Melody was raised in a musical family and at sixteen years of age her new song 'Room 111' clearly demonstrates the fruit-age of that environment, with this gorgeous singer songwriter song. === Amaroun makes her third appearance on Beehive Candy with 'Rise' and once again this talented artist develops a unique and rich musical piece. === It's been a year since we last shared some music from Cat Princess however they are back with a cover version of 'These Boots Are Made For Walkin' where they notably put their own stamp on it. === Grace Gillespie returns with her latest single 'HUH' and again she is consistently creative and just wonderful to listen too.
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Melody - Room 111.
Melody recently announced she will release a new EP called Teachers Pet on June 12th via Lauren Records, and she's back with a new track.
Melody Caudill is a 16 year old singer-songwriter from Los Angeles, California. Coming from a musical family, and learning how to play piano at the ripe age of four, she’s been immersed in the creative world of songwriting since before she was in kindergarten. After picking up the ukulele at 13, learning guitar became the natural next step. With inspirations from artists like Priscilla Ahn, Phoebe Bridgers, and Elliott Smith, Caudill writes with a certain sense of vulnerability and confidence.
”Room 111” is about Melody's 8th grade English class/teacher who saw herself in Melody and made her realize the feelings she was experiencing were totally normal and actually really special. Or as Melody puts it, the song is about "the longing for familiarity, but also the desire to move on and not be that awkward, sweaty middle schooler anymore."
Ever since she could remember, Melody was always making up new songs. “It was never a question, I always did that.” Caudill shared about writing her own music. At the age of 12, she became enamored with music in a new way. She decided to record some of the songs she had written at 13 to keep as a makeshift time capsule for herself. After the producer told her she should consider releasing the music she had created, Melody did just that.
At 13, she recorded and released her first EP, Thirteen. Thirteen chronicles the life of a pre-teen navigating new life changes. Now 16, Melody has written her second EP, Teachers Pet. Teachers Pet captures the essence of what it’s like to be in high school dealing with issues of self-confidence and finding a sense of belonging. However, Melody isn’t to be boiled down to another angst-driven teen. Her songwriting touches the core of the emotional turmoil we all go through. Whether that’s feeling smaller than your peers or being afraid to show your true self, there are just some inner-struggles we never grow out of.
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Amaroun - Rise.
Amaroun is back with new single ‘Rise’. It follows last months release of ‘Alive’, a collaboration with Mansa and produced by Boris Labant, and the March release of the Charles Watson (Slowclub) co-written and Charlie Andrews (Alt J/ Matt Corby/ Maricka Hackman) produced single ’Talk’.
Once again co written with Boris Labant, ‘Rise’ tells the story of a woman who is in doubt and in deep self hate but her inner positive voice breaks through telling her to rise, Jay (Amaroun) explains that "When you fall or get knocked down, do not stay down, do not let them hold you down, rise up, rise up against oppression. If you are marginalised, if you are queer, it’s hard out there! Tell your story proudly, see yourself, your change and your journey as beautiful and as growth. You are an ever changing authentic being so just be exactly that".
Amaroun has appeared at The Great Escape, Standon Calling, Liverpool Sound City, Dot To Dot, Hit The North, Live At Leeds, Deer Shed Festival, and Curious Arts Festival, and been played by Huw Stephens (BBC Radio 1), Chris Hawkins (BBC 6 Music), Lal Mattock (BBC Introducing), Amazing Radio and Radio X.
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Cat Princess - These Boots Are Made For Walkin'.
Uppsala quintet Cat Princess formed at a New Year's party and debuted only days after playing at guitarist Robin's birthday party. Singer Nils joined the gang after the band heard him sing that same night. Just as spontaneous as the band's birth are their music. Last year Cat Princess' long-awaited debut album Forbidden Items was released on all platforms and limited vinyl. The album contained singles Rocko's Theme, Silver Socks and Sweet which have all received praise from as well Swedish media and international blogs.
The band is now back with a cover of Nancy Sinatra classic These Boots Are Made for Walkin’. A version that embodies the spirit of Cat Princess perfectly. Intense changes in tempo, aggressive guitar riffs and the unique voice of Nils Krång. When performed live the audience have quickly embraced the stomping beat and danced themselves sweaty.
The band tells the story behind the cover: “For every Rama Lama party we play we usually do a special cover. So just by tradition we did a surf version of this track for their third birthday party. We immediately felt that our version took this iconic track to a new level and simply felt we just had to record it ”.
Cat Princess' sound have been crafted since their 2016 debut EP Please Me which received positive reviews from Swedish magazines GAFFA and HYMN, stating that their explosive combination of modern indie pop and 80's art-pop channeled the spirit of David Bowie and Talking Heads. The band later signed to Rama Lama Records which re-released the EP on cassette. The quintet has since the EP shared stage with acts like OMD, Pale Honey, Magic Potion and Cloud Nothings as well as playing frequently on the Stockholm indie scene and a international appearance in Copenhagen and London.
Fly on Your Wall and b-side Marxist with a Twist followed in 2017, two fine representations of the band's live intensity and a powerful showcase of their uniquely flavoured indie pop which have been compared to the energetic early days of Franz Ferdinand. Front man Nils Krång's thrilling, almost psychotic, vocal performance adds something even more special to the band's unique sound. A sound which during the band's young career already has developed from the more standard indie pop-ish early singles to a fusion of 80's art rock and modern indie influences resulting in the danceable chaotic sound that's shown on the debut album.
Forbidden Items showed every side and aspect of the always renewing Cat Princess. From instant sing-a-long live favourite Silver Socks through mysterious Rockefeller Phoneline to dance-friendly and summery Sweet. The album took a majority of 2018 and a lot of obstacles had to be overcame to make it. The result is an eclectic art rock mix consisting, equally put together by the bands' influences spanning from 80s new wave to contemporary greats.
These Boots Are Made For Walkin’ is out now on all platforms via Rama Lama Records (Melby, Steve Buscemi’s Dreamy Eyes, Kluster B, Chez Ali etc.).
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Grace Gillespie - HUH.
Grace Gillespie is a London-based artist and producer originally from Devon, who spent much of 2017 touring as part of the live line-up for 4AD’s Pixx. In 2019 Grace received PRS’s WMM funding and consequently released her debut EP ‘Pretending,’ which garnered support from the likes of The Line of Best Fit, Clash and Earmilk.
This year she has received support from the ‘Help Musicians’ ‘Do it Differently’ award, and is using this to release an EP in the autumn. Some of her notable live shows include supporting James Morrison at Dingwalls, Camden and headlining a stage the folk stage at Tipping Point festival in Newcastle. Her first two singles found their way onto Spotify’s ‘Fresh Folk’ playlist and received extensive support from Apple Music, appearing on their ‘A-List’ and ‘Best of the Week’ playlists, as well as backing from NME, Crack In The Road and The Wild Honey Pie.
She has received radio plays from BBC 6 music as well as being a featured artist on BBC Introducing London. Her early demo of ‘Restoration’ saw her tipped to Q Magazine by Newton Faulkner and brought her to the attention of Kaleidoscope, who worked with her to produce her first solo releases in 2018. Her sound takes influences from the folk, psych and dream-pop traditions, providing a backdrop to her intriguing vocal melodies, shifting harmonies and introspective lyricism.
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Showing posts with label Amaroun. Show all posts
Showing posts with label Amaroun. Show all posts
Rex - Amaroun - Whitacre - Mats Wawa - The Mowgli's - Reliant Tom - The Claudettes
Rex are an Amsterdam based trio and they have just released 'Palaces' a beautiful track with hints of Nick Cave however the trio add so much more. === Amaroun already has a reputation for creating music that is hard to categorise, not that it matters 'Talk' is just one very individual song and it's wonderful. === They describe themselves as a mountain rock band and somehow Whitacre give that description credence as new song 'Prodigal' amply demonstrates. === Mats Wawa have a new album out called 'Rock Omelette' which comprises of ten tracks, described by their promo as a mixture of "AOR, slacker soul or just classic rock" it's all of that pulled together by the bands consistent catchy and highly melodic sound. === The Mowgli's are back with 'Weight On Me' and again the band are on top form with a colourful video accompanying this hook filled song. === Reliant Tom share 'Nevermind The Garbage' a song that opens gently and gradually adds musical layers and power and packs plenty of atmosphere and emotion. === We get to share the third song and video from The Claudettes just ahead of their new album 'High Times in the Dark', this time we have '24/5' which is a fiesty little rocker to say the least.
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Rex - Palaces.
Amsterdam-based trio Rex explore the darker side of life with style, sexuality and a touch of melancholy – combining post punk, new wave and even elements of Spanish rhythms. This month, they are set to release upcoming track ‘Palaces’.
Despite sharing the same influential interests from the likes of The Bad Seeds, Lou Reed and Leonard Cohen, the bands idiosyncratic sound stems from their own musical backgrounds. Frontman, and guitarist Jonathan Rex was born with flamenco in his blood, while Drummer Nout Kooij was raised as a die-hard punk, and Bass player Sara Elzinga was introduced to blues music before she could walk.
With Jonathan’s powerful vocals wrapped elegantly over heavy electric strings and a throbbing drumbeat, ‘Palaces’ dwells upon love and death and the overwhelming emotions that comes along with it. Discussing the song, Rex says: “The song embraces the sorrow of loss, and powerless felt when you lose someone close to you. It raises the questions of how to continue on with life and survive without them.”
Having gained cult status in their native city, the three-piece have also seen action in European cities such as London, Berlin, Spain, whilst touring and at festivals. This year will see Rex on the rising scale, as they welcome the release of their debut EP this spring.
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Amaroun - Talk.
Amaroun has a reputation for creating strong melodies with simple beats accompanied by scrupulous lyrical honesty. As a self- proclaimed emo kid of the noughties and a lover of many genres from Gospel to Grime & Hip Hop to Reggae, Amaroun is not easily categorised.
With a driving hunger to release music, and prolific writing prowess, Amaroun (aka Jay Brown) is releasing music each month throughout 2020. January saw the self-produced and genre bending track ‘Perish’ with the honey-like ‘Rosey’ following four weeks later. Now, March 27th will see the release of 'Talk', Amaroun's third record this year and first full studio recording. 'Talk', co-written with Charles Watson (Slowclub) and produced by Charlie Andrew (Alt J/ Matt Corby/ Maricka Hackman) is a song about the moment communication breaks down between two people –– “Whenever I sing this song it takes me back to those moments and makes me realise how important talking is to keep your connection alive” she says. “I have no regrets, I learnt
so much about what I wanted from these experiences and use them to inform my own self growth and how I approach the beautiful connections with people I have today”
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Whitacre - Prodigal.
Whitacre, the self-described “mountain rock” band hailing from Denver, CO., has premiered the new single, “Prodigal,” with Billboard. The single will appear on their new album, Seasons, to be released April 17th, 2020. Recorded at Third & James in Denver, produced by Joe Richmond (Tennis, Churchill) and mixed by Yuuki Matthews (The Shins), Seasons marks the first time the band recorded in a big space and they found creative freedom to experiment with new ideas, marking an evolution from their last EP, 2018’s Within The Mountains’ Shadows.
Fusing elements of Americana, folk, and rock with punk tinges, Whitacre has become one of Denver’s fastest rising bands, selling out shows with Mt. Joy, Wild Child and Birdtalker, playing legendary venues such as Red Rocks and The Bluebird Theater, and amassing half a million streams on Spotify. With the release of their debut full-length album, Seasons, on the horizon, the four-piece, made up of Paul Whitacre on lead vocals and rhythm guitar, Chase Perry on banjo, Mark Cunningham on drums and Joe Fishel on bass, are poised to break out nation-wide.
“At the risk of sounding a bit cliche, ‘Prodigal’ was a monumental song for the band. It was the first time we really collaborated on the writing process - every member contributed to the lyrics, the story, the melody, etc. It was a special moment to let others into the creative process for the first time, and it really set the tone for how we've written songs ever since,” frontman Paul Whitacre explains. “Every member of this band has a story of running away from 'home.' We've all lived through a time that we were doing the exact opposite of what we knew we were supposed to be doing. ‘Prodigal’ touches on the presence of hope and redemption, regardless of how low you are in life.”
A metaphor for the different phases of life, Seasons helped the band process the concept of there being something to use and learn from in each season and experience. The message of the album goes along with the band’s mission: “We have a burning desire to tell a story that isn’t often told in the music industry today. One of redemption and restoration. We want to reassure the broken-hearted that there is hope, we want to show the invisible that we see them and that they matter. We believe that doesn’t only happen in lyrics but in a melody as well. We believe in the power of music and that it is used to soften and heal hearts.”
------------------------------------------------------------------------------------------
Mats Wawa - Rock Omelette (Album).
Mats Mentzen Wang’s aka Mats Wawa is releasing new album Rock Omelette, the follow-up to 2018’s EP Scuzz. The young songwriter was unwittingly booked to a handful of showcase festivals in 2015, based on a few bedroom demos. And that’s how Mats Wawa was born – he needed a band. Now, four years later, Wang has matured, and so have his musical tastes.
Call it AOR, slacker soul or just classic rock – let the listener decide. Whatever you call it, the album is chock full of tunes. From a short rock opera about French & Moland (two Norwegian mercenaries imprisoned in DR Congo), via the song “Canned Heat” which sounds like…and to the first single “Sparkly Eyes”, some of the most beautiful blue eyed soul you’ll hear this year, with strings imported from 70’s Philadelphia.
It shouldn’t surprise anyone that this record has become an eclectic collection of songs, as the following influences are named: Elton John’s Tumbleweed Connection, Laura Nyro, Lee Hazlewood, The Byrds and Jessica Pratt. Maybe that’s what Rock Omelette means. Still, the innocent naiveté that’s been Mats Wawa’s calling card, permeates the entire album, fronted by Wang’s characteristic voice which keeps it all cohesive.
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The Mowgli's - Weight On Me.
All of life is a journey and the best journeys are those taken with friends. For the 5 members of The Mowgli’s that road has seen their friendship tested and rebuilt numerous times. From their earliest Venice, California days as a 10+ revolving cast of characters to their current line-up, the core members have evolved from playing midnight warehouse parties to the stages of the largest festivals.
While there have been many highlights - appearances on late night TV shows, incredibly rewarding collaborations with charities and electrifying performances in legendary venues among them - there have also been tests: Losing band members, battling with the stress of constant touring and maintaining their friendship, trying to remain both grounded and optimistic when things go amazingly well and when they don’t. But there have been benefits of creating deep bonds and close relationships, not least the marriage of singers Katie Jayne Earl and Josh Hogan in 2017. “Being in a touring band is hard work,” says Katie, “but inspiring. It only works because people care about the band and we have a core who support us, people who have both been there since the beginning and joined along the way. Those supporters keep us motivated.”
Their latest single "Weight On Me" is a mid-tempo mashup featuring hints of psychedelia, Jazz & rock n roll. The song talks about the pressures of keeping up with everyday life and taking on the weight of the world around you while keeping your head on your shoulders. It is the latest addition to their catalog of releases that are undeniably infectious and wholeheartedly relatable.
For The Mowgli’s, as for any band, this whole experience is a journey - and not always an easy one. It tests your self-belief, your stamina, your relationships and your mental and emotional health. “Since this band started we’ve been through a lot of changes: gained members, lost members, been shuffled around labels and learned a lot about the music industry,” says Andy. “Now it feels like we’re really independent again, refocused on curating our live show, more in touch with the business of being this band.” He adds “Our sound has evolved but we always circle back to the basic themes: love, feeling good, excited for life no matter what the day delivers.”
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Reliant Tom - Nevermind The Garbage.
Brooklyn-based experimental art-rock duo, Reliant Tom shares new single "Nevermind the Garbage" and announces a new forthcoming album 'Play & Rewind' out May 8th, 2020 via Diversion Records. We've partnered with Black Book Magazine to bring you the vulnerable and visceral new song. Singer Claire Cuny took inspiration from the tragic passing of her father who died suddenly in 2018 on the day of the band's last album release no less. Claire explains, "The song is about learning to return to a semi-normal routine by learning to manage the grief..."
Tracing their origins to a chance meeting at a DIY show in Brooklyn in 2015, the Brooklyn-based post-rock electronic band and experimental performance art Reliant Tom is centered around its core creative duo, Western Massachusetts-born, Brooklyn-based composer Monte Weber and Dallas, TX-born, Brooklyn-based choreographer and vocalist Claire Cuny. The duo’s collaboration is a seamless synthesis of their individual talents and interests – sound design, wearable technology, modern dance, and hook-driven, yet genre-defying songwriting.
“Reliant Tom gives me the outlet to explore both pulse driven works while maintaining the other musical elements which I find fascinating - timbre, aleatoric processes, and interactive technologies,” Weber explains. Adds Cuny, “Our ultimate goal with Reliant Tom is to be a multi-media performance experience that straddles the line between pop and experimental music - and philosophizing about what that even means, and is that even possible as ‘experimental pop’?”
Thematically, the duo’s two previous releases, 2016’s self-released, self-titled EP and 2018’s critically applauded, full-length debut effort Bad Orange, touch upon the pitfalls of digital communication and the generally blasé nature of modern social interaction – through the guise of avant-pop and avant-punk-influenced musical devices and arrangements featuring electric guitar, vocals, a hybrid electro-acoustic drum kit, synthesizers, and Weber’s Kontrol Instrument, which he developed while studying at the Paris-based Institute for Research and Coordination in Acoustics/Music as a way to make electronic music more tactile and immersive in its performance.
Slated for a May 8th, 2020 release through Chicago-based Diversion Records, Reliant Tom’s sophomore effort Play & Rewind is a decidedly bold and self-assured step forward: Cuny’s sultry and expressive vocals while being prominently placed front and center, effortlessly glide over lush yet spacious arrangements of shimmering acoustic guitars, atmospheric electronics and twinkling keys with the material possessing a cinematic air that recalls Dummy-era Portishead, Tales of Us-era Goldfrapp, Radiohead circa OK Computer and others. And while continuing to be tech-heavy in their means of sonic production, their thematic exploration of communication and interaction in the digital age takes a back seat. This time taking a more human approach, the material may arguably be the most mature yet accessible, most emotionally honest and vulnerable of their growing catalog.
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The Claudettes - 24/5.
The Claudettes new album is due out out on April 3 and is entitled "High Times in the Dark".
The band have already shared two songs from the new album, namely 'Bad Babe, Losin' Touch' and 'Declined'.
The latest song ahead of the album is 24/5 and as was the case with the last two songs, it's accompanied by a new music video.
As we have previously mentioned Johnny Iguana the bands piano player and songwriter commented "I believe it's definitely our best yet". It's produced by Ted Hutt (Violent Femmes, The Devil Makes Three, Old Crow Medicine Show, Lucero) and will be released on Forty Below Records.
------------------------------------------------------------------------------------------
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Rex - Palaces.
Amsterdam-based trio Rex explore the darker side of life with style, sexuality and a touch of melancholy – combining post punk, new wave and even elements of Spanish rhythms. This month, they are set to release upcoming track ‘Palaces’.
Despite sharing the same influential interests from the likes of The Bad Seeds, Lou Reed and Leonard Cohen, the bands idiosyncratic sound stems from their own musical backgrounds. Frontman, and guitarist Jonathan Rex was born with flamenco in his blood, while Drummer Nout Kooij was raised as a die-hard punk, and Bass player Sara Elzinga was introduced to blues music before she could walk.
With Jonathan’s powerful vocals wrapped elegantly over heavy electric strings and a throbbing drumbeat, ‘Palaces’ dwells upon love and death and the overwhelming emotions that comes along with it. Discussing the song, Rex says: “The song embraces the sorrow of loss, and powerless felt when you lose someone close to you. It raises the questions of how to continue on with life and survive without them.”
Having gained cult status in their native city, the three-piece have also seen action in European cities such as London, Berlin, Spain, whilst touring and at festivals. This year will see Rex on the rising scale, as they welcome the release of their debut EP this spring.
------------------------------------------------------------------------------------------
Amaroun - Talk.
Amaroun has a reputation for creating strong melodies with simple beats accompanied by scrupulous lyrical honesty. As a self- proclaimed emo kid of the noughties and a lover of many genres from Gospel to Grime & Hip Hop to Reggae, Amaroun is not easily categorised.
With a driving hunger to release music, and prolific writing prowess, Amaroun (aka Jay Brown) is releasing music each month throughout 2020. January saw the self-produced and genre bending track ‘Perish’ with the honey-like ‘Rosey’ following four weeks later. Now, March 27th will see the release of 'Talk', Amaroun's third record this year and first full studio recording. 'Talk', co-written with Charles Watson (Slowclub) and produced by Charlie Andrew (Alt J/ Matt Corby/ Maricka Hackman) is a song about the moment communication breaks down between two people –– “Whenever I sing this song it takes me back to those moments and makes me realise how important talking is to keep your connection alive” she says. “I have no regrets, I learnt
so much about what I wanted from these experiences and use them to inform my own self growth and how I approach the beautiful connections with people I have today”
------------------------------------------------------------------------------------------
Whitacre - Prodigal.
Whitacre, the self-described “mountain rock” band hailing from Denver, CO., has premiered the new single, “Prodigal,” with Billboard. The single will appear on their new album, Seasons, to be released April 17th, 2020. Recorded at Third & James in Denver, produced by Joe Richmond (Tennis, Churchill) and mixed by Yuuki Matthews (The Shins), Seasons marks the first time the band recorded in a big space and they found creative freedom to experiment with new ideas, marking an evolution from their last EP, 2018’s Within The Mountains’ Shadows.
Fusing elements of Americana, folk, and rock with punk tinges, Whitacre has become one of Denver’s fastest rising bands, selling out shows with Mt. Joy, Wild Child and Birdtalker, playing legendary venues such as Red Rocks and The Bluebird Theater, and amassing half a million streams on Spotify. With the release of their debut full-length album, Seasons, on the horizon, the four-piece, made up of Paul Whitacre on lead vocals and rhythm guitar, Chase Perry on banjo, Mark Cunningham on drums and Joe Fishel on bass, are poised to break out nation-wide.
“At the risk of sounding a bit cliche, ‘Prodigal’ was a monumental song for the band. It was the first time we really collaborated on the writing process - every member contributed to the lyrics, the story, the melody, etc. It was a special moment to let others into the creative process for the first time, and it really set the tone for how we've written songs ever since,” frontman Paul Whitacre explains. “Every member of this band has a story of running away from 'home.' We've all lived through a time that we were doing the exact opposite of what we knew we were supposed to be doing. ‘Prodigal’ touches on the presence of hope and redemption, regardless of how low you are in life.”
A metaphor for the different phases of life, Seasons helped the band process the concept of there being something to use and learn from in each season and experience. The message of the album goes along with the band’s mission: “We have a burning desire to tell a story that isn’t often told in the music industry today. One of redemption and restoration. We want to reassure the broken-hearted that there is hope, we want to show the invisible that we see them and that they matter. We believe that doesn’t only happen in lyrics but in a melody as well. We believe in the power of music and that it is used to soften and heal hearts.”
------------------------------------------------------------------------------------------
Mats Wawa - Rock Omelette (Album).
Mats Mentzen Wang’s aka Mats Wawa is releasing new album Rock Omelette, the follow-up to 2018’s EP Scuzz. The young songwriter was unwittingly booked to a handful of showcase festivals in 2015, based on a few bedroom demos. And that’s how Mats Wawa was born – he needed a band. Now, four years later, Wang has matured, and so have his musical tastes.
Call it AOR, slacker soul or just classic rock – let the listener decide. Whatever you call it, the album is chock full of tunes. From a short rock opera about French & Moland (two Norwegian mercenaries imprisoned in DR Congo), via the song “Canned Heat” which sounds like…and to the first single “Sparkly Eyes”, some of the most beautiful blue eyed soul you’ll hear this year, with strings imported from 70’s Philadelphia.
It shouldn’t surprise anyone that this record has become an eclectic collection of songs, as the following influences are named: Elton John’s Tumbleweed Connection, Laura Nyro, Lee Hazlewood, The Byrds and Jessica Pratt. Maybe that’s what Rock Omelette means. Still, the innocent naiveté that’s been Mats Wawa’s calling card, permeates the entire album, fronted by Wang’s characteristic voice which keeps it all cohesive.
------------------------------------------------------------------------------------------
The Mowgli's - Weight On Me.
All of life is a journey and the best journeys are those taken with friends. For the 5 members of The Mowgli’s that road has seen their friendship tested and rebuilt numerous times. From their earliest Venice, California days as a 10+ revolving cast of characters to their current line-up, the core members have evolved from playing midnight warehouse parties to the stages of the largest festivals.
While there have been many highlights - appearances on late night TV shows, incredibly rewarding collaborations with charities and electrifying performances in legendary venues among them - there have also been tests: Losing band members, battling with the stress of constant touring and maintaining their friendship, trying to remain both grounded and optimistic when things go amazingly well and when they don’t. But there have been benefits of creating deep bonds and close relationships, not least the marriage of singers Katie Jayne Earl and Josh Hogan in 2017. “Being in a touring band is hard work,” says Katie, “but inspiring. It only works because people care about the band and we have a core who support us, people who have both been there since the beginning and joined along the way. Those supporters keep us motivated.”
Their latest single "Weight On Me" is a mid-tempo mashup featuring hints of psychedelia, Jazz & rock n roll. The song talks about the pressures of keeping up with everyday life and taking on the weight of the world around you while keeping your head on your shoulders. It is the latest addition to their catalog of releases that are undeniably infectious and wholeheartedly relatable.
For The Mowgli’s, as for any band, this whole experience is a journey - and not always an easy one. It tests your self-belief, your stamina, your relationships and your mental and emotional health. “Since this band started we’ve been through a lot of changes: gained members, lost members, been shuffled around labels and learned a lot about the music industry,” says Andy. “Now it feels like we’re really independent again, refocused on curating our live show, more in touch with the business of being this band.” He adds “Our sound has evolved but we always circle back to the basic themes: love, feeling good, excited for life no matter what the day delivers.”
------------------------------------------------------------------------------------------
Reliant Tom - Nevermind The Garbage.
Brooklyn-based experimental art-rock duo, Reliant Tom shares new single "Nevermind the Garbage" and announces a new forthcoming album 'Play & Rewind' out May 8th, 2020 via Diversion Records. We've partnered with Black Book Magazine to bring you the vulnerable and visceral new song. Singer Claire Cuny took inspiration from the tragic passing of her father who died suddenly in 2018 on the day of the band's last album release no less. Claire explains, "The song is about learning to return to a semi-normal routine by learning to manage the grief..."
Tracing their origins to a chance meeting at a DIY show in Brooklyn in 2015, the Brooklyn-based post-rock electronic band and experimental performance art Reliant Tom is centered around its core creative duo, Western Massachusetts-born, Brooklyn-based composer Monte Weber and Dallas, TX-born, Brooklyn-based choreographer and vocalist Claire Cuny. The duo’s collaboration is a seamless synthesis of their individual talents and interests – sound design, wearable technology, modern dance, and hook-driven, yet genre-defying songwriting.
“Reliant Tom gives me the outlet to explore both pulse driven works while maintaining the other musical elements which I find fascinating - timbre, aleatoric processes, and interactive technologies,” Weber explains. Adds Cuny, “Our ultimate goal with Reliant Tom is to be a multi-media performance experience that straddles the line between pop and experimental music - and philosophizing about what that even means, and is that even possible as ‘experimental pop’?”
Thematically, the duo’s two previous releases, 2016’s self-released, self-titled EP and 2018’s critically applauded, full-length debut effort Bad Orange, touch upon the pitfalls of digital communication and the generally blasé nature of modern social interaction – through the guise of avant-pop and avant-punk-influenced musical devices and arrangements featuring electric guitar, vocals, a hybrid electro-acoustic drum kit, synthesizers, and Weber’s Kontrol Instrument, which he developed while studying at the Paris-based Institute for Research and Coordination in Acoustics/Music as a way to make electronic music more tactile and immersive in its performance.
Slated for a May 8th, 2020 release through Chicago-based Diversion Records, Reliant Tom’s sophomore effort Play & Rewind is a decidedly bold and self-assured step forward: Cuny’s sultry and expressive vocals while being prominently placed front and center, effortlessly glide over lush yet spacious arrangements of shimmering acoustic guitars, atmospheric electronics and twinkling keys with the material possessing a cinematic air that recalls Dummy-era Portishead, Tales of Us-era Goldfrapp, Radiohead circa OK Computer and others. And while continuing to be tech-heavy in their means of sonic production, their thematic exploration of communication and interaction in the digital age takes a back seat. This time taking a more human approach, the material may arguably be the most mature yet accessible, most emotionally honest and vulnerable of their growing catalog.
------------------------------------------------------------------------------------------
The Claudettes - 24/5.
The Claudettes new album is due out out on April 3 and is entitled "High Times in the Dark".
The band have already shared two songs from the new album, namely 'Bad Babe, Losin' Touch' and 'Declined'.
The latest song ahead of the album is 24/5 and as was the case with the last two songs, it's accompanied by a new music video.
As we have previously mentioned Johnny Iguana the bands piano player and songwriter commented "I believe it's definitely our best yet". It's produced by Ted Hutt (Violent Femmes, The Devil Makes Three, Old Crow Medicine Show, Lucero) and will be released on Forty Below Records.
------------------------------------------------------------------------------------------
Varvara - Martha Ffion - Amaroun - Berries
Varvara - Anxiety.
Background - Varvara have released their new single 'Anxiety' and announce the new album 'Go'. Varvara from Hamina, South-East Finland have come a long way since the release of their debut album back in 2011. Varvara was originally formed by main songwriter and guitarist-vocalist Mikko Kiri in 2007 when moving back to his old childhood neighborhood after studies around Finland. Mikko wanted to start a band that would locate in Hamina and gather its’ influences from the late 90s and early 2000s; a period he had first gotten actively involved in music.
Soon Mikko found himself among friends and decided to name the band after a statue they used to gather round before nights of misbehaving. Varvara Schantin (1870-1941), the hometown hero who that statue represents, was born in Russia but became an important figure in the small town of Hamina. Schantin handed out food and refreshments to soldiers as they were preparing for war and their possible date with destiny. Varvara's beginnings were humble, but the band quickly became more than a friendly pastime as demo releases became picked up on by various sections of the Finnish music media. With the help of an old friend Tommi Muhli, Varvara helped establish Haminian Sounds, a collective of musicians which releases music from local acts including Varvara and organizes events to cheer up the small town’s nightlife.
Since then Varvara's output, three albums and an EP, has slowly been recognized as a distinctive collection that harnesses diverse influences into a unique sound. The 2016 album ”Death Defying Tricks” was the bands first release actively promoted outside Finland. The album represented a self-confident band with an exceptional sense of melody amongst a series of quirky details. Combining off kilter rock shapes to straight-up rock, Death Defying Tricks collected nothing but praise in domestic and international rock media. Following the release the band also made their first shows outside the Finnish borders.
Now Varvara is ready to unleash their upcoming fourth full-length album ”GO” to be released February 2018 under their own Haminian Sounds imprint. The new album ”GO” as a whole is about that moment when summer turns into autumn. This reality hits you right in the face reminding that the calm and relaxation of summer is over. From time to time there is a strong contrast between energetic rock tracks and gloomy lyrics. Produced and mostly recorded by the band themselves ”GO” offers an intriguing mix of aggressive garage and melodic rock sounds. WEBSITE, FACEBOOK.
We have featured Varvara once before getting on for a year ago, and now we have a foretaste of the bands new 'Go' album with the single 'Anxiety'. This is one of those songs that is energised and addictive from the opening moments, alt rock in nature and with some edge, the album is looking good.
--------------------------------------------------------------------------------------------------------------------------
Martha Ffion - Take Your Name.
Background - Irish-born, and now Glasgow based singer-songwriter Martha Ffion has announced her eagerly anticipated debut LP entitled 'Sunday Best’ which is released 9th March 2018 on Turnstile Music. 'Take Your Name' is the first single to be announced from 'Sunday Best'.
'Sunday Best' is by far her most adventurous and accomplished work to-date, the lush instrumentation bringing her detailed lyrical vision to life. Through a series of gleaming guitar-pop songs that drift between soft-centered balladry and something altogether more cutting and forceful. It’s perhaps true to say that our relationship with music is steered solely by connection. Sometimes that’s a very direct thing; the words we sing along to relatable to our own desires and experiences. Occasionally, however, it manifests itself in other ways, a captivation drawn from something we can’t conveniently place or pigeon-hole; songs and sentiments we watch from afar, trying to find a way inside.
Martha Ffion’s work has always flourished within the latter of these two paths. While her Irish roots and current home city of Glasgow have undoubtedly informed her work, so many of her songs resonate all the more for feeling wildly devoid of time and place, an alluring cast of characters drifting in and out of focus, each one examining Ffion’s own thoughts on what it means to be “good” in a society that has such determined expectations.
Her debut album, ‘Sunday Best’, spans the first songs she properly wrote to her most recent compositions, and is by far her most adventurous and accomplished work to-date, the lush instrumentation bringing her detailed lyrical vision to life through a series of gleaming guitar-pop songs that drift between soft-centred balladry and something altogether more cutting and forceful. Recalling the work of Sharon Van Etten and Jenny Lewis, while still sounding thrillingly distinct, ‘Sunday Best’ is a formidable coming-of-age record, and one that stands as a truly accomplished debut. FACEBOOK.
Live Dates - March 2018
Wednesday 7th - Cardiff - Clwb Ifor Bach
Thursday 8th - London - The Waiting Room
Friday 9th - Edinburgh - Sneaky Pete's
Saturday 10th - Glasgow - Mono
Sunday 11th - Newcastle - Think Tank.
It's a very welcome second feature for Martha Ffion and another fabulous taster for her forthcoming 'Sunday Best' album, this time with 'Take Your Name'. Melodic dream pop, with a timeless feel that could be decades old and yet it's fresh and beautiful, love it!
-------------------------------------------------------------------------------------------------------------------------
Amaroun - Made A Fire.
Background - Peckham, London newcomer Amaroun's new single is a slice of soul infused indie-pop titled ‘Make A Fire’. Amaroun (singer-songwriter Jay Brown) joined the highly acclaimed Communion Presents stable of artists in December – a natural fit for her unique brand of electronic soul-tinged guitar pop.
Of ‘Made A Fire’, Jay says: “The song was written in a heightened state, in the aftermath of my coming out. It’s a narrative progression from my previous single ‘Bed Bugs’, where I was deep in confusion, distraction and escapism. In ‘Made A Fire’ I’ve found clarity in the thrill of meeting someone new. When you find that person and there’s this instant connection you can’t deny, it’s something that’s hard to describe. This song is simply gratitude in musical form for that person and that feeling.
Currently working with artists including Charles Watson (Slow Club), LA Salami, Adam French, Fyfe Dangerfield (Guillemots) and Francobollo on a forthcoming recording project, Amaroun headlines Archspace in London on March 6th and is confirmed for this year’s Liverpool Sound City festival. FACEBOOK.
'Made Of Fire' is immediately catchy indie pop infused with melodic hooks and plenty of soulful feeling. One of those songs that would make any music radio play-list all the better for it's inclusion.
------------------------------------------------------------------------------------------------------------------------
Berries - Faults.
Background - Berries’ new single “Faults” is the second single from their much-anticipated upcoming EP. ‘Faults’ showcases the fresh, surprising alt-rock sound that they have become well known for. Laced with Holly’s brooding vocals and tongue-in-cheek lyrics, Faults is both relatable and unexpected and sarcastically plays with those all-too-familiar battles of independence, responsibility and unrealistic expectations.
Berries are an alt/rock trio known for their energetic shows and original take on riff-driven rock. Their upbeat melodies and cool guitar riffs, powerful bass lines and distinct drum beats have earned them regular support from Tom Robinson at BBC 6 Music, John Kennedy at Radio X, Jim Gellatly and Shell Zenner at Amazing Radio and Gary Crowley at BBC London Intro where they were recently featured guests. They have also been selected by Fender as one of their top ten favourite new acts and have been picked up by Fred Perry Subculture, Record Collector Magazine and most recently Lock Magazine. Berries spent the past year travelling the UK playing various shows and festivals including a sold-out show in Manchester for Scruff of The Neck, Tramlines Fringe, Head For The Hills, Camden Rocks Festival and Kazoopa and ended the year with a sold out headline show in London.
Holly from the band explains, “Faults is the latest release from our second EP. We feel this track showcases a different side to us, we have taken our sound in a different direction. We always aim to write music that is exciting live, which means our set is full of very diverse songs that try to keep the audience on their toes! Faults still has all the energy and breakdowns that we love but with an added eerie, bluesy element in the verses”. FACEBOOK.
Upcoming Tour Dates
March 2nd – Liverpool, Popped Music Presents, Sound
March 3rd – Manchester, Scruff of The Neck Presents, Aatma
March 16th – London, Camden Assembly Scruff of The Neck Presents
March 23rd – Brighton, Scruff of The Neck Presents, Sticky Mike’s Frog Bar
April 11th – London, Mark Beaumont Presents at The Monarch
May 12th – Hanwell Hootie Festival.
Alt rock with a few other similar genres circling around, Berries are refreshing to hear and 'Faults' is a natural and unpretentious rocker, one that makes the upcoming EP a very attractive prospect.
--------------------------------------------------------------------------------------------------------------------------
Background - Varvara have released their new single 'Anxiety' and announce the new album 'Go'. Varvara from Hamina, South-East Finland have come a long way since the release of their debut album back in 2011. Varvara was originally formed by main songwriter and guitarist-vocalist Mikko Kiri in 2007 when moving back to his old childhood neighborhood after studies around Finland. Mikko wanted to start a band that would locate in Hamina and gather its’ influences from the late 90s and early 2000s; a period he had first gotten actively involved in music.
Soon Mikko found himself among friends and decided to name the band after a statue they used to gather round before nights of misbehaving. Varvara Schantin (1870-1941), the hometown hero who that statue represents, was born in Russia but became an important figure in the small town of Hamina. Schantin handed out food and refreshments to soldiers as they were preparing for war and their possible date with destiny. Varvara's beginnings were humble, but the band quickly became more than a friendly pastime as demo releases became picked up on by various sections of the Finnish music media. With the help of an old friend Tommi Muhli, Varvara helped establish Haminian Sounds, a collective of musicians which releases music from local acts including Varvara and organizes events to cheer up the small town’s nightlife.
Since then Varvara's output, three albums and an EP, has slowly been recognized as a distinctive collection that harnesses diverse influences into a unique sound. The 2016 album ”Death Defying Tricks” was the bands first release actively promoted outside Finland. The album represented a self-confident band with an exceptional sense of melody amongst a series of quirky details. Combining off kilter rock shapes to straight-up rock, Death Defying Tricks collected nothing but praise in domestic and international rock media. Following the release the band also made their first shows outside the Finnish borders.
Now Varvara is ready to unleash their upcoming fourth full-length album ”GO” to be released February 2018 under their own Haminian Sounds imprint. The new album ”GO” as a whole is about that moment when summer turns into autumn. This reality hits you right in the face reminding that the calm and relaxation of summer is over. From time to time there is a strong contrast between energetic rock tracks and gloomy lyrics. Produced and mostly recorded by the band themselves ”GO” offers an intriguing mix of aggressive garage and melodic rock sounds. WEBSITE, FACEBOOK.
We have featured Varvara once before getting on for a year ago, and now we have a foretaste of the bands new 'Go' album with the single 'Anxiety'. This is one of those songs that is energised and addictive from the opening moments, alt rock in nature and with some edge, the album is looking good.
--------------------------------------------------------------------------------------------------------------------------
Martha Ffion - Take Your Name.
Background - Irish-born, and now Glasgow based singer-songwriter Martha Ffion has announced her eagerly anticipated debut LP entitled 'Sunday Best’ which is released 9th March 2018 on Turnstile Music. 'Take Your Name' is the first single to be announced from 'Sunday Best'.
'Sunday Best' is by far her most adventurous and accomplished work to-date, the lush instrumentation bringing her detailed lyrical vision to life. Through a series of gleaming guitar-pop songs that drift between soft-centered balladry and something altogether more cutting and forceful. It’s perhaps true to say that our relationship with music is steered solely by connection. Sometimes that’s a very direct thing; the words we sing along to relatable to our own desires and experiences. Occasionally, however, it manifests itself in other ways, a captivation drawn from something we can’t conveniently place or pigeon-hole; songs and sentiments we watch from afar, trying to find a way inside.
Martha Ffion’s work has always flourished within the latter of these two paths. While her Irish roots and current home city of Glasgow have undoubtedly informed her work, so many of her songs resonate all the more for feeling wildly devoid of time and place, an alluring cast of characters drifting in and out of focus, each one examining Ffion’s own thoughts on what it means to be “good” in a society that has such determined expectations.
Her debut album, ‘Sunday Best’, spans the first songs she properly wrote to her most recent compositions, and is by far her most adventurous and accomplished work to-date, the lush instrumentation bringing her detailed lyrical vision to life through a series of gleaming guitar-pop songs that drift between soft-centred balladry and something altogether more cutting and forceful. Recalling the work of Sharon Van Etten and Jenny Lewis, while still sounding thrillingly distinct, ‘Sunday Best’ is a formidable coming-of-age record, and one that stands as a truly accomplished debut. FACEBOOK.
Live Dates - March 2018
Wednesday 7th - Cardiff - Clwb Ifor Bach
Thursday 8th - London - The Waiting Room
Friday 9th - Edinburgh - Sneaky Pete's
Saturday 10th - Glasgow - Mono
Sunday 11th - Newcastle - Think Tank.
It's a very welcome second feature for Martha Ffion and another fabulous taster for her forthcoming 'Sunday Best' album, this time with 'Take Your Name'. Melodic dream pop, with a timeless feel that could be decades old and yet it's fresh and beautiful, love it!
-------------------------------------------------------------------------------------------------------------------------
Amaroun - Made A Fire.
Background - Peckham, London newcomer Amaroun's new single is a slice of soul infused indie-pop titled ‘Make A Fire’. Amaroun (singer-songwriter Jay Brown) joined the highly acclaimed Communion Presents stable of artists in December – a natural fit for her unique brand of electronic soul-tinged guitar pop.
Of ‘Made A Fire’, Jay says: “The song was written in a heightened state, in the aftermath of my coming out. It’s a narrative progression from my previous single ‘Bed Bugs’, where I was deep in confusion, distraction and escapism. In ‘Made A Fire’ I’ve found clarity in the thrill of meeting someone new. When you find that person and there’s this instant connection you can’t deny, it’s something that’s hard to describe. This song is simply gratitude in musical form for that person and that feeling.
Currently working with artists including Charles Watson (Slow Club), LA Salami, Adam French, Fyfe Dangerfield (Guillemots) and Francobollo on a forthcoming recording project, Amaroun headlines Archspace in London on March 6th and is confirmed for this year’s Liverpool Sound City festival. FACEBOOK.
'Made Of Fire' is immediately catchy indie pop infused with melodic hooks and plenty of soulful feeling. One of those songs that would make any music radio play-list all the better for it's inclusion.
------------------------------------------------------------------------------------------------------------------------
Berries - Faults.
Background - Berries’ new single “Faults” is the second single from their much-anticipated upcoming EP. ‘Faults’ showcases the fresh, surprising alt-rock sound that they have become well known for. Laced with Holly’s brooding vocals and tongue-in-cheek lyrics, Faults is both relatable and unexpected and sarcastically plays with those all-too-familiar battles of independence, responsibility and unrealistic expectations.
Berries are an alt/rock trio known for their energetic shows and original take on riff-driven rock. Their upbeat melodies and cool guitar riffs, powerful bass lines and distinct drum beats have earned them regular support from Tom Robinson at BBC 6 Music, John Kennedy at Radio X, Jim Gellatly and Shell Zenner at Amazing Radio and Gary Crowley at BBC London Intro where they were recently featured guests. They have also been selected by Fender as one of their top ten favourite new acts and have been picked up by Fred Perry Subculture, Record Collector Magazine and most recently Lock Magazine. Berries spent the past year travelling the UK playing various shows and festivals including a sold-out show in Manchester for Scruff of The Neck, Tramlines Fringe, Head For The Hills, Camden Rocks Festival and Kazoopa and ended the year with a sold out headline show in London.
Holly from the band explains, “Faults is the latest release from our second EP. We feel this track showcases a different side to us, we have taken our sound in a different direction. We always aim to write music that is exciting live, which means our set is full of very diverse songs that try to keep the audience on their toes! Faults still has all the energy and breakdowns that we love but with an added eerie, bluesy element in the verses”. FACEBOOK.
Upcoming Tour Dates
March 2nd – Liverpool, Popped Music Presents, Sound
March 3rd – Manchester, Scruff of The Neck Presents, Aatma
March 16th – London, Camden Assembly Scruff of The Neck Presents
March 23rd – Brighton, Scruff of The Neck Presents, Sticky Mike’s Frog Bar
April 11th – London, Mark Beaumont Presents at The Monarch
May 12th – Hanwell Hootie Festival.
Alt rock with a few other similar genres circling around, Berries are refreshing to hear and 'Faults' is a natural and unpretentious rocker, one that makes the upcoming EP a very attractive prospect.
--------------------------------------------------------------------------------------------------------------------------
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Phoebe Green - What Are You Doing. Manchester's Phoebe Green announces her new EP 'The Container' and presents new single ...