With Light In The Sea, A Better Place pull all the threads together. Across four tracks, the band proves why they’ve quickly become one of the most exciting new voices in indie rock.
From the drizzly intimacy of debut single It Rains, to the dreamlike haze of Don’t Mind, and the heartfelt punch of Someday—already spinning on Amazing Radio UK—the songs carry the DNA of ’80s/’90s alt-indie greats like Polvo, Dinosaur Jr., Unwound, Sebadoh, Teenage Fanclub, and The Posies, but with a freshness that’s entirely their own.
New track Remember When completes the story: a slow-burner that starts with gentle guitars and relaxed vocals, before erupting into a midtempo surge of energy. It’s nostalgic and forward-looking all at once, a reminder of why this band resonates so deeply.
Radio stations in the UK, the Netherlands, the US, and Belgium are already tuned in, and live, A Better Place is the kind of band that wins you over in one set flat. Light In The Sea isn’t just an EP—it’s a statement. Indie rock, recharged and reimagined.
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Talking Violet seamlessly melds shoegaze, grunge, and dream-pop into a genre-defiant wave they’ve coined “dreamo”—a sound that’s as lush as it is emotionally piercing. The Windsor, ON four-piece, formed of Jillian Goyeau (vocals, guitar), Jayden Turnbull (guitar, vocals), Jeremie Brousseau (drums), and Dylan Iannicello (bass), craft a powerful sound, touching on themes that wrestle with the grief of personal change, especially in relationships.
Now, the band returns with their latest single “Destroy,” following the release of their recent track “In Your Mind.” Where “In Your Mind” explored the helplessness of loving someone through pain and uncertainty, “Destroy” turns inward, offering a sense of closure and acceptance. “Destroy is about closing a chapter in my life where I experienced a lot of change which I talked a lot about throughout our Everything At Once record,” shares Goyeau. “Before moving on I kinda needed to say goodbye, so that’s what Destroy does. It’s me finally accepting that people can both love you and hurt you at the same time and vice versa. You can love someone even when they aren’t meant to be in your life anymore.”
“Destroy” continues the emotional thread of their recent album Everything At Once, drawing from the grief of interpersonal change. “These tracks draw on a lot of grief of change, most specifically, the grief of relationship changes in our lives,” Goyeau explains. “I was going through changes that I now see as necessary but were incredibly painful at the time. It made me realize how much I had depended on my relationships with others for my identity. I had to slowly relearn who I was—and spent the next few years healing my people-pleasing baseline. It’s still something I work on every day.”
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Some bands take years to find their voice. The Indie Pea needed only one. After their acclaimed debut The Questions in April 2025, the Dayton-based band returns with Reflected Hearts — a five-track EP that feels less like a follow-up and more like a radiant leap forward. Where the album asked, this EP answers.
Across these songs, The Indie Pea refine their signature blend of shimmering indie rock and orchestral pop, carried by Campbell Anderson’s warm, unhurried vocals and the band’s seamless interplay of guitar, strings, and rhythm. It’s a sound that balances clarity and complexity, intimacy and scale.
From the searching pulse of Echoes And Answers to the reflective shimmer of Mirrored Days, the luminous rush of Electric Bloom, and the guiding calm of Heartbeat Guide, each track feels like a facet of the same story. The closing Cross Bridges ties it all together — a finale that looks both back and forward, capturing a year of rapid growth with unshakable confidence.
Reflected Hearts is more than a snapshot; it’s a statement. A band stepping into its own light, finding resonance in reflection, and proving that sometimes one year is all it takes.
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| Photo - Luka Popp |
Berlin duo Nick & June have recently announced the release of their new album 'New Year's Face' on 5th December. Produced by Grammy-winning producer Peter Katis (The National, Interpol, Sharon Van Etten,) and recorded in Bridgeport, Connecticut, 'New Year's Face', which includes collaborations with Owen Pallett, The National’s Kyle Resnick and Ben Lanz, The Antlers and others, will be released on CD, vinyl and digitally. 'New Year's Face' is the duo's first release since 2023's 'Beach Baby, Baby EP', which enjoyed over 30 million streams, widespread critical praise and led to sold-out shows across Europe.
This week they share new single 'Anthem': indie rock, driving drums, shimmering synths, majestic horns sweeping across the scene like a signal over the city. Everything feels massive and airy, hymn-like yet casual. It’s a song about preserving moments, holding onto fragments that would otherwise slip away. A breath between melancholy and force. A song that, in its ambivalence, captures the fleeting intensity Nick & June are always chasing.
At the end of a long relationship, you don’t usually find yourself sitting at a studio piano with your ex, writing songs. Or do you? In this case, you pack a suitcase, get on a plane, decamp to the small and melancholic harbour town of Bridgeport, Connecticut and begin work on a new record. 'New Year’s Face' is the outcome of this strange experiment: two ex-lovers, one studio, months of work and discovery. Together with Grammy-winning producer Peter Katis (The National, Interpol, Sharon Van Etten, Stars), they settled in and shaped ten songs that feel at once intimate and expansive, fragile and resilient.
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