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Showing posts with the label Hannah Lou Clark

Seven On Saturday: Redspencer - Lio Nicol - Imaginary People - Tashaki Miyaki - King Ropes - The Weeks - Hannah Lou Clark

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Redspencer - Ride It Out. Background - Redspencer shares a new music video for "Ride It Out". Despite only having a four-track EP to their name, Redspencer have already garnered avid praise from the likes of NME, CMJ, Triple J, Indie Shuffle, and Time Out New York with ‘Ride It Out’ included at #14 in their Best Songs of 2015. The four-piece’s eponymous debut EP is a hark back to the band’s humble beginnings, evoking images of balmy, mid-summer drives along the coast with the windows down. The sunny, reverb-swathed guitar- pop of lead single ‘Happy Slow Riverbends’ captures that image to a tee, rousing comparisons to the likes of Spoon and Real Estate. With festival appearances at Brisbane’s Big Day Out, By The Meadow, Camp Casual, and Laneway Festival’s annual Live Music Safari – not to mention tour supports with Guantanamo Baywatch, The Preatures and Holy Holy – to their name, Redspencer are soon to be firing on all cylinders as they gear up for the release of their

Quality Not Quantity: Jessica Rotter - Em George - Hannah Lou Clark

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Jessica Rotter - Pray For Rain. Background words - Jessica Rotter is able to transcend creative boundaries and defy what's expected of a modern female musician. The songstress' voice has been heard across multiple genres, from movies, TV shows and commercials to backing vocals and collaborations with other artists—all in addition to her original songs. The list of artists she has worked with reads like a who's who of the music industry today: Daft Punk, Carole King, Alicia Keys, Sam Smith, Macklemore & Ryan Lewis, and others. Rotter's family roots are steeped in music, with her grandfather writing songs for Frank Sinatra and Dean Martin. With this background, Rotter describes herself as a "musical storyteller" with classical training from Pepperdine University in opera, musical theatre, and directing for theatre and film. She is just as comfortable using her voice in a major feature film (credits include Pitch Perfect 1 & 2 and Frozen) as she is p