Showing posts with label Samsaruh. Show all posts
Showing posts with label Samsaruh. Show all posts

Thyla - ARY - Everything by Electricity - Martha Ffion - Corniglia - Samsaruh - White Room

Thyla - Tell Each Other Lies.

Background - You’d be hard pressed to find a city that possesses quite as much exciting emerging talent as Brighton right now, and dream pop outfit Thyla’s new single Tell Each Other Lies suggests it’s time to add another to the growing list.

In their euphoric latest offering, Thyla’s endless potential is laid bare once more with sprawling guitars, intense drum beats and the mesmerising vocal prowess of frontwoman Millie Duthie signalling a damning statement of intent heading into 2018.

Having shared the stage with everyone from Dream Wife and Matt Maltese to Yonaka and Trudy and the Romance over the past twelve months, the band’s fierce live reputation continues to grow at a rapid pace, with support slots for The Wytches scheduled before the year is out.

Discussing their upcoming release, the four-piece stated: “Tell Each Other Lies is about the fear of confrontation; pretending everything’s dandy and skipping through life suppressing how you really feel for the sake of an easy ride. It’s about putting up with your loved one’s worst traits because you love them and you know they’ll never change, and it’s about coming to the realisation you wouldn’t want them to anyway”. FACEBOOK.


I have to agree that Brighton on the south coast of England has given us plenty of fine new artists and music this year. Thyla and their new song 'Tell Each Other Lies' continues the momentum, this time with a lush and buoyant dream pop piece that is instantly lovable.

--------------------------------------------------------------------------------------------------------------------------

ARY - Anymore.

Background - After releasing their debut single "I Think It's You" in September, three months later, the band ARY reveals their newst single "Anymore". "This song is all about overcoming our fears and don't let anyone think they can play us  around or tear us apart." - Erika Martyns.

ARY are a Portuguese Alt. Electro-Rock band from Lisbon formed by members Erika Martyns, Dénis Rhomays, Ziig Mendes and David Rodrigues.

The roots of the project began with Erika (vocals) and Dénis (producer/guitar). A new soundscape was planned, an energetic blend between catchy melodies, hard hitting drums, electronic elements and heavy guitars. Something was still missing. The liveliness of being in a room playing music with more people, the felling of being part of a group...

For these and many other reasons, Ziig (bassist) joined the band. ARY started to make sense and grow as a solid project, but nevertheless, one critical element was still missing. Rhythm. David Rodrigues (drummer), joined the gang and became the missing piece the band was looking for. WEBSITE, FACEBOOK.


'Anymore' is a passionate electro rocker, where the positive energy levels are notable across both vocals and the dynamic music.


-------------------------------------------------------------------------------------------------------------------------

Everything by Electricity - Last Day Of The Sun.

Background - “There is a powerful agent, obedient, rapid, easy, which conforms to every use, and reigns supreme on board my ship. Everything is done by means of it. It lights it, warms it, and is the soul of my mechanical vessel. This agent is electricity. Everything by Electricity”. Jules Verne, 20000 leagues under the sea.

Whilst lush pop beats strongly at its heart, dense waves of guitar, reverberating walls of noise and fragile melodies collide amidst sparkling neon-lit synths, dreamy vocals and ghostly shapes via the night sky; anchored tight by pulsing bass, throbbing drums and drum machines.

The band’s sound is littered with the strains of alienation and longing for escape one would expect from childhoods spent gazing across cold barren landscapes deep behind the iron curtain.

On moving from Siberia to London, Yulia (guitar, synths, vocals) quietly crafted a collection of demo material in her bedroom studio and expanded the live line-up with the addition of Daniel (bass guitar, synths) and Manoela (drums, pads). WEBSITE, FACEBOOK.


Expansive sounding dream pop with melodic hooks galore 'Last Day Of The Sun' is a beautifully atmospheric song.

--------------------------------------------------------------------------------------------------------------------------

Martha Ffion - We Make Do

Background - Irish-born, and now Glasgow based singer-songwriter Martha Ffion announces new album entitled 'Sunday Best’ which will be released on Turnstile in early 2018. To celebrate the news Martha Ffion has also released a track from the album - the wonderful ‘We Make Do’.

It’s perhaps true to say that our relationship with music is steered solely by connection. Sometimes that’s a very direct thing; the words we sing along to relatable to our own desires and experiences.
Occasionally, however, it manifests itself in other ways, a captivation drawn from something we can’t conveniently place or pigeon-hole; songs and sentiments we watch from afar, trying to find a way inside.

Martha Ffion’s work has always flourished within the latter of these two paths. While her Irish roots and current home city of Glasgow have undoubtedly informed her work, so many of her songs resonate all the more for feeling wildly devoid of time and place, an alluring cast of characters drifting in and out of focus, each one examining Ffion’s own thoughts on what it means to be “good” in a society that has such determined expectations.

Initially breaking through with a ‘postcard single’ on Scotland’s flourishing Lost Map label, Ffion’s reputation soared with last year’s ‘Trip’ EP, a swooning five-track collection that was released by Turnstile Music (Cate Le Bon, Gruff Rhys, Charlotte Church, Emmy the Great etc.) and championed by GoldFlakePaint for its “beautifully melodic sway”. Written entirely in Glasgow since her move from a distinct Catholic upbringing in small-town Ireland, and recorded with her full live band by Jamie Savage at Glasgow’s Chem 19 Studio (King Creosote, The Twilight Sad, Emma Pollock).

Ffion’s debut album, ‘Sunday Best’, spans the first songs she properly wrote to her most recent compositions, and is by far her most adventurous and accomplished work to-date, the lush instrumentation bringing her detailed lyrical vision to life through a series of gleaming guitar-pop songs that drift between soft-centred balladry and something altogether more cutting and forceful. FACEBOOK.


'We Make Do' is a gorgeously refined singer-songwriter piece, where the melodic vocals skip and glide above a slightly understated sound track that none the less adds just enough contrast to make this a very catchy track.

--------------------------------------------------------------------------------------------------------------------------

Corniglia - But It Wasn't That Long Ago.

Background - Corniglia is an ethereal, psychedelic duo project from Perth, Australia, comprising Chloe and Matt. Matt, the primary songwriter, works as a physio, where he is privy to the sort of deep self-reflection that people seldom share openly and honestly. He listens to confidences regarding the most fundamental aspects of health, life and the passage of time. In these profound circumstances, to his surprise, some are at peace, but many more are not — the time has gone too quickly, they are not ready, it was not enough and they want more. Matt listens and gives them care.

“This idea that a lot of people aren’t that happy in their later years and watching people dying early does make me question how we live our life.”

There is a dark and somber beauty suffusing all of the art the group produces. It is the layers of sinewy texture overlaying the tracks. It’s in the lyrics that paint abstract portraits of these impressions. It’s in both Chloe and Matt’s voices. Chloe lends her artistic strength, as well as her voice to the band. She was raised to adolescence in Italy, before moving to Australia and continuing her creative studies.

Corniglia is a respite from and a reflection on the very peculiar world of Matt and Chloe. The two do not just write and record all of the music but also make all of the art and all of the videos for the project. It is an endeavour that is entirely DIY, with all of the artistic output, naturally with the help of family and friends who help them realise their vision, made by Matt and Chloe at the home they share. Their new single, "But It Wasn't That Long Ago," is from their upcoming, self-titled debut album. WEBSITE, FACEBOOK.

The vocals and harmonies have something of a timeless psychedelic vibe to them on 'But It Wasn't That Long Ago' a melodic and beautiful song, that certainly leaves me wanting to hear the forthcoming debut album.

--------------------------------------------------------------------------------------------------------------------------

Samsaruh - Beautiful Killer.

Background - Samsaruh shows no signs of slowing down as she continues an incredible 2017 with the success of her debut single 'Golden to Thrive' - and just releasing her follow up single 'Beautiful Killer'. The Melbourne based 19 year old singer-songwriter's debut release was added to high triple j rotation and triple j unearthed rotation as well as earning her the tile of Feature Artist on triple j unearthed. 

‘Golden To Thrive’ charted in the Spotify Australia Viral Charts Top 30 as well as charting in the Shazam Top 100 Australian Chart for over 6 weeks, with over 25,000 Shazams of the single through radio play. The single was widely loved by media and fan alike, helping Samsaruh recently take out the triple j unearthed Falls Festival competition in Lorne.

Her new single ‘Beautiful Killer’ is a another exploration of Samsaruh as an artist, demanding and powerful - this track shows off why the 19 year old artist has stopped everyone in their tracks. Written by Samsaruh and production team Nightflare, the track was mixed by Tony Buchan who has worked with the likes of Montaigne and The Preatures and mastered by Brian Lucey (Arctic Monkeys, Chet Faker).

On the track Samsaruh said, "When I was writing this track, it was about the kind of people who are alluring, irresistible and sometimes illusional. The kind of person everyone knows, the kind of person that blinds you of the darker side and mostly the kind of person that we allow to deceive us anyway.  We are all beautiful killers, sometimes we don't know it and sometimes we aren't afraid of it. " FACEBOOK.


The soundtrack has a layer of the dramatic, from the opening moments. 'Beautiful Killer' mixes powerful and captivating vocals with a feisty musical arrangement along with masses of hooks.

--------------------------------------------------------------------------------------------------------------------------

White Room - Circles.

Background - White Room have released their double EP Eight (1st December) via Deltasonic Records. Their new record, featuring eight songs that intertwine through their lyrical and sonic themes, has already spawned hit singles ‘Stole The I.V’, ‘Take Me Away’ and ‘Cable-Built Dreamland’ with widespread support throughout the online community (DIY, Clash, Dork, Wonderland) and sell-out shows in London and Brighton on their debut headline UK tour.

The final instalment of Eight, the aptly titled ‘Circles’, denotes a full stop but also infinity with the song itself calling for inclusivity and tolerance, succinctly tying together all the themes in the EP.

Guitars gleam and choruses glide, wedding the transcendental nous of quirky, genre-bending bands such as Talking Heads and The Brian Jonestown Massacre to the heady, insouciant appeal of Primal Scream. Eight was made for now and the current state of affairs that besiege our youth, whilst offering up the chance to escape from them for a moment and embrace all that is still intrinsically beautiful in the world. It’s made for dancing around without a care in the world or for sitting down, headphones in, looking for a new perspective. Either way, it will make you feel something.

Taking inspiration from the current social and political climate of the world and the uncertainty we live with, the synergy between the lyrics and themes signified by 8 – the number of infinity – hints at the real depth within Eight, touching on aspects of joy, strength, balance and power in unity.

Discussing the upcoming release, the band stated: “In Eight we are offering a way to lose yourself from it all and find an escape for a moment from all the horror and pain that is happening all around us. To embrace the ability music has to take you away from the harsh realities of daily life”. FACEBOOK.


We are back to Brighton again, this time for White Room and the track 'Circles' taken from the new double EP 'Eight'. This band never fail to impress me with their imaginative and totally engaging songs. So fourth time around on Beehive Candy and I just have to recommend checking out the new and creative EP!

--------------------------------------------------------------------------------------------------------------------------

Fast Romantics - Miranda Lee Richards - Samsaruh - Tombstones In Their Eyes - Lo Tom

Fast Romantics - Everybody's Trying to Steal Your Heart.

Background - Toronto-based indie rockers Fast Romantics have shared their new video "Everybody's Trying To Steal Your Heart". The band just released their latest LP American Love. Produced by the dynamic duo of Gus Van Go and Werner F (Arkells, Wintersleep, Hollerado), American Love is the follow-up record to Fast Romantic’s 2013 release, Afterlife Blues.

Written and recorded over two years, alternating between Toronto and Brooklyn, American Love is a nod to the type of cinematic storybook romance American pop culture has conditioned us to search for, but also explores the realities at play off the silver screen that can wreak havoc on burgeoning love. We live in a time of political and social turmoil, and the twelve songs on American Love don’t deny this, each one marked by poignant references of the time and place in which they were conceived.

Hailed as an ‘Artist to watch’ in 2017 (Google Play), Fast Romantics is comprised of Angus, Jeffrey Lewis (bass), Kirty (vocals, acoustic guitar, synth), Kevin Black (guitars), Lisa Lorenz (keyboards) and Nick McKinlay (drums). Since reforming the band in 2013, the band has released one full-length LP. Known for their incredible live shows and songwriting prowess, Fast Romantics have received many accolades, including ‘Pop Group of the Year’ at the Sirius XM Indies (2014) and more recently their song “Julia” won the prestigious ‘SOCAN National Songwriting Prize’ in 2016.

Fast Romantics are also kicking off their US, with dates available on Beehive Candy's tour news page, website here, Facebook here.

The music video sets grand expectations prior to the song beginning, however you know the budget will never allow this and a song as wonderful as 'Everybody's Trying to Steal Your Heart' can easily settle for less. It turns out however that both the video and music work perfectly well together, that said the song is just as wonderful with our eyes firmly closed.


--------------------------------------------------------------------------------------------------------------------------

Miranda Lee Richards - The Wildwood.

Background - The Brian Jonestown Massacre collaborator Miranda Lee Richards releases new electronic-pyschedelic track The Wildwood from her upcoming album Existential Beast out on June 16th on Invisible Hands Music. 

Recording her first demo in Kirk Hammett of Metallica's basement, Miranda's record was passed to Anton Newcombe of The Brian Jonestown Massacre and she became a regular collaborator with the band. Having moved out to Los Angeles in the 90's, Miranda became part of the the seminal rock documentary DIG! on the Dandy Warhols and has toured with the band several times since.

Now releasing her fourth album Existential Beast, following the success of 2016's Echoes Of The Dreamtime which received 4* in MOJO & 8/10 in Uncut); Miranda's effortless, 70's influenced psychedelia is evident in the new single - Existential Beast is a political album, examining the issues of our time, but with intent of tackling these difficult and sometimes taboo subjects in a poetic and heartfelt manner. The title is also a mash-up of terms, referencing the existential crisis that has in turn arisen.

“In varying degrees, we are all still working with the animal urges of fear, competition, survival, and sexuality that are deep-seated and manifesting in different ways, depending on where people are at. Perhaps a more endearing outlook is to see this as an assignment in working with the inner child, who can at times behave like a wild beast. But like it or not, these tendencies have been revealed, within our leaders, our countries, and ourselves; it is indeed a pivotal and transformational time.” Miranda Lee Richards. Website here, Facebook here.

'The Wildwood' is the second track we have featured from Miranda Lee Richards 'Existential Beast' album due for release later this week. This is a vibrant, uptempo song with Miranda's vocals taking centre stage, and surrounded by some admirable musicianship, it's another powerful reason to check the new album out.

--------------------------------------------------------------------------------------------------------------------------

Samsaruh - Golden To Thrive.

Background - Melbourne based 18 year old singer-songwriter Samsaruh today releases her debut single 'Golden To Thrive'. Despite her young age, Sam is already an experienced artist having worked with Peking Duk, Way of the Eagle, Just A Gent and performed at Splendour in the Grass while still in High School. 'Golden To Thrive' was written by Samsaruh and her producers Nightflare (Joel Dowling and Tim Coghill -  core members of Matt Corby's band) and mixed by Sean Tallman who recently mixed the Banks record.

On the track, Samsaruh said, "When I was writing ‘Golden To Thrive’ I stumbled upon the reality that stigmas and stereotypes are always going to exist and you’ll never really have control over them. But instead.. we have the power to prove the unknown and the disbelieved. So this song is my power."

From first listen Samsaruh has a musical maturity well beyond her years, performing and writing music for over 5 years now while simultaneously finishing her year 12 studies. At 16 years of age she realised her debut EP ‘Orenda’ which featured singles 'I See', 'Wicked Games’ and 'La Di Da’ - hitting 1, 2 & 3 on triple j unearthed Top 100 chart as well as being added to triple j unearthed radio rotation. Samsaruh also featured on the acclaimed Just A Gent EP track ‘Sounds of her Mind’ and took time out from her year 12 studies to perform with him at Splendour in the Grass as well as his sold out ‘Just A Tour’ late last year.

Despite her age Samsaruh is already an in demand artist, having also worked as a featured vocalist and songwriter with the likes of Slumberjack, FØRD, Kuren, Styalz Fuego and many more. Facebook here.

Just as the saying "never judge a book by it's cover" goes, We could add "never judge an artist by their age". 'Golden To Thrive' showcases Samsaruh's vocals, which exude a maturity I would relate to someone a good few years older. As for the song, it's catchy, the music and production is high calibre, and another artist arrives firmly on our radar.

--------------------------------------------------------------------------------------------------------------------------

Tombstones In Their Eyes - Fear EP.

Background - Los Angeles’ rock outfit Tombstones in Their Eyes have announced the upcoming ‘Fear’ EP, to be released via Send Me Your Head Records. With this five-track release, the four-piece manage to embrace a wide range of influences, from the stoner rock of Kyuss to the warped neo- psychedelia of the likes of Spacemen 3 to the cavernous and doom-laden sounds of Electric Wizard and beyond.

Tombstones In Their Eyes’ currently line-up is John Treanor (guitar, vocals, keyboards, songwriter), Josh Drew (guitar, backing vocals), Mike Mason (bass, guitar) and Stephen Striegel (drums). Their musical influences include The Brian Jonestown Massacre, Elliott Smith and The Melvins. Recorded at L.A.’s Kitten Robot Studio with Paul Roessler (Nina Hagen, The Deadbeats, The Screamers, 45 Grave), this EP follows up their huge sounding ‘Bad Clouds’ EP (2016) and debut album ‘Sleep Forever’ (2014). “Paul knows exactly where I’m coming from and intuitively knows how to make what I’m feeling come through the speakers,” says John Treanor.

The band began life as a demo swapping exercise between John Treanor in L.A. and his childhood friend James Cooper, now in New York, but soon coalesced into a full fledged band. But collectives are always more than what you see on the surface. In John’s case, writing and performing songs is also a way of dealing with severe anxiety and depression, a way of talking about the subject without being the centre of the conversation, and a way of being subliminal rather than direct.

While such a starting point could easily see the music devolve into melancholy and self-absorption, here Tombstones in Their Eyes instead manage to move beyond that place and create music laced with celestial grandeur and a fuzzed out psychedelic majesty that looks out into the universe just as much as it looks inward toward the soul.

This music is also designed to connect rather than be insular. As Treanor says, “Everybody goes through hard periods in their life, and I hope that these songs make them feel less alone.” Tombstones create walls of sound, which are simultaneously sonorous and hazy. These are cavernous, stoner lullabies that descend into post-rock soundscapes and are wrapped in dark shoegazing dreamscapes. The cover design, created by well known psychedelic artist Darren Grealish, brings just the right image to such a mercurial collection. Bandcamp here, Facebook here.

The new 'Fear' EP explodes into action with the powerful riff's that open up 'I Want To Fly'. The EP slips form Alt rock to Shoegaze with ease, it also add in more delicate refrains, whilst throughout the power is always simmering and awaiting it's inevitable chance to return.

--------------------------------------------------------------------------------------------------------------------------

Lo Tom - Overboard.

Background - The members of Lo Tom have a combined 125 years of experience playing in random bands, both together and apart. The group is made up David Bazan (Pedro the Lion), Trey Many (Velour 100, Starflyer 59), TW Walsh (Pedro the Lion, The Soft Drugs), and Jason Martin (Starflyer 59), friends who started playing music together when they were still pretty much kids. The band will release its self-titled debut LP on July 14 on Barsuk.

A conversation with these seasoned musicians about the new album they made together is an exercise in light-hearted brevity:
“These songs were painstakingly honed over the course of… um… two weekends. Then we sat on them for a while.
“We just wanted to make music together and have fun.
“Nobody is in charge… The album cover is pink.”

While many bands are a collaboration between artists with a message, a shared vision for a record, or an idea of a sound they want to create, Lo Tom is a group of friends who missed making noise together and wanted to hang out. The off-hand — almost dismissive — way they talk about the experience of making their self-titled debut masks the excellence of the music they’ve written and produced together as Lo Tom, but perhaps their casual approach to the whole endeavor is part of why it came out so great.

Recorded over two different sessions when they could find the time to spare, the four friends gathered with half-formed riffs and beats to see what would come out of it. The album’s thematic direction is loose and conceptual. The melodies recall Pedro the Lion and TW Walsh, the guitars sparkle with hints of Starflyer 59, and the songs hurtle through the major keystones of guitar rock – tight conversation between percussion and guitar, heavy fuzz, and some genuinely joyful breakdowns that give way to catharsis. Lyrics were mostly written by Bazan, who would take a melody and make up words quickly, then finish them over time.

What makes this record special is not just how it’s built on melodies and riffs and songs with the looseness and ease of four friends who have been making music together for decades, but how vibrant and energetic and smart and funny and fun it is. For fans of a particular brand of indie-rock founded in the seventies and eighties and honed in the nineties and oughts, Lo Tom is one of the best things to arrive in a very long time. Website here, Facebook here.

'Overboard' is the second of eight tracks on the self titled album. As the above background makes clear, this is a band with a wealth of collective experience. The featured song typifies the quality to be found within this collection. As a whole the album comes across as sincere without any self indulgence, it's musicians doing what they love and enjoying the experience, something the listener can easily join in with, and feel welcomed in doing so.

--------------------------------------------------------------------------------------------------------------------------

Behind The Scenes...

Work has started to relaunch Beehive Candy. I'm Mike the owner of Beehive Candy since it all began. I needed a break that just got a lit...