Fine Points - Ready & Able
Background - San Francisco's Fine Points release their sophomore full-length, 'Take Shape.' Since releasing their debut album, Hover, in 2015, Fine Points have continued to lay the brickwork of their narco-pop stylings.
After landing tours with hazy contemporaries such as White Fence, The Warlocks, and The Fresh & Onlys, the band returned to California to work on demos for their sophomore offering.
Somewhere along the way producer Jason Carmer reached out to the band and they recorded the tracks heard on Take Shape at Carmer's Berkeley studio. FACEBOOK.
Performance Dates:
July 17 - Olympia, WA @ Le Voyeur Cafe
July 18 - Seattle, WA @ Sunset Tavern
July 19 - Portland, OR @ White Owl Social Club
July 20 - Berkeley, CA @ The Starry Plough
July 21 - Visalia, CA @ Cellar Door
July 22 - Los Angeles, CA @ HiHat
'Ready & Able' opens in a mild, unassuming manner, where melodic vocals and music gradually develops in layers. The song grows into a refined pop with a dash of rock track, the understated feeling giving way to a more expansive sound and the hooks do indeed dig in deep.
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Frøkedal - David.
Background - As the release of Oslo-based Frøkedal’s much anticipated second album ‘How We Made It’ draws closer (set for release August 31st via Propeller Recordings), she’s sharing new single ‘David’ - a spirited, folk-tinged indie rock song, that lyrically appears to focus around the general notion of, “hope”.
"Love and hope keeps knocking on your door / Where do you think it is? / Upstairs, in the street, by the window / Maybe you will open up the door” Anne Lise Frøkedal delicately sings in David’s chorus refrain - to a backdrop of bustling drums and cleverly finger-picked guitar lines.
"This song was close to not happening - several times.” Frøkedal explains. "After the final recording session I realised that I missed it’s hopeful optimism in between the other songs. I needed David to shine a little light on the album.”
Speaking a little more on how the song came together, she said: "There was no more studio time booked, and no time to wait around, so I took the train out to drummer Olaf’s place, a small old house on the top of a hill. His drums are sat on a riser in the middle of his living room with a great view of the valley below. We were chatting, playing and having a great time – until the recording system broke down completely. We tried again the next day, I went back out there heavily loaded with my own more or less portable equipment. We played the song many times, it was fun and easy. Later that week I visited an old friend’s studio (Bjarne, drummer in Harrys Gym) and did the piano there. And my sister did the bass. I ended up spending a lot of time with people I really appreciate doing this track - and that fits the song very well." TWITTER.
As this is our fourth feature this year alone for Frøkedal, clearly there is is something about her music that resonates in a powerful way. 'David' goes someway to explaining why. Her individual style is so often catchy and natural, as is the thoughtful, creative and sensitive musical production. Put simply she can write a fine song and then make it something gorgeous and special.
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Rue Snider - Run Away With You.
Background - Brooklyn indie rocker and songwriter Rue Snider releases “Run Away With You,” the fifth single from his highly anticipated new album City Living. “Run Away With You” showcases Rue's 80s inspired sound and signature wide-ranging melody.
Of the track, Rue explains, “Humans collect emotional baggage like a hoarder in a rent controlled apartment. What if we could leave it all behind and run away with someone? What if we could find a beach and start over, hard reset, go emotionally back to one? The fantasy of emotional amnesia is real. The idea of sharing it with someone can be intoxicating. "Run Away With You” lives inside that fantasy. It longs for an emotional clean slate even if it’s only for a short time. This song is also the doorway to City Living as a record. It’s the guest at the party who says, “one more drink! don’t worry about tomorrow!” It’s the voice that makes driving to the ocean at 4:30 in morning with two bottles of whiskey and a car full of intoxicated strangers make sense. It’s the Siren beckoning to move closer to the shore.”
“Run Away With You” follows four warmly received singles: “Vamonos,” "Experiment In Love,” "Hot Summer Nights,” and “Don’t Lose Heart.” Of "Hot Summer Nights," Spill Magazine raved, “Rue Snider creates something magnificent."
Heavily influenced by 80s rock from Cyndi Lauper to The Smiths to R.E.M., Rue's new album City Living presents New York City as a catalyst for finding peace in the present even when circumstances are destructive and demand change. It’s a loose chronicle of his move to Manhattan in the mid aughts and an examination of the thoughts and choices that occur while living in transition: geographically, emotionally, spiritually, politically, and socially. City Living is upbeat musically with lyrics that reflect real human experiences, from falling in love at Coney Island, to wandering Brooklyn heartbroken, to standing up to injustice. WEBSITE.
Another artist who has gained our attention this year with some highly creative music is Rue Snider, an artist who is totally upfront about his musical influences and their impact on his own creativity. With the resulting output becoming songs such as 'Run Away With You' what is there to complain about, a driving and engaging indie rocker, with intelligent lyrics, it adds even more variety to the forthcoming album.
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Showing posts with label Frøkedal. Show all posts
Showing posts with label Frøkedal. Show all posts
Frøkedal - Batz - AyOwA
Frøkedal - Treehouse.
Background - Oslo, Norway based Frøkedal nears closer to forthcoming second full-length album ‘How We Made It’, today releasing the album’s summer-ready lead cut ‘Treehouse’. The track is breezy, though no less brutal – as the opening line may suggest – with a visually inspired lyric that details a mischievous plot to tear down a tree-topped kingdom. “Treehouse was inspired by a six year old kid who tore his older brother’s treehouse to pieces without knowing he was being watched,” singer/songwriter Anne Lise Frøkedal explains.
“Even if it seems meaningless and silly, the joyful mischief of it feels strangely familiar.” “This idea – or this way of behaving – kind of translates to everyone at some point. Sometimes it just feels better to tear stuff up. Or maybe, tearing stuff down for others feels better than building up your own,” she says. “You’re doing something and you know you’re gonna get in trouble for it but it’s better somehow – you just want to be part of the game.”
Far from the acoustic sensibilities of her earlier material, new album ‘How We Made It’ – released August 31 via Propeller Recordings – signals an arguably more “mature” sound, combining full band with folk-leaning string sections. Though the instrumental approach feels more expansive and fully fledged, the album is thematically inspired by Frøkedal's more "immature" personal traits, by her own admission – detailing “unfiltered, impulsive thoughts and actions fuelled by everything from fear, love and deep passion to red hot anger.”
“When I started writing this new material, I was picturing different ages or stages in our lives when our vision gets a little blurred,” she says. “I wanted the songs (and the characters) to channel these critical moments when decisions are dominated by emotion and not necessarily by logic.” TWITTER.
Following on from 'I Don't Care' which we shared earlier last month Frøkedal returns with 'Treehouse' another gorgeous, fresh and modern folk song. As always the vocals are melodic and are surrounded by some top quality musicianship carefully arranged to allow everything to shine through.
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Batz - Save Us.
Background - Melbourne's Batz swoop in to save the day again with electric new single 'Save Us'. A heady mix of razor wire guitar, propulsive percussion and glimmers of psychedelia, Chrissie Aubry's captivating vocals shine on Batz' latest offering that will chew you up and spit you out in the nicest way possible. Glittering, infectious and unapologetic, 'Save Us' teeters on the precipice of wishful thinking meets transparent actuality.
BATZ aka Melbourne artist Chrissie Aubry tells the tale of earlier days spent living in London, where the nights were long and the romance was flowing. "I had flashbacks of nights out in London with my girlfriends and meeting various randoms, (some who became love interests) and thinking about scenarios where you felt like you could save the relationship. I always feel like I'm the one that can save friendships and relationships, fighting for the last hope to salvage something special", Aubry explains.
Expanding to a five-piece live, Batz take their notoriously raucous show on the road this month, hitting Frankie's Pizza in Sydney on May 31st and The Grace Darling in hometown Melbourne on June 2nd in support of the new single. Recorded at Los Bomberos Studios, the track was engineered and produced by Alex Markwell (The Delta Riggs) and mastered by David Briggs (Little River Band and Australian Crawl). Batz' latest stomper that follows enigmatic single 'Gameshow Queen' (2017) and fiery debut EP, 'Night Terrors' (2016). With new single 'Save Us', BATZ have well and truly come out of hibernation, guns blazing and guitars at the ready to woo you like never before. TWITTER.
Opening with a feisty and driving beat 'Save Us' is a seductive indie rocker, with plenty of pop sensibilities, ensuring the hooks are everywhere, and the urge to listen again is soon established.
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AyOwA - alt det du ku'.
Background - “Alt Det Du Ku” is a song about standing between break-ups and breakthroughs and in the abstract of looking forward to the future whilst being back in time simultaneously. On "Alt Det Du Ku" AyOwA still have their electronic approach in focus but with more acoustic elements, the band explores new sides of their music. With an infectious rhythm and sweet affected vocal it’s quite a mysterious track.
With modular synths, old tape machines and ethereal vocals, new Danish duo AyOwA channel their Nordic roots creating their dark, electronic, atmospheric songs. Sung in Danish, but with a certain universal and dreaming approach, AyOwA combines noise pop with electronica and melodies with improvisation, in an evocative and playful mix.
Together with the duo's third member - drummer Anders Meinhardt - AyOwA has an energetic and captivating live show. AyOwA had a busy festival season in 2017 with appearances at Spot and Roskilde Festival, the opening of the Marina Abramowich Exhibition at Louisiana and extensive concert activities at many of the country's venues. Then they headed straight into the studio to work their magic on new material. TWITTER.
Well this is our fifth feature for AyOwA, I really didn't realise it had been that many, however as soon as 'alt det du ku' started I was reminded of their distinct and intriguing electronic sound. It feels a little softened this time around, which I suppose in part, demonstrates their ability to gradually move into new territory, doing so well and without losing any of their musical character.
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Background - Oslo, Norway based Frøkedal nears closer to forthcoming second full-length album ‘How We Made It’, today releasing the album’s summer-ready lead cut ‘Treehouse’. The track is breezy, though no less brutal – as the opening line may suggest – with a visually inspired lyric that details a mischievous plot to tear down a tree-topped kingdom. “Treehouse was inspired by a six year old kid who tore his older brother’s treehouse to pieces without knowing he was being watched,” singer/songwriter Anne Lise Frøkedal explains.
“Even if it seems meaningless and silly, the joyful mischief of it feels strangely familiar.” “This idea – or this way of behaving – kind of translates to everyone at some point. Sometimes it just feels better to tear stuff up. Or maybe, tearing stuff down for others feels better than building up your own,” she says. “You’re doing something and you know you’re gonna get in trouble for it but it’s better somehow – you just want to be part of the game.”
Far from the acoustic sensibilities of her earlier material, new album ‘How We Made It’ – released August 31 via Propeller Recordings – signals an arguably more “mature” sound, combining full band with folk-leaning string sections. Though the instrumental approach feels more expansive and fully fledged, the album is thematically inspired by Frøkedal's more "immature" personal traits, by her own admission – detailing “unfiltered, impulsive thoughts and actions fuelled by everything from fear, love and deep passion to red hot anger.”
“When I started writing this new material, I was picturing different ages or stages in our lives when our vision gets a little blurred,” she says. “I wanted the songs (and the characters) to channel these critical moments when decisions are dominated by emotion and not necessarily by logic.” TWITTER.
Following on from 'I Don't Care' which we shared earlier last month Frøkedal returns with 'Treehouse' another gorgeous, fresh and modern folk song. As always the vocals are melodic and are surrounded by some top quality musicianship carefully arranged to allow everything to shine through.
--------------------------------------------------------------------------------------------------------------------------
Batz - Save Us.
Background - Melbourne's Batz swoop in to save the day again with electric new single 'Save Us'. A heady mix of razor wire guitar, propulsive percussion and glimmers of psychedelia, Chrissie Aubry's captivating vocals shine on Batz' latest offering that will chew you up and spit you out in the nicest way possible. Glittering, infectious and unapologetic, 'Save Us' teeters on the precipice of wishful thinking meets transparent actuality.
BATZ aka Melbourne artist Chrissie Aubry tells the tale of earlier days spent living in London, where the nights were long and the romance was flowing. "I had flashbacks of nights out in London with my girlfriends and meeting various randoms, (some who became love interests) and thinking about scenarios where you felt like you could save the relationship. I always feel like I'm the one that can save friendships and relationships, fighting for the last hope to salvage something special", Aubry explains.
Expanding to a five-piece live, Batz take their notoriously raucous show on the road this month, hitting Frankie's Pizza in Sydney on May 31st and The Grace Darling in hometown Melbourne on June 2nd in support of the new single. Recorded at Los Bomberos Studios, the track was engineered and produced by Alex Markwell (The Delta Riggs) and mastered by David Briggs (Little River Band and Australian Crawl). Batz' latest stomper that follows enigmatic single 'Gameshow Queen' (2017) and fiery debut EP, 'Night Terrors' (2016). With new single 'Save Us', BATZ have well and truly come out of hibernation, guns blazing and guitars at the ready to woo you like never before. TWITTER.
Opening with a feisty and driving beat 'Save Us' is a seductive indie rocker, with plenty of pop sensibilities, ensuring the hooks are everywhere, and the urge to listen again is soon established.
--------------------------------------------------------------------------------------------------------------------------
AyOwA - alt det du ku'.
Background - “Alt Det Du Ku” is a song about standing between break-ups and breakthroughs and in the abstract of looking forward to the future whilst being back in time simultaneously. On "Alt Det Du Ku" AyOwA still have their electronic approach in focus but with more acoustic elements, the band explores new sides of their music. With an infectious rhythm and sweet affected vocal it’s quite a mysterious track.
With modular synths, old tape machines and ethereal vocals, new Danish duo AyOwA channel their Nordic roots creating their dark, electronic, atmospheric songs. Sung in Danish, but with a certain universal and dreaming approach, AyOwA combines noise pop with electronica and melodies with improvisation, in an evocative and playful mix.
Together with the duo's third member - drummer Anders Meinhardt - AyOwA has an energetic and captivating live show. AyOwA had a busy festival season in 2017 with appearances at Spot and Roskilde Festival, the opening of the Marina Abramowich Exhibition at Louisiana and extensive concert activities at many of the country's venues. Then they headed straight into the studio to work their magic on new material. TWITTER.
Well this is our fifth feature for AyOwA, I really didn't realise it had been that many, however as soon as 'alt det du ku' started I was reminded of their distinct and intriguing electronic sound. It feels a little softened this time around, which I suppose in part, demonstrates their ability to gradually move into new territory, doing so well and without losing any of their musical character.
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Frøkedal - Susie Scurry - Dr Dog - The Goldberg Sisters - Alfred Hall
Frøkedal - I Don't Care.
Background - Oslo, Norway based Frøkedal today announces her long-awaited second album ‘How We Made It’, alongside the release of new single, and album opener ‘I Don’t Care’. The new album ‘How We Made It’, set for release August 31st via Propeller Recordings, follows her Norwegian Grammy-nominated debut LP of 2016, Hold On Dreamer.
An exploration of the process of moving forward in a positive manner, in spite of one's naysayers - ‘I Don’t Care’ is based around the idea of firmly closing the door to the past. "I never really questioned my life / 'til you condescendingly said I’d fail” Frøkedal exclaims in the tracks opening verse, amidst a backdrop of gently strummed guitar work and bustling drums. The song then opens up to its rousing chorus - bringing together crunching guitar lines and soaring strings to stunning effect.
An attempt to demonstrate being triumphant, rather than actually successfully being triumphant - 'I Don't Care', is more mad, than victorious in its execution. Speaking more on the release of the new single, Anne Lise Frøkedal said: "'I Don't Care' contains an energy that I specifically wanted to be present on the new LP. Unfiltered, impulsive thoughts and actions fuelled by everything from fear, love and deep passion - to red hot anger. The song seems to represent the whole spectrum. It's an ambivalent, slightly over the top effort to close the door to the past.”
"I’m ready for a wondrous expansion of life / all over your empty space” she sings as the songs begins to draw to a close, with a clear sense of determination. Frøkedal appears to be resolute in her songwriting and artistic goals, with ‘I Don’t Care’ standing as the perfect song to exemplify those intentions. Far from the acoustic sensibilities of previous singles, Frøkedal's more recent output signals an arguably more “mature” sound – combining full band with folk-leaning string sections. Though the instrumental approach feels more expansive and fully fledged, 'I Don't Care' - along with a lot of the album's lyrical themes represent Frøkedal's more "immature" personal traits, by her own admission.
Despite track-by-track production, Frøkedal’s lyrical output has taken a much more thematic approach with forthcoming album ‘How We Made It’: “When I started writing this new material, I was picturing different ages or stages in our lives when our vision gets a little blurred. I wanted the songs (and the characters) to channel these critical moments when decisions are dominated by emotion and not necessarily by logic,” she says. TWITTER.
Regular visitors to Beehive Candy will probably have noticed our fondness for the music of Anne Lise Frøkedal. 'I Don't Care' is a fresh sounding indie pop song that as we have come to expect is full of hooks and the beautifully definitive vocals. On the strength of the two tracks I have heard from her second album, it's looking like we are in for another very special collection of music.
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Susie Scurry - The Elvis Hour
Background - Melbourne singer-songwriter Susie Scurry, formerly known as 'The Grand Magoozi', returns with a new single and title track to forthcoming EP 'The Elvis Hour'. More than a love letter to The King, this is an autumnal lament about the Sunday night blues, and the anxiety of working a job you don't love. Telling the story of an hourly program on the dusty end of the AM dial (the now defunct Magic 1278) which paid tribute to Elvis every Sunday night, showcasing his prolific career and breadth of styles from Vegas to Hawaii, cowboy to crooner. The Elvis Hour is a homage to the iconic legend and the lonely existence of ‘The King of Rock n' Roll’.
Susie's voice croons over an old-school, toe-tapping soft score of lap steel sighs, bass, percussion and strings, with lyrics reminding us of all that Elvis achieved in his short life - "there wasn't much he didn't do for a man that died at 42".
‘The Elvis Hour’ is the first single from Susie Scurry’s lush new six-track EP of the same name recorded in Sheffield, UK at Yellow Arch Studios with Mercury-nominated producer Colin Elliot (Richard Hawley, Jarvis Cocker, etc). The EP will be released on Friday 8 June.
In the spirit of golden-old classic standards, Susie Scurry's songwriting is clear and precise, original and familiar, honest and romantic. Her voice delivers lament and subtle wit in equal measure, singing about life and death, love lost, and a world gone awry. In 2016 Susie released her debut album, The Grand Magoozi on indie label Little Lake Records / Flippin Yeah Industries. Since that time she has performed and toured Australia extensively. Highlights include Melbourne Music Week, Darwin Festival, Perth Arts Festival, Port Fairy Folk Festival and a 26 day tour of the Outback supporting Darren Hanlon. WEBSITE.
'The Elvis Hour' is thankfully not another Elvis impersonator having their moment, rather as mentioned above "this is an autumnal lament about the Sunday night blues, and the anxiety of working a job you don't love." Using The Elvis hour as the vehicle for those feelings is very clever, and the song itself is fabulous with Susie Scurry's vocals deservedly centre stage. One thing's for sure you don't have to be an Elvis fan to enjoy this track, and if you are, I reckon you will still be impressed.
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Dr Dog - Heart Killer.
Background - Philadelphia’s Dr Dog are sharing a new single, ‘Heart Killer’, the latest to be taken from their forthcoming album Critical Equation, due for release via We Buy Gold Records/Thirty Tigers on April 27, 2018. This new single emerging as the latest offering from the new album which find Gus Seyffert (previously The Black Keys, Beck) in the producer’s chair. Dr. Dog will support the new release with autumn 2018 UK tour dates, these to be announced shortly.
The slick psych-rock of ‘Heart Killer’ finds the band lyrically grappling with heart break whilst weaving their penchant for catchy melodies and delicate harmonies throughout the music. Critical Equation broke tradition for the band, opting to record in Los Angeles with Seyffert as opposed to their own ‘Meth Beach’ studios, the path to the record followed an extended break giving time for the band to re-evaluate; "We'd been touring and making records for our entire adult lives, and I think we just needed to take a step back," reflects Leaman. "It was important for all of us to figure out if we were actually doing what we wanted to be doing, or if we were just letting momentum carry us down this path we'd always been on.”
Dr. Dog have achieved multiple Top 50-charting albums in the US, performed on the likes of Letterman, Fallon and Conan and received widespread critical acclaim as well as touring with The Black Keys, Wilco, My Morning Jacket and The Lumineers. WEBSITE.
It's been sometime since I have listened to Dr Dog and 'Heart Killer' is a great reminder of what a fine band they are. The band deliver a polished psych rocker of a song, it's catchy, vibrant and confirms that the band have plenty of innovation and ideas still to offer.
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The Goldberg Sisters - Dear Mr. Nilsson
Background - On May 4th psych-pop artist The Goldberg Sisters will release their new album HOME: A Nice Place To Visit. Known as the musical alter-ego of actor, musician, filmmaker and photographer Adam Goldberg, (and his mythical sister-twin "Celeste") The Goldberg Sisters today have released the new single "Dear Mr. Nilsson," written in the form of a letter to the iconic singer/songwriter Harry Nilsson. Goldberg explains that the track is "about the futility of trying to compose a song that measures up to Nilsson’s work. Somewhat ironically I wrote and recorded the demo for this in about 2 hours."
Goldberg and Lynch teamed up once again in the garage for the new Goldberg Sisters’ album, HOME: A Nice Place To Visit. Goldberg again did all the instrumentation save for violins and trumpet. Goldberg’s elasticity as a multi-instrumentalist and producer is nothing short of astonishing considering he lacks anything in the way of formal training and didn’t even think of seriously making music until his early 20s. “I started playing drums as a kid,” he recalls. “I played along with songs on the radio but mainly Bowie records.”
The music on HOME: A Nice Place To Visit offers listeners a profoundly immersive experience. “I’m really proud of the album,” Goldberg says. “I think I needed to step away from it for a bit to regain some perspective on it, which is always weird because now it’s truly like listening to somebody else... It’s not so much that I want to make music – I feel I have to, as if I have no choice.”
And so, he surrenders to his heart’s most urgent commands on the Goldberg Sisters’ HOME: A Nice Place To Visit, and for that, music fans can be thankful. TWITTER.
Just a month after sharing 'When Or Where Or Why' The Goldberg Sisters are back with the new track 'Dear Mr. Nilsson'. Once again the psych vibes are abundant, as are the hooks, the sixties influences are played out beautifully, this really is a song from the past, with the benefits of today's studio gear, wonderful!
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Alfred Hall - Quite Some Time.
Background - Prefacing their highly anticipated album due in May, Norweigian Indie Pop Duo, Alfred Hall are back with another lighthearted and catchy single, "Quite Some Time." With a style entirely inspired by the staple 60's sound, "Quite Some Time" throws you back in time and satisfies the need for a simple love ballad.
Since 2009, Alfred Hall, the brainchild of Hans Thomas Kiær (guitar) and Bjørn Tveit (vocals), have been serving straight-up indie dream-pop to the masses - combining the lightness of summer sounds and salty sea breeze, with the sylvan dusk of Norwegian frosted forests. Even after their second gig ever, the rave reviews started coming in, and with their first single "So Bright" (Norway), the band quickly became the band to watch out for in 2012. "So Bright" was a hit on international tastemaker radio stations and on Norwegian radio, making way for the album Wilderness, which was released exclusively in Norway in 2013.
The album was nominated for "Best Pop Album" in the Norwegian “Grammy’s", called “Spellemannsprisen." In 2014 the band made their first release worldwide with "Alfred Hall EP," followed by the single "The King of Cape" the year after. At the beginning of last month, they made a comeback with their latest single “Pearl Diver” that gained traction in the US market. Now they’re back again with their next single and are gearing up to release an album in May of this year. FACEBOOK.
'Quite Some Time' is an upbeat song that references pop music form the past and bundles it with more modern indie pop sensibilities. If the charts were full of songs like this I would still be a Top 40 fan, after all that's where this tune belongs.
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Background - Oslo, Norway based Frøkedal today announces her long-awaited second album ‘How We Made It’, alongside the release of new single, and album opener ‘I Don’t Care’. The new album ‘How We Made It’, set for release August 31st via Propeller Recordings, follows her Norwegian Grammy-nominated debut LP of 2016, Hold On Dreamer.
An exploration of the process of moving forward in a positive manner, in spite of one's naysayers - ‘I Don’t Care’ is based around the idea of firmly closing the door to the past. "I never really questioned my life / 'til you condescendingly said I’d fail” Frøkedal exclaims in the tracks opening verse, amidst a backdrop of gently strummed guitar work and bustling drums. The song then opens up to its rousing chorus - bringing together crunching guitar lines and soaring strings to stunning effect.
An attempt to demonstrate being triumphant, rather than actually successfully being triumphant - 'I Don't Care', is more mad, than victorious in its execution. Speaking more on the release of the new single, Anne Lise Frøkedal said: "'I Don't Care' contains an energy that I specifically wanted to be present on the new LP. Unfiltered, impulsive thoughts and actions fuelled by everything from fear, love and deep passion - to red hot anger. The song seems to represent the whole spectrum. It's an ambivalent, slightly over the top effort to close the door to the past.”
"I’m ready for a wondrous expansion of life / all over your empty space” she sings as the songs begins to draw to a close, with a clear sense of determination. Frøkedal appears to be resolute in her songwriting and artistic goals, with ‘I Don’t Care’ standing as the perfect song to exemplify those intentions. Far from the acoustic sensibilities of previous singles, Frøkedal's more recent output signals an arguably more “mature” sound – combining full band with folk-leaning string sections. Though the instrumental approach feels more expansive and fully fledged, 'I Don't Care' - along with a lot of the album's lyrical themes represent Frøkedal's more "immature" personal traits, by her own admission.
Despite track-by-track production, Frøkedal’s lyrical output has taken a much more thematic approach with forthcoming album ‘How We Made It’: “When I started writing this new material, I was picturing different ages or stages in our lives when our vision gets a little blurred. I wanted the songs (and the characters) to channel these critical moments when decisions are dominated by emotion and not necessarily by logic,” she says. TWITTER.
Regular visitors to Beehive Candy will probably have noticed our fondness for the music of Anne Lise Frøkedal. 'I Don't Care' is a fresh sounding indie pop song that as we have come to expect is full of hooks and the beautifully definitive vocals. On the strength of the two tracks I have heard from her second album, it's looking like we are in for another very special collection of music.
--------------------------------------------------------------------------------------------------------------------------
Susie Scurry - The Elvis Hour
Background - Melbourne singer-songwriter Susie Scurry, formerly known as 'The Grand Magoozi', returns with a new single and title track to forthcoming EP 'The Elvis Hour'. More than a love letter to The King, this is an autumnal lament about the Sunday night blues, and the anxiety of working a job you don't love. Telling the story of an hourly program on the dusty end of the AM dial (the now defunct Magic 1278) which paid tribute to Elvis every Sunday night, showcasing his prolific career and breadth of styles from Vegas to Hawaii, cowboy to crooner. The Elvis Hour is a homage to the iconic legend and the lonely existence of ‘The King of Rock n' Roll’.
Susie's voice croons over an old-school, toe-tapping soft score of lap steel sighs, bass, percussion and strings, with lyrics reminding us of all that Elvis achieved in his short life - "there wasn't much he didn't do for a man that died at 42".
‘The Elvis Hour’ is the first single from Susie Scurry’s lush new six-track EP of the same name recorded in Sheffield, UK at Yellow Arch Studios with Mercury-nominated producer Colin Elliot (Richard Hawley, Jarvis Cocker, etc). The EP will be released on Friday 8 June.
In the spirit of golden-old classic standards, Susie Scurry's songwriting is clear and precise, original and familiar, honest and romantic. Her voice delivers lament and subtle wit in equal measure, singing about life and death, love lost, and a world gone awry. In 2016 Susie released her debut album, The Grand Magoozi on indie label Little Lake Records / Flippin Yeah Industries. Since that time she has performed and toured Australia extensively. Highlights include Melbourne Music Week, Darwin Festival, Perth Arts Festival, Port Fairy Folk Festival and a 26 day tour of the Outback supporting Darren Hanlon. WEBSITE.
'The Elvis Hour' is thankfully not another Elvis impersonator having their moment, rather as mentioned above "this is an autumnal lament about the Sunday night blues, and the anxiety of working a job you don't love." Using The Elvis hour as the vehicle for those feelings is very clever, and the song itself is fabulous with Susie Scurry's vocals deservedly centre stage. One thing's for sure you don't have to be an Elvis fan to enjoy this track, and if you are, I reckon you will still be impressed.
--------------------------------------------------------------------------------------------------------------------------
Dr Dog - Heart Killer.
Background - Philadelphia’s Dr Dog are sharing a new single, ‘Heart Killer’, the latest to be taken from their forthcoming album Critical Equation, due for release via We Buy Gold Records/Thirty Tigers on April 27, 2018. This new single emerging as the latest offering from the new album which find Gus Seyffert (previously The Black Keys, Beck) in the producer’s chair. Dr. Dog will support the new release with autumn 2018 UK tour dates, these to be announced shortly.
The slick psych-rock of ‘Heart Killer’ finds the band lyrically grappling with heart break whilst weaving their penchant for catchy melodies and delicate harmonies throughout the music. Critical Equation broke tradition for the band, opting to record in Los Angeles with Seyffert as opposed to their own ‘Meth Beach’ studios, the path to the record followed an extended break giving time for the band to re-evaluate; "We'd been touring and making records for our entire adult lives, and I think we just needed to take a step back," reflects Leaman. "It was important for all of us to figure out if we were actually doing what we wanted to be doing, or if we were just letting momentum carry us down this path we'd always been on.”
Dr. Dog have achieved multiple Top 50-charting albums in the US, performed on the likes of Letterman, Fallon and Conan and received widespread critical acclaim as well as touring with The Black Keys, Wilco, My Morning Jacket and The Lumineers. WEBSITE.
It's been sometime since I have listened to Dr Dog and 'Heart Killer' is a great reminder of what a fine band they are. The band deliver a polished psych rocker of a song, it's catchy, vibrant and confirms that the band have plenty of innovation and ideas still to offer.
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The Goldberg Sisters - Dear Mr. Nilsson
Background - On May 4th psych-pop artist The Goldberg Sisters will release their new album HOME: A Nice Place To Visit. Known as the musical alter-ego of actor, musician, filmmaker and photographer Adam Goldberg, (and his mythical sister-twin "Celeste") The Goldberg Sisters today have released the new single "Dear Mr. Nilsson," written in the form of a letter to the iconic singer/songwriter Harry Nilsson. Goldberg explains that the track is "about the futility of trying to compose a song that measures up to Nilsson’s work. Somewhat ironically I wrote and recorded the demo for this in about 2 hours."
Goldberg and Lynch teamed up once again in the garage for the new Goldberg Sisters’ album, HOME: A Nice Place To Visit. Goldberg again did all the instrumentation save for violins and trumpet. Goldberg’s elasticity as a multi-instrumentalist and producer is nothing short of astonishing considering he lacks anything in the way of formal training and didn’t even think of seriously making music until his early 20s. “I started playing drums as a kid,” he recalls. “I played along with songs on the radio but mainly Bowie records.”
The music on HOME: A Nice Place To Visit offers listeners a profoundly immersive experience. “I’m really proud of the album,” Goldberg says. “I think I needed to step away from it for a bit to regain some perspective on it, which is always weird because now it’s truly like listening to somebody else... It’s not so much that I want to make music – I feel I have to, as if I have no choice.”
And so, he surrenders to his heart’s most urgent commands on the Goldberg Sisters’ HOME: A Nice Place To Visit, and for that, music fans can be thankful. TWITTER.
Just a month after sharing 'When Or Where Or Why' The Goldberg Sisters are back with the new track 'Dear Mr. Nilsson'. Once again the psych vibes are abundant, as are the hooks, the sixties influences are played out beautifully, this really is a song from the past, with the benefits of today's studio gear, wonderful!
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Alfred Hall - Quite Some Time.
Background - Prefacing their highly anticipated album due in May, Norweigian Indie Pop Duo, Alfred Hall are back with another lighthearted and catchy single, "Quite Some Time." With a style entirely inspired by the staple 60's sound, "Quite Some Time" throws you back in time and satisfies the need for a simple love ballad.
Since 2009, Alfred Hall, the brainchild of Hans Thomas Kiær (guitar) and Bjørn Tveit (vocals), have been serving straight-up indie dream-pop to the masses - combining the lightness of summer sounds and salty sea breeze, with the sylvan dusk of Norwegian frosted forests. Even after their second gig ever, the rave reviews started coming in, and with their first single "So Bright" (Norway), the band quickly became the band to watch out for in 2012. "So Bright" was a hit on international tastemaker radio stations and on Norwegian radio, making way for the album Wilderness, which was released exclusively in Norway in 2013.
The album was nominated for "Best Pop Album" in the Norwegian “Grammy’s", called “Spellemannsprisen." In 2014 the band made their first release worldwide with "Alfred Hall EP," followed by the single "The King of Cape" the year after. At the beginning of last month, they made a comeback with their latest single “Pearl Diver” that gained traction in the US market. Now they’re back again with their next single and are gearing up to release an album in May of this year. FACEBOOK.
'Quite Some Time' is an upbeat song that references pop music form the past and bundles it with more modern indie pop sensibilities. If the charts were full of songs like this I would still be a Top 40 fan, after all that's where this tune belongs.
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Lucy Wise - Veronica Bianqui - Woodes - Frøkedal
Lucy Wise - Solid Ground.
Background - Singer-songwriter Lucy Wise has released a taste of her third album Winter Sun. The songs on the forthcoming album show a strong artistic development since her last release back in 2015, and the lead single 'Solid Ground' is no exception. The track draws the listener in with its infectious groove and Appalachian Folk-inspired melody, and offers a warm, rich folk-rock band sound. It features some of Melbourne’s finest musicians: Justin Olsson (drums), Isaac Gunnoo (double bass) and Justin Bernasconi (electric guitar). 'Solid Ground' puts the listener in the shoes of someone finding their feet again after a breakup, saying that “it’s time to walk to your own rhythm, to find your way to solid ground”.
The music video for this release was produced by Lucy Wise in collaboration with Melbourne filmmaker, Rowan Gruner, and is a captivating and wistful reflection on finding resilience in everyday life. The video moves between an East Brunswick hilltop at sunrise, Lucy singing the song in a kitchen, and the unravelling of a long piece of string. As well as exploring the theme of finding one’s inner strength, it playfully celebrates the many beautiful nooks and crannies that Melbourne is made up of.
Produced and recorded by Nick Huggins, Lucy’s third studio album Winter Sun explores themes of love, joy and sadness, friendships and the relationships people form with their environment. It comprises songs inspired by Lucy’s travels and her reflections on her home city, Melbourne and features solo performances as well as full band arrangements, including guest appearances from Rowena Wise (backing vocals), John Flanagan (backing vocals) and Mischa Herman (accordion).
Lucy Wise has delighted audiences across Australia and internationally with her masterful storytelling, intricate ukulele and guitar playing and soulful voice. Drawing inspiration from her background in Appalachian and Celtic folk music, as well as legendary songwriters such as Joni Mitchell and Bob Dylan, Lucy’s songs sketch universally recognisable stories that are grounded in the realities of everyday experience. WEBSITE, FACEBOOK.
'Solid Ground' mixes folk genres together, with a growing hint of folk rock along the way. Everything about this song is good, the vocals are perfect for folk, I would even draw some comparisons with Sandy Denny, they are that natural. The music gently builds adding to the atmosphere, Lucy Wise is firmly on our one to watch list.
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Veronica Bianqui - Sunday Cups.
Background - Vocalist, songwriter, and multi-instrumentalist Veronica Bianqui integrates the raw energy of garage rock with the passion of classic soul and R&B, and the pop sensibilities of 60s girl groups while maintaining an intense yet playful edge. Perhaps it’s her background in musical theatre, jazz, classical, and even Indian classical music, or her mother’s propensity for blasting The Beatles and Joe Cocker around the house, but Bianqui’s tastes and influences cross a wide spectrum of sounds. In her live show, Bianqui and her band consisting of up to 10 members—reminiscent sometimes of a revue– combine classic showmanship with a heartfelt directness that keeps the music intimate.
Before breaking out with her solo material, Bianqui made a name for herself in the LA circuit, performing in bands that toured across the U.S. and Europe. As a current member of 1960’s inspired folk/surf/psych rock outfit The Blank Tapes, she balances the two bands, often collaborating with bandmate and co-producer Matt Adams, including on her debut album that is yet to be released.
Bianqui’s past gigs include the main stage at Echo Park Rising 2017, headlining slots at The Hi Hat and The Bootleg, a popular residency at Hollywood’s Harvard & Stone, shared bills with Mikal Cronin, The Coathangers, Dead Sara, Cosmonauts, Capital Cities, and more. She has self-booked multiple UK & European tours, and was hand-picked by bookers to play iconic Los Angeles venue The Echo’s 15 year anniversary party in December 2016. In light of this history behind her, it is easy to see why people are coming out in droves to see the young songstress live.
Her debut album–recorded with Mark Rains (Black Rebel Motorcycle Club, Shooter Jennings, Alice Bag, Death Valley Girls)– is nearing completion, and awaits release in 2018. WEBSITE, FACEBOOK.
We featured Veronica Bianqui back in November and 'Sunday Cups' is a much welcomed second song to share. This time we have restrained albeit quite hypnotic beat, with the melodic vocals well up in the mix, in fact this was a borderline acapella piece until a gorgeous musical arrangement developed towards the end.
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Woodes - Origami.
Background - Melbourne based artist Woodes returns in 2018 with yet another stellar single 'Origami', following on from her standout 2017 which made her one of the most exciting names in Australian indie music. Woodes drew inspiration from her experiences in Japan when creating 'Origami'. The bubbly, euphoric track is taken from Woodes awaited second EP titled 'Golden Hour' which is set for release on the 23rd of February.
Woodes co-wrote the track with local songwriter Thief and Jussi Ilmari while on a songwriting camp in Bali with additional production by Elkkle. Simon Lam from Kllo and Nearly Oratorio worked across the mixing and Grammy nominated Andrei Eremin mastered the new single.
Woodes commented on the writing process, "Origami started quite conceptually. We began with Origami as a title and then started drawing a big mind map of words relating to the methods and structure of creating something beautiful out of paper. Quite often when I write I have everything playing out in my head like a film. In my head I see two swans or cranes with their heads bending into one another. It was important that this song lived in a world that fused the harder sounding elements in the production with a soft bed of orchestral sounds.
I’ve been to Japan a couple times now, and learned Japanese throughout my schooling. I was 6 years old when I first visited & was so captivated by the mountains and the beautiful shrines and temples. My Japanese teacher in primary school had an honour system in her class where if you did good work and collected enough red stamps you were rewarded with a small gift she had purchased on her trips there, which were treasured by me.
I took the track back to my studio in Melbourne and began to orchestrate it. I knew I wanted the clarinet and strings to be featured quite heavily. The final session ended up being my largest amount of layers to date – 137 tracks. It took a long time to work out how to blend that many layers into something both rich in sound yet simple on the ear." WEBSITE, FACEBOOK.
If a music blog could have a house band/artist then Woodes would be a serious contender, as this is her sixth appearance on Beehive Candy. 'Origami' is another creative song, the soundtrack is intricate and rich with ideas, Woodes vocals are like a butterfly fluttering above with melodic gorgeousness. Looking forward to more, if they are this good and we can share them, expect just that.
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Frøkedal - Believe.
Background - Oslo, Norway based Frøkedal today releases a new single — ‘Believe’, in advance of her much-anticipated second album, due Autumn 2018.
Eloquently manoeuvring her way around chugging guitars and swirling strings, Anne Lise Frøkedal appears to be highlighting the importance of believing blindly in oneself, almost a pep-talk: "And you’re all trying to take care of me / Is it kindness? Is it tyranny? / All my dreams are still alive / I’ve got my mind set right this time / baby believe”. Far from the acoustic sensibilities of previous singles, ‘Believe’ signals an arguably more “mature” sound for Frøkedal–combining full band with folk-leaning string sections. A more confident approach - perfectly reflected in her captivating lyrics.
Speaking a little more on the new release, Frøkedal explained: "'Believe' is Tom Cruise driving at full speed along the winding roads of Western Norway, in an open convertible even though there is light rain in the air. The song is juggling confidence and charisma in its message about keeping faith through the vanishing echoes of fiddle-ridden rock ’n roll.”
Despite track-by-track production, Frøkedal’s lyrical output has taken a much more thematic approach with recent releases, ‘Believe’ included: “When I started writing this new material, I was picturing different ages or stages in our lives when our vision gets a little blurred. I wanted the songs (and the characters) to channel these critical moments when decisions are dominated by emotion and not necessarily by logic,” she says.
‘Believe’ joins Frøkedal’s already-impressive body of work, following collaborative stints with Robyn Hitchcock and successful Norwegian outfits Harrys Gym and I Was A King. WEBSITE, FACEBOOK.
Frøkedal is another artist who has consistently impressed Beehive Candy. New song 'Believe' continues that positive trend, it's a refined and smooth indie rocker where the distinct vocals add melody, emotion and a multitude of hooks, in a word, captivating.
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Background - Singer-songwriter Lucy Wise has released a taste of her third album Winter Sun. The songs on the forthcoming album show a strong artistic development since her last release back in 2015, and the lead single 'Solid Ground' is no exception. The track draws the listener in with its infectious groove and Appalachian Folk-inspired melody, and offers a warm, rich folk-rock band sound. It features some of Melbourne’s finest musicians: Justin Olsson (drums), Isaac Gunnoo (double bass) and Justin Bernasconi (electric guitar). 'Solid Ground' puts the listener in the shoes of someone finding their feet again after a breakup, saying that “it’s time to walk to your own rhythm, to find your way to solid ground”.
The music video for this release was produced by Lucy Wise in collaboration with Melbourne filmmaker, Rowan Gruner, and is a captivating and wistful reflection on finding resilience in everyday life. The video moves between an East Brunswick hilltop at sunrise, Lucy singing the song in a kitchen, and the unravelling of a long piece of string. As well as exploring the theme of finding one’s inner strength, it playfully celebrates the many beautiful nooks and crannies that Melbourne is made up of.
Produced and recorded by Nick Huggins, Lucy’s third studio album Winter Sun explores themes of love, joy and sadness, friendships and the relationships people form with their environment. It comprises songs inspired by Lucy’s travels and her reflections on her home city, Melbourne and features solo performances as well as full band arrangements, including guest appearances from Rowena Wise (backing vocals), John Flanagan (backing vocals) and Mischa Herman (accordion).
Lucy Wise has delighted audiences across Australia and internationally with her masterful storytelling, intricate ukulele and guitar playing and soulful voice. Drawing inspiration from her background in Appalachian and Celtic folk music, as well as legendary songwriters such as Joni Mitchell and Bob Dylan, Lucy’s songs sketch universally recognisable stories that are grounded in the realities of everyday experience. WEBSITE, FACEBOOK.
'Solid Ground' mixes folk genres together, with a growing hint of folk rock along the way. Everything about this song is good, the vocals are perfect for folk, I would even draw some comparisons with Sandy Denny, they are that natural. The music gently builds adding to the atmosphere, Lucy Wise is firmly on our one to watch list.
------------------------------------------------------------------------------------------------------------------------
Veronica Bianqui - Sunday Cups.
Background - Vocalist, songwriter, and multi-instrumentalist Veronica Bianqui integrates the raw energy of garage rock with the passion of classic soul and R&B, and the pop sensibilities of 60s girl groups while maintaining an intense yet playful edge. Perhaps it’s her background in musical theatre, jazz, classical, and even Indian classical music, or her mother’s propensity for blasting The Beatles and Joe Cocker around the house, but Bianqui’s tastes and influences cross a wide spectrum of sounds. In her live show, Bianqui and her band consisting of up to 10 members—reminiscent sometimes of a revue– combine classic showmanship with a heartfelt directness that keeps the music intimate.
Before breaking out with her solo material, Bianqui made a name for herself in the LA circuit, performing in bands that toured across the U.S. and Europe. As a current member of 1960’s inspired folk/surf/psych rock outfit The Blank Tapes, she balances the two bands, often collaborating with bandmate and co-producer Matt Adams, including on her debut album that is yet to be released.
Bianqui’s past gigs include the main stage at Echo Park Rising 2017, headlining slots at The Hi Hat and The Bootleg, a popular residency at Hollywood’s Harvard & Stone, shared bills with Mikal Cronin, The Coathangers, Dead Sara, Cosmonauts, Capital Cities, and more. She has self-booked multiple UK & European tours, and was hand-picked by bookers to play iconic Los Angeles venue The Echo’s 15 year anniversary party in December 2016. In light of this history behind her, it is easy to see why people are coming out in droves to see the young songstress live.
Her debut album–recorded with Mark Rains (Black Rebel Motorcycle Club, Shooter Jennings, Alice Bag, Death Valley Girls)– is nearing completion, and awaits release in 2018. WEBSITE, FACEBOOK.
We featured Veronica Bianqui back in November and 'Sunday Cups' is a much welcomed second song to share. This time we have restrained albeit quite hypnotic beat, with the melodic vocals well up in the mix, in fact this was a borderline acapella piece until a gorgeous musical arrangement developed towards the end.
--------------------------------------------------------------------------------------------------------------------------
Woodes - Origami.
Background - Melbourne based artist Woodes returns in 2018 with yet another stellar single 'Origami', following on from her standout 2017 which made her one of the most exciting names in Australian indie music. Woodes drew inspiration from her experiences in Japan when creating 'Origami'. The bubbly, euphoric track is taken from Woodes awaited second EP titled 'Golden Hour' which is set for release on the 23rd of February.
Woodes co-wrote the track with local songwriter Thief and Jussi Ilmari while on a songwriting camp in Bali with additional production by Elkkle. Simon Lam from Kllo and Nearly Oratorio worked across the mixing and Grammy nominated Andrei Eremin mastered the new single.
Woodes commented on the writing process, "Origami started quite conceptually. We began with Origami as a title and then started drawing a big mind map of words relating to the methods and structure of creating something beautiful out of paper. Quite often when I write I have everything playing out in my head like a film. In my head I see two swans or cranes with their heads bending into one another. It was important that this song lived in a world that fused the harder sounding elements in the production with a soft bed of orchestral sounds.
I’ve been to Japan a couple times now, and learned Japanese throughout my schooling. I was 6 years old when I first visited & was so captivated by the mountains and the beautiful shrines and temples. My Japanese teacher in primary school had an honour system in her class where if you did good work and collected enough red stamps you were rewarded with a small gift she had purchased on her trips there, which were treasured by me.
I took the track back to my studio in Melbourne and began to orchestrate it. I knew I wanted the clarinet and strings to be featured quite heavily. The final session ended up being my largest amount of layers to date – 137 tracks. It took a long time to work out how to blend that many layers into something both rich in sound yet simple on the ear." WEBSITE, FACEBOOK.
If a music blog could have a house band/artist then Woodes would be a serious contender, as this is her sixth appearance on Beehive Candy. 'Origami' is another creative song, the soundtrack is intricate and rich with ideas, Woodes vocals are like a butterfly fluttering above with melodic gorgeousness. Looking forward to more, if they are this good and we can share them, expect just that.
--------------------------------------------------------------------------------------------------------------------------
Frøkedal - Believe.
Background - Oslo, Norway based Frøkedal today releases a new single — ‘Believe’, in advance of her much-anticipated second album, due Autumn 2018.
Eloquently manoeuvring her way around chugging guitars and swirling strings, Anne Lise Frøkedal appears to be highlighting the importance of believing blindly in oneself, almost a pep-talk: "And you’re all trying to take care of me / Is it kindness? Is it tyranny? / All my dreams are still alive / I’ve got my mind set right this time / baby believe”. Far from the acoustic sensibilities of previous singles, ‘Believe’ signals an arguably more “mature” sound for Frøkedal–combining full band with folk-leaning string sections. A more confident approach - perfectly reflected in her captivating lyrics.
Speaking a little more on the new release, Frøkedal explained: "'Believe' is Tom Cruise driving at full speed along the winding roads of Western Norway, in an open convertible even though there is light rain in the air. The song is juggling confidence and charisma in its message about keeping faith through the vanishing echoes of fiddle-ridden rock ’n roll.”
Despite track-by-track production, Frøkedal’s lyrical output has taken a much more thematic approach with recent releases, ‘Believe’ included: “When I started writing this new material, I was picturing different ages or stages in our lives when our vision gets a little blurred. I wanted the songs (and the characters) to channel these critical moments when decisions are dominated by emotion and not necessarily by logic,” she says.
‘Believe’ joins Frøkedal’s already-impressive body of work, following collaborative stints with Robyn Hitchcock and successful Norwegian outfits Harrys Gym and I Was A King. WEBSITE, FACEBOOK.
Frøkedal is another artist who has consistently impressed Beehive Candy. New song 'Believe' continues that positive trend, it's a refined and smooth indie rocker where the distinct vocals add melody, emotion and a multitude of hooks, in a word, captivating.
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Frøkedal - INHEAVEN - Knifey - Cody & Danz
Frøkedal - LTF / Cracks.
Background - Oslo, Norway based artist Frøkedal has released a new double single — ‘LTF’ / ‘Cracks’. Two captivating pieces of music, ‘LTF’ and ‘Cracks’ are similar in the sense that they both describe how feelings of love are often accompanied by an almost-physical fear. Yet, the two songs differ in their urgency, instrumentation, and overall artistic delivery.
‘LTF’ is full of twists and turns, as Anne Lise Frøkedal navigates her way around bustling drum work and complex guitar passages, hinting at a state of emotional bedlam: “Everything we aimed to be / The image stirs so easily / Too fast to follow / I don’t know what you’re doing to me”.
Speaking a little more on the tracks, Frøkedal explained: "‘LTF’ is set in an urban landscape, and inspired by the escalating chaos of daily life, whereas ‘Cracks’ gets back to basics – it’s more vulnerable, and mature in that way. ‘Cracks’ suggests that the problem lies in our nature – nothing is more scary than exposing our weaknesses and imperfections."
Instrumentally, the double release could be argued to be one of Frøkedal most diverse yet. "I wanted the arrangements in ‘LTF’ to channel the more chaotic nature of the lyric” Frøkedal says.
"The second instrumental in ‘LTF’ is like a mini-postcard from last year when I was a clueless Norwegian trying to navigate the busy and bustling streets of Beijing. I laughed a lot when I realised I had musically recreated that moment” - perhaps referencing the tumultuous instrumental finale to the track.
"‘Cracks’ is painfully honest. It was difficult writing a song like that, but I really wanted to try shortening the distance a little, lay it open. I got Familien [Frøkedal’s band] to sing a verse with me, because the theme feels universal. One of my favourite percussion instruments is the Cajun triangle, and you can hear a trace of it in the bridge of ‘Cracks’. To me, it sounds like a reminder of danger lurking around the corner.”
Despite track-by-track production, Frøkedal’s lyrical output has taken a much more thematic approach with recent single ’Stranger’, and the double single released today: “When I started writing this new material, I was picturing different ages or stages in our lives when our vision gets a little blurred. I wanted the songs (and the characters) to channel these critical moments when decisions are dominated by emotion and not necessarily by logic,” she says.
‘LTF’ and ‘Cracks' join Frøkedal’s already-impressive body of work, having previously collaborated with Robyn Hitchcock and fronted successful Norwegian outfit Harrys Gym. She remains a core member of I Was A King, who count Sufjan Stevens and Teenage Fanclub’s Norman Blake among past collaborators. Purchase here, Facebook here.
I mentioned back in June that I hoped I might be able to share some more material from Frøkedal this year & now we have two superb new songs 'LTF' and 'Cracks'. Both have the hallmark of quality that she consistently delivers, if you like either of these two tunes I thoroughly recommend her Norwegian Grammy-nominated debut LP of 2016, ‘Hold On Dreamer’.
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INHEAVEN - Stupid Things.
Background - Now counting down the days until their self-titled debut album is released on September 1st, INHEAVEN have already received an overwhelmingly positive reaction for the collection. Now the band present a final taster for the album by sharing the new track ‘Stupid Things’.
Produced by Tom Dalgety (Royal Blood, Pixies), ‘Stupid Things’ captures INHEAVEN at their most anthemic and romantic. As co-vocalists James Taylor and Chloe Little share sweet vocal harmonies over the track’s pounding rhythms, ‘Stupid Things’ takes you to a different place to the rest of the INHEAVEN songbook - a place where Brit attitude, boisterous grunge and Springsteen-esque Americana live in perfect harmony.
Lyrically it’s a song that reflects a near universal youth experience. As the band explain: “‘Stupid Things’ is a song for daydreamers. It’s about a love that exists outside of reality, it’s a romanticism you’ve created in your own head - but in the real world you have never even spoken to this person you think you know so well. It’s a school crush that feels like it will last forever. And it’s our very own coming of age soundtrack.”
INHEAVEN’s debut is the sound of a band who are set to change the lives of teenagers the length and breadth of the nation, and beyond. It’s a set that sprawls across the alt.rock spectrum from feral snapfire punk to the moody melodic distortion of shoegaze and the loud/quiet/loud dynamics of grunge. The life-affirming energy of their music combined with their individualistic ethos combine to make a band worth investing in beyond simply adding a few tracks to your Spotify playlist. Facebook here.
Following on from the live song 'Vultures' that we shared at the end of May, we now have 'Stupid Things' a thunderous rock anthem that combines melody and a rich rock arrangement with vocals and harmonies adding something quite special to this fabulous track.
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Knifey - Summer Girls.
Background - The new Knifey single is another perfect encapsulation of the surf-punk's Modus Operandi; it's as much a rallying cry for a rawkus beach party, as it is a wistful look back at what could've been.
Dripping with summer soaked nostalgia, the track is a last stand to the waning days of perpetual sun and a holiday romances. Blasting out your speakers, the song comes from their debut LP 'Beached', out this September 29th.
Quote about the song from lead singer Max Trinz: From frantic highs to ardent lows, Summer Girls is a song about romance and passion in the deep summer. It's about the fast kind of love you can blink and miss while speeding down lazy summer roads.
Reflective, patient hooks rise above relentless percussion and blistering guitars. Like all Toronto summers, the song is short and precious, and, like the coming fall, quickly slows into a dreamy, reflective outro that yearns for things not appreciated in their time. Facebook here.
It's third time this year for Knifey on Beehive Candy and this time we have 'Summer Girls' a sub three minute sparkling surf punk song. Passionate, vibrant and charged with power, it's more evidence that this band can turn out fabulous music that should be noticed.
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Cody & Danz - So Small.
Background - Cody & Danz have shared their new video from their debut EP. The song "So Small" comes from Only The Hits, which released on July 14th via Channel 9 Records in the USA and Tugboat Records in Japan. Cool Hunting calls the song "rambunctious" and says it "carries tremendous force without disrupting the pop sensibilities and musical intelligence of the two musicians."
On the video, Cool Hunting adds, "Directed by Derik Smith, the visuals offer a candid-like take on an ordinary hang with Crump and Danz. It's simple, fun and works in tandem with the song." Look out for a John Stamos appearance, as well.
The two artists both have burgeoning solo projects: Cody Crump and Computer Magic. Cody lives in LA and Danz lives in NYC. Consequence of Sound says, "Though about 3,000 miles separate these two musicians, their minds meet on one project, their collaborative debut EP, Only The Hits." Website here, Facebook here.
Whilst we are in the habit of undertaking additional features for artists in 2017, lets not miss out on Cody & Danz this time with the new music video for 'So Small'. Potent, grungy, and punk fuelled, it's both primal and magnificent!
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Background - Oslo, Norway based artist Frøkedal has released a new double single — ‘LTF’ / ‘Cracks’. Two captivating pieces of music, ‘LTF’ and ‘Cracks’ are similar in the sense that they both describe how feelings of love are often accompanied by an almost-physical fear. Yet, the two songs differ in their urgency, instrumentation, and overall artistic delivery.
‘LTF’ is full of twists and turns, as Anne Lise Frøkedal navigates her way around bustling drum work and complex guitar passages, hinting at a state of emotional bedlam: “Everything we aimed to be / The image stirs so easily / Too fast to follow / I don’t know what you’re doing to me”.
Speaking a little more on the tracks, Frøkedal explained: "‘LTF’ is set in an urban landscape, and inspired by the escalating chaos of daily life, whereas ‘Cracks’ gets back to basics – it’s more vulnerable, and mature in that way. ‘Cracks’ suggests that the problem lies in our nature – nothing is more scary than exposing our weaknesses and imperfections."
Instrumentally, the double release could be argued to be one of Frøkedal most diverse yet. "I wanted the arrangements in ‘LTF’ to channel the more chaotic nature of the lyric” Frøkedal says.
"The second instrumental in ‘LTF’ is like a mini-postcard from last year when I was a clueless Norwegian trying to navigate the busy and bustling streets of Beijing. I laughed a lot when I realised I had musically recreated that moment” - perhaps referencing the tumultuous instrumental finale to the track.
"‘Cracks’ is painfully honest. It was difficult writing a song like that, but I really wanted to try shortening the distance a little, lay it open. I got Familien [Frøkedal’s band] to sing a verse with me, because the theme feels universal. One of my favourite percussion instruments is the Cajun triangle, and you can hear a trace of it in the bridge of ‘Cracks’. To me, it sounds like a reminder of danger lurking around the corner.”
Despite track-by-track production, Frøkedal’s lyrical output has taken a much more thematic approach with recent single ’Stranger’, and the double single released today: “When I started writing this new material, I was picturing different ages or stages in our lives when our vision gets a little blurred. I wanted the songs (and the characters) to channel these critical moments when decisions are dominated by emotion and not necessarily by logic,” she says.
‘LTF’ and ‘Cracks' join Frøkedal’s already-impressive body of work, having previously collaborated with Robyn Hitchcock and fronted successful Norwegian outfit Harrys Gym. She remains a core member of I Was A King, who count Sufjan Stevens and Teenage Fanclub’s Norman Blake among past collaborators. Purchase here, Facebook here.
I mentioned back in June that I hoped I might be able to share some more material from Frøkedal this year & now we have two superb new songs 'LTF' and 'Cracks'. Both have the hallmark of quality that she consistently delivers, if you like either of these two tunes I thoroughly recommend her Norwegian Grammy-nominated debut LP of 2016, ‘Hold On Dreamer’.
--------------------------------------------------------------------------------------------------------------------------
INHEAVEN - Stupid Things.
Background - Now counting down the days until their self-titled debut album is released on September 1st, INHEAVEN have already received an overwhelmingly positive reaction for the collection. Now the band present a final taster for the album by sharing the new track ‘Stupid Things’.
Produced by Tom Dalgety (Royal Blood, Pixies), ‘Stupid Things’ captures INHEAVEN at their most anthemic and romantic. As co-vocalists James Taylor and Chloe Little share sweet vocal harmonies over the track’s pounding rhythms, ‘Stupid Things’ takes you to a different place to the rest of the INHEAVEN songbook - a place where Brit attitude, boisterous grunge and Springsteen-esque Americana live in perfect harmony.
Lyrically it’s a song that reflects a near universal youth experience. As the band explain: “‘Stupid Things’ is a song for daydreamers. It’s about a love that exists outside of reality, it’s a romanticism you’ve created in your own head - but in the real world you have never even spoken to this person you think you know so well. It’s a school crush that feels like it will last forever. And it’s our very own coming of age soundtrack.”
INHEAVEN’s debut is the sound of a band who are set to change the lives of teenagers the length and breadth of the nation, and beyond. It’s a set that sprawls across the alt.rock spectrum from feral snapfire punk to the moody melodic distortion of shoegaze and the loud/quiet/loud dynamics of grunge. The life-affirming energy of their music combined with their individualistic ethos combine to make a band worth investing in beyond simply adding a few tracks to your Spotify playlist. Facebook here.
Following on from the live song 'Vultures' that we shared at the end of May, we now have 'Stupid Things' a thunderous rock anthem that combines melody and a rich rock arrangement with vocals and harmonies adding something quite special to this fabulous track.
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Knifey - Summer Girls.
Background - The new Knifey single is another perfect encapsulation of the surf-punk's Modus Operandi; it's as much a rallying cry for a rawkus beach party, as it is a wistful look back at what could've been.
Dripping with summer soaked nostalgia, the track is a last stand to the waning days of perpetual sun and a holiday romances. Blasting out your speakers, the song comes from their debut LP 'Beached', out this September 29th.
Quote about the song from lead singer Max Trinz: From frantic highs to ardent lows, Summer Girls is a song about romance and passion in the deep summer. It's about the fast kind of love you can blink and miss while speeding down lazy summer roads.
Reflective, patient hooks rise above relentless percussion and blistering guitars. Like all Toronto summers, the song is short and precious, and, like the coming fall, quickly slows into a dreamy, reflective outro that yearns for things not appreciated in their time. Facebook here.
It's third time this year for Knifey on Beehive Candy and this time we have 'Summer Girls' a sub three minute sparkling surf punk song. Passionate, vibrant and charged with power, it's more evidence that this band can turn out fabulous music that should be noticed.
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Cody & Danz - So Small.
Background - Cody & Danz have shared their new video from their debut EP. The song "So Small" comes from Only The Hits, which released on July 14th via Channel 9 Records in the USA and Tugboat Records in Japan. Cool Hunting calls the song "rambunctious" and says it "carries tremendous force without disrupting the pop sensibilities and musical intelligence of the two musicians."
On the video, Cool Hunting adds, "Directed by Derik Smith, the visuals offer a candid-like take on an ordinary hang with Crump and Danz. It's simple, fun and works in tandem with the song." Look out for a John Stamos appearance, as well.
The two artists both have burgeoning solo projects: Cody Crump and Computer Magic. Cody lives in LA and Danz lives in NYC. Consequence of Sound says, "Though about 3,000 miles separate these two musicians, their minds meet on one project, their collaborative debut EP, Only The Hits." Website here, Facebook here.
Whilst we are in the habit of undertaking additional features for artists in 2017, lets not miss out on Cody & Danz this time with the new music video for 'So Small'. Potent, grungy, and punk fuelled, it's both primal and magnificent!
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Frøkedal - So Below - Alexa Dark
Frøkedal - Stranger.
Background - Acclaimed Oslo, Norway based artist Frøkedal is now sharing her new single ‘Stranger’. Celebrated by the likes of The New Yorker, The Sunday Times, The Independent and Q Magazine; new single ‘Stranger’ is a worthy successor to her Norwegian Grammy-nominated debut LP of 2016, ‘Hold On Dreamer’.
The track explores the promise of new beginnings – both in a lyrical and more literal sense – with ‘Stranger’ signalling the first in a series of standalone singles this year for Norwegian singer/songwriter/producer Anne Lise Frøkedal.
“I was working with my own dogma on the last album,” Frøkedal explains, “the fact that I wanted everything to sound very simple and ‘less is more’ in terms of instrumentation. This time round, I wanted to work song-by-song for a little while, just to liberate myself I guess. We just followed the track and did what we thought was best for each individual song, and somehow they ended up sounding quite natural and organic – dry vocals, not a lot of effects, but probably more textured and detailed in a way.”
Despite track-by-track production, Frøkedal’s lyrical output took a much more thematic approach: “When I started writing this new material, I was picturing different ages or stages in our lives when our vision gets a little blurred. I wanted the songs (and the characters) to channel these critical moments when decisions are dominated by emotion and not necessarily by logic,” she says.
Though the new tracks are not written, or presented, in clear chronology, ‘Stranger’ does feel like a natural place to start – written from the perspective of a young person, leaving behind their childhood and stepping out into the unknown. “It’s an adventurous song, and looks upon the future positively, but in a sense of leaving behind all you know in hope of what’s around the corner. It looks back on that urge to leave with a certain nostalgia; how being a young dreamer is both a beautiful and naive thing.” Facebook here.
Last years 'Hold On Dreamer' album, was one of my favourites for 2016 and with new song 'Stranger' Frøkedal continues the momentum. It's fresh and understated musical arrangement makes a fine backdrop for her melodic and purposeful vocals. With more singles to follow this year, I hope we can share some of them in due course.
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So Below - Ruin.
Background - Following on from the success of single 'Hard', released late last year, New Zealand born goth-pop artist So Below has returned with a brand new single, 'Ruin'. Co-written with Sombear of Now, Now and Chelsea Jade - with additional production from The Naked and Famous' Aaron Short - the track takes cues from the darker reaches of electronica while readapting the modern dance format for a midnight-hued take on pop music.
Set to a tapestry of pulsing bass and heavy duty kicks, ‘Ruin’ acts as an ode to disappointment, emphasizing the emptiness after placing your trust in those who do not deserve it. Using the more electronic hints of Trent Reznor’s work in Nine Inch Nails as a reference point, So Below’s vocals glide over the track’s steadily enveloping instrumental, applying pressure and intensity leading into the track’s crescendo, a wash of full bodied synths and emotionally wrought lyricism.
Teaming up in the UK for the first time with London based label Limited Health (S4U/Raveena), ‘Ruin’ is a realization of So Below’s full potential as one of pop music’s most impactful and innovative artists. Bringing together shades of modern electronica’s darker side as well as a maturity of songwriting beyond her years, So Below’s latest single is a masterful take on pop’s tried and true formula - leaving a track that’s as subtle as it is intense, engaging existing fans while surely inspiring a wave of new ones. Facebook here.
This is the forth appearance of So Below on Beehive Candy, this time with the new single 'Ruin'. It's true to say that it's a little less goth, with some fine dance orientated electronica adding a different dimension. Overall So Below remains consistent in delivering some superb hook laden material, so much so, that a fifth appearance seems pretty likely!
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Alexa Dark - Empty Drinks.
Background - Alternative rock songwriter and guitarist, Alexa Dark, announces her debut EP, Empty Drinks/Empty Hearts, due out August 2017. The album was produced by Angelo "Doc" Velasquez (The Weeknd's Trilogy, The Fray, Christina Perri) and mixed by Patrick Kelly. Alexa Dark also debuts her new single and music video, "Empty Drinks.
Raised between Spain, London and Germany, now based in New York City and London, the songs are inspired by Alexa Dark's transient lifestyle. The songs were written in bedrooms, planes, between drinks outside East London clubs during early morning hours and on the concrete of various metropolitan cities. Conceived in heartbreak, in transit and from boundless nostalgia, these tracks intertwine cultural and personal narratives, influenced by the Spanish singer songwriters played in her childhood kitchen, in addition to female rock legends such as Patti Smith, Debbie Harry and Kim Gordon.
Empty Drinks/Empty Hearts is a collection of songs cultivated in the brief moment when the party is over, when the sobriety comes just before the morning does. "Blur" is one of the first songs Alexa wrote and has evolved to cater to many different relationships and situations throughout her life. "Nothing More" is an "anti-love" song, about loving but in an untraditional sense. Referring to the EP's title, "Empty Drinks" is a party anthem that encapsulates the sober realization and reflection on the emptiness felt at the end of the night. Website here, Facebook here.
We featured 'Blur' just last month and the latest track shared 'Empty Drinks' deserves our attention as well. We stated in our previous article that her "vocals are well suited to alt rock, tuneful with just a little rock'n'roll edge". That seems a fair assessment in light of this fine new song. Alexa Dark is a natural alt rock artist with some quality musicians alongside, adding some alt rock power.
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Background - Acclaimed Oslo, Norway based artist Frøkedal is now sharing her new single ‘Stranger’. Celebrated by the likes of The New Yorker, The Sunday Times, The Independent and Q Magazine; new single ‘Stranger’ is a worthy successor to her Norwegian Grammy-nominated debut LP of 2016, ‘Hold On Dreamer’.
The track explores the promise of new beginnings – both in a lyrical and more literal sense – with ‘Stranger’ signalling the first in a series of standalone singles this year for Norwegian singer/songwriter/producer Anne Lise Frøkedal.
“I was working with my own dogma on the last album,” Frøkedal explains, “the fact that I wanted everything to sound very simple and ‘less is more’ in terms of instrumentation. This time round, I wanted to work song-by-song for a little while, just to liberate myself I guess. We just followed the track and did what we thought was best for each individual song, and somehow they ended up sounding quite natural and organic – dry vocals, not a lot of effects, but probably more textured and detailed in a way.”
Despite track-by-track production, Frøkedal’s lyrical output took a much more thematic approach: “When I started writing this new material, I was picturing different ages or stages in our lives when our vision gets a little blurred. I wanted the songs (and the characters) to channel these critical moments when decisions are dominated by emotion and not necessarily by logic,” she says.
Though the new tracks are not written, or presented, in clear chronology, ‘Stranger’ does feel like a natural place to start – written from the perspective of a young person, leaving behind their childhood and stepping out into the unknown. “It’s an adventurous song, and looks upon the future positively, but in a sense of leaving behind all you know in hope of what’s around the corner. It looks back on that urge to leave with a certain nostalgia; how being a young dreamer is both a beautiful and naive thing.” Facebook here.
Last years 'Hold On Dreamer' album, was one of my favourites for 2016 and with new song 'Stranger' Frøkedal continues the momentum. It's fresh and understated musical arrangement makes a fine backdrop for her melodic and purposeful vocals. With more singles to follow this year, I hope we can share some of them in due course.
--------------------------------------------------------------------------------------------------------------------------
So Below - Ruin.
Background - Following on from the success of single 'Hard', released late last year, New Zealand born goth-pop artist So Below has returned with a brand new single, 'Ruin'. Co-written with Sombear of Now, Now and Chelsea Jade - with additional production from The Naked and Famous' Aaron Short - the track takes cues from the darker reaches of electronica while readapting the modern dance format for a midnight-hued take on pop music.
Set to a tapestry of pulsing bass and heavy duty kicks, ‘Ruin’ acts as an ode to disappointment, emphasizing the emptiness after placing your trust in those who do not deserve it. Using the more electronic hints of Trent Reznor’s work in Nine Inch Nails as a reference point, So Below’s vocals glide over the track’s steadily enveloping instrumental, applying pressure and intensity leading into the track’s crescendo, a wash of full bodied synths and emotionally wrought lyricism.
Teaming up in the UK for the first time with London based label Limited Health (S4U/Raveena), ‘Ruin’ is a realization of So Below’s full potential as one of pop music’s most impactful and innovative artists. Bringing together shades of modern electronica’s darker side as well as a maturity of songwriting beyond her years, So Below’s latest single is a masterful take on pop’s tried and true formula - leaving a track that’s as subtle as it is intense, engaging existing fans while surely inspiring a wave of new ones. Facebook here.
This is the forth appearance of So Below on Beehive Candy, this time with the new single 'Ruin'. It's true to say that it's a little less goth, with some fine dance orientated electronica adding a different dimension. Overall So Below remains consistent in delivering some superb hook laden material, so much so, that a fifth appearance seems pretty likely!
--------------------------------------------------------------------------------------------------------------------------
Alexa Dark - Empty Drinks.
Background - Alternative rock songwriter and guitarist, Alexa Dark, announces her debut EP, Empty Drinks/Empty Hearts, due out August 2017. The album was produced by Angelo "Doc" Velasquez (The Weeknd's Trilogy, The Fray, Christina Perri) and mixed by Patrick Kelly. Alexa Dark also debuts her new single and music video, "Empty Drinks.
Raised between Spain, London and Germany, now based in New York City and London, the songs are inspired by Alexa Dark's transient lifestyle. The songs were written in bedrooms, planes, between drinks outside East London clubs during early morning hours and on the concrete of various metropolitan cities. Conceived in heartbreak, in transit and from boundless nostalgia, these tracks intertwine cultural and personal narratives, influenced by the Spanish singer songwriters played in her childhood kitchen, in addition to female rock legends such as Patti Smith, Debbie Harry and Kim Gordon.
Empty Drinks/Empty Hearts is a collection of songs cultivated in the brief moment when the party is over, when the sobriety comes just before the morning does. "Blur" is one of the first songs Alexa wrote and has evolved to cater to many different relationships and situations throughout her life. "Nothing More" is an "anti-love" song, about loving but in an untraditional sense. Referring to the EP's title, "Empty Drinks" is a party anthem that encapsulates the sober realization and reflection on the emptiness felt at the end of the night. Website here, Facebook here.
We featured 'Blur' just last month and the latest track shared 'Empty Drinks' deserves our attention as well. We stated in our previous article that her "vocals are well suited to alt rock, tuneful with just a little rock'n'roll edge". That seems a fair assessment in light of this fine new song. Alexa Dark is a natural alt rock artist with some quality musicians alongside, adding some alt rock power.
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