Elrichman has just shared his new single 'Seeking Grey Skies' and makes his second appearance here this year, the song itself quickly reminded me of his sophisticated and lovable modern pop. === We get to feature a third song from New Fries this year in the form of 'Lily' the final single from their forthcoming album 'Is The Idea Of Us', out on August 7th. Once again their unique and pleasingly original musical styling works wonders, the album is keenly awaited.
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Elrichman - Seeking Grey Skies.
Elrichman – the project of Paul Erlichman – has shared his new single, 'Seeking Grey Skies' – this is the latest in a string of Aquarium Drunkard and Line of Best Fit-supported singles to be lifted from his new album Heaven's Mayor which is out September 4 on Madrid-based label, Bobo Integral.
The new album follows 2014's Young, Healthy and Wonderful as well as Paul's more recent material as part of Goosebump (previously called Germaphobes) and Ducks Unlimited. Emerging from the same scene as Kiwi Jr, the aforementioned Ducks Unlimited and Ellis, the new record packs in a bunch of Toronto-based talent – Alex Gamble helms production duties (previously worked with Fucked Up and Alvvays) with further contributions coming from Zach Bines (Weaves) and Jon Pappo (Hooded Fang), as well as the Boston-based Anh Phung (Twisted Pine) who provides some magnificent flute work on the new track.
Heaven's Mayor touches on the sounds of 80s indie, wonky-folk and "country music for the urban environment" – there are hints of Huey Lewis & The News, Orange Juice and Roxy Music scattered throughout, as well as a nod to the recently disbanded Nova Scotia-based project, Mauno.
Thematically, Erlichman looks to delve into honesty and how we present this to ourselves in a world hell-bent on consuming – more on this idea in the press release below – with 'Seeking Grey Skies' in particular turning to the idea of finding comfort in dissatisfaction. It's certainly a highlight for me on the record with a fairly carefree meander through the sounds of the 80s picking at yacht rock and jangle-pop aesthetics.
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New Fries - Lily.
New Fries are sharing the final single from their forthcoming album Is The Idea Of Us, out on August 7th through Telephone Explosion (Badge Epoque Ensemble, Pantayo, Chandra, Scott Hardware). The band's first new material since 2016's More (produced by Holy Fuck's Graham Walsh), "Lily" is a perfect example of New Fries' glitching and fidgeting No Wave inspired meditations.
On the new track, the band offered, "Lilydale, New York is a caged community inhabited almost exclusively by mediums--those who communicate with the spirit world. It is a community of liars and people with special spiritual gifts. People across North America travel here to connect with the deceased. Anni spent many summers in Lilydale as a kid--her grandfather was a medium."
The Toronto-based experimental legends are one of the best kept secrets in the city, and with their new album they delve deeper into their unconventional, ever-changing sound. Working closely with Carl Didur (Zacht Automaat, formerly U.S. Girls), they settled on a fresh new direction. Focusing more on space and repetition, finding the in-between and reflecting on it, examining that transition. Is The Idea Of Us is anxious in its repetitions and unsure of genre, a reflection of musicians and non-musicians making music together; New Fries insist on doing it differently.
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Showing posts with label New Fries. Show all posts
Showing posts with label New Fries. Show all posts
Thursday, 30 July 2020
Saturday, 20 June 2020
Andy Cook - Jenny Reynolds - Sandtimer - Jess Knight - Sun Cutter - Cold Beaches - New Fries
Andy Cook new album 'I'll Be Fine' is streaming in full below. This is a highly original album, musically it sits somewhere between indie and alt rock but drifts beyond there, the production is stunning and the musicianship on a par, Andy's vocals add even more distinction and character, this is class to say the very least. === We have another album in full below, this time from Jenny Reynolds and her new collection entitled 'Any Kind Of Angel', where the singer songwriter delivers some beautifully refined Folk and Americana songs. The storytelling lyrics are notable and the genuine nature of the album enticing. === We featured Sandtimer a couple of times last year and they return with 'Different Seas' which is a reinterpretation of an old song of theirs and it's absolutely stunning (why say more). === Having already shared two songs from her new album we now have the full collection as Jess Knight releases 'Best Kind Of Light'. Mixing blues, roots rock and timeless soul, this is everything the two singles promised and a healthy dose of more. === Sun Cutter debut single is 'Daylight Star' and it's a refreshing singer songwriter piece from an artist who has been through something of a personal storm over the last year or so. === If you like dreamy psychedelic pop then Cold Beaches have something special for you in the form of 'Problems and Heartache (I Got Them)'. === Fans of out there song titles should already be pleased with New Fries brand new song 'Arendt / Adler / Pulley Pulley Pulley Pulley', lovers of genre spanning and originality should be equally delighted, this is strangely addictive.
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Andy Cook - I'll Be Fine (Album).
As a child, Andy Cook was afraid to sing. After years dodging performances in school music classes, he decided it was time to face his fears. Yet 2017 EP In Space and 2018 follow-up Modern Man still bore traces of that childhood anxiety: vocals surrounded by reverb and delay, melting into swelling banks of guitar. This time around, Cook is determined to recognize his voice for the instrument it really is; putting it front and center on new record I’ll Be Fine.
A former hockey player from the Midwest, Cook found new worlds opening up to him as he toured his first records across the country. It was a stop in New York, folded into a tiny Brooklyn bedroom, that helped to crystallize his voice into something he was finally ready to share. This city of dreams—and of harsh realities—was the catalyst Cook needed to push forward with his own dreams in the midst of seemingly unending uncertainty. Recorded live to tape at Pachyderm Studio in Cannon Falls, Minnesota, I’ll Be Fine bristles with a closeness not heard in Cook’s earlier work. With co- production by Matthew Molnar (Sunflower Bean, Friends, Kissing is a Crime) and Jeremy Ylvisaker (Bon Iver, Alpha Consumer, Andrew Bird), Cook is able to anchor a tighter sound with firmer, bolder foundations.
This revamped sound bolsters appropriately direct lyricism, as befitting an artist finding a long-awaited confidence in the stories he chooses to tell. Even the album title I’ll Be Fine faces down the consumerist narratives that bombard us, challenging these ideas of what we should buy, how we should look, who we should like, and how we should talk—instead encouraging us to find a way to be more and more okay with ourselves, however that is.
“Life doesn’t have to be about how many people like your Instagram photo, but it’s hard not to feel devalued when we always feel behind, not good enough,” Cook acknowledges. It’s exactly this pragmatism that makes Cook an artist of note in 2019. His singular narratives have been refined with a close-knit team and released in the self-effacing knowledge that they have to compete for attention with the entire contents of Netflix... and yet Cook still chooses to put them out there. Cook summarizes I’ll Be Fine this way: “These songs are for everyone who’s trying to take our voice from inside and bring it out. It’s scary, but we’ve got to say what we want if we’re going to be heard.”
------------------------------------------------------------------------------------------
Jenny Reynolds -Any Kind Of Angel (Album).
Native New Englander, Jenny Reynolds, based in Austin, TX, since 2003, is a singer-songwriter, guitarist and storyteller. She performs Americana and folk music finger style on the guitar, and when strumming goes for percussive guitar patterns that make people feel like moving. Jenny grew up in a family that loved music and experienced it together, by listening to albums and going to shows.
At five years old she fell in love with the guitar, and her first one came from Sears. Some of the songs she learned, in the beginning, were “Blossom,” and “St James Infirmary.” Her songs are stories that evoke feelings; and her lyrics expose questions and issues about the human experience. Jenny is releasing her new album, Any Kind of Angel, on Friday, June 19, 2020. As the album unfolds, it is equally tender and powerful. She describes her music, “As a love child from a three-way with James Taylor, John Mayer, and Gillian Welch.”
Any Kind of Angel Jenny’s fourth album was produced by Mark Hallman and André Moran at Congress House Studio, in the heart of Austin. “Mark and André don’t just record what a person can do. They helped me discover what I can do as a guitar player, then they helped me develop that sound, then we recorded it. Hockey great Wayne Gretsky said, “I don’t skate to where the puck is. I skate to where it will be.” Mark and André help me discover where my music will be. This is why I don’t want to record anywhere else. I like what Mark did with Ani DiFranco’s record Dilate (her first studio record), and all of Eliza Gilkyson’s recordings.”
The musicians playing on Any Kind of Angel include Jaimee Harris (harmonies), Scrappy Jud Newcomb (electric and nylon-string guitar), Warren Hood (fiddle), BettySoo (harmonies, mandolin), Oliver Steck (cornet), Jenifer Jackson (harmonies), and Nate Rowe (bass). “Generally the people I like to play and record with are people who listen to others as much as they listen to themselves, much like jazz musicians do. We may not be playing jazz, but we are responding to each other with that kind of attentiveness and creativity.”
------------------------------------------------------------------------------------------
Sandtimer - Different Seas.
Sandtimer have a new single. It’s called ‘Different Seas’ and is a solo piano-led new version of one of their oldest songs, featuring a more reflective and contemplative accompaniment than the upbeat shuffle of the original.
Crafting their arrangements with intricate, interwoven guitars and captivating vocal harmonies, composer Rob Sword and oceanography student Simon Thomas began performing as Sandtimer in 2014, building a small but passionate following on the UK acoustic circuit.
Soon expanding their ensemble to include Rachel Thomas on bass and vocals and Alex Jackson on percussion, as well as embarking on tours to northern Europe and Canada, Sandtimer have found an international audience for their music in the tens of thousands.
After a steady stream of EPs and singles over a period of several years, Sandtimer released their debut full length album, everything is on hold, in 2019. With eleven songs that walk the fine line between hope and despair, and inspired by a wide span of artists and musical styles, everything is on hold reflects the world in its current state- full of chaos, often full of sadness but also, perhaps, full of hope.
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Jess Knight - Best Kind Of Light (Album).
Calgary soul-roots singer-songwriter Jess Knights debut full-length record, "Best Kind of Light" is released today.
Commenting on the recently released title track Co-written with Donovan Woods in a Toronto diner over slices of pie, the ballad about a graceful end to a relationship presents Knights’ luminous voice in its rawest form. “I know you’re lonely/I’m lonely, too/But I won’t dare call you/Even though I want to,” she sings, channeling that yearning tug-of-war to go back. It’s a relatable sentiment to anyone that’s left a relationship and chosen instead to move on.
“It’s a choice to move on from any relationship with grace and integrity,” Knights says. “‘Best Kind of Light’ traces a reflection on what was with a recognition of what is, and a choice to remember the good and hopefully learn from the not-so-good.”
Best Kind of Light weaves together Knights’ influences in blues, roots and revivalist soul, and features an array of songsmiths and sidemen, including award-winning producer Joshua Van Tassel, Joey Landreth, R. Grunwald, and others. The lineup adds dimension to Knights’ songs while bringing into focus the moody, dimly lit spectrum of her classically-trained voice. Able to traverse sultry ballads and raise-the-roof-off-the-church soul with ease, this dynamo performer is bound to leave an impression.
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Sun Cutter - Daylight Star.
Daylight Star is the debut single by Sun Cutter (aka Kevin Pearce), out June 19th on all digital platforms. Taken from the forthcoming eponymous debut, released later in 2020 on Bronzerat Records.
Two years ago Sun Cutter (who is from Colchester, England) suffered a heart attack (on a golf course!), whilst still in his early 30's. As well as having to redress his excessive living, his rehabilitation involved writing and recording the Sun Cutter project.
It is a reflective album of contradistinction; a timeless classic whose vocals, lyrics and craft bring to mind the warmth of Richie Havens, Cat Stevens, Van Morrison and Tim Buckley while displaying - on songs like 'Hold Out’ and ‘Don’t Fail Me Now’ - a more contemporary sound that nonetheless refuses to bow to the whims of fashion.
Co-produced with pal Dean Honer (The Moonlandingz, I Monster, Keeley Forsyth, Eccentronic Research Council). Kevin spent the tail end of 2019 and the beginning of 2020 on tour with Turin Brakes before the pandemic cut it short, with cancelled festival appearances such as Bearded Theory and Glastonbury. Touring will resume when... you know....
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Cold Beaches - Problems and Heartache (I Got Them).
"Problems and Heartache (I Got Them)" is a dreamy psychedelic pop feel-good music video created and produced by Sophia Nadia (Cold Beaches). The song features dream pop synth chords, reverberated guitars and gentle, crooning vocals. Nadia shows her vulnerability in this track by transporting to a place where the music is intricate, but to the point, as are her feelings.
Cold Beaches is the psychedelic rock n roll brainchild of Sophia Nadia. The project began in 2015 when Nadia moved from the suburbs of Washington DC to Richmond, Virginia. There she met Connor Wood, the late frontman of local Richmond band 3 Legged Dog, and was convinced to start a solo project. Since releasing her debut DIY lo-fi album, Aching, in 2016, Cold Beaches has toured around the continent, with the lineup changing to whatever could work for the band to tour. Consistently described as an “unapologetic do-er”, Nadia’s career dedication has shown more than most. From incessant touring around North America starting at 16 years old to moving to Chicago only a few years later in the fall of 2017, it was evident Nadia did not want to waste any time. When not on the road, you can find Sophia in her home or at the studio, writing and recording her next release; each one further in both garage rock and orchestral composition and heartbreaking honesty than the last.
Drifter is the first energetic, live recorded and thoroughly orchestrated album Cold Beaches has released yet. With honest lyrics ranging from the heartstring-pulling losses of friends and relationships to the optimism of independence and liberation from depression and anxiety, Sophia Nadia sings these 10 tracks with a newly founded voice of empowerment and fervent energy. Capturing the infamous vivacious reputation Cold Beaches has deservedly earned through years of live performances around North America, Drifter forges new ground. It combines the influences of the plain-spoken lyrical integrity of 90’s Pavement and fluctuating modern composition and arrangement. Equipped with an orchestra of instruments and talented local musicians, Drifter’s instrumentals transition effortlessly between hard garage rock (Ty Segal) to indie surf pop (La Femme). With these newly discovered weapons in hand, Nadia steps away from the lofi sound she’s known for and starts her move towards a new era of songwriting and album construction.
It is essential to listen to Drifter right now in the midst of this tidal wave of isolation that the world is feeling, which is right where Cold Beaches’ consistent expression of loneliness has always thrived. It is an album that people from all walks of life can openly interpret and apply their feelings individually, and find that they are in good company. Cold Beaches especially wants to create a space where marginalized people in the music industry can feel understood and important. Feel important, feel confident, and feel understood when you listen to Drifter. Cold Beaches understands what it is like to gain and lose, love and fall out, and lastly, just to be alone.
------------------------------------------------------------------------------------------
New Fries - Arendt / Adler / Pulley Pulley Pulley Pulley.
New Fries are sharing their latest single, the mind-bending, genre-defying, tongue-twisting "Arendt / Adler / Pulley Pulley Pulley Pulley", the second single from their new album Is The Idea Of Us. Out on August 7th through Telephone Explosion, it is the band's first new material since 2016's More.
On the new track, the band offered, "Something about the women obscuring their gender and traditional roles (intentionally or otherwise) to do their work without interruption or expectation. Being contrarians, shrill. Seeking truth without taking care of emotions. Often their work is forensic, razor-sharp, and bright with clarity.".
The Toronto-based experimental No-Wave inspired band are one of the best kept secrets in the city, and with their new album they delve deeper into their unconventional, ever-changing sound. They worked closely with Carl Didur (Zacht Automaat, formerly U.S. Girls), resulting in a new direction, focusing more on space and repetition, finding the in-between and reflecting on it, examining that transition. Is The Idea Of Us is anxious in its repetitions and unsure of genre, a reflection of musicians and non-musicians making music together; New Fries insist on doing it differently.
------------------------------------------------------------------------------------------
------------------------------------------------------------------------------------------
Andy Cook - I'll Be Fine (Album).
As a child, Andy Cook was afraid to sing. After years dodging performances in school music classes, he decided it was time to face his fears. Yet 2017 EP In Space and 2018 follow-up Modern Man still bore traces of that childhood anxiety: vocals surrounded by reverb and delay, melting into swelling banks of guitar. This time around, Cook is determined to recognize his voice for the instrument it really is; putting it front and center on new record I’ll Be Fine.
A former hockey player from the Midwest, Cook found new worlds opening up to him as he toured his first records across the country. It was a stop in New York, folded into a tiny Brooklyn bedroom, that helped to crystallize his voice into something he was finally ready to share. This city of dreams—and of harsh realities—was the catalyst Cook needed to push forward with his own dreams in the midst of seemingly unending uncertainty. Recorded live to tape at Pachyderm Studio in Cannon Falls, Minnesota, I’ll Be Fine bristles with a closeness not heard in Cook’s earlier work. With co- production by Matthew Molnar (Sunflower Bean, Friends, Kissing is a Crime) and Jeremy Ylvisaker (Bon Iver, Alpha Consumer, Andrew Bird), Cook is able to anchor a tighter sound with firmer, bolder foundations.
This revamped sound bolsters appropriately direct lyricism, as befitting an artist finding a long-awaited confidence in the stories he chooses to tell. Even the album title I’ll Be Fine faces down the consumerist narratives that bombard us, challenging these ideas of what we should buy, how we should look, who we should like, and how we should talk—instead encouraging us to find a way to be more and more okay with ourselves, however that is.
“Life doesn’t have to be about how many people like your Instagram photo, but it’s hard not to feel devalued when we always feel behind, not good enough,” Cook acknowledges. It’s exactly this pragmatism that makes Cook an artist of note in 2019. His singular narratives have been refined with a close-knit team and released in the self-effacing knowledge that they have to compete for attention with the entire contents of Netflix... and yet Cook still chooses to put them out there. Cook summarizes I’ll Be Fine this way: “These songs are for everyone who’s trying to take our voice from inside and bring it out. It’s scary, but we’ve got to say what we want if we’re going to be heard.”
------------------------------------------------------------------------------------------
Jenny Reynolds -Any Kind Of Angel (Album).
Native New Englander, Jenny Reynolds, based in Austin, TX, since 2003, is a singer-songwriter, guitarist and storyteller. She performs Americana and folk music finger style on the guitar, and when strumming goes for percussive guitar patterns that make people feel like moving. Jenny grew up in a family that loved music and experienced it together, by listening to albums and going to shows.
At five years old she fell in love with the guitar, and her first one came from Sears. Some of the songs she learned, in the beginning, were “Blossom,” and “St James Infirmary.” Her songs are stories that evoke feelings; and her lyrics expose questions and issues about the human experience. Jenny is releasing her new album, Any Kind of Angel, on Friday, June 19, 2020. As the album unfolds, it is equally tender and powerful. She describes her music, “As a love child from a three-way with James Taylor, John Mayer, and Gillian Welch.”
Any Kind of Angel Jenny’s fourth album was produced by Mark Hallman and André Moran at Congress House Studio, in the heart of Austin. “Mark and André don’t just record what a person can do. They helped me discover what I can do as a guitar player, then they helped me develop that sound, then we recorded it. Hockey great Wayne Gretsky said, “I don’t skate to where the puck is. I skate to where it will be.” Mark and André help me discover where my music will be. This is why I don’t want to record anywhere else. I like what Mark did with Ani DiFranco’s record Dilate (her first studio record), and all of Eliza Gilkyson’s recordings.”
The musicians playing on Any Kind of Angel include Jaimee Harris (harmonies), Scrappy Jud Newcomb (electric and nylon-string guitar), Warren Hood (fiddle), BettySoo (harmonies, mandolin), Oliver Steck (cornet), Jenifer Jackson (harmonies), and Nate Rowe (bass). “Generally the people I like to play and record with are people who listen to others as much as they listen to themselves, much like jazz musicians do. We may not be playing jazz, but we are responding to each other with that kind of attentiveness and creativity.”
------------------------------------------------------------------------------------------
Sandtimer - Different Seas.
Sandtimer have a new single. It’s called ‘Different Seas’ and is a solo piano-led new version of one of their oldest songs, featuring a more reflective and contemplative accompaniment than the upbeat shuffle of the original.
Crafting their arrangements with intricate, interwoven guitars and captivating vocal harmonies, composer Rob Sword and oceanography student Simon Thomas began performing as Sandtimer in 2014, building a small but passionate following on the UK acoustic circuit.
Soon expanding their ensemble to include Rachel Thomas on bass and vocals and Alex Jackson on percussion, as well as embarking on tours to northern Europe and Canada, Sandtimer have found an international audience for their music in the tens of thousands.
After a steady stream of EPs and singles over a period of several years, Sandtimer released their debut full length album, everything is on hold, in 2019. With eleven songs that walk the fine line between hope and despair, and inspired by a wide span of artists and musical styles, everything is on hold reflects the world in its current state- full of chaos, often full of sadness but also, perhaps, full of hope.
------------------------------------------------------------------------------------------
Jess Knight - Best Kind Of Light (Album).
Calgary soul-roots singer-songwriter Jess Knights debut full-length record, "Best Kind of Light" is released today.
Commenting on the recently released title track Co-written with Donovan Woods in a Toronto diner over slices of pie, the ballad about a graceful end to a relationship presents Knights’ luminous voice in its rawest form. “I know you’re lonely/I’m lonely, too/But I won’t dare call you/Even though I want to,” she sings, channeling that yearning tug-of-war to go back. It’s a relatable sentiment to anyone that’s left a relationship and chosen instead to move on.
“It’s a choice to move on from any relationship with grace and integrity,” Knights says. “‘Best Kind of Light’ traces a reflection on what was with a recognition of what is, and a choice to remember the good and hopefully learn from the not-so-good.”
Best Kind of Light weaves together Knights’ influences in blues, roots and revivalist soul, and features an array of songsmiths and sidemen, including award-winning producer Joshua Van Tassel, Joey Landreth, R. Grunwald, and others. The lineup adds dimension to Knights’ songs while bringing into focus the moody, dimly lit spectrum of her classically-trained voice. Able to traverse sultry ballads and raise-the-roof-off-the-church soul with ease, this dynamo performer is bound to leave an impression.
------------------------------------------------------------------------------------------
Sun Cutter - Daylight Star.
Daylight Star is the debut single by Sun Cutter (aka Kevin Pearce), out June 19th on all digital platforms. Taken from the forthcoming eponymous debut, released later in 2020 on Bronzerat Records.
Two years ago Sun Cutter (who is from Colchester, England) suffered a heart attack (on a golf course!), whilst still in his early 30's. As well as having to redress his excessive living, his rehabilitation involved writing and recording the Sun Cutter project.
It is a reflective album of contradistinction; a timeless classic whose vocals, lyrics and craft bring to mind the warmth of Richie Havens, Cat Stevens, Van Morrison and Tim Buckley while displaying - on songs like 'Hold Out’ and ‘Don’t Fail Me Now’ - a more contemporary sound that nonetheless refuses to bow to the whims of fashion.
Co-produced with pal Dean Honer (The Moonlandingz, I Monster, Keeley Forsyth, Eccentronic Research Council). Kevin spent the tail end of 2019 and the beginning of 2020 on tour with Turin Brakes before the pandemic cut it short, with cancelled festival appearances such as Bearded Theory and Glastonbury. Touring will resume when... you know....
------------------------------------------------------------------------------------------
Cold Beaches - Problems and Heartache (I Got Them).
"Problems and Heartache (I Got Them)" is a dreamy psychedelic pop feel-good music video created and produced by Sophia Nadia (Cold Beaches). The song features dream pop synth chords, reverberated guitars and gentle, crooning vocals. Nadia shows her vulnerability in this track by transporting to a place where the music is intricate, but to the point, as are her feelings.
Cold Beaches is the psychedelic rock n roll brainchild of Sophia Nadia. The project began in 2015 when Nadia moved from the suburbs of Washington DC to Richmond, Virginia. There she met Connor Wood, the late frontman of local Richmond band 3 Legged Dog, and was convinced to start a solo project. Since releasing her debut DIY lo-fi album, Aching, in 2016, Cold Beaches has toured around the continent, with the lineup changing to whatever could work for the band to tour. Consistently described as an “unapologetic do-er”, Nadia’s career dedication has shown more than most. From incessant touring around North America starting at 16 years old to moving to Chicago only a few years later in the fall of 2017, it was evident Nadia did not want to waste any time. When not on the road, you can find Sophia in her home or at the studio, writing and recording her next release; each one further in both garage rock and orchestral composition and heartbreaking honesty than the last.
Drifter is the first energetic, live recorded and thoroughly orchestrated album Cold Beaches has released yet. With honest lyrics ranging from the heartstring-pulling losses of friends and relationships to the optimism of independence and liberation from depression and anxiety, Sophia Nadia sings these 10 tracks with a newly founded voice of empowerment and fervent energy. Capturing the infamous vivacious reputation Cold Beaches has deservedly earned through years of live performances around North America, Drifter forges new ground. It combines the influences of the plain-spoken lyrical integrity of 90’s Pavement and fluctuating modern composition and arrangement. Equipped with an orchestra of instruments and talented local musicians, Drifter’s instrumentals transition effortlessly between hard garage rock (Ty Segal) to indie surf pop (La Femme). With these newly discovered weapons in hand, Nadia steps away from the lofi sound she’s known for and starts her move towards a new era of songwriting and album construction.
It is essential to listen to Drifter right now in the midst of this tidal wave of isolation that the world is feeling, which is right where Cold Beaches’ consistent expression of loneliness has always thrived. It is an album that people from all walks of life can openly interpret and apply their feelings individually, and find that they are in good company. Cold Beaches especially wants to create a space where marginalized people in the music industry can feel understood and important. Feel important, feel confident, and feel understood when you listen to Drifter. Cold Beaches understands what it is like to gain and lose, love and fall out, and lastly, just to be alone.
------------------------------------------------------------------------------------------
New Fries - Arendt / Adler / Pulley Pulley Pulley Pulley.
New Fries are sharing their latest single, the mind-bending, genre-defying, tongue-twisting "Arendt / Adler / Pulley Pulley Pulley Pulley", the second single from their new album Is The Idea Of Us. Out on August 7th through Telephone Explosion, it is the band's first new material since 2016's More.
On the new track, the band offered, "Something about the women obscuring their gender and traditional roles (intentionally or otherwise) to do their work without interruption or expectation. Being contrarians, shrill. Seeking truth without taking care of emotions. Often their work is forensic, razor-sharp, and bright with clarity.".
The Toronto-based experimental No-Wave inspired band are one of the best kept secrets in the city, and with their new album they delve deeper into their unconventional, ever-changing sound. They worked closely with Carl Didur (Zacht Automaat, formerly U.S. Girls), resulting in a new direction, focusing more on space and repetition, finding the in-between and reflecting on it, examining that transition. Is The Idea Of Us is anxious in its repetitions and unsure of genre, a reflection of musicians and non-musicians making music together; New Fries insist on doing it differently.
------------------------------------------------------------------------------------------
Friday, 1 May 2020
Running Red Lights - Crush - Tiny Bit Of Giant's Blood - Walt Disco - New Fries - Swim the Current
Running Red Lights have today shared a video for the song 'Flower In The Concrete' as the band release four singles before finally calling it a day, the first of which is a beautiful folk and soft rock combination. === Manchester band Crush have shared 'All My Plants Are Dead' and it's a rich mixture of melodic alt pop & rock. === Tiny Bit Of Giant's Blood are a Chicago based Glam Punk outfit and taken from their new album 'Gigantosaur' we have the brand new video for 'Five Foot Heels' a song reminiscent of The Tubes in part, both musically and humour wise. === Walt Disco new track 'Cut Your Hair' is a vibrant, quirky, genre mash of rock styles and some fabulously out there vocals. === Toronto based New Fries have a new song entitled 'Ploce' where the experimental band have developed one addictive and rhythmic sound. === Swim the Current Featuring Greg Christie have just released 'Temperature Maps' where the swirling guitars and notable vocals, make this hook filled rocker stand out.
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Running Red Lights - Flower In The Concrete.
‘Toronto Folk/Pop band Running Red Lights announces retirement with the release of 4 singles in Spring/Summer 2020’ The releases will be a part of a ‘Sendoff Series,’ marking the finale of a fifteen year career that includes a multitude of awards, notable performances, international tours, as well as some beautifully crafted music.
Fifteen years is no small commitment and the band wanted to honour those years with a proper good-bye. Though they played a farewell show to a sold out Toronto audience in November of 2019, RRL chief architects, Kevin Howley and Scarlett Flynn, have since been haunted by the ghosts of abandoned songs that currently exist only in the consciousness of an old hard-drive.
‘Unfortunately, after 15 years, RRL lost its vivacity and it was time to let it go’, Scarlett remarks, ‘however, there still remained the question of what to do with all the material that never made it to a release. There is nothing worse than banishing a song to its grave, having never given it a chance to live’. Therefore, in a single driven music economy, RRL is seizing one final opportunity to draw its final breath.
The first single in the sendoff series is a warm and fuzzy mid-tempo springtime empowerment jam called Flower in the Concrete. The song's roots synthesize classic-country verve with dreamy soft rock (i.e Kasey Musgraves). The saxophone accents are bright points on a towering constellation of misty male/female vocals and shimmering synthesizers.
The song has taken on a few identities since it was written 4 years ago. It was originally conceived out of Scarlett and Kevin's aspiration to become better people and also as an attempt to get out from under the dark cloud of negativity that marked that period. Now it’s transformed into an encouraging message of hope and perseverance. It is a fitting message in these troublesome times.
Flower in the Concrete sets a celestial, lighthearted tone that takes you floating through the spirit of Spring and lands you softly at the foot of Summer. The song and the official music video is set to premiere on YouTube and release to all major streaming platforms and digital stores, Friday May 1st.
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Crush - All My Plants Are Dead.
Emerging Manchester band crush craft a refreshing heart on its sleeve shoegaze sound that’s peppered with nods to 80s alt-pop and jazz-inspired indie. They release their latest single ‘All My Plants Are Dead’ on the 1st of May 2020. It’s the sister track to their August 2019 release ‘Glue’, a track dubbed “grunge-pop at its best” (BBC Introducing). Drawing comparisons to Diiv, The Cure and Alvvays, crush look set to carve out their own ambient noise void into the UKs underground music scene.
‘All My Plants Are Dead’ is a bittersweet yet discordant offering, where the addictive and wistful vocals of Amber Warren blend with the jangle of Arthur Boyd’s carefree cartwheeling guitars. The enveloping verses are woven with floating vocals infused with a message of empathy and understanding and supple percussion. Punctuated by the tight and punching chorus’: an interlude section inspired by William S.Burroughs ‘Naked Lunch’ is followed by a cathartic noise outro that reimagines the sweet musical introduction to the song, bringing it full circle. Bright, airy and beguiling, it’s a highly promising new chapter for crush, you are sure to fall head over heels for.
The band say; ‘The song focuses on the idea of the cold human race and an increasingly insular society. It’s about struggling to look after yourself as much as it is struggling to look after your houseplants. Really just a message of looking after and understanding each other a bit better, and a critique of how modern living at times can make this an unattractive and hard to achieve concept.’
Formed in 2018 after meeting at university, young Manchester band crush have released three singles so far amassing 145,000 streams on Spotify. Their music has seen regular support from BBC Introducing Manchester, Amazing Radio, and blogs including Dork and NBHAP. Gigging regularly around the North of England has seen them wow audiences at events including The Sesh in Hull and Manchesters Stay Fresh Fest, as well as support slots with Peaness, Far Caspian and Low Hummer. Their captivating live sound has also recently been captured in a session with Delinquent Magazine which is scheduled for release in March.
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Tiny Bit Of Giant's Blood - Five Foot Heels.
Chicago glam-punk band Tiny Bit of Giant’s Blood is happy to announce that their debut long-player 'Gigantosaur' will be available on limited-edition vinyl on Friday, May 22. The album, which is currently available on CD and via all streaming and download platforms, follows the 2018 EP DRAM A.
Tiny Bit of Giant’s Blood features Tony Rogers (formerly of The Good on vocals, keyboards, percussion, horns), John Scholvin (ex-The Good on guitars, piano, vocals), Jackie Schimmel (of Sunshine Boys on bass, vocals) and Larry Beers (of Mucca Pazza on drums, vocals) and 'Gigantosaur' was recorded, mixed, and mastered by Bryan Clavey at Crystall Recorders in Lombard, IL. Chris Gallevo painted the LP’s cover image, which the Chicago Reader’s Leor Galil described as “the sickest album art of the year,” and the album’s back cover features a photo by Lincoln Rogers.
Of 'Gigantosaur'’s 14 tracks, which incorporate elements of 70’s arena rock, power pop, doom, metallic glam and punk, Tony Rogers wrote or co-wrote (with John Scholvin) 13 and the album is rounded out with a cover of AC/DC’s “If You Want Blood (You’ve Got It)," written by Angus Young, Malcolm Young, and Bon Scott.
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Walt Disco - Cut Your Hair.
Glasgow based band Walt Disco are today sharing their new single 'Cut Your Hair'. Championing self expression and free speech, the new single is a glorious invitation into Walt Disco's world. Led by their charismatic singer James Power, the 6 piece is completed by keys player Dave Morgan, bassist Finlay McCarthy, guitarists Lewis Carmichael and Charlie Lock, and drummer Jack Martin.
New single 'Cut Your Hair' exemplifies everything Walt Disco are about. Lifted from the band’s debut EP due later this year, the track unites a cacophony of genres and sounds, blending elements of glam-rock, pop, new-wave and post-punk to create something very much of their own. Working with idiosyncratic producer Thomas McNeice of Gang of Four on the single, Walt Disco have realised their vision of an anthem for a new generation of misfits.
A band whose influences derive not from just music itself, but much more so from love, glamour and androgyny, Walt Disco's music is a gateway to a space of lust, loss and everything in-between, with a strong message of inclusivity at its core. Influenced just as much by 80’s New Wave acts such as Talking Heads and The Associates, as they are by the queer modern art-pop sensibilities of St Vincent, Charli XCX and even Ru Paul – Walt Disco’s firm grasp of both their historical and modern influences allow them to move forward as a band for the future.
Speaking on the release of the new single, singer James Power said: “'Cut Your Hair' was written as a wee fun jibe at people passing judgement to those who are just being themselves. I think older generations can learn a lot from us YOUNG HARD AND HANDSOME folk. I mean our generation are the most tolerant and accepting, ever, and we should all aspire to live in a world where self expression and free speech is championed."
“In terms of references when recording, we were listening to so much female, queer pop and dance music, we wanted the tempo and whole feel of the song to get people moving. Not only do we love this music but we also want to be a band for 2020 and the future, so we wanted to move away from the sounds of the new wave bands that inspired our formation and songwriting.”
------------------------------------------------------------------------------------------
New Fries - Ploce.
New Fries has never been interested in being a band. Yet, the Toronto-based experimental No-Wave inspired band have become one of the best kept secrets in the city, with New Fries gaining legendary status for their unconventional, ever-changing sound, and their rapturous live show. Is The Idea Of Us, out August 7th on Telephone Explosion is the band's first new material since 2016's More.
Never afraid of collaboration or change, Is The Idea Of Us is a product of working closely with Carl Didur (Zacht Automaat, formerly U.S. Girls), resulting in a new direction, focusing more on space and repetition, finding the in-between and reflecting on it, examining that transition. The album is anxious in its repetitions and is unsure of genre, so much so that over half of the tracks on the record bear that very name. "Ploce" is more sure of itself and more focused, one of cornerstones in the collage that is the forthcoming new album.
Is the Idea of Us is the situation of musicians and non-musicians making music together, perhaps completely illegible in the music on this record and to the random listener. There are enough bands out there; New Fries insist on do it differently.
On the new track, the band explained, "Ploce is the name of Tim's fish who passed away—the figure of speech (not the place in Croatia). It refers to words repeated for emphasis. On the internet some examples provided are: "I am stuck on Band-Aid, and Band-Aid's stuck on me." - "First she ruins my life. And then she ruins my life!"."
------------------------------------------------------------------------------------------
Swim the Current - Temperature Maps Featuring Greg Christie.
The project Swim the Current headed up by guitarist Greg Antine has released his next single "Temperature Maps" . This time the guest on Swim the Current's release is vocalist Greg Christie who has played locally in the area off and on for several years. Greg's vocal contribution has set a tone that continues to showcase what a project like Swim the Current can produce when musicians come together and meld their talents. "Temperature Maps" certainly is a leader in the realm of modern collaborations between well-respected musicians and long time friends.
' "Temperature Maps", from a lyrical perspective, is about anger. It's about those times when you're in an argument with someone you love, when your relationship is deeply strained, and you're at that breaking point where if you don't just pull back, or "turn your temperature down", you run the risk of doing or saying something you're bound to regret. The song is about pleading with yourself to step back from that edge before you spin out of control and destroy everything you love.
Swim the Current was formed by guitarist Greg Antine as a project to showcase music ideas that needed a place to come to life. Antine combines his notable rock guitar talent and pushes his own personal development with a vision. Soon, he decided he wanted to take what he was creating and bring together a few local vocalists and musicians as guests and set a goal of music that pulls from the solid hard/metal rock. Taking the course of his precision guitar sound, he has pushed it forward to meet today’s rock demands. The sound of Swim the Current is set to capture a unique and distinctive blend of heavy, dark, and emotional rock. Most would say that Deftones are a big inspiration behind the infectious sounding music that this artist portrays.
From San Diego to Portugal, Swim the Current will inspire, and perhaps one day, make the world more universally connected through music, space, and time .
Guest vocalist Greg Christie spent his late teens and early 20's in the music scene playing in various local bands, beginning as a bass player and working his way up to lead singer. He played his final show of that era n 1999, opening up for Staind at the Birch Hill in Old Bridge, NJ . After that, Greg spent the next couple of decades raising his family and working as a software developer and architect, while still writing and recording music in his spare time. Greg has appeared as a solo act in the last few years, and is currently working on various projects with area musicians, writing and recording mostly alternative and acoustic/piano music. Greg is very excited and honored to be featured on Swim the Current's single, "Temperature Maps" . The song is a collaboration, with all music having been written and performed by Greg Antine of Swim the Current, and lyrics and vocals written and performed by Greg Christie. He is excited to be a part of future collaborations with the band, because he truly loves the style and direction of the their music.
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Running Red Lights - Flower In The Concrete.
‘Toronto Folk/Pop band Running Red Lights announces retirement with the release of 4 singles in Spring/Summer 2020’ The releases will be a part of a ‘Sendoff Series,’ marking the finale of a fifteen year career that includes a multitude of awards, notable performances, international tours, as well as some beautifully crafted music.
Fifteen years is no small commitment and the band wanted to honour those years with a proper good-bye. Though they played a farewell show to a sold out Toronto audience in November of 2019, RRL chief architects, Kevin Howley and Scarlett Flynn, have since been haunted by the ghosts of abandoned songs that currently exist only in the consciousness of an old hard-drive.
‘Unfortunately, after 15 years, RRL lost its vivacity and it was time to let it go’, Scarlett remarks, ‘however, there still remained the question of what to do with all the material that never made it to a release. There is nothing worse than banishing a song to its grave, having never given it a chance to live’. Therefore, in a single driven music economy, RRL is seizing one final opportunity to draw its final breath.
The first single in the sendoff series is a warm and fuzzy mid-tempo springtime empowerment jam called Flower in the Concrete. The song's roots synthesize classic-country verve with dreamy soft rock (i.e Kasey Musgraves). The saxophone accents are bright points on a towering constellation of misty male/female vocals and shimmering synthesizers.
The song has taken on a few identities since it was written 4 years ago. It was originally conceived out of Scarlett and Kevin's aspiration to become better people and also as an attempt to get out from under the dark cloud of negativity that marked that period. Now it’s transformed into an encouraging message of hope and perseverance. It is a fitting message in these troublesome times.
Flower in the Concrete sets a celestial, lighthearted tone that takes you floating through the spirit of Spring and lands you softly at the foot of Summer. The song and the official music video is set to premiere on YouTube and release to all major streaming platforms and digital stores, Friday May 1st.
------------------------------------------------------------------------------------------
Crush - All My Plants Are Dead.
Emerging Manchester band crush craft a refreshing heart on its sleeve shoegaze sound that’s peppered with nods to 80s alt-pop and jazz-inspired indie. They release their latest single ‘All My Plants Are Dead’ on the 1st of May 2020. It’s the sister track to their August 2019 release ‘Glue’, a track dubbed “grunge-pop at its best” (BBC Introducing). Drawing comparisons to Diiv, The Cure and Alvvays, crush look set to carve out their own ambient noise void into the UKs underground music scene.
‘All My Plants Are Dead’ is a bittersweet yet discordant offering, where the addictive and wistful vocals of Amber Warren blend with the jangle of Arthur Boyd’s carefree cartwheeling guitars. The enveloping verses are woven with floating vocals infused with a message of empathy and understanding and supple percussion. Punctuated by the tight and punching chorus’: an interlude section inspired by William S.Burroughs ‘Naked Lunch’ is followed by a cathartic noise outro that reimagines the sweet musical introduction to the song, bringing it full circle. Bright, airy and beguiling, it’s a highly promising new chapter for crush, you are sure to fall head over heels for.
The band say; ‘The song focuses on the idea of the cold human race and an increasingly insular society. It’s about struggling to look after yourself as much as it is struggling to look after your houseplants. Really just a message of looking after and understanding each other a bit better, and a critique of how modern living at times can make this an unattractive and hard to achieve concept.’
Formed in 2018 after meeting at university, young Manchester band crush have released three singles so far amassing 145,000 streams on Spotify. Their music has seen regular support from BBC Introducing Manchester, Amazing Radio, and blogs including Dork and NBHAP. Gigging regularly around the North of England has seen them wow audiences at events including The Sesh in Hull and Manchesters Stay Fresh Fest, as well as support slots with Peaness, Far Caspian and Low Hummer. Their captivating live sound has also recently been captured in a session with Delinquent Magazine which is scheduled for release in March.
------------------------------------------------------------------------------------------
Chicago glam-punk band Tiny Bit of Giant’s Blood is happy to announce that their debut long-player 'Gigantosaur' will be available on limited-edition vinyl on Friday, May 22. The album, which is currently available on CD and via all streaming and download platforms, follows the 2018 EP DRAM A.
Tiny Bit of Giant’s Blood features Tony Rogers (formerly of The Good on vocals, keyboards, percussion, horns), John Scholvin (ex-The Good on guitars, piano, vocals), Jackie Schimmel (of Sunshine Boys on bass, vocals) and Larry Beers (of Mucca Pazza on drums, vocals) and 'Gigantosaur' was recorded, mixed, and mastered by Bryan Clavey at Crystall Recorders in Lombard, IL. Chris Gallevo painted the LP’s cover image, which the Chicago Reader’s Leor Galil described as “the sickest album art of the year,” and the album’s back cover features a photo by Lincoln Rogers.
Of 'Gigantosaur'’s 14 tracks, which incorporate elements of 70’s arena rock, power pop, doom, metallic glam and punk, Tony Rogers wrote or co-wrote (with John Scholvin) 13 and the album is rounded out with a cover of AC/DC’s “If You Want Blood (You’ve Got It)," written by Angus Young, Malcolm Young, and Bon Scott.
------------------------------------------------------------------------------------------
Walt Disco - Cut Your Hair.
Glasgow based band Walt Disco are today sharing their new single 'Cut Your Hair'. Championing self expression and free speech, the new single is a glorious invitation into Walt Disco's world. Led by their charismatic singer James Power, the 6 piece is completed by keys player Dave Morgan, bassist Finlay McCarthy, guitarists Lewis Carmichael and Charlie Lock, and drummer Jack Martin.
New single 'Cut Your Hair' exemplifies everything Walt Disco are about. Lifted from the band’s debut EP due later this year, the track unites a cacophony of genres and sounds, blending elements of glam-rock, pop, new-wave and post-punk to create something very much of their own. Working with idiosyncratic producer Thomas McNeice of Gang of Four on the single, Walt Disco have realised their vision of an anthem for a new generation of misfits.
A band whose influences derive not from just music itself, but much more so from love, glamour and androgyny, Walt Disco's music is a gateway to a space of lust, loss and everything in-between, with a strong message of inclusivity at its core. Influenced just as much by 80’s New Wave acts such as Talking Heads and The Associates, as they are by the queer modern art-pop sensibilities of St Vincent, Charli XCX and even Ru Paul – Walt Disco’s firm grasp of both their historical and modern influences allow them to move forward as a band for the future.
Speaking on the release of the new single, singer James Power said: “'Cut Your Hair' was written as a wee fun jibe at people passing judgement to those who are just being themselves. I think older generations can learn a lot from us YOUNG HARD AND HANDSOME folk. I mean our generation are the most tolerant and accepting, ever, and we should all aspire to live in a world where self expression and free speech is championed."
“In terms of references when recording, we were listening to so much female, queer pop and dance music, we wanted the tempo and whole feel of the song to get people moving. Not only do we love this music but we also want to be a band for 2020 and the future, so we wanted to move away from the sounds of the new wave bands that inspired our formation and songwriting.”
------------------------------------------------------------------------------------------
New Fries - Ploce.
New Fries has never been interested in being a band. Yet, the Toronto-based experimental No-Wave inspired band have become one of the best kept secrets in the city, with New Fries gaining legendary status for their unconventional, ever-changing sound, and their rapturous live show. Is The Idea Of Us, out August 7th on Telephone Explosion is the band's first new material since 2016's More.
Never afraid of collaboration or change, Is The Idea Of Us is a product of working closely with Carl Didur (Zacht Automaat, formerly U.S. Girls), resulting in a new direction, focusing more on space and repetition, finding the in-between and reflecting on it, examining that transition. The album is anxious in its repetitions and is unsure of genre, so much so that over half of the tracks on the record bear that very name. "Ploce" is more sure of itself and more focused, one of cornerstones in the collage that is the forthcoming new album.
Is the Idea of Us is the situation of musicians and non-musicians making music together, perhaps completely illegible in the music on this record and to the random listener. There are enough bands out there; New Fries insist on do it differently.
On the new track, the band explained, "Ploce is the name of Tim's fish who passed away—the figure of speech (not the place in Croatia). It refers to words repeated for emphasis. On the internet some examples provided are: "I am stuck on Band-Aid, and Band-Aid's stuck on me." - "First she ruins my life. And then she ruins my life!"."
------------------------------------------------------------------------------------------
Swim the Current - Temperature Maps Featuring Greg Christie.
The project Swim the Current headed up by guitarist Greg Antine has released his next single "Temperature Maps" . This time the guest on Swim the Current's release is vocalist Greg Christie who has played locally in the area off and on for several years. Greg's vocal contribution has set a tone that continues to showcase what a project like Swim the Current can produce when musicians come together and meld their talents. "Temperature Maps" certainly is a leader in the realm of modern collaborations between well-respected musicians and long time friends.
' "Temperature Maps", from a lyrical perspective, is about anger. It's about those times when you're in an argument with someone you love, when your relationship is deeply strained, and you're at that breaking point where if you don't just pull back, or "turn your temperature down", you run the risk of doing or saying something you're bound to regret. The song is about pleading with yourself to step back from that edge before you spin out of control and destroy everything you love.
Swim the Current was formed by guitarist Greg Antine as a project to showcase music ideas that needed a place to come to life. Antine combines his notable rock guitar talent and pushes his own personal development with a vision. Soon, he decided he wanted to take what he was creating and bring together a few local vocalists and musicians as guests and set a goal of music that pulls from the solid hard/metal rock. Taking the course of his precision guitar sound, he has pushed it forward to meet today’s rock demands. The sound of Swim the Current is set to capture a unique and distinctive blend of heavy, dark, and emotional rock. Most would say that Deftones are a big inspiration behind the infectious sounding music that this artist portrays.
From San Diego to Portugal, Swim the Current will inspire, and perhaps one day, make the world more universally connected through music, space, and time .
Guest vocalist Greg Christie spent his late teens and early 20's in the music scene playing in various local bands, beginning as a bass player and working his way up to lead singer. He played his final show of that era n 1999, opening up for Staind at the Birch Hill in Old Bridge, NJ . After that, Greg spent the next couple of decades raising his family and working as a software developer and architect, while still writing and recording music in his spare time. Greg has appeared as a solo act in the last few years, and is currently working on various projects with area musicians, writing and recording mostly alternative and acoustic/piano music. Greg is very excited and honored to be featured on Swim the Current's single, "Temperature Maps" . The song is a collaboration, with all music having been written and performed by Greg Antine of Swim the Current, and lyrics and vocals written and performed by Greg Christie. He is excited to be a part of future collaborations with the band, because he truly loves the style and direction of the their music.
------------------------------------------------------------------------------------------
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