Skinny Lister - Romanie - Alice Costelloe - Adam Goldberg (The Goldberg Sisters) - Bino Bames

Skinny Lister - Tumbling Into Something.

Whetting appetites for their upcoming shows, the Folk Punk legends have prepared a brand new video for ‘Tumbling Into Something' Taken from their invigorating 2025 release ‘Songs From The Yonder’, amidst an album full of mostly up-tempo madness, “Tumbling Into Something” is the moment of calm that allows its listeners to catch their breath. 

Of the track, Dan Heptinstall shares: “I always feel Lorna’s voice shines on our ballad style tracks, and this track lends itself particularly well to her voice. It’s an optimistic song about tumbling fearlessly forward into life while acknowledging its beauty. It’s about surrendering to the uncertainties of life, and embracing the excitement of the ride. It’s also about new beginnings and second chances.”

Offering a more ambient and atmospheric arrangement than fans might usually expect from a Skinny Lister staple, the hallmark instruments are still all present and correct, albeit in soothing form. “The drums are played with bare hands rather than sticks, and the accordion in this case is used more to add mood than melody, played almost like a synth pad – it leans towards something that sounds a little more ‘Vangelis’ than traditional folk” adds Dan.  

‘Tumbling Into Something’ follows the seafaring ‘Yorkshire Belle’, the fervent ‘Plough On’, and swaggering drinking song ‘Set Us Straight’ among the singles plucked from their acclaimed 2025 album. Teeming with themes of seafaring, travelling and drinking, ‘Song From The Yonder’ is a riotous, feel-good listen that already feels right at home in the Skinny cannon.  

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Photo - Young Ha Kim

Romanie - I Won’t Yell.

Romanie shares her triumphant new single ‘I Won’t Yell’ along with news of her upcoming album It’s Not That Funny, set for release on Feb 20 via Community Music. New single ‘I Won’t Yell’ arrives as a declaration of defiance. Originally stemming from a folk song Romanie had written years earlier, ‘I Won’t Yell’ was co-produced with Adam Hyde (Peking Duk, Keli Holiday) and Tom Stell (Golden Features), reworked during a 3 day co-writing session in Sydney. Speaking to the process, Romanie shares, “We turned this small acoustic song upside down into this powerful statement, keeping basically all the lyrics and giving them a new meaning. 

The song is about not being heard as a woman: oftentimes we get called ‘too much’ or ‘too loud’ with the result of keeping our emotions to ourselves, or not speaking up about the things that we want to. ‘I Won’t Yell’ was a fun song to make: letting go of my constant self judgement with the nudge of Tom and Adam, who let me yell in the vocal booth.”

Multi-award-winning Naarm/Melbourne-based artist Romanie returned earlier this year with acclaimed singles ‘Uh Oh’ and ‘When Will We Lose Hope?’. In addition she signed off the summer by making her mark on Europe, supporting grentperez in Brussels and Gordi in Antwerp before joining pals Olivia Jane Bolmat and SHERÓSY  on their ‘Girls Tour’ stopping in London,, Manchester and Scotland.

‘I Won’t Yell’ is the third single lifted from Romanie’s forthcoming album, It’s Not That Funny. It marks a significant progression from her Australian Music Prize-nominated debut album Are We There Yet? As the new record showcases a transformation in Romanie’s worldview and artistry through embracing contradiction: finding light in the moments of darkness, hope in the face of adversity.

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Photo - Bex Aston

Alice Costelloe - Damned If You Do.

London singer-songwriter Alice Costelloe has unveiled new single 'Damned If You Do' - the latest preview of her highly anticipated debut album 'Move On With The Year', out 6th February 2026 via Moshi Moshi Records. 

Interrogating the crossroads between art and adulthood, 'Damned If You Do' reflects on the looming rituals of marriage, motherhood, and the idea of giving oneself away. Unfolding through warm organ tones, plaintive guitar lines and rumbling synths, Costelloe's crystalline vocals let the questions sit open rather than solved: "Would I do it for love / Do it for you / Give my body up / For something new."

On the release of her new single, Alice said: “I was thinking a lot about the next phase of life as I wrote this album. Cocooned away and focused purely on making music, I felt more creatively fulfilled than I had in a long time. It made me question how this freedom could exist if I followed a more conventional path. To prioritise domesticity and stability or to prioritise creative ambition – either choice felt like sacrificing something essential.

“I was also coming out of a period of keeping my head above water while navigating life with an addict parent, and I realised that whatever decisions I made next, I needed to be careful not to lose myself. ‘I don’t see myself all dressed in white / standing in the shadows’ is as much about my claustrophobia around the altar and its traditions as it is about resisting the pressure to embody some ideal of feminine virtue – to be expected to sacrifice your own life in service of another.”

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Adam Goldberg (The Goldberg Sisters) - Our Kind of Love.

Today, NY-based actor/director/musician Adam Goldberg announces When the Ships of My Dreams Return, the upcoming album from his moniker The Goldberg Sisters that will be released on February 20, 2026. This is the fifth album from The Goldberg Sisters, the current musical project from the multi-hyphenate who has starred in films like Saving Private Ryan, Dazed and Confused and 2 Days in Paris and appeared in TV shows like Friends, Entourage, Fargo and The Equalizer. The LP marks the first time where Goldberg has performed, recorded and mixed the entirety of the album on his own. Also today, he released the album’s first single “Our Kind of Love,” a track about the complexities of how to present love in an increasingly digital age. 

On the new single, Goldberg shares: “‘Our Kind of Love’ was the first song I began recording for the album, before I realized that I was recording another album. It had been several years, and between two kids and my day job, I had neither the time nor frankly the inspiration to make another record or even another song really. But I had begun making some guitar loops, a practice which has often led to songs, and this track was born out of one of those sessions. It began simply with the looped phrase ‘Our kind of love’ — ostensibly a love song — but as I fleshed it out became a song about some people’s presentation of love, especially in the context of social media. This theme ended up recurring throughout the process of writing what in fact became a full album.” 

His first LP since 2018’s Home: A Nice Place to Visit, When the Ships of My Dreams Return is his most expansive album yet in terms of style and lyrical themes, showcasing his ability to channel his energy into exploring unfamiliar terrain and re-emerging with a musical map that charts thrilling new paths for himself. And while Goldberg had played most everything on his last couple of records as well as self-recording several demos, he had never done it all entirely alone until now.

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Photo - Jorge Foley

Bino Bames - Gathers No Moss (EP).

20-year-old multi-instrumentalist, songwriter, and creative visionary Bino Bames releases the 'Gathers No Moss' EP, alongside emotive visuals for new single ‘'Let You Go’' today.
 
With a string of standout singles already released from the EP; including 'Cocktail Princess’', 'Isolated' and 'Nothing's Real'; Bino Bames has earned tastemaker support from Clash, DIY, Wonderland, Cosmopolitan and The Line of Best Fit to name a few, and built a growing cult following in the process. Honing his craft across the collection of 8 tracks, Bino reveals his unique voice as an artist stepping into his own, instilled in the narrative arc of his songs with a cinematic edge.
 
Serving as both a closing chapter and a new beginning, 'Let You Go' is a euphoric collision of emotion and relentless energy, an anthem of heartbreak and self-discovery. Shot over two sessions between London & Spain, the 'Let You Go' music video is art directed by Bino himself, and directed by Bino's long term collaborator and creative director Jorge Foley, bringing a raw grunge inspired aesthetic channelling the track's emotional chaos.
 
'I'd just come off the Punchbag University Tour when Jorge flew in from Spain,' Bino recalls. 'We'd shot half the video a month earlier, but those last few days together were when everything finally clicked. I wrote this song five years ago, back in Vegas. Since then, I've lived through more relationships, more heartbreaks, more growing up, and all of that changed what the song means to me. After performing it so many times on tour, it’s taken on a new life. The video feels like the moment it finally caught up.'

binobames · Gathers No Moss

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Penny & The Pits - The Boneshakers - Kacimi & Initials MB - Skinny Lister

Photo - Nicole Cecile Holland

Penny & The Pits - Pool Party.

Penny & The Pits is the new project from Maritime stalwart Penelope Stevens. Perhaps best known as one third of the feverish art rock band Motherhood, Stevens is also a vital organizer, collaborator and visual artist in New Brunswick’s weird art and music underground.

Liquid Compactor (album due out on June 27), the debut statement from Penny & The Pits, is the result of Stevens putting their voice front and center for the first time. It’s a gritty, adventurous punk-rock album that processes feminist joy, rage and revenge. Across the album’s ten tracks, Stevens tears through a series of personal and collective traumas with a pulpy sense of exuberance. “I spent a lot of time making challenging work that would test both myself and the listener,” they reflect. “Now, I’m trying to make music that feels good; music that connects the heart to the body.”

That connection is felt immediately on lead single ‘Montenegro On Ice’, a rollicking song about the lure of hard memories and the lengths we go to avoid them. It’s a heady number with a buzz on–confidently skewing the line between vintage Deerhoof and present-tense St.Vincent. ‘Pool Party’, the second single, is an allegorical surf-punk banger about solidarity. It portrays a badass group of femmes who ‘crew up in the deep end’ and ‘shave their heads like Sinead’.

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The Boneshakers - I’ll Kick A Brick (For My Man).

The Boneshakers are back with “Live To Be This”, their 11th studio album and their most electrifying release to date, dropping on July 18, 2025, via renowned Blues Label Gulf Coast Records.

The pair recently signed to Gulf Coast Records and have this to say: "This album is a love letter to the music that shaped us, gritty, soulful, and alive. In a world of digital perfection, Live To Be This is all about real musicians playing with feeling, and we couldn’t be more excited to have some of our favorite artists joining in on the fun as special guests.” – Jenny Langer. "Little did I know that Jenny and I would find ourselves in such great company via Mike Zito’s very cool Gulf Coast Records. Just beautiful, positive energy pouring from all involved, living for music and the musicians. A great new home for the Boneshakers! - Randy Jacobs

The new album follows the band’s previous chart-topping success with “One Foot In The Groove”, which dominated the US Soul Blues radio charts and reached #1 on the UK Blues radio charts. “Live To Be This” vows to bring a raw, electrifying energy that harks back to the band’s original sound, fueled by the emotive vocals of Jenny Langer, who joined as lead vocalist in 2020. Langer, an International Blues Challenge (IBC) winner (Best CD), brings her powerhouse vocals to the forefront, delivering standout performances across every track. Fans won’t have to wait long for a taste of the album, the first single, "I’ll Kick A Brick (For My Man)", just dropped on April 25, 2025.

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Kacimi & Initials MB - Dernier invité.

French chanson meets psych-pop elegance in “Dernier Invité”, the brand new collaboration between Kacimi and Initials MB. Just released (April 25) this bittersweet track blends vintage textures, lyrical storytelling, and timeless flair. A hypnotic invitation into their singular sonic world. his is the first of two joint singles, to be followed by “Aquarelle” on May 23rd. 

Both tracks were recorded in the heart of the French countryside, in Initials MB’s lair – an enchanting 18th-century house nestled in Nord-Isère. The music carries the aura of a life outside of time, blending cinematic pop, psychedelia, and garage rock, much like the two artists’ respective solo productions.

Kacimi and Initials MB go way back – to the buzzing Lyon rock scene of the late 2000s, with their bands The Rebels of Tijuana and The Small Ties. Now reunited, they’ve crafted two songs that started as instrumental compositions by Initials MB and were transformed into haunting lyrical pieces by Kacimi, sung in the language of Ronnie Bird and infused with his signature fuzz-driven sound.

“Dernier Invité” (Last Guest) is a fuzzed-out garage track that pays tribute to soldiers on the battlefield – a powerful and timely anthem in today’s troubled world. Here, the fuzz guitar returns as a sonic weapon for peace. Stay tuned for the second single, “Aquarelle” – a nostalgic English-style country folk song, where pedal steel and swirling organs evoke a faded memory from the late 60s.

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Photo - Josh Massie

Skinny Lister - Song From The Yonder.

Skinny Lister step into Spring with their chest-swelling new single "Song From The Yonder". With Lorna and Dan digging deep to channel their inner Kirsty MacColl and Shane MacGowan, the title-inspiring track of their upcoming new album, ‘Songs From The Yonder’, is a striking duet to stir the soul.

Set to a score of swaying celtic arrangements that lift and lilt the listener along their journey, the song acts as an open and earnest conversation between the couple about love, life, and longing.

Opening-up about "Song From The Yonder", Dan Heptinstall says: “‘Song From The Yonder" is a proper conversational duet between Dan and Lorna. It’s a song about longing and returning from distant travels to where the heart is. It’s also a song about looking beyond petty disagreements, putting things in perspective and embracing the things that connect us.

We’ve not properly explored this duelling vocal approach since "George’s Glass" from our album ‘Down On Deptford Broadway’, and it was a lot of fun to return to writing and recording a track with this kind of dynamic. It’s also a good companion to a track like "Six Whiskies" - with its ‘end of the night’ ‘drunken waltz’ feel.”

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Autumn Hollow - Marathon - Molara - Skinny Lister - Maya Delilah

Autumn Hollow - Wooden Wire.

Boston's Autumn Hollow is excited to announce the release of their new single, "Wooden Wire," the first track from their forthcoming album. The full album, Say No More, is set to release on May 2nd, marking a significant milestone in their musical journey. Brendan Murphy, the Boston-based singer-songwriter known for his commanding vocal presence and incisive lyrics, draws inspiration from storytellers like Bob Dylan, Neil Young, and Warren Zevon. His distinctive voice carries an aura of unfiltered honesty throughout the new material, particularly evident on "Wooden Wire."

Glide Magazine describes the premiere: "'Hot damn' might be used to describe the first few minutes of Boston-based Autumn Hollow's 'Wooden Wire,' a trembly rocker that combines the vulnerable essence of Jason Molina with the cosmic improvisational charm of Zuma era Neil Young & Crazy Horse. Frontman Brendan Murphy brings a commanding presence to the vocals, and an aura of unfiltered honesty cascades in the five-minute-plus song."

The album was produced by Brendan Murphy and Elio DeLuca at the Soul Shop in Medford, Massachusetts. It features the band's new rhythm section with Chuck Vath on bass and Ian McMillan on drums, whose distinct energy has transformed Autumn Hollow's sound. Alongside Murphy and lead guitarist Mike Burke, they've crafted a collection of songs that feel both intimately familiar and daringly fresh—a roots rock record unafraid to push beyond traditional Americana boundaries.

Say No More features an impressive roster of guest musicians, including Elio DeLuca (Titus Andronicus) on piano, electric piano, organ, synthesizers, and percussion; Sarah Leveque on vocals; Peter Zarkadas on guitars; Will Ellis Johnson on pedal steel; and Gabriel Hirshfeld on banjo. Their collective talents have infused the record with a rich sonic palette that builds on Autumn Hollow's core sound.

Autumn Hollow · Wooden Wire

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Marathon - Shadow Raised a Star.

Marathon, a band forged by the raw intensity of Amsterdam’s underground scene, is sharing the last single ahead of the release of their highly anticipated debut album, Fading Image. The album is set to drop on April 11th 2025, via V2 Records, and marks a new chapter for the band, bringing their unique spin to the post-punk revival.

After singles Out of Depth and For the Better, Marathon now shares new single Shadow Raised a Star. They say there's sunshine after the rain. But what’s rarely said is how that rain shapes us — makes us stronger so we can truly enjoy the sunshine.

"Shadow Raised a Star" is the final single leading up to Marathon's debut album Fading Image. A musical journey that takes you through almost every possible emotion. On this track, the band embraces their shoegaze influences like never before — a familiar undertow in their music that now rises to the surface in all its glory.

Marathon’s music captures the anxieties of the 21st century, with relentless drumming by Lennart, gritty vocals by Kay, and commanding six-string basslines by Nina, creating a backdrop of tension and release. Expanded live by keys and guitars by additional musicians Sofie and Victor, their sound evolves into an explosive mix of post-punk, shoegaze, noise and grunge—a “wall of sound” that balances darkness with the promise of new beginnings.

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Molara - Ore Mi (Album).

This is a sensation! Molara also known Molara Adesigbin was the singer and original front woman of the legendary ZION TRAIN and finally after more than 30 years tracks from her disappeared solo album which was initially released on SKUNK RECORDS will see the light of day via ECHO BEACH. Molara joined ZT in 1992 and the DUB ensemble became the “example” for the Live Sound System culture which grew around the globe from the 90ties onwards.

The characteristic sound fusion ZT created was very progressive at that time. They merged reggae and dub with dance styles like trance and acid house to create a vibrant and potent mixture. They achieved mainstream success with the album “Homegrown Fantasy”, their first release from a record deal with CHINA Records. The WIBBLY WOBBLY WORLD of MUSIC studio in Manor House, London was the creative home of ZT and a hub for the immense output of releases, productions, remixes etc predominantly on their label Universal Egg, until they re-located to Pembrokeshire in 1998.
 
A solo album by Molara with songs co-written with Colin "Cod" was also created at that time, but not properly released. Now, ECHO BEACH is highly delighted to announce the re-release of some of the lost Molara solo album, along with Space, originally featured on the China Records Grow Together album.

A sky full of dub romantic and magic references…, a naturally hemp celebrating and glorious science piece of Dub with omnipresent influences of low-frequency bass, scrambled fantasies, delays, echoes and reverbs.  

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Skinny Lister - Plough On.

Relentless folk/punk powerhouses Skinny Lister are ecstatic to announce their new album ‘Songs From The Yonder’ due for release on 9 May 2025, via Xtra Mile Recordings. A band who’ve never been afraid to plough their own furrow, they herald in their next era with the joyous new single "Plough On".

An insurgent anthem with shades of classic Billy Bragg or Elvis Costello, "Plough On" is a rousing rallying cry that urges us to roar in the face of adversity. Propelled by the punchy vocal performance of frontman Dan Heptinstall, he says of the track: “"Plough On" is about overcoming those unwelcome obstacles that inevitably get thrown our way now and then. But most of all–it’s an optimistic song about successfully weathering the storm and the hope of reaching ‘good times again’.”

Rooted in the influences that inspired the band’s earliest works, eagle-eared listeners will detect references to the melody of the traditional tune "Speed The Plough", which the band would perform together in their very earliest days. “It’s always fun to revisit uplifting traditional melodies like this, and stay connected to what we feel is the folk soul of the band” adds Dan.

The track arrives complete with a hilarious official video that finds the band tackling all terrain and taking on a bunch of less metaphoric, very real physical obstacles some members more successfully than others...

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Photo - Rae Farrow

Maya Delilah - Maya Maya Maya.

Maya Delilah has released “Maya Maya Maya,” the final single to be revealed from her forthcoming debut album The Long Way Round out March 28 via Blue Note/Capitol. The London-based singer, songwriter, and guitarist was recently named a 2025 Spotify “Artist To Watch,” another sure sign of her rising star after she was named to the Fender Next “Class of 2024.” Maya’s debut album makes good on that promise by bringing all the elements of her art together — the intimacy, the ability, the inspiration, the depth, the lightness — into one striking work.

Following the unvarnished funk of the flirty single “Squeeze,” the endearing soul-pop gem “Maya Maya Maya” shows yet another side of Maya’s musical personality. “It feels like a song to my younger self,” she says. “It’s about not being taken advantage of, not always trying to please people, and making sure I’m living in the right way.”

“This album is a combination of so many parts of me,” says Maya. “I get so influenced by different genres, people, places, and experiences that it’s always felt hard for me to fit my music into a consistent sound or mood. It took me a long time (hence The Long Way Round) to realize that it’s a beautiful thing to have a body of work that explores so many different influences.”

Making the album was also a literal journey, from a barn-based studio in Devon, England, to a home studio in Los Angeles, and back to various rooms across London. All with a cast of friends new and old, including producers Peter Miles, Josh Grant, Doug Schadt, Seth Tackaberry, and Aquilo’s Ben Fletcher and Tom Higham, as well as collaborators including Samm Henshaw, Grace Lightman, members of FIZZ, organist Cory Henry, and drummer Aaron Sterling (John Mayer, Taylor Swift).

Maya Delilah · Maya, Maya, Maya

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Skinny Lister - Pressing Strings - Aaron Smith & The Coal Biters

Skinny Lister - Company Of The Bar.

Skinny Lister are excited to confirm details of their sixth studio LP titled ‘Shanty Punk’, for release on 20 October via Xtra Mile Recordings. The album announcement is coupled with the unveiling of its leading single, “Company of the Bar.”

A song built for the road and the endless adventures it can promise, “Company Of The Bar”, fuses three themes that have loomed large throughout Skinny Lister’s output: drinking, traveling, and the sea. Combining these into one driving, no-nonsense celebration of the virtues of hanging out down the pub with mates and loved ones; it’s a barnstorming addition to the Skinny catalogue and one that pines to be heard bellowed out at your local gig haunt. 

As Dan Heptinstall says: “It’s a simple sentiment, but one that is at the heart of the Skinny Lister philosophy. This is a song that has been built for the rugged road, and we can’t wait to hear it belted back at us on our upcoming US and UK Tours later this year!”

The track is the leading single to be cut from ‘Shanty Punk’, Skinny Lister’s sixth long-player; a concept album that’s all about, well, Skinny Lister. As Dan explains: “Shanty Punk is our concept album – and the concept is Skinny Lister. It’s a pure distillation of what makes Skinny Lister tick, and perhaps a collection of songs that leans further into our folky routes than we’ve ventured in some years. It felt to us like it was time to touch base and celebrate the essence of the band, while at the same time – giving it a fresh and dynamic feel.”

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Pressing Strings - Your Love.

Acclaimed Annapolis, Maryland-based trio Pressing Strings has released their new studio album. And I For You via Warren Haynes’ Evil Teen Records. …And I For You, the seventh full-length album from the three-piece whose influences range from folk, blues, rock, funk, soul, and reggae, includes the lead single “Your Love” and recent track release “Carousel.” Coinciding with the album release, Pressing Strings has issued the official music video for the infectious “Your Love.”

“Writing and making this record was a great experience for me personally and the band,” shares lead guitarist and vocalist Jordan Sokel. “It’s not always an easy process and we weathered a lot of stuff in the past couple of years for it to come together in the way that it did. It’s a great feeling to finally release something out to the world that you love and are proud of. We hope people dig it!”

And I For You marks the most fully realized set of songs yet from Pressing Strings and their first record to feature all members sharing the singing and helping with the harmonies. The album touches on timeless themes that resonate and find meaning at a time when turmoil and tenacity seem so predominant within a weary world. The 11-song collection, produced by Steve Wright, reminds us that gratitude, devotion, and the wisdom to recognize that even in the midst of uncertainty there are virtues that are important to cling to, which, in turn, can ultimately lead to true satisfaction.

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Aaron Smith & The Coal Biters - The Legend of Sam Davis Album).

Embark on a journey through time to the rugged and untamed landscapes of Newton County, Arkansas in the 1820s, led by the masterful storyteller and musician, Aaron Smith. Step into the world of the eccentric mountain preacher, Sam Davis, as he sets out on a quest to find his long-lost sister. Experience the heartbreak and tragedy of the Trail of Tears, and marvel at the courage of the outlaw pioneers who braved the unknown.

With Aaron‘s powerful storytelling and thoughtful musical arrangements, you'll meet unforgettable characters, such as a mother mourning her wayward sons and a midwife who traveled on horseback to deliver countless babies. These are the true stories of resilient people in tough times, filled with heartbreak, rage, longing, and love. You will feel their pain and joy, and experience the sense of community and isolation that defined their lives in a bygone era.

Banjo, fiddle, guitar, mandolin, dobro, pump organ, clarinet, and jug band percussion provide an authentic and evocative accompaniment to the stories being told. The album includes a beautiful coffee - table compendium that reveals deeper insights into the stories with essays, family photos, maps, and original artwork for each song by Newton County artist, Dreama Phoenix.

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Skinny Lister - Triggers & Slips - Mary Anne's Solar Rig - Ocean Valley

BEEHIVE CANDY ARE TAKING A SHORT BREAK NOW - WE SHOULD BE BACK THIS COMING WEEKEND. In the meantime enjoy today's new round up! 

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Skinny Lister - Embers.

Before they hit the road this Autumn, Skinny Lister, are releasing a new video for “Embers.” The band who are touring the UK and Europe in support of their acclaimed fifth album ‘A Matter of Life & Love’, invite you to bask in one of its most heart-warming moments.

A strident example of the Skinnies’ feel-good, shanty-folk at its very finest, “Embers” also embodies many of the core themes that course through their latest album. As Dan Heptinstall explains:

“”Embers” is a song about friendship. The simple joy we feel in the warmth of good company. It also raises a glass, and enjoys a moment of reflection, to those friends we may have lost along the way. A celebration of the here and now but with a healthy dose of nostalgia.”

Echoing the sentiments of the song, the video is accompanied by an official video filmed by The Film Smith. Capturing a family affair with fires and music, it sees Skinny Lister revelling in good times with friend and folk legend Roger Wilson (who plays fiddle on the recording), plus the Dunton Bassett Folk Club, a group of musicians who happen to feature a certain special guest…

“The video was a joy to shoot. We were blessed with the fine company of Dunton Bassett Folk Club musicians, of which Party George (Max and Lorna’s dad) is one. He’s been attending the weekly Leicestershire folk night for over 30 years, and long may he continue to do so. It was great to hang out with these excellent folk around the fire, have a few drinks and play a bunch of tunes. Heart warming stuff!”

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Triggers & Slips - What Do You Feed Your Darkness (Album).

Existing somewhere between country, folk, and roots rock, Triggers & Slips have been making music blurring the lines of genre for over a decade. Breaking these rules and proverbial boundaries has resulted in a fiercely-loyal following akin to other genre-benders like Lucero and Frank Turner in their hometown of Salt Lake City.  With their 2012 debut EP and two albums under their belt, the band is now set to share their most fully-formed and emotionally-mature work to date, What Do You Feed Your Darkness?

While the music is unabashedly honky-tonk in its origins – rife with pedal steel, twangy electric/acoustic guitar work, and lead singer/songwriter Morgan Snow’s country drawl that belies his roots as a sixth-generation Utah native – the songs themselves subvert classic country storylines of love, loss, and substance abuse by viewing them through a gritty, real-world lens. Snow has lived every line and every phrase within.

The emotional weight of the album is right there in the title — What Do You Feed Your Darkness? — a moniker borne from Snow's turning inward after a lifetime of battling his own demons, going through a divorce, and his experiences as a social worker in the mental health field.

"I've done my best to dance around it in my music," he says of his profession. "But I think I'm at that point where it's so much a part of my story and it comes through in my songwriting...it's hard to avoid. It's that moment of 'something's speaking to you in this realm; you should follow it.’

“I don't want to come across like I've got it all figured out," he adds, noting that his profession doesn't mean he's a perfect being. "I'm also a part of this journey we call life, and this record is a pretty good, honest snapshot of my struggles over the last five or six years."

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Photo by Ebba G Ågren

Mary Anne's Solar Rig - Summer Girl.

Rama Lama Records proudly welcomes long time favourites Mary Anne’s Polar Rig to the family! “MAPR” are a band we have followed since the debut single ‘Surfaced’ was released in 2018, a song we still regularly play on our gig nights. The debut album ‘Makes You Happy’ was released in 2021 and continued to build their signature style somewhere in between slacker rock and fuzz pop. Mary Anne’s Polar Rig are now back with the new single and video ‘Summer Girl’.

Mary Anne’s Polar Rig are a duo who’s a part of a new generation of bands from Malmö where noisy feedback loops and distorted solos are as important as cute melodies and dancy chord progressions. Paired with a careless attitude á la Pavement but with a more explosive sound and an extremely energetic live performance they create a unique combination of slacker rock and fuzz pop which is both catchy and cocky at the same time. Live they are joined by 3 more band members who adds extra depth to their sound.

In this melodic guitar inferno Mary Anne’s Polar Rig go on a cruise that will remind you of some classic 90’s bands like Weezer and The Breeders. In a leather racing suit Fast Malin Hofvander embodies the anti summer girl, sweating on the beach, while Filthy Harald Ingvarsson plays a dune-top-tapping-guitar-solo in uncomfortably tight clothing. This is a groovy rock banger served sunny side up and YOU are here to lean back and enjoy the ride.

‘Summer Girl’ is available to stream and download now via Swedish indie label Rama Lama Records (Melby, Steve Buscemi's Dreamy Eyes, Wy, Kindsight etc.) Mary Anne’s Polar Rig are “Fast” Malin Hofvander and “Filthy” Harald Ingvarsson.

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Ocean Valley - Home.

Australia’s beloved psychedelic surf rock outfit Ocean Alley have announced their upcoming fourth album Low Altitude Living, to be released independently on October 14. The band is also about to embark on their West Coast U.S. tour — earlier this year, Ocean Alley sold out nearly every venue along their eight-show tour of the Midwest and East Coast, including Music Hall of Williamsburg in Brooklyn, Chicago’s Lincoln Hall, Terminal West in Atlanta, and The Sinclair in Boston. The album announcement comes paired with their latest single “Home”, a profession of love for both people and place.

Opening the record with a feeling of warmth and familiarity, “Home” is soaked with bright tones and subtly adorned with twinkling keys. The song is a product of the band’s opportunity to slow down in 2020, with space to reconnect with themselves and the environment around them. Guitarist Mitch Galbraith explains, “We’ve felt more connected than ever to the people and places that are around us at home. Normally, we’d be spending most of our year away on tour, but we felt very lucky to spend the last two years with the people we love.”

While the six-piece could have rinsed & repeated the styles and sounds of their previous full-lengths – the ARIA Award-nominated Lonely Diamond (2020), their ARIA Gold-certified breakthrough Chiaroscuro (2018) and self-assured debut Lost Tropics (2016) – Low Altitude Living, produced by longtime collaborator Callum Howell, sees the band construct their broadest ranging sonic framework yet. As suggested by the diverse feels of previous singles “Touch Back Down” and “Deepest Darkness”, Ocean Alley cohesively honors the traditional features of their distinct sound while equally giving it a refreshing and exciting new edge. Mitch shares, “It’s no secret that we don’t want to repeat ourselves…there’s a constant sense of betterment, growth and exploration.”

Where in the past, Ocean Alley have cited the influence of ‘70s stalwarts such as Pink Floyd and Led Zeppelin, this new album sees the band explore their musicality through pure instinct. They experiment with sludgey ‘90s alt-rock on the reverb-laden “Changes”, they bring a side of bluesy slide guitar akin to the Commodores on cruisey ballad “Snake Eyes”, while the haunted and sensual “Parking Fines” would slot right into an Interpol record. Lach Galbraith (keys/vocals) shares, “Pushing each other to try new things, inside and outside of music, is really important for us to keep things fresh. Musically our songwriting has become more intricate as we explore new styles and techniques in recording.”

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Carmody - Chew Magna - Amitida & Alberto Merelo - Skinny Lister

Carmody - Hurricane.

London based singer, songwriter Carmody releases new single "Hurricane", lifted from her upcoming debut album Imperfect Constellations. Out 6th July via Young Poet, the album features collaborations with Alfa Mist, Tom Misch, Conor Albert, and Laura Misch.

In matters of healing, we often don’t know how much we are carrying until we truly pause to take stock. Carmody has long been using music as a way to uncover her subconscious, examining the complex web of relationships that surround her. In the face of memory and generational grief, Imperfect Constellations is split into four main parts (or 'Constellations') and draws on her own experiences of alternative therapy, entering a world of discovery and recognition.

Co-written and co-produced with Avi Barath (Berwyn, Priya Ragu, Pa Salieu) and Calum Duncan (Alaskalaska, Rachel Chinouriri, Jones), new single "Hurricane" opens Imperfect Constellations in magisterial and captivating fashion, paying homage to a specific family member, painting her character into full tumultuous vision.

“My Grandma once told me that she doesn't dream, and that if she does, it’s not in colour. I was just like wow, that line has to go in a song,” Carmody laughs. “We have a strange relationship, because she's quite a difficult, but very loveable woman. She’s quite rude, she's really crass, she's got a lot of love but she can't often feel it. It's about me trying to get through to her, but also recognising that I feel like I am quite like her. I wouldn’t call it depression, but I struggle with sadness, and there’s a lot of sadness that she's had in her family that she's just carried. That hurricane feeling; I feel like I carry some of that too.”

Over the years, Carmody has crafted a sound that fits her well, complimenting her lyrical dexterity with melodies that evoke the timelessness of Joni Mitchell and Joan Armatrading while nodding to the modern alt-folk of Laura Marling and Big Thief. When Carmody began work on Imperfect Constellations, it was this sound that she was aiming for, rich in detail and emotional substance.

Commenting further on the release of "Hurricane", Carmody said: "I am very close to my grandmother, she is the matriarch of our family and the thread that holds us all together. She looked after me a lot when I was younger and taught me how to sing. She is quite an unusual character. I think she struggles to live in the present and acknowledge the love that orbits around her, we are quite similar in this respect. This track explores my frustration with her, and with myself, to appreciate the things we do have, rather than what we’ve lost."

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Chew Magna - 4232.

Further teasing their forthcoming self-titled debut album, Manchester’s most raucous, riff-fuelled jam band Chew Magna are getting philosophical with newest release ‘4232’ – an anthemic eruption pounding to the traditional teaching of ancient thinkers, in pursuit of freedom. 

“Lyrically, ‘4232’ is a joyous song about existential freedom, perhaps even alluding to the concept of authenticity,” tells the band’s singer and nominated spokesperson, Laurie, of the track’s inspiration. “The song stems from the wisdom of German philosopher, Martin Heidegger. He said, to be human is to navigate the correct way to live in the world when most things occur without reason or are the result of an accident. Ultimately figuring this out, he says, leads to a more authentic life because you can question expectation.” 

Serving up their own alt-rock antidote to lifelessness in the modern age and delving deeper into the band’s poetic and philosophical fascinations, ‘4232’ is powered by Chew Magna’s tried and tested approach to ‘spontaneous’ song writing. Melding ideas together in the former furniture warehouse where they rehearse, melodies emerge from endless instrumentals and boundless imagination to capture the raw emotion of live performance.

Selected from the Chew Magna album sessions recorded with SWAYS producer Martin Hurley in The White Hotel, Salford, ‘4232’ hurtles along with a chorus akin to alternative Sonic Youth tuning. Playfully screwing with structure, added instrumental ‘choruses’ embrace elements of Krautrock, Post Hardcore, Punk, Noise Rock and Shoegaze as Laurie calls out; “You’re running cos you can’t slow down / You’re running cos there’s time to save / Running cos you figured it out yeah / Running cos you can’t be late.” 

“Sonically, 4232 is our most intentionally shoegaze track to date,” Laurie tells. “Its title comes from the weird timing parts in the verse, although we changed it so the numbers are wrong and don’t suit the structure… it should really be called 4323!”

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Amitida & Alberto Merelo - Closure.

Amitida Is a 18 years old Singer Songwriter from Iran. An inspiring artist with her catchy lyrics and top line vocals. I love working in different genres such as (rock,electro pop ,house ,dance indie/pop) but currently I’m focusing on Electro Pop House and Dance Music. Music is my passion it’s what’s inside me and Since the age of 13 I have been songwriting and singing . In the last few years I have also been learning production.

I had been using a vocal coach to help me with my performances and to help me find my true voice but everything else was completely self taught. My musical inspirations and the people who make me want to do music are Adele and Taylor Swift they are amazing artists. My biggest fan and supporter is my Dad helping me and encouraging me to follow my dream. Recently being signed to Happy Sounds Productions in London with the first Single “Tricky Boy” produced by BOI SYCO. With more release to come from these two in the coming months. 

Also working with other artists from the label on other projects the 2nd single to be release is “CLOSURE” with Alberto Merelo. The duo are also working on another project together, to be released in 2022 I plan on working with different producers and artists and regularly release music on streaming platforms also performing live at gigs and showing the world what i have to share. 

Alberto Merelo is a Uk based Music Producer/Composer born in Cádiz (Andalusia, Spain) in 1990, Starting his music career at the age of 17 When he learnt how to produce and compose music by himself. Starting in the hip hop genre and making tracks for different artists, He then begun to produce in different genres such as Rap, R&B, EDM, Pop, Reggae, Dance Hall, Reggaeton and other Latin music genres. Since coming to the Uk Alberto is working as a social worker and has a Masters in Studies and Intervention in Inmigration, Development and Vulnerable Groups from the University of Huelva (Andalusia, Spain). 

Starting his own music production company in 2017 called 'Greedy Game Muzik'. Working with lots of different artists and genres. Also working on his own album hopefully to be released late 2022. In 2021 Alberto was signed to a London based record label Happy Sounds Productions Ltd where he has started working with different artists from the label. The first release will be a track called “Closure” in collaboration with the amazing Amitida.

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Skinny Lister - Like It's The First Time.

“Like It’s The First Time” is a chipper cut from the band’s latest album ‘A Matter of Life & Love’, a raucous record that pays homage to all the greatest things in life.

The exultant song celebrates the thrill of being on the road with a gang of your best mates, set to a foot-stomping beat, dizzying melodies and elating vocal harmonies. As frontman Dan Heptinstall says of the track: “‘Like It’s The First Time’ is a well-trodden ode to life on the road as a touring musician. The travelling, the shows, the hangovers and, most importantly, the connection with the friends and supporters of the band that we get to hang out with along the way. That feeling of often being so far from home yet so utterly at home.”

Creating the mood and atmosphere reminiscent of the final moments of a rowdy night out — when the bar is closing, eyes are blurry and you have a fuzzy feeling in your stomach whilst you jump around to a forgotten throwback track blaring on the radio — “Like It’s The First Time” took on a more bittersweet undertone when touring and “good times with good friends” were put on hold. Something that they were also keen to capture in the official video accompanying the track. As Heptinstall adds:

“It’s a track made all the more poignant for us in the wake of the pandemic, which saw us take a lengthy break from touring. It's been great to be finally back on the road ‘doing it all over again’. The video perfectly mirrors the images I had in my head when writing the song. It’s great to have such memories captured this way, and serves as a reminder to look forward to those we’ve yet to make. Bring it on!”

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