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Showing posts with the label This Is The Deep

This Is The Deep - Laurence Murray Project - Roxanne de Bastion - Melby

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This Is The Deep - The Best Is Yet To Come (Part 1 - EP). East London 7-piece psych-pop collective This Is The Deep today release their debut EP 'The Best Is Yet To Come (Part 1)' - out now via B3SCI Records, with new track "Let Her Go" also out now. Over the last two years This Is The Deep have quietly established a cult live following through support slots with HMLTD, PVA, and Family Time, as well as their own sold out cross-over events at venues such as Windmill Brixton, Moth Club and The Shacklewell Arms, combining immersive art and video installations with live performances from acts including Sinead O'Brien, Opus Kink and Baby Vanga. Written, recorded and produced by the band at 'The Sauna' – their HQ in Hackney Wick – the EP is a wildly inventive introduction to the band. Across its 8 tracks, the band switch seamlessly between explorative psych-rock, glitchy art-pop and stomping indie rock. What started out as late night recording sessions between

SLUGS - Gunke - Gawain and the Green Knight - Shannon Dooks - This Is The Deep

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SLUGS - I Could Do Better. SLUGS is a four-piece alt-rock outfit out of Los Angeles comprised of singer/songwriter/guitarist Marissa Longstreet, Sarsten Noice (bass/vocals), Josh Beavers (lead guitar) and Dash Hutton (drums). Their influences range from Linda Perhacs with their melodic harmonies and tenderness to Thee Oh Sees with their high energy, spitfire performances. SLUGS latest tune “I Could Do Better” got its title after enduring a flight from a poor choice of airline when the idea of I could do better humorously arose. Later working with a friend the song was written and developed at a time when exploring the journey of sobriety, where the lyrics took a deeper dive into the meaning. The song narrates wanting to find a way back to the blissful naivety of being a child, as well as the wonderful and complicated revelations and the highs and lows during the process of grounding. Longstreet shares, “I compared my carefree attitude as a child, finger painting an image of nothing, to