Showing posts with label Laurel. Show all posts
Showing posts with label Laurel. Show all posts

Friday, 11 November 2016

Weekend Wonders: Alexandria - Laurel - Wicklow Atwater - Flora Cash - Philter - Geowulf

Alexandria - Hot Day.

Background - The Stockholm-based band Alexandria muddling through the post-ironic middle class obstinate age. Their semi-electronic pop weaves together playful groove with muffled rhythms. Out of their combination of intoxicated palm tree sensualism, heard in their previous hit ”Secret Beach”, and melancholy influences from job anxiety arises an exciting harmony. In short: umbrella drinks meets ”back to the grind”.

The quintet has found an unconventional and dim world of sound of catchy melancholy, where shimmering synths engulfs the listener in a dream-like state. Alexandria has created their own sound where realism and escapism is in a state of equilibrium.

Alexandria describes ”Hot Day” with the following words: ”Hot day has its bright spots, and we are especially fond of the part after the chorus. Good vibe. We are really in to how the guitars sound the Stones album 'Tattoo You' from 1981 and tried to recreate that.”

The single will be followed up by the album ”Bossa” which is their first full-length. ”Bossa” will be released late January 2017 on Lab259.


Melodic and expansive music supports the smooth vocals on 'Hot Day'. I guess it sits somewhere between indie and synth pop, and it's one of those songs where the vocals and soundtrack are competing with each other for the attention of your ears. Next January's album seems very promising based on this track.

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Laurel - Maybe Baby.

Background - Southampton-raised, 22 year old London-based singer, songwriter and producer Laurel Arnell-Cullen has now shared a brand new track, 'Maybe Baby', taken from her forthcoming Park EP out 18th Nov on Counter Records (an imprint of Ninja Tune).

The Park EP was written, performed, recorded, produced and mixed by Laurel in her East London bedroom based studio. The first taster; 'Hurricane' demonstrates a maturity of sound beyond her 22 years, her breathy vocals sitting atop exquisite melodies with heartfelt, intimate delivery.

It follows the release of singles 'Life Worth Living' and 'San Francisco', which Laurel released on her label Theia earlier in the year. The tracks saw her garner a wealth of support from BBC Radio 1, Beats1, Apple, Spotify, New York Times, The Guardian, i-D, DIY, The Line of Best Fit and many more, reaching Top 3 on Hype Machine's Popular Chart and surpassing half a million plays in under a month - her Spotify listener figures are in excess of 300k every month.

With a debut album scheduled for early 2017, Park EP further enhances Laurel’s position as a phenomenal new talent, mixing raw organic production with striking yet touching songwriting and powerfully enchanting vocals. Website here.

Live Dates:
23rd Nov - Crofters Rights, Bristol
24th Nov - Green Door Store, Brighton
25th Nov - Eagle Inn, Manchester
26th Nov - The Attic @ The Garage, Glasgow
27th Nov - Think Tank Underground, Newcastle
29th Nov - Brudenell Games Room, Leeds
30th Nov - Servant Jazz Quarters, London
16th Feb - Sebright Arms, London


Our second feature for Laurel and the new song is 'Maybe Baby' released ahead of next weeks 'Park' EP. With her stand out vocals and a powerful and stripped back soundtrack, this is another very catchy and superbly produced song.

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Wicklow Atwater - I Wanna Be Yer Man.

Background - Wicklow Atwater is an American band. They formed and remain based in Atwater Village, Southern California. Being born and raised in the same neighbourhood all five members have been the best of friends since childhood which has created an unbreakable bond that some describe as brotherhood, in turn this has created a unique energy between the group that you can sense off and on stage.

Although its impossible to label Wicklow Atwater as a single genre it is safe to say they play a brand of acoustic music known as Americana which encompasses a blend of bluegrass, old time, country, folk, and blues. The group consists of array of multi-instrumentalists who have been recording, producing and releasing their own music independently without the aid of a record label. Wicklow holds nothing back and jumps to the occasion to grace stages, bar rooms and festivals where ever there are open ears and open minds. Growing up with big dreams and humble beginnings the boys have gotten by on a supportive fan base and a do it yourself mentality that goes hand in hand with an old fashion punk rock ethic.

The Ultimate goal of the band is simple, to serenade the nation and to live and experience the beauty that this country has to offer through touring and performing on road. With that said Wicklow Atwater does not wish to set the world on fire, they just want to reignite the fallen flame in America's heart. Facebook here.


One of seventeen songs on the new album 'I Wanna Be Yer Man' is wonderful in it's own right, and yet has to fight for it's place in the collection. Even when the band slow things down a little, there is a sense of energy and passion just waiting to burst through again. Seriously, if you like the featured song, you will love the album. It's Americana that explodes in so many different directions, it's fun and foot stomping, and deserves to be heard in full!

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Flora Cash - Sadness Is Taking Over.

Background - Flora Cash are a Scandi duo that have taken upon themselves to sonically explore the diversity of human relationships. They go straight to places where tears are shed, chairs are thrown, discussions of parting are present, but the music is created regardless. Having “met” on Soundcloud and instantly e-hitting it off musically, their “atmospheric in theme and vibe” material had soon after been supported by the likes of Noisey US, Paste, The Music Ninja, Earmilk, Interview Magazine and more.

With the release of their upcoming new album, containing the “Sadness Is Taking Over” single, Flora Cash face their most challenging moments to date sewn deep into the music. They instantly share this uneasy and raw kind of anxiety with the listener, the type that affects one’s mind, body and then somehow manages to creep into every aspect of one’s life, soon to be in control of it. Topping the song with the backing vocals, in the style of Bon Iver and Fleet Foxes, Cole and Shpresa are not only conveying their feelings but also examining them with each sung harmony.

The duo skilfully blend their deep love for acoustic soundscapes and layer it with just the right amount of ethereal production hinting at Mt Wolf, Poliça, Vogue Dots and Kings Of Convenience. Through the painful dialogue between Shpresa’s observations and Cole’s suffering, the duo succeeds at designing an inter-dimensional delicate yet mighty piece of music. 

“Sadness Is Taking Over” creates a sonic desire for tranquillity and emotional freedom which despite the heartbreak, loss or destruction, aids one with the ability of personal growth and moving on. The single is now out via the Swedish label Icons Creating Evil Art. Website here.


The vocals and harmonies exude atmosphere and melody on 'Sadness Is Taking Over'. The soundtrack is equally fine, mixing gentle beats and intricate patterns, the duo have something pretty special going on here.

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Philter - Katana.

Background - When you step into the Philter universe, his self-described cinematic electronica makes up only a portion of the experience that spans beyond the music into film, merchandise, animation and video games. With a dedicated and growing fanbase worldwide, Philter is positioned to catapult to international stardom. Behind the curtain, you find a very charming and humble guy named Magnus Gangstad Jørgensen from Molde in Northern Norway nicknamed “The Town of Roses”. 

Growing up with long dark winters and summers of light, Magnus was influenced at a young age by this duality. This manifested itself in many ways as a youth, but it was not until he moved to Bergen on the Western side of Norway that his interest in music production would become his destined choice. His first album The Beautiful Lies became a success upon arrival and resonated with a much larger demographic than a typical electronica album. His follow-up, The Blossom Chronicles, capitalized on the success of TBL and continued the journey of Blossom, Floyd and The Bunny Man, characters that create the trilogy’s universe and are the creative influences behind the music.

The new album, The Campfire Tales, brings his trilogy of albums (including The Beautiful Lies and The Blossom Chronicles) to a conclusion with an experience enhanced by the presence of the Apollon Quartet. The foursome has performed at Carnegie Hall (NYC), The Louvre (Paris), Tonhalle (Zurich) and many other prestigious locations around the world. Their magic helps set the album mood, providing Philter with a prepped canvas for his work. Each contributor adds their own stamp, yet the album maintains the sound and feel of Philter that keeps his fans clamoring for more. 


With music used in a variety of features, ski-films from Field Production, sporting events, documentaries and advertisements, with clients ranging from Discovery Channel to Norwegian broadcasting station NRK, Philter’s appeal crosses over to a mainstream audience regularly. His music is often used in major international DJ sets and Avicii made a remix of Revolver. Website here.

I chose 'Katana' from 'The Campfire Songs' as I think it gives a flavour of the quality found across all twelve tracks and also because I think it's a fabulous instrumental. You can sample more via the website, it really is a musical feast.

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Geowulf - Don't Talk About You.

Background - Following the incredible success of their debut single 'Saltwater', dream-pop duo Geowulf have now unveiled a brand new track; the melodic and reflective 'Don't Talk About You'. On writing the track, Star comments: "This song went through a geographical & creative metamorphosis over almost two years... We originally wrote it in Copenhagen, demo'ed it in Stockholm and then revisited it recently when Toma & I were both in London. I guess the song speaks for itself but ultimately it falls in the good ol' "wanting-something-that-ain't- good-for-you" vein ..." The band returned to the studio with producer Duncan Mills at the end of the summer to record the song.

The band's first release 'Saltwater', which dropped this summer, was an instant hit - the single has now exceeded 1.5 million plays on Spotify, reached the Top Ten on Hype Machine's Popular Chart and peaked at #4 in the Spotify US Viral Chart (it was #6 in the Worldwide Viral Chart).
 
This week also marks the launch of the band's new creative portal online, for regular musings, lyrics, personal photos, insights and original content direct from Star. The site will be regularly updated.

Geowulf will be performing live as part of The Line of Best Fit's annual Five Day Forecast festival of new music in January. They will play the sold out opening night, on Monday 9th January at The Lexington in London. Dagny and Ider are also on the bill. Geowulf is Star Kendrick (vocals) and Toma Banjanin (guitar/production). Website here.


It was back in July when we featured the debut single 'Saltwater' and it's a delight to now share 'Don't Talk About You', which from my point of view is another dream pop come beach pop gem. It could well be another big hit, how many artists would settle for that twice in a year!

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Saturday, 1 October 2016

Six Of The Best: Joan As Police Woman & Benjamin Lazar Davis - The Cut Losses - James Parry - Harlea - Laurel - SIANspheric

Joan As Police Woman & Benjamin Lazar Davis - Magic Lamp.

Background promo - Brooklyn based Joan As Police Woman and Benjamin Lazar Davis will release Let It Be You on Oct 21 via Reveal Records/BFD/RED Distribution. The band will celebrate the album's release at The Good Room in Greenpoint on 10/26. Also on the bill is another of Ben's projects, Cuddle Magic.

Initially announced under the moniker ‘2001’ the duo released a pair of partner videos directed by Benjamin Gregory featuring Fred Armisen (SNL, Portlandia); one for the song “Overloaded” with Ben on lead vocals and “Broke Me In Two” featuring Joan on lead.

A deeply soulful artist, Joan As Police Woman (Joan Wasser) has famously worked with Antony (Anohni), Rufus Wainwright, Lou Reed and David Sylvian. Benjamin is a talented multi-instrumentalist who currently performs with his band Cuddle Magic, Okkervil River, and Bridget Kearney (Lake Street Dive). Joan and Ben met each other after separate trips to Africa; Ethiopia for Joan as part of Damon Albarn’s Africa Express,  and West Africa for Lazar to study traditional music. They initially bonded over Central African Republic Pygmy musical patterns and wrote this album together loosely inspired by this music. The band recently performed at the BRIC Celebrate Brooklyn Festival.

The band will be touring Europe in November and December. Performing with a full band, Joan As Police Woman and Benjamin Lazar Davis will showcase songs from the new album and re-imagine recordings from the four previous Joan As Police Woman albums (Real Life, To Survive, The Deep Field, The Classic). Click Here for a full list of dates. Joan As Police Woman website here, Benjamin Lazar Davis here.


With artists of this calibre 'Magic Lamp' ought to be one fine song, and for me it's all of that. Stripped back to the vital musical ingredients the duo bring the vocals to the fore, and allow the steady rhythm, to sit nicely behind the melodic singing.

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The Cut Losses - My Valentine.

Background - Emerging shoegaze artist The Cut Losses put out a dreamy new single My Valentine. Self taught from the drum kit in Rock Band, Patrick McWilliams was a high school student playing drums for local bands, soon transitioning into the multi-instrumentalist virtuoso creator of the solo project The Cut Losses. Outcasted in his fine arts high school for having weird music tastes, the young Patrick McWilliams soon emerged as a unique voice, dominating numerous battle of the bands competitions, radio contests, and establishing a name for himself as a musician before the age of 17. 

He possessed only two albums growing up: a Beatles “Greatest Hits” album, and The Beach Boys “Endless Summer,” establishing his musical foundation which emphasises the power of melody and harmony as a song’s driving force. As he exposed himself to more music, he consistently found himself making connections to these two foundational albums, particularly in bands with psychedelic references such as Tame Impala and MGMT. He additionally enjoys experimenting with electronic music. As a result, his music is described as a hybrid of 70s Psychedelic, 80s Electronic, and Motown Revival.

More than sonic influences however, The Cut Losses most remembers the feeling of isolation in their youth, and through their music hope to provide a voice for unity and acceptance. Drenched in the love for 80s music, The Cut Losses wants their music to get people to dance again, instilling fast paced tempo behind the dreamy textures and evocative lyrics touching on themes of isolation, fear of insanity, and acceptance. The two together, they hope, will inspire people to embrace all the weirdness the world has to offer.

From being pulled on stage to sing with Surfer Blood, to signing with Cedar Street Records, The Cut Losses’s musical journey has been filled with exciting, unexpected moments. Gaining hype and traction from blogs, and their opening spot for LA surf-punks Together PANGEA in both 2014 and 2015, The Cut Losses are now developing their debut album with internationally acclaimed producer Felix Fung this year. Facebook here.


I was give a choice of two songs to feature and went with 'My Valentine' as I really like the arrangement and production. With sweet chorus harmonies and the vocals immersed in a swirl of sounds, it's sometimes psychedelic feel is quite appealing.

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James Parry - Young Emotions.

Background - James Parry lives in Hobart, Tasmania and writes independent pop songs. After playing in bands throughout high school, he released his first solo EP, Eastern Shores, in 2008, followed by his first album, Almost At The Ivory, in 2011. James is now excited to announce his latest album In The Lights. Sweet and juicy guitar riffs, de: drums and uplifting organ support James’ straight-shooting vocals, which tell a nostalgic tale of heady young love with a dark twist. Young Emotions is the opening track from In The Lights, and ripples from its story reach the furthest corners of the concept album.

James has supported artists including Alex Lloyd, The Gin Club, Leah Flanagan, Jackson Dyer and Ryan Downey, and a review of Almost At The Ivory declared that James’, “signature voice and passionate harmonies have led him to become a solid gold chip in the Tasmanian wedge of Australian independent artists.”  


Inspired by what an ace drum line could do for a recording such as Fleetwood Mac’s Dreams, he used his search for the right recorded drum sound to pick a studio and settled on Toyland in Northcote, better known for heavy rock recording. The final mixing was finished at Head Gap Studio in Preston, where the likes of fellow Tassie-tinged successes Courtney Barnett, Ivy St and Augie March have also been seen. The recorded tracks were carefully mixed to find the light but definite pop sound for which James was aiming. “Young Emotions” will be in Digital Stores on the 30th of September James Parry’s Album In The Lights will be released 14th of October 2016. Website here.


Musically 'Young Emotions' is bright and breezy, with James Parry's vocals bringing in some heart and soul. As introductions go this is really positive stuff, story telling lyrics and an excellent musical arrangement, indicate the album could well be a splendid one.

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Harlea - Miss Me.

Background - Birmingham born, North London raised Harlea is set to raise hell with her first offering. ‘Miss Me’ introduces a sound that pushes against conformity – music with relatable themes, played with real instruments, to pop arrangements.

The track opens with a jaw-breaking riff that instantly sets it apart from a current trend of mood-based, playlist friendly pop songs. Harlea’s distinctly British vocal reveals razor sharp lyrics, which culminate in a siren call “What do you feel when you’re not with me, is your body cold, do you miss me?”.

Harlea explains, “The song is about the intense pleasure you get from a relationship, regardless of its consequences. Giving in to an obsession, it describes the reckless abandon with which you are drawn in. 'Miss Me' expresses an emotional addiction which is felt when you are separated - even a destructive relationship can pale next to the pain of not being together." With blues inspired riffs and female-lead, incessantly catchy pop melodies, ‘Miss Me’ serves as a fitting introduction to a major new artist. Facebook here.


'Miss Me' kicks off with some feisty riffs and an expansive rock sound. Harlea's vocals mix gritty rock'n'roll moments, alongside melodic an softer choruses. The song suggests we are in for some good and interesting material to come.

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Laurel - Hurricane.

Background - Southampton-raised, 22 year old London-based singer, songwriter and producer Laurel Arnell-Cullen is to release her Park EP, and has signed to iconic English independent label Counter Records (an imprint of Ninja Tune). Brand new track 'Hurricane', taken from the EP, made its radio debut recently courtesy of Huw Stephens on BBC Radio 1. The Park EP was written, performed, recorded, produced and mixed by Laurel in her East London bedroom based studio. The first taster; 'Hurricane' demonstrates a maturity of sound beyond her 22 years, her breathy vocals sitting atop exquisite melodies with heartfelt, intimate delivery.

It follows the release of singles 'Life Worth Living' and 'San Francisco', which Laurel released on her label Theia earlier in the year. The tracks saw her garner a wealth of support from BBC Radio 1, Beats1, Apple, Spotify, New York Times, The Guardian, and many more, reaching Top 3 on Hype Machine's Popular Chart and surpassing half a million plays in under a month - her Spotify listener figures are in excess of 300k every month.

With a debut album scheduled for early 2017, Park EP further enhances Laurel’s position as a phenomenal new talent, mixing raw organic production with striking yet touching songwriting and powerfully enchanting vocals, (Out 18th Nov on Counter Records). Website here. Laurel has played numerous live shows over the summer and has recently announced her very first UK headline tour, to take place this November. Dates as follows:

23rd Nov - Crofters Rights, Bristol
24th Nov - Green Door Store, Brighton
25th Nov - Eagle Inn, Manchester
26th Nov - The Attic @ The Garage, Glasgow
27th Nov - Think Tank Underground, Newcastle
29th Nov - Brudenell Games Room, Leeds
30th Nov - Servant Jazz Quarters, London.


With such a distinct and appealing voice and songs as good (and heartfelt)  as 'Hurricane', it's no surprise that Laurel is clocking up big numbers on the listening front. One to watch out for, if ever there was.

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SIANspheric - I Have It (Edit).

Background from the band - 'I Have It' is the first single off the upcoming SIANspheric album "Writing The Future in Letters Of Fire". Coincidence or not, "I Have It" translates to "Yo La Tengo" ... and the song does have the flavour of those indie heroes. The song features local friends Earth, Wind and Choir and their soaring vocals on the choruses, it's probably our most ambitious song to date.

On the topic of perhaps the longest gestating album title of all-time (we were selling "Writing the Future in Letters of Fire" t-shirts in 2010), that title is a reference from American Gods by Neil Gaiman... just as our previous album "The Sound of the Colour of the Sun" is from Shampoo Planet by Douglas Coupland. Literary references have played an important role in our lyrics and song titles as well... "Ending is Better than Mending" is from Brave New World by Aldous Huxley, "No Space" is via No Logo by Naomi Klein and "This All Happened" is from the book of the same name by Michael Winter.

And it's our pleasure to also announce that our debut album 'Somnium' from 1995 will be released on vinyl for the first time. A 20th anniversary surprise... after the 20th anniversary has passed... we're old. Website here.


If there is a hint of Yo La Tengo in the song 'I Have It', then I would consider it as fine seasoning that just brings out the flavour. Dreamy and absorbing, the vocals and music interact beautifully as does the choir. I am left anticipating the new album, that said as it's taken this long, I reckon I can handle a few more weeks.

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Saturday, 12 March 2016

Genre Wander: Sex on Toast - Laurel - Animal Noise

Sex on Toast - Doubt.

Background promo - Following the cult success of recent single 'Oh Loretta!' & a knockout performance at Bigsound 2015, Melbourne 10-piece Sex On Toast are about to drop their new EP 'Ready', heralded by the release of new single & video for 'Doubt'. They'll also be hitting the road soon, with a Sydney show & NZ dates just announced.

There really, really isn't anyone quite like the formidably talented, performatively irrepressible 10-piece that is Sex On Toast. They're fervidly dedicated to their craft. They're unconditionally vivacious. They're virtuosos of the tongue-in-cheek. And they're 'Ready' to unleash the goods once more.

It's a rare band that has the savvy to successfully combine retro production, tight 70s/60s inspired instrumentation, and lyrical commentary that bites harder than your Aunt's rabid chihuahua. And you'll want to listen again. But Sex On Toast aren't content to leave it at that. Outrageous videos are fast becoming a band trademark - as anyone who's seen the clip for 'Oh Loretta!', featuring Molly Meldrum, can attest. The Tanzer-directed video for 'Doubt', with its use of soft-focus lens, Caddyshack-inspired mise en scene, and screwball exploration of male bravado, is every bit as waggish & winking as you'd expect.

'Ready' is the first EP but second release for Sex On Toast, who put out their self-titled debut LP in 2014. Produced by the band's front man Angus Leslie, the EP is a triumph of sleek pop, driven by the band's uncontainable effervescence.

Dates:
Wednesday, March 16 | 'Doubt' Residency @ The Gasometer, Melbourne w/ The Scrimshaw Four & Ayawatamaya
Wednesday, March 23 | 'Doubt' Residency @ The Gasometer, Melbourne w/ Frida & Dx-Heaven
Thursday, March 24 | Yot Club, Raglan NZ
Friday, March 25 | Waiheke International Jazz Festival, NZ
Saturday, March 26 | Coastella International Music Festival, NZ
Sunday, March 27 | The National Jazz Festival, Tauranga, NZ
Wednesday, March 30 | 'Doubt' Residency @ The Gasometer, Melbourne w/ Au Dre & 777 - 93 - 11
Thursday, April 21 | 'Ready' EP Launch @ Newtown Social Club w/ The Cactus Channel.

'Doubt' is my introduction to the band and boy am I pleased to hear them. The ten piece bands production is superb, vocals and music are well mixed (you get to hear all elements clearly) and the sheer energy, fun and bravado is infectious.

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Laurel - Life Worth Living.

Background promo - Southampton-raised, 21 year old London-based singer, songwriter and producer Laurel Arnell-Cullen has today revealed her brand new song ‘Life Worth Living’ from the forthcoming Theia Recordings release, after time away concentrating on producing her debut album.

‘Life Worth Living’ was solely written, recorded, produced and performed by Laurel in her East London bedroom based studio.  It follow’s two EPs, ‘To The Hills’ and ‘Holy Water’ and the release of single Blue Blood, which Laurel released in the summer last year.   She posted the song several years earlier on Soundcloud as an unknown teenager, which spiked huge industry and blog interest.

Laurel has been busy touring and playing numerous UK festivals including, The Great Escape, Dot to Dot, Bestival, and Radio 1’s Big Weekend.  Laurel also played her first U.S shows at The Troubadour in LA, KCRW’s “School Night” in LA & New York, Northside Festival in New York and NXNE in Toronto.

With a debut album scheduled for late 2016, ‘Life Worth Living’ further enhances Laurel’s position as a phenomenal new talent, mixing strong hook based electronic production with striking yet touching song writing and powerfully enchanting vocals.

This is a really fine song. 'Life Worth Living' has real heart and soul. The song's production reminds me, in part, of First Aid Kit, however I emphasis only in part, and as a massive fan of their music, please see that as the compliment it is meant to be.

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Animal Noise - Sink Or Swim.

Background promo - When Animal Noise self-released their debut album ‘Run Loose’ in 2012, they quickly went from playing in their rehearsal studio, an old cowshed on bass player Birdy’s farm, to the stages of Bestival & T in The Park.

Through extensive support from BBC Suffolk's Introducing show, Animal Noise caught the attention of BBC Radio 1, receiving airplay from Greg James, Huw Stephens, Sara Cox and Scott Mills. BBC 6 Music’s Tom Robinson was also a big fan, recording a session with the band for his show. This widespread national radio support and subsequent festival appearances have meant Animal Noise have built a large following across their home county of East Anglia, and now they’re looking to reach further afield.

Working with producer Tom Donovan, the band have been crafting songs to follow up 2012’s ‘Run Loose’. The first tracks to come from these sessions will be found on their Sink Or Swim EP which will be released on limited edition vinyl as part of Record Store Day.

The lead single ‘Sink Or Swim’ will be released on the 8th April, upfront of the EP on 15th April. The band describe the track as having “a bouncing staggered riff that flips from aggression to reflection. The song runs with a recurring theme of water and helplessness, relating to plaguing negative thoughts and anxieties about taking risks, a fear of jumping into the deep end of something new and different which scares a lot of people…"

The EP includes the tracks 'Bag of Bones' and 'Alright', which have already gained momentum through extensive BBC introducing support. A compelling blend of strong melody and intricate structure, Animal Noise are as innovative as they are exciting.

Clearly rehearsing in a cowshed on a farm in East Anglia is conducive to developing great music. 'Sink Or Swim' is the first of four songs on the EP and it's one of four really good tracks. With almost anxious levels of energy the bands passion comes through in every song. It's no surprise they are already registering considerable interest and attention.

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Gitta de Ridder - Common Holly - McCabe - Charlie Nieland - Lloyd and The Leftovers

Photo - Dewi Veldhhuizen Gitta de Ridder - Heroes For a Day. Acclaimed Dutch folk artist Gitta de Ridder released ‘Heroes For a Day’ on May...