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Showing posts with the label Blue Violet

Flight Attendant - Sohodolls - Blue Violet - Ella Tiritiello - Kalila Badali

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Flight Attendant - Honeysweet. Flight Attendant recently announced their upcoming debut full length will be out on September 30th and they are heading out for tour dates in the US and Europe. "The debut album by Flight Attendant stands as a fine testament to the development of a exciting new band who have adopted such an eclectic mix of sounds and styles from their home in Nashville." say Louder Than War of the upcoming LP. Flight Attendant belongs to that breed of rock bands made in Nashville, where their sound is nothing less than a sonic unicorn. Blending sounds of grunge with power-pop hooks, viola and light synth textures, they have begun to create a hypnotic sound and energy all of their own. Flight Attendant belongs to that breed of rock bands made in Nashville, where their sound is nothing less than a sonic unicorn. Blending sounds of grunge with power-pop hooks, viola and light synth textures, they have begun to create a hypnotic sound and energy all of their own. T

Timo de Jong - Blue Violet - Allison Forbes

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Timo de Jong - Dawdle.  Timo de Jong has just released his track 'Dawdle'. This is the title track of his new EP, which is also where he collaborates for the first time with a producer, Thomas Olivier (Hackensaw Boys, among others). Before the corona pandemic, Timo played more than 100 shows a year, but in recent times he has been forced to focus on what he does very well; writing new songs. When asked about this new project, Timo says: “This EP means a lot to me, because it is the first time that I have really been able to let go of things during the process. Working with Thomas has not changed my sound, but improved and refined it. I believe that I have experienced great growth.” Over the past year, Timo de Jong and producer Thomas Olivier have worked on the music together, from the demo to the entire end product. A certain sound has been deliberately chosen with an appreciation for a warm and natural sounding production. For example, all vocals were recorded live and with a

Hailey Whitters - Blue Violet

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Hailey Whitters - Boys Back Home. Iowa-born and Nashville-based rising Country star Hailey Whitters has just released her highly anticipated third album 'Raised' via Pigasus Records/Songs & Daughters/Big Loud Records. Also released is the Harper Smith- directed video for the album’s single “Boys Back Home” that was shot on location in Hailey’s hometown of Shueyville, IA. Hailey Whitters is currently in the midst of her debut headline Heartland Tour which will culminate with two shows at her hometown honky tonk DanceMor Ballroom in Swisher, IA on May 6 and 7. She will also hit the road this summer with Jon Pardi on his Ain’t Always The Cowboy Tour. "This song was inspired by the boys I grew up with. On any given Friday night we used to pile in the back of one of their pickup trucks, get a bottle of cheap Hawkeye vodka and drive out to a clearing in the middle of the woods where we’d start a fire and sit around all night drinkin' and talkin' about life,” explain

The Gina Furtado Project - Blue Violet - Team Me - Cassidy Mann

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The Gina Furtado Project - It Wont Be Me. Drawing on the distinctive sound that earned her a third consecutive International Bluegrass Music Association Banjo Player of the Year nomination in 2021, Mountain Home Music Company’s Gina Furtado starts off her 2022 with a new single, “It Won’t Be Me.” Backed by her eponymous Gina Furtado Project, which includes two of her sisters, the singer-songwriter serves up a characteristic blend of engaging music with a powerful lyric theme. “It Won’t Be Me” mines the rich vein of Latin- and gypsy jazz-flavored sounds that has served Furtado well since her 2017 breakout hit, “Puppet Show” — and as it did there, the deft ensemble playing of sisters Malia (fiddle) and Lu (bass) Furtado, plus guitarist Drew Matulich, is deployed to support a woman’s declaration of independence from mistreatment. Delivered in Furtado’s immediately recognizable voice, the lyric works its way over minor chords from an opening uncertainty — “I could see the writing on the w