Immaterial Possession - Gillie - Junior Bill - Miss Velvet - Sock - Josienne Clarke
![Image](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3-xAOWXz14SNkYcQXkoOo-PHpN92boCgH9JD4PLdO5pKiGK8uuH75obEeeoAjLbFo2hEV3meK5DT50UVEzOlAL9hPn7T0vMBiy2XLkU_aO3Qn9lZvSzxvoHPp58VDMAQDtH2nWw73zZYruwEKPxtm5CFxOZsw8r88hP8cLzdlC5mC6I5C4R1p--80/s320/immaterial.jpg)
Immaterial Possession - Medieval Jig. Mercy Of The Crane Folk is the beautifully accomplished second album from Athens GA’s Immaterial Possession. A theatrical soundscape littered with subconscious flashbacks, retro keyboard flurries, wandering Morricone-esque guitar and dreamy Sumac-like harmonies. Featuring the ethereal eerie dream pop of former artist commune residents Cooper Holmes and Madeline Polites, with drummer John Spiegel and Elephant 6 descendant Kiran Fernandes (keyboards, clarinets, flutes). Additional contributions come from drummer Jon Vogt who can be heard on "Mercy Of The Crane Folk" and "Birth Of Queen Croaker." It’s a haunting and immersive trip into the inner psyche of these nomadic soothsayers; a psychedelic dance party from a half-lit underground world; breathlessly eerie and all consuming; a salubrious sojourn that sounds like nothing else. Filled with a kind of peculiar optimistic uncertainty that any quest to make sense of a drowsy recolle