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Showing posts with the label Charm Of Finches

Mear - Tom Jenkins - Charm Of Finches - Charlotte Rose Benjamin

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Photo - Jen Squires Mear - I'll Love You. Mear is an indie pop collaboration between singer-songwriter Frances Miller and electronic composer Greg Harrison. Together, their music combines catchy melodies and poignant lyrics with their shared love of experimental music. Their  debut LP Soft Chains was released on Friday.  "I'll Love You," tells a make-believe story about a breakup during the apocalypse. The song itself is meant to take on a cinematic feel. Miller was inspired by blockbusters like Armageddon and Titanic. The idea of leaving someone you love behind, the idea of heroes, and the sacrifice that people make for others left a weirdly profound impact on her. We wanted this song to take listeners on an emotional journey. The song has three distinct sections which could be best interpreted as Anticipation, Storm/Conflict, Loss/ Mourning. We also wanted to leave space for the music to tell a story when the lyrics are absent, which allowed us to emphasize the mood

Lost Tuesday Society - Annabel Gutherz - Charm of Finches - Sylvie

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Lost Tuesday Society - Lights. Swansea Folk-pop aficionados ‘Lost Tuesday Society’ have announced a brand new album entitled ‘Bee Skin Rug’ which will be released independently on Friday 22nd of October. ‘Lights’ the first single to be taken from the ‘Bee Skin Rug’ album is a terrific uplifting burst of energy that works as a fantastic preview of what we can expect from their new works. Harmony flooded and certainly becoming a real automatic-earworm, ‘Lights’ really excels and shows off ‘Lost Tuesday Society’s new material to a T, and accompanied with the production of acclaimed long-time friend and producer Joe Gibb, LTS are kitted out to establish themselves as a tour de force in their respected genres. Lost Tuesday Society are Jay Browning (bass) Alfie Scheinman (guitar, flute, vocals) Sarah Birch (guitar, vocals) Darran Browning (guitar, vocals) Simon Jones (drums) Kate Ronconi (violin, vocals). Lost Tuesday Society are a 6 piece band who have collectively come from a variety of d

Georgia State Line - Melissa Sullivan - Tautologic - Charm Of Finches

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Georgia State Line - Every Time. Honest, agile, and refreshingly self-assured, Georgia State Line’s unique brand of country-infused melancholy yields music that’s equal parts heartsick and hopeful. The stage moniker of Australian singer/songwriter Georgia Delves, Georgia State Line blends both vintage and contemporary sounds to craft songs steeped in Tennessee sunsets. Delves’ voice is effortlessly colourful, lyrical and textural with a depth and grace to rival even the most revered of talents. “Every Time” is the first single lifted from Georgia State Line’s highly anticipated new album due later this year. Georgia says “it’s a song about making friends with the consistency of change; acknowledging what isn’t meant for you and celebrating the courage it takes to let it go. It highlights the quiet strength found in choosing to feel joy for what once was, and the power that comes with putting yourself first”. The visuals were shot in Victoria’s beautiful Wimmera region on Wotjobaluk Co

Frøkedal & Familien - The Felice Brothers - Scott Matthews - Charm Of Finches

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Frøkedal & Familien - Set Your Spirit Free. Norway’s Frøkedal & Family share Set Your Spirit Free, an awakening both sonically and spiritually, and the third taster taken from forthcoming album ‘Flora’ which follows 14th May, Fysisk Format. Lauren Lavern once described Frøkedal as sounding like “Fleetwood Mac getting on pretty well with Joni Mitchell”. It’s a description apt for new single Set Your Spirit Free melding as it does Frøkedal’s indie-rock heritage (I Was A King, Harrys Gym) with folk traditions, taking roots instrumentation, a meandering melody and Frøkedal’s gloriously ethereal overlaid vocal and building it skywards, layer upon layer heavenwards. However, Set Your Spirit Free also inhabits its own transcendental and somewhat magical world, it is a song described by Frøkedal as “the dam that bust.” Born on day seven of ten consecutive days in the studio, it marks the turning point where the chronology of the studio diary disintegrated with the song triggering an e