BEEHIVE CANDY

Old Crow Medicine Show - Bombs Away. Old Crow Medicine Show have just released “Bombs Away,” the latest single from the GRAMMY award-winning band’s seventh studio album Paint This Town (out April 22 via ATO Records). Featuring Molly Tuttle on banjo, the band’s devil-may-care twist on a classic divorce song is accompanied by a live performance video. "I realized something about my song ‘Bombs Away’ when my new girlfriend played the Kacey Musgraves’ album Star-Crossed on a recent road trip; I realized that ‘Bombs Away’ is a song about divorce,” explains Ketch Secor. “Bobby Braddock wrote what I believe to be the genre’s epitome when he spelled it D-I-V-O-R-C-E, but my song about life's detour through Splitsville is far more breakneck, full of fiery fiddling, lyrics more spat than intoned, focusing upon that final phase of the Big D.” He continues, “‘Bombs Away’ is a song about acceptance. And not of the keel over and die variety, instead it’s a whole-hearted without-a-net leap,

Teeniest - A Hand to Hold Forever. Beehive Candy are really fond of these two artists music whether together as Teeniest or apart in other ventures. This song is no exception as the (and we quote) "acoustic-guitar-based and thematically seems all warm & fuzzy, but the accompanying vibraphone and eerie science fiction/horror undertones create a rather unsettling vibe." The video notes tell us: This music video for this song is inspired by the virtual reality game, Lone Echo 2, an emotional highlight of which is two friends holding hands. In this outer space adventure, the two friends are Captain Olivia Rhodes and her assistant robot, Jack. Excellent writing and voice acting (Troy Baker and Alice Coulthard) really give Jack and Liv vitality and personality. Olivia has a fully-realized human character. Through banter, jokes, and working side by side, she becomes your friend -- this emotional connection is the real surprise in VR. When she is in peril, you feel a visceral ne

Photo - Morgan Hamilton Alyssa Gengos - Gothenburg English. Alyssa is a multi-talented producer who's been making records auteur-style on her laptop for years ("I feel most comfortable when I'm completely alone" she says in the bio below). Her music is straight forward in style, but elegant in construction and form. Here's what Alyssa had to say about the meaning behind the song and the video: I began writing “Gothenburg English” in my head while walking around the titular city near the end of my Scandinavian sojourn. Six months prior, I’d left a long term partner behind in New York City, hoping the relationship would survive. It did not. I finally accepted the end of it while wandering around Gothenburg and the Delsjö wilderness on the outskirts of the city. A friend told me the local accent is one of the most sing-songy in the Swedish language, and it’s audible when speaking English, too, creating a kind of “Gothenburg English.” I think of this song as a road s

Allison Lorenzen - Mirrors. Still reeling from the gut-punch of the distortion filled lead single “Vale” released earlier this year, many of us wondered what a full-length LP by the Denver based artist would sound like. Using the dystopian fever-dream of the aforementioned Midwife collaboration as a noise floor, the 8 songs on Tender spiral upwards like worried smoke against a low cloud ceiling, reaching towards the light but always within sight of the loamy earth surface. Shepherding lush, heavy compositions by way of synths, keys, guitars and subtle percussion, Tender finds Allison Lorenzen at her most vulnerable. Nursing old wounds from the end of a relationship and her musical project School Dance, Tender is also filled a renewed sense of heartbreak-made-triumphant that comes after the wisdom of solitude, allowing oneself to be taken care of by family and friends and, finally, documenting the way through. The way through figures heavily on Tender. Imagery of passages through limin