Time to take a trip to ‘Himmelaya’ – a new name, a new album (‘Lost Horizon’), a new collaboration between Astralasia’s Swordfish and friends - think motorik rhythms meet spoken word, kosmische meets krautrock. A huge project (spanning two LPs and a bonus double CD of extra tracks, alternative mixes and remixes that comes with every set) that has taken a long time to come together, with everyone contributing from their respective countries.
Over to Swordfish to explain things… ‘Himmelaya’ started with Jochen Oberlack (the man behind Bellerophon Records in Dusseldorf) getting in touch through Fruits de Mer. Initially it was going to be a purely instrumental project, but I wanted it to be more like classic era Ash Ra Tempel with Rosi from the 70s, something a little bit more.
Britt Rönnholm from the Swedish duo Us and Them (also Fruits de Mer Records regulars) was suggested to provide spoken vocals; it was well out of her normal comfort zone, but we both loved her voice, so it was all systems go. Although essentially a three-piece project, we have been blessed with friends’ and bandmates’ contributions, plus some bonus CD remixes by other artists, including nick nicely, Schizo Fun Addict and the Lost Stoned Pandas.
One of the last pieces we started on - 'Shangrilaya' - was recorded at our slide player Pete Prakownik’s house; sadly he passed away the day after we recorded the gongs - its become a personal piece 'lost horizon' and taken its own course with twists and turns in its journey to Shangri-la (Britt’s vocals sum it up all up very beautifully).
Following the warmly received debut The Questions, The Indie Pea is back with Echoes And Answers, the first taste of a new EP in the making. Vocalist Campbell Anderson explains: “There’s so much beautiful, unfinished material left from the sessions. We felt it deserved our full attention — and this single is proof of that.”
Echoes And Answers continues the band’s signature blend of shimmering indie rock and sweeping string arrangements. It’s a sound both grand and graceful — full of unexpected twists, yet instantly catchy. Their orchestral touches never overwhelm; instead, they elevate, adding cinematic weight without losing emotional clarity.
With this new chapter, The Indie Pea builds on the atmospheric depth and melodic vulnerability that made their debut so compelling. If this track is any indication, the upcoming EP promises to be something truly special.
Matthew Azrieli - I thought I saw you the other day.
This week singer-songwriter and founder of Baste Records, Matthew Azrieli presents his new single “I thought I saw you the other day”. A short and crisp tune containing melancholic vibes, the new track is now available to stream on most platforms.
Inspired by folk-rock greats and coming straight from the heart, Matthew Azrieli’s “I thought I saw you the other day” is an intimate ode to missing an old lover or friend. A pensive, yet emotional tune clocking in at only one and half minutes, “I thought I saw you the other day” is the perfect bit of sonic sunshine needed on a dreary, rainy day. The new track is the second offering from the four track EP, Expectations, which is slated for release later this year.
Recorded by Jacob Cardinal-Lacroix (who received a Juno for his work with the band Half Moon Run), “I thought I saw you the other day” consists of twangy, alt-country melodies that also maintain a sleek, folk-rock demeanor. The forthcoming tracks on Expectations are sonic treasures that will hit instantly for fans of Mac Demarco, Father John Misty, and Bob Dylan.
Get ready for an exhilarating musical journey with The Indie Pea. Their authentic indie music is a thrilling blend of simplicity and complexity, filled with familiar twists and turns. It's a sonic adventure you don't want to miss! Their sound uniquely combines urban and rural elements, creating a signature style that is truly their own. This characteristic quality of The Indie Pea's music makes it versatile, suitable for any environment or event.
The Indie Pea's new single, Keep Holding On, brings back their original sound with a grand indie pop rock style. This track features beautiful strings, powerful vocal lines, and lively horns. All of this is packed into a tight 3-minute song, making it a must-listen for fans.
Yesterday, NYC-based psych-rock and soul band Brandi and the Alexanders released their new single “Black Cherry.” Drawing inspiration from R&B Queens like Chaka Khan, the subversive funk and harmonic styles of Marvin Gaye, and mix psychedelic experimentation with disco energy, the band has carved out a reputation for their cosmopolitan soul driven by their love for an insatiable groove of grit and heart with a dose of attitude. Lead singer Brandi Thompson, respected as a powerful vocalist in the classic soul vein of Aretha Franklin, Candi Staton, and Gloria Gaynor, brings a lively fire that dances inside the Alexanders’ sophisticated and cinematic heartbeat.
"I mean... I'm telling you to take a bite of my big black cherry — the lyrics came to me all at once after I had the title,” Brandi Thompson explains of the song. "We recorded it during an incredibly sweltering hot summer day with no A/C and the temperature dictated the tempo,” continues drummer Eric Gottlieb. “We all share a taste for the kind of sleazy but smooth post-disco R&B/soul/rock; George Benson, Chic, Rod Temperton and the G-funk West Coast production style which our engineer/producer Greg Teves immediately understood what we were going for."
Brought together in 2015 first as an 11-piece band before hitting the road in 2017 as a quartet, the band has been a ragtag collective of friends and family honing their sound between adventurous sets on tour. Music blog PopMatters cuts to the chase, “This is music to move to.”
The Athens, Georgia Elephant 6 band The Rishis return with two new singles "Robot Factory" and "Coloring" off their upcoming self-titled sophomore album on Cloud Recordings. The album comes out on February 21st on digital and vinyl. The Rishis feature members of Olivia Tremor Control, Neutral Milk Hotel, Elf Power, and more.
The Athens, Georgia based band is centered around the songwriting duo of Sofie Lute and Ranjan Avasthi and has now expanded to a full band with a rotating cast of musicians playing psychedelic folk rock with tinges of world music to add coloring to the mandala. Sofie and Ranjan have been writing songs together for over a decade now with their debut album, August Moon, which arrived in 2022 on the Elephant 6 Recording Company label of Cloud Recordings.
In addition to the duo, the Rishis regularly feature a variety of artists, including members of Neutral Milk Hotel, the Apples in Stereo, the Olivia Tremor Control, Elf Power, and the Primordial Void Collective. Other guest musicians on this newest outing include Mac McCaughan (founder of Merge Records), Robert Schneider (producer of the Elephant 6 Recording Company), co-producer Chris Byron, and Colin Willard & Gregg White of Shangri-La Studios in Malibu, California. The Rishis self-titled second album, out February 21st on vinyl and digital formats, picks up where August Moon left off, propelling us forward to explore the inner workings of the collective consciousness.
West coast sixties indie pop rock from London. Meet City Cycles, a fab six-piece of musical maestros, all talent! They've set up shop in always-buzzing London, adding their unique rhythm to its already pulsating music scene.
Introducing the remarkable psychedelic retro rock single 'Waking Up To A World Unknown'. This track expertly blends vintage sounds, choirs, and a nostalgic vibe while maintaining a contemporary touch. Modern indie pop rock meets the 60's retro sound of City Cycles. Experience it now.
Brooklyn-based artist Avery Friedman has announced her debut album, ‘New Thing,’ for release via Audio Antihero on April 18th. The album features James Chrisman (Sister.) and Felix Walworth (Florist / Told Slant), and the pre-order will launch with "Flowers Fell,” the lead single, on January 28th.
Friedman had always felt that songwriting was just something that other people did until she was pushed by a transcendent live music experience and a traumatic mugging to seek catharsis through music. Playing her first show in July 2024, she soon shared stages with h. pruz, Dead Gowns, and Sister., and she impressed the latter’s James Chrisman enough that he offered to record her debut album. The result was ‘New Thing,’ a sonically deep and layered debut that sees Friedman explore her trauma and queerness with a raw open-heartedness inspired by artists like Adrianne Lenker, Squirrel Flower, and Babehoven.
The lead single, “Flowers Fell,” is an ode to transitional stages that uses the changing seasons to demonstrate the growth Friedman has experienced by finally immersing herself in her art. The song’s tense guitar bursts offer an illustration of resistance before a starry-eyed chorus blooms, and Friedman sings, “The flowers fell off when I was asleep / But that’s okay, ‘cause now it’s all green,” as she finds acceptance and resilience in the face of change.
Ana Cristina Cash - Last Call" / "Tu Última Llamada.
Ana Cristina Cash, the bilingual powerhouse known for her unique blend of Country, Pop, and Latin melodies, has released her latest single, "Last Call" (English) / "Tu Última Llamada" (Spanish). This captivating track marks the next chapter in her evolving musical journey, offering a poignant and empowering message that resonates across cultures.
Written by Ana Cristina Cash, Jodi Marr, and Willie Breeding, "Last Call" / "Tu Última Llamada" is a fiery anthem of liberation and self-discovery. With lyrics that confront betrayal and reclaim personal strength, the song weaves vivid storytelling with Ana Cristina's rich vocals and dynamic musical arrangement. The track bridges genres, blending pop and country influences with a Latin flair in its Spanish version.
"’Last Call’ / ‘Tu Última Llamada’ is about taking back your power. For my first single release of 2025, I wanted to release something with a strong beat that was fun, captivating, and powerful while showcasing a fusion of the two genres I have worked with all of my life: Country music and Latin music," says Ana Cristina Cash. "This fusion of genres has always felt natural to me and is very much a part of my authentic identity. I have always had a strong vision of Country music being a genre that can resonate with people globally, across various cultures. I love to be experimental in my work, and I feel that music knows no boundaries."
