brought a unique sound to this project, with clarinet, Rickenbacker electric guitar and bizarre chanting voices. It's weird but fun and accessible.

 

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Rob I. Miller - The One.

When Rob I. Miller (Blues Lawyer) found that the records he’d once leaned on to help him through heartbreak weren’t working for him anymore, he wrote his own. The result is Companion Piece, a collection of heart-on-sleeve songs building on the classic guitar pop tradition of pairing melancholy with melody, out May 12 on Miller’s own Vacant Stare Records.

Primarily known for playing in bands, Miller has released solo music before, but Companion Piece is his first album under his own name; a choice that reflects the vulnerability underpinning these 11 self-recorded songs, each one representing a different stage of post-break-up grief from the shellshock of rejection and rumination over the past, to fantasies of a future that never came to pass and the cautious blooming of feelings for someone new. It is, he says, “my attempt to contribute to the canon of break-up albums.”

First single “Wedge” is a damaged pop song featuring sampled drums and heavily distorted guitar about the feeling of being an unwitting pawn in an emotional game played by the other person. “Borrow” and “Wrong for Us” use sunny alt-rock and downcast late ‘90s indie touchstones to excavate the heartbreaking awkwardness of situations like having to explain to your friends why someone doesn’t come around anymore.

On “The One” Miller wonders over an anthemic chorus if a new fall (as in falling in love) “will be the one from which I die”—a mix of morbidity and sanguinity unabashedly lifted from the Teenage Fanclub playbook. “I was really inspired by that song ‘Norman 3,’ how ballsy it is to just say ‘I’m in love with you’ for three-and-a-half minutes,” he says. “It’s seemingly so unafraid—I’m just going to be as sensitive and vulnerable as I want to be right now.”

Rob I. Miller · 11 - The One - 1644

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