Wyldest - Savannah Pope - Men Without Hats

Photo - Tom Gaiger

Wyldest - Wax Museum.

Wyldest just shared her new luminous new single 'Wax Museum' the latest glimpse of her forthcoming album 'The Universe Is Loading' out 14th November via Hand In Hive. 'Wax Museum' arrives alongside the announcement of a new UK support tour with Marissa Nadler and follows the album's previous tasters 'Old Flame', 'All It Would Take Is A Phone Call' and 'After The Ending'.

The first song written for her new album, ‘Wax Museum’ was inspired by painter Philip Guston’s warning: “Don’t be a wax museum” - a call against stagnation and repression. Over crystalline guitars and a hazy dream-pop glow, Wyldest explores what it means to stay vulnerable and alive in a turbulent world, asking instead for openness and rawness: “Are you wanting a thrill? / Let the rain wash all over you.”

Speaking more on the release of 'Wax Museum', Wyldest said: “To be a ‘Wax Museum,’ as Philip Guston said, is to be stagnant, lacking honesty and mimicking what already exists - and at times I find myself moving through days like that, choosing the easy road rather than the ones that require thought and action. Familiarity is comforting, but we risk becoming caricatures of ourselves, plucking the flower before it can thrive, too impatient to let it reach its potential. With so much noise and automation in the world, I wanted this song to set a precedent of being honest and present, un-numbing myself to injustice and making music I was 100% excited by.”

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Savannah Pope - Terrible Thing.

Savannah Pope makes the kind of hauntingly unique songs you feel before truly understanding. The Los Angeles-based artist, known for her operatic vocals, stunning visuals, and unapologetic-ally raw songwriting, crafts songs that live somewhere between cinematic art rock, poetic-indie, and avant-pop spectacle.

Her forthcoming EP continues the evolution that began with her breakout project Pandemonium, delving even deeper into the vulnerable, and often unspeakable, parts of the human experience. Savannah's journey to music was anything but linear. She first learned guitar in reform school, a place of confinement where stolen moments of creativity became her only escape. In college, she studied painting in Barcelona, later dropping out of Pratt in Brooklyn and returning to LA feeling untethered. 

A spontaneous decision to jump onstage at an open mic night changed everything. “I felt a strange urge in the pit of my stomach,” she says. “I borrowed someone’s guitar and just went for it. The response was electric. I was hooked.” Several years of performing in bands followed; Loud, chaotic, and formative. Her voice transformed to command space among the noise. But just as her own band began gaining traction, Savannah was hit by a car, rendering her unable to walk for months. Addiction crept in. Music, once again, became the lifeline. An insurance settlement gave her the funds to record her debut album, which launched her solo project, a self-directed, genre-blurring universe of sound and vision. Savannah’s work is deeply thematic, driven by personal experience and a surrealist lens. 

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Men Without Hats - In Glorious Days / I Love The 80s.

Men Without Hats one of Canada’s most enduring and beloved new wave bands—are back with their upcoming album ‘On the Moon,’ out November 14, 2025. Their latest single, “In Glorious Days,” out now, continues the group’s exciting new chapter, following the viral success of “I Love The 80s,” which has earned over two million views and streams in just three months.

Written by frontman Ivan Doroschuk and Grammy and Juno Award-winning producer Brian Howes, “In Glorious Days” represents the band’s first experience with true creative collaboration. The track captures the spirit of classic Men Without Hats while embracing a modern synthwave aesthetic that bridges the past and future of their sound. “Working with Brian was effortless—the song came together naturally,” Ivan says. “It’s a hybrid of the classic MWH sound with a fresh sonic sensibility. I can’t wait to play it live—it’s going to be a new crowd favourite.”

‘On the Moon’ was recorded in two sessions—first at Howes’ studio in Comox Valley, Vancouver Island, where the pair collaborated on “I Love The 80s” and “In Glorious Days,” and then in Victoria, BC, where Ivan and longtime producer, engineer, and guitarist Sho Murray captured the album’s more intimate moments. With additional vocals from Sahara Sloan and mastering by industry legends Mark Needham and Howie Weinberg, the record is both polished and deeply personal—a sonic journey through reflection, resilience, and renewal.

“In Glorious Days” is an anthem for anyone reclaiming their fire. With pulsing synths, driving percussion, and Ivan’s unmistakable voice, it evokes both nostalgia and transformation. Lyrically, it explores the tension between passion and self-preservation—capturing the exuberant, defiant spirit that made Men Without Hats global icons of individuality and joy.

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49 Winchester - Megan Knight - Kindsight - Men Without Hats

49 Winchester - Russell County Line.

49 Winchester will release Fortune Favors The Bold on May 13th, 2022 via New West Records. The 10-track set was co-produced by the band and Stewart Myers (O.A.R., The Infamous Stringdusters) with additional recording & production by Kenny Miles (Wayne Graham). Rolling Stone Country has praised 49 Winchester’s live performance while Whiskey Riff called the band “....one of the greatest up and coming country music acts out there right now.” 49 Winchester’s New West Records debut follows their acclaimed 2020 self-released III, which American Songwriter named “...a confident collection that gives voice to the band’s pure, unfettered intents” while Americana Highways called frontman Isaac Gibson’s songwriting “Unforgettable,” saying, “...together they are distinctly and proudly Appalachian — carrying on and reinventing the musical traditions of their region with a sound that is wholly and distinctively their own.”

Filmed in the band’s hometown of Castlewood, Virginia, the video features a visit to the Clinch River where their neighborhood and childhood homes were situated. It also features the once bustling downtown, with the old train station, post office, hotels still standing from the Appalachian coal boom, having become weathered by the time the band members were growing up in the late ‘90s and early ‘00s. The video depicts, quite literally, 49 Winchester revisiting their roots. Frontman Isaac Gibson says, “The drone shots really show how gorgeous Southwest Virginia is. It was great to be able to capture the essence of home on video. I'm thrilled with how it turned out. I'm excited for the fans to see it and those who are from far and wide to get a little taste of central Appalachia.” SPIN also previously premiered "Annabel," the leadoff track from Fortune Favors The Bold as well.

Formed on Winchester Street in the small mountain town of Castlewood, Virginia (population: 2,045), 49 Winchester started as a group of neighborhood teenage friends set on a calculated DIY path. In 2014 they independently released their eponymous debut, followed by 2018’s The Wind, and 2020’s celebrated III. Reflecting on his early days as a jack-of-all-trades stone mason, where it was about trying to make ends meet in an effort to keep the band rolling along, frontman Gibson can’t help but be grateful for a well-earned notion at the core of the band’s ethos — anything worthwhile in life is built brick-by-brick. “Everything has to be built. And very few people are going to achieve success overnight,” says Gibson. “We didn’t start out as a bunch of hot shot pickers out of Nashville. We started out on the ground floor — very basic songwriting and instrumentation. But we kept working at it, always progressing in what we wanted to do and how we wanted to sound — each song better than the previous one, the show this evening better than last night.”

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Megan Knight - Take It To The Grave.

Nashville recording artist and pop-country superstar, Megan Knight releases her new haunting single and lyric video "Take It To The Grave".

"In this track, the woman was left feeling unloved and had acted out because of it, now as she sits in regret she wonders if she should confess her wrongs or simply keep them buried in the past forever." - Megan Knight

Megan's wide vocal range makes this song unique and personalized. The theme of this song is that some things "Are better left unsaid." These words that are left unsaid are taken to the grave with Megan. The powerful lyrics can relate to anyone with a deep dark secret.

Megan is an artist that is not afraid to be vulnerable. Music has always been a therapeutic outlet for Megan, so her songs are authentic, honest, and raw. "Take It To The Grave" relays real-time emotion, and her vocals are powerful and robust. This song is dynamic and is portrayed through a slower tempo with an acoustic guitar.

 

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Photo by Line Hvid

Kindsight - Queen Of Cowboys.

Danish four-piece Kindsight make music that draws from 80’s and 90’s alternative rock and combines it with the shimmering Scandinavian pop that the region has become so renowned for, resulting in a sound that is both fuzzy and melodic in equal measure. Releasing their first material in 2020, the up and coming Danish four-piece have been quick on the rise, picking up steam with a series of new singles over the last 18 months. On March 25th, their debut album Swedish Punk will be released, Queen of Cowboys, out now, the last single ahead of the release

Kindsight formed when front-woman Nina Hyldgaard Rasmussen and guitarist Søren Svensson bonded over a shared love of The Sugarcubes. They went on to recruit bass player Anders Prip and drummer Johannes Jacobsen and over the past few years have earned a reputation within Copenhagen’s thriving indie scene for their exciting live shows.

On the album’s title, Rasmussen says “Swedish Punk’ was an off the cuff term our producer, Adam, came up with when we needed a working title for a new song we wrote during the recording sessions. Our bass player, Anders, then wrote some lyrics based on the working title and we ended up liking the whole ‘Swedish Punk’-thing so much it became the name of the album”.

There’s a real coming of age charm to Swedish Punk. ‘Don’t You Grow Up’ was the first song the band ever wrote together. Written in “a time when we thought to be a sunny teenage rock band, you had to write songs about teenagers in the sun,” they say. Atop jangling guitars, Rasmussen’s distinctive voice dances somewhere between that of Mazzy Star’s Hope Sandoval and Alvvays’ Molly Rankin, leaving the listener drenched in the nostalgic optimism of summers gone by. Lead single ‘Sun Is Always In My Eyes’, an unrelenting indie-pop earworm, continues in that same vein. Recalling a time when life was carefree, the band say the track is about ‘stealing money from your mother and feigning to run away from home. Being blessed and unable to see because you've got too much sun in your eyes’.

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Men Without Hats - If the World Should End Today.

Hot on the heels of “love in the age of war,” new wave electro-pop pioneers, Men Without Hats, return with a collection of 14 new original compositions – Again (Part 2). Led by original founding members Ivan and Colin Doroschuk, Men Without Hats have been rounded out since 2016 by industry veteran Sho Murray, and augmented on this record by Colin’s daughter, soprano Sahara Sloan.

The album was recorded on Vancouver Island, British Columbia, on top of the Malahat Mountain overlooking the Pacific Ocean, from July 2020 to January 2021. The themes explored on Again (Part 2) reflect the band’s unique take on current affairs (“If the World Should End Today,” “The Human Race”), love (“All Into Stars,” “The Love Inside your Heart,” “When Does The Love Begin”), the meaning of life (“Just Another Day,” “Nancy’s Room,” “Where The Wild Go”), and the state of the art (“My Love,” “Heaven,” “My Own Advice”).

With a mixture of the latest digital technology and the best of the analog world (including an actual prophet 5 synthesizer that was used during “The Safety Dance” recording session), Men Without Hats continue their voyage into the world of synth-pop, with a sound forged in the past and hardened by their life experience and commitment to the future.

For the past 10 years, Men Without Hats have toured the world with the cream of 80’s royalty, playing for crowds in North and South America, Europe, Scandinavia, Jamaica, Australia, Mexico, and South Africa, in fact reaching even more people and places than the first time around. Their crossover sound and message is resonating with a new generation of fans eager to understand and appreciate the 80’s influences in their own current brand of pop.

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