Poster Girl - A.S. Fanning - Sia Shells - Michele Ducci - Gabby Rivers - Mosaics

Photo - Joanna L. Uruchima IG

Poster Girl - Figure It Out.

'Figure It Out' softly unfolds into a beautiful song where the vocals draw the listener in, at times embedded within the music and then energizing and taking the lead. The musicianship is really good, and the overall production notable. As a personal introduction to the band Beehive Candy have no hesitation in encouraging checking these folk out further, something we have to do!     

Poster Girl is an Alternative Rock band formed in 2023 in Chicago, IL. The band blends gritty 2000s indie rock with the raw pulse of ’90s alternative — all wrapped in dreamy, emotive vocals and warped nostalgia. Airy melodies float above distorted layers, weaving together something honest, haunting, and a little hopeful. 

It’s music for late-night drives, existential spirals, and chasing something just out of reach. Poster Girl has been compared to artists like: The Cranberries, Beabadoobee, Beach Bunny, Rilo Kiley, Snail Mail, and Mazzy Star. Poster Girl has opened for National and Regional acts including: Macy Gray, The Rubens, Tom Sandoval, Aly & Aj, and others.

============================================================================

A.S. Fanning - Today is for Forgetting.

Irish songwriter A.S. Fanning released 'Today Is For Forgetting' yesterday November 14th, the second single from his forthcoming fourth studio album Take Me Back To Nowhere (February 6th, K&F Records).

Where the first single 'Romance' explored emotional desolation through stark landscapes, 'Today Is For Forgetting' ventures into stranger territory—a psychedelic meditation on consciousness, time, and the spaces between realities. Propelled by bouncy synths and Fanning's resonant baritone, the track creates a disorienting atmosphere that mirrors its subject matter: the experience of existing outside linear time.

"This song is about the psychedelic experience, and the feeling of entering some kind of no-man's-land between this life and the next—or another dimension of existence, not black or white, but grey," Fanning explains.

Central to the song is what Fanning calls "an explosion of instants"—a vision of time not as a straight line but as fragments swirling simultaneously around a bewildered observer. "There's no consecutive sequence in the way time runs. There's just a central character with various moments and timelines swirling all around him, and it somehow falls upon him to make things make sense."

============================================================================

Sia Shells - Riding The Wave.

Baja, California-based artist Sia Shells invites listeners to dive deep into their strength and surrender with "Riding The Wave" – an ethereal, ocean-inspired pop anthem that captures the power of resilience, transformation, and trust in the tides of life. Blending her signature mermaid pop aesthetic with dreamlike production and soulful vocals, Sia Shells conjures a sonic spell for anyone struggling to stay afloat.

"'Riding The Wave' is all about keeping your head above water throughout the current of life, especially when it pulls you down and it's hard to see the surface," she explains. "It's about resilience, change, and finding the strength to overcome it all while evoking the mysterious and beautiful imagery of the ocean."

Crafted to mirror the ocean's ebb and flow, the song's composition moves between whispering vocals – representing the wind – and a swelling, powerful crescendo that embodies the sea itself. Produced with a touch of nostalgic warmth, the track feels like a safe, familiar space for reflection and renewal. "I wanted a nostalgic feel to the song, so it feels like a familiar, safe space for people to hold onto when they're feeling like they're drowning or carried away by the tides of their life," Sia Shells shares.

"Riding The Wave" continues Sia Shells' exploration of the mystical and the mindful – a reminder that, like the sea, we are vast, deep, and ever-changing. "Open your arms as wide as the horizon meets the sea," she says. "You are strong enough to ride the wave."

============================================================================

Michele Ducci - Follow the Sun.

‘Follow the Sun’ is the first instalment from the album and animated film ‘Snail in the Clouds’ by Michele Ducci and Letizia Mandolesi. The album and film tell the story of a planet called Snail, inhabited by hybrids – primarily a mixture between scorpions, snails and humans – who lead a life according to the style of Pythagoras, devoted to music. There is also a cloud man named Agostos, a writer of musical operettas, who together with a talking smoke machine called Doctor Subtilis, begins to kill all hybrids, targeting in particular the hybrid musician Diodoros and his band, in an effort to steal the ark of melodies, an ancient ship that allows the whole planet to survive with music and joy.

‘Follow the Sun’ is a psychedelic-tinged pop song that evokes a ramble in the sunshine. Joining Michele and Letizia in the studio are Simon Milner (Is Tropical, Ysing), who performs and also recorded and produced the song at his 4am Studios, along with Shane Kennedy (Girl in the Year Above), Lou Jenkins and Bill Morris (Yowl, Ysing). GregoryBeBad also contributed to the lyrics.

The accompanying video focusses on the childhood of Diodoros and his band, with whom Diodoros is rehearsing for the festival called Holy Wood, where they will offer their melodies to immense space. Diodorus was born to a goddess who resembles the Greek mythological character Thetis, the mother of Achilles. In the video we see Diodoros trying to go beyond the curve in which experience flexes to become the experience of something and someone, in search of the source of life, the place where the sun has a home.


============================================================================

Photo - Ellen B

Gabby Rivers - What is the problem?

East Anglian (England) based grunge-pop riser Gabby Rivers shares the title track from her anticipated upcoming EP What is the problem?, due 5th Feb 2026. 

Crunching, distorted bass, fuzzy guitar lines, and gritty production create a driving blend of garage-rock and grunge under Gabby’s catchy melodies and angsty, honest lyricism. Displaying the alt-rock meets indie-pop approach which stylises her upcoming 7-track EP, the new single builds tension through its verses before delivering an anthemic, earworm chorus. At the midpoint, an explosive breakdown gives way to a dense, swelling guitar section, culminating in a triumphant chant that closes the track with full-force energy.

Speaking about the single Gabby explains: “What is the problem?’ is about the emotional weight of being close to someone who always seems to have an issue with everything, and makes those issues everyone else’s responsibility. It’s about the frustration of constantly picking up the pieces they leave behind, feeling like you’re expected to fix things that were never yours to begin with, and realizing how impossible that can be.

We wrote this track in the middle of the recording process for the EP, and it felt like the EP came together as a whole afterwards. It started out as a slow sad song on the acoustic guitar, but I told the band I wanted it to be angsty and angry. My guitarist came up with the lead part you hear in the middle, and we instantly connected with it. From there, the song took on a new life and I felt like our alternative rock sound really developed. We had so much fun in the recording process, lots of experimenting and recording so many group vocals.”

gabby rivers · What is the problem?

============================================================================

Photo - Jacques Feeney

Mosaics - Sing Me To Sleep.

Mosaics have just shared their heartfelt new single ‘Sing Me To Sleep’ and announced their debut EP A Guiding Lie, is due in 2026. Having built a reputation for their blend of 90's rock revival with the shimmer of contemporary indie, observational lyricism and biting guitar work, the band continue to showcase anthemic vocal melodies and giant, stadium worthy indie-rock soundscapes. 

Produced by Engineer & Producer - George Lloyd-Owen (asst. Nick Cave, The Last Dinner Party, Yungblud), Mixed by Luie Stylianou (Judas Priest) and mastered by Grammy award winning engineer Matt Colton (The Cure, Arctic Monkeys, Fontaines D.C.), the new single leans into a more emotive side of the band's writing, comparable to The Goo Goo Dolls’ ‘Iris’.

Speaking about the single, Owen Castillo (lead vocalist) explains: “'Sing Me To Sleep" was written earlier this year with an overwhelming feeling of disillusionment with life. The lyrics capture a desperate need for escape in the face of an increasing apathy towards the trappings of modernity. When Stu and I sat down to write after a couple months away, this song pretty much fell out of the sky, almost as if it was everything we'd been holding in during that time but couldn’t express through any other medium. It's about reaching desperately for the comfort from some unarmed third person, whilst processing (or struggling to process) a deeply held sense that something is not right, and probably hasn’t been for a while.” 

Guitarist and fellow songwriter Stu adds: “In late June we piled into my car and set off from the city to record our debut EP with our close friend and talented engineer/producer George Lloyd-Owen. We truly had the best time, opting to turn our phones off and shut the world out for the duration of our time in the countryside (aside from watching Glastonbury coverage after finishing our takes, of course).

============================================================================

Filiah - Michele Ducci - Silva Lining - Sofia Härdig - Coley Kennedy

Filiah - Atlas.

Emerging as a deeply personal single ‘Atlas’ chronicles Filiah’s journey through creative paralysis to artistic rebirth. Following her 2022 release For Someone, Filiah found herself trapped in the exhausting cycle of self-management – from booking shows to handling her own PR. The weight of wearing every hat eventually crushed her creative spirit, leading to a complete musical shutdown. The turning point came unexpectedly on the Croatian coast, where welovemelodies, an artists' collective, invited her to a songwriting retreat. "Before writing 'Atlas' I was on a 2-year hiatus from my own music," Filiah reveals. "I felt emotionally and physically exhausted, burnt out and going through a lot of changes and challenges in my personal life."

Surrounded by fellow creators, Filiah found her voice again. The result is 'Atlas' – a masterclass in turning pain into poetry. Here, her powerful vocals float over intricate indie-folk arrangements, while she crafts a meta-narrative about the very thing that silenced her. It's a delicate balance of vulnerability and strength, where writer's block becomes both subject and vanquished foe. In writing about what stopped her from writing, Filiah hasn't just broken her silence – she's transformed it into something beautiful. 'Atlas' stands as both confession and triumph, marking the moment when a promising artist finds her feet again, this time with the support she's long deserved."It was inspired by feelings of self-doubt and the struggle to meet both personal and external expectation," explains Filiah. "It explores the feeling of thinking you're never enough, wired all wrong and struggling to believe that someone will ever get you, while simultaneously wanting nothing more than just to be yourself."

============================================================================

Michele Ducci - Even Before.

‘Even Before’ is the second single from the ‘live in the studio’ album ‘NUBA Live Tape’, by Michele Ducci. The album contains alternative versions of 3 tracks from his debut album, ‘SIVE’, released in June 2024, along with 4 new songs. ‘Even Before’ starts as an upbeat Samba played on a Bontempi keyboard, a sunny love song with an uplifting chorus: 

“Sunshine
Rain falling
I know what my love means
When the day rises
And I was smiling even before”

The track then slows into a dreamy waltz for the outro. Letizia Mandolesi’s bright backing vocals in the chorus and delicate sighs in the outro beautifully accentuate Ducci’s warm melodic vocals. Accompanying the single is a cosmic animated video created by Ducci and Mandolesi. About the song, Ducci says, “Even Before was born in scenes, as a movie. I had found a ten euro Bontempi keyboard and I let it do almost everything, playing it all live together with Letizia.

I have been reflecting for a long time on the absolute of change: it gives itself as an inverted perspective. It’s like a chorus in a song: coexistence of past and present, of a past that insists on a present that coexists with it and that, passing by, is the intrusion of an unpredictable novelty. You always find yourself in the middle of an act that was already in action before it was done and that, being fulfilled, becomes something that is no longer possible but fatally real. Deja: Jamais: Encore. It is an eternal return that is like a magical infinitesimal calculation, lived in the depths of what I call myself. It is the experience, the passage, that resonates in its immediate data like a chorus: an ocean of sive, of ‘that is’, that are the foundation of every ‘where’ and every ‘when’, as in the passages between verse and chorus: an incessant translation into, which is a crossing, not an impasse, but an impassage: an even before to which we must go back to probe the experience in its immediate data. It is an experience of variation that is done at the limit, near infinity.

Letizia and I drew the video by hand, and it is a sort of twin of the song: a cosmic paraeidolia…the experience that makes itself felt in the foreground like a procession of faces still in the making: a chorus. The song as a sort of paramnestic paraeidolia of creative evolution. All of my work is all about that.”

============================================================================

Silva Lining - Only Today.

Silva Lining's first single of 2025, "Only Today," starts off with a bang. This Latin Rock-inspired track features snappy brass riffs, energetic percussion, and plenty of solos—just the way they love it! The upbeat nature of the song contrasts with its somber message: one person in a couple wants to end the relationship but lacks the courage to do so. This song is the second duet in the band's repertoire, with Tiago and Catarina sharing the main vocals, all accompanied by that classic Silva Lining big band sound.

Born in Lisbon, raised in London. Born in London, raised in Lisbon. Three generations, two cities, one family. Nuno, Catarina and Tiago, Portuguese roots with English charm fused to create the Silva Lining Band.

Most people would say less is more… but not when it comes to the Silva family. The more the merrier is the family motto and Silva Lining is no exception with the band’s debut album “Lisboa” including over 12 musicians spanning various genres ranging from Funk to Swing Jazz to Rock.

============================================================================

Sofia Härdig - Pale Fire.

Multi-instrumentalist and genre-defying artist Sofia Härdig continues to push boundaries with her latest single 'Pale Fire,' a mesmerising collaboration with renowned musician Bebe Risenfors (Tom Waits, Elvis Costello)

The track emerged from an intense period of creative isolation during which Härdig wrote hundreds of songs. "I wrote on my own in solitude for almost two years. I read a lot, wrote a lot, and recorded more than hundred of songs," Härdig recalls. "I was in this cave of writing.” The magic of 'Pale Fire' crystallised when Risenfors, who spontaneously joined Härdig for a performance in Malmö, added his distinctive touch to her original demo. "I remember opening the song on my phone and listening on headphones while sitting in a park. I started crying and listened on repeat. The best birthday gift ever," says Härdig of first hearing Risenfors' contributions.

'Pale Fire' showcases Härdig's signature sound, which draws influence from alternative rock, post-punk, and New Wave, while maintaining her distinct artistic voice. The track is part of a larger body of work that represents what Härdig describes as "the tip of the iceberg of a long cycle of lyrics, often a novel/short story that I have built in solitude." Anchored by brooding piano work and haunting chord progressions, 'Pale Fire' unleashes the full force of Härdig's commanding vocals while highlighting her masterful touch as both producer and songwriter. The single is accompanied by striking visuals created in collaboration with a close friend and photographer Jessica Nettelblatt, who was so moved by the demo that she immediately envisioned the cover art, listening to the track on repeat during the photoshoot. For fans of Nick Cave, PJ Harvey, and Anna Calvi, 'Pale Fire' further cements Sofia Härdig's position as one of Sweden's most compelling alternative artists.

Her upcoming album Lighthouse of Glass, self-produced by Härdig, represents a bold step forward in her artistic evolution. Recorded between her home studio and a three-week residency at Visby Center for Composers, the album features an impressive roster of collaborators. The recording process became a unique blend of creativity and community, with Härdig's kitchen and tin roof serving as unconventional meeting points for the musicians. "Working with Bebe was such a treat - he really got what I was after," Härdig explains. The album also features contributions from two of Sweden's finest guitarists, Robert Johnsson (Robert Johnson and the Punchdrunks) and long-time collaborator John Essing (Bob Hud), with Grammy-awarded Nille Perned handling the mixing duties.

============================================================================

Coley Kennedy - Neptune Blue (Album).

Coley Kennedy (known for his work with the bands Welcome to Ashley and Black Vincent), who is currently based in Jackson, Michigan, released his solo debut Neptune Blue just a week ago.
 
Neptune Blue collects seven Coley originals and a cover of "Don't Let Your Hunger Die" by Justin Collins (Justin and the Cosmics) and continues his path of producing stylish post-punk, this time with an emphasis on 80's synth pop and new wave. 

The album features contributions from Welcome to Ashley's Pete Javier, Scott Collins (The Smoking Flowers), Marie Vavro, Larry Roy Sumner Jr., and Jennifer Kennedy.

============================================================================