Showing posts with label Chloe Foy. Show all posts
Showing posts with label Chloe Foy. Show all posts

Chloe Foy - A Permanent Shadow - Sandra Andreis - Cleargreen - Jens Carelius

Chloe Foy makes her third appearance on Beehive Candy with 'Without You'. Her ability to write, create and perform beautiful folk songs remains intact, the latest piece once again demonstrates this. In just one word I would describe her music as stunning.

From A Permanent Shadow we have 'Empty', a quirky, enjoyable and psych drenched song, with a suitably matched video, this one is very catchy.

The Porgy and Bess classic 'Summertime' is given a thoughtful reworking by Sandra Andreis a modern version without taking away the originals class, and it's accompanied by a intriguing video.

Cleargreen latest song is 'People' a bright and fresh sounding indie rocker, that is full of some rather deep digging hooks.

We have the new track from Jens Carelius entitled 'All I Know' accompanied by his previous release 'Lay Me Down'. Both make good use of sweeping synths, and Jens characterful vocals give plenty of originality and interest to each song, raising interest before his September full album release.
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Chloe Foy - Without You.

Chloe Foy writes a brand of melodic, homegrown music, bursting with colourful, lyrical and textural inflections evocative of much of the music she loves. Taking inspiration from classical music as much as wider transatlantic trends in folk and indie, Chloe’s songs comprise of carefully constructed arrangements that delicately compliment her cryptic lyrics.

Having performed at SXSW, Chloe has captured the attention of rapidly growing UK and US audiences. With the release of her singles ‘Asylum’, ‘Flaws’, and ‘In The Middle Of The Night’, she has accumulated over 9 million plays on Spotify, as well as earning the praise and airtime of the likes of NPR Radio’s Bob Boilen and the BBC’s Steve Lamacq. She has just been named a 2019 BBC Introducing “One To Watch” by Radio 3’s Late Junction. She spent summer 2018 touring in support of the mercurially talented Jesca Hoop (as well as singing backing vocals in Jesca’s band), before embarking on her first ever UK headline tour in the Autumn.

With her strikingly beautiful voice and emotionally direct songwriting, Chloe looks set to have an exciting 2019, with a debut album in the pipeline, a headline spring tour and a string of major festival appearances, including Green Man, already confirmed.

Talking of the new single, she says, "Without You is a song about grief and the loss of someone close to depression. So it talks of the struggles of the person who passes away and then couples that with the exploration of grieving and how it changes from being the worst thing in the world one minute, to possibly seeing the light at the end of the tunnel in the end, and how grief changes with the seasons. This was written a long time ago when I was very new to the grief and I’ve always played it live but never found the right setting for it on record. However, I recently re-imagined the arrangement and it’s taken on a new life."

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A Permanent Shadow - Empty.

"Empty" is the debut single from Barcelona-based band A Permanent Shadow. With gnarly guitar riffs and new-wave nuances, the single pays homage to generations of misfits: from glam-rock icon David Bowie to eclectic synth-maestro Gary Numan. The song itself questions at what lengths will we go to in order to keep a relationship alive. When is it time to walk away?

Renowned short horror movie director Dani Moreno captures the concept of attraction-rejection using two dancers: one wearing black and one wearing white. Simplistic, yet effective, the characters push and pull until one finally gives in, fading into the background. CP, on the other hand, is scrutinised under the watchful eye of two doctors.

In reality, he’s strapped to a hospital chair, while in his mind he’s transported to a psychedelic journey through space and time. Lights and sounds literally explode from his brain as one side shouts to the other, “Empty!”.

A Permanent Shadow. A name that refers equally to areas of the moon untouched by sunlight, the after-effects of nuclear disaster and human skin peculiarities, for the band’s founder and lead singer, CP Fletcher, it represents melancholy, nostalgia and other sentiments usually traceable on the darker side of human life.


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Sandra Andreis - Summertime.

Place a trip hop-esque soundscape in an episode of David Lynch’s Twin Peaks and there you have it – Sandra Andreis’ debut solo release, “Raising My Standards”: a set of updated jazz standards transformed into modern fighting songs for equality.

The first single “As Time Goes By,” a reworked version of the classic tune from Casablanca, was released on International Women’s Day (March 8th), and it was met with much acclaim in her native Sweden. The second single, "Summertime" was released on June 14th and is now followed by a poetic music video set in Morocco and Sweden.

“Summertime is such an iconic song from Porgy and Bess with deep roots in American spirituals and has been standard fare for decades and across generations. Updating it at a time when human rights, and specifically women’s rights, are once again being put to the test, in a way I had hoped I wouldn’t experience in my lifetime, feels important. My fight to ensure my daughter will never be forced to endure these inequalities continues.”

Andreis, more commonly known for her work as an actress in both film (Venice Film Festival award-winning The Reunion) and television (European hit series The Sandhamn Murders), describes her journey of creating this EP as a personal face-off with the gender norms pervading so much of music, especially the jazz of her youth.

“Just like children’s books and laws, music needs to be updated. Summertime is one of the most beautiful lullabies I know, and my version draws from the pure, raw female power that has born and bred generations.The original is sung by a woman comforting a child that isn’t her own, wishing for her to grow up under the best possible circumstances free from oppression.“Your daddy's rich and your mama’s good-looking.

My reworking of the lyrics is simple but effective – a woman is no longer reduced to her looks, taught that her appearance is crucial to her survival. I also grant the child in the song a voice, allowing her to demand attention.That constant and complex exchange between parent and child – to nurture and be nurtured.The difficulty in adapting to various roles over the course of a lifetime. There is something both beautiful and heartbreaking in that tension.”


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Cleargreen - People.

Cleargreen is powered by a formidable young song writing partnership between Ali Staley (Vocals/Guitar) and Liam Mciver (Vocals/Bass) alongside two of the northwest’s most complete musicians in Josh Haworth (Lead Guitar) and Mike Wilcock (Drums).

With this unrelenting line up Cleargreen have started to cause some rumblings across the North and pricked up ears both abroad and down south in that there London. This band is a perfect combination of big songs and big musical personalities, always striving to uncover the classics of tomorrow. Having been listed Fred Perry's Top Manchester Bands you need to hear, as well as huge home town shows at Manchester 02 Ritz and a 500 capacity sell out at Rebellion, this band are going beyond. A list of summer festival billings keeps mounting as Cleargreen begin to feature on the biggest of stages more often than not now.

After the success of their last release, new single 'People' takes things up another level once again. The track talks about duality within people, the good and bad, and that people aren't necessarily one or the other. It also shows how we desire better lives for ourselves and how we are influenced by the people around us for better or worse. Musically it shows the bands strength to create strong hooks and melody lines and big choruses, borrowing from their influences of 60s Pop and recent bands such as 'Sticky Fingers' and 'DMAs' to make a shimmer piece of modern guitar pop.

The band are young and were started in 2012 by Ali and although there have been many line-up changes. The dynamic of the band completely changed properly in 2016 when Liam came into the fold and took on some of the song writing duties, giving the band twice the ammo. 2018 saw the addition of Josh and Mike as this line up finally finds its most symbiotic version upon which a really great English band may just be able to surface to the top again as has been the tradition of northern English bands from The Beatles in the 60s through to Oasis in the 90s and Arctic Monkeys in the 00s.


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Jens Carelius - All I Know / Lay Me Down.

Jens Carelius has shared a new single, "All I Know", that is taken from the upcoming album entitled "Opsi" that is due for release on September 13th via Jansen Records. The album is named after his great-great-grandfather Fritz "Opsi" Doerries, the entomologist, and was inspired by his travels through Eastern Siberia in the late 1800s.

Behind the entrancing swirling synths there lies a deeper meaning within the lyrics of the song, explains Carelius: "‘All I Know’ is about how we choose to spend our short time on this earth.

The song starts with the clicking of a clock, as I wanted Opsi’s life and his own search to echo how we all live today, which is a totally different world than his. Opsi spent most of his life searching for something unknown and unseen. Never for the fame of it, purely driven by his genuine love for nature and wildlife."

The first taster of the record came in the form of opening track on the album "Lay Me Down". Carelius explained the meaning behind the song:

“During Opsi’s 22 years in Siberia, he had several visits to Germany, and the diary reveals details of a hidden love story that I’ve chosen to explore in this song. When you really miss someone, you forget about any trouble, pride, and drama that being with them stirs up. You just want that person and that love to be there, even though you know the ordeal it could bring.”


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Chloe Foy - The Howlin' Souls - The Vex - Quiet

Chloe Foy - Are We There Yet.

Background - Following live dates this month in support of Jesca Hoop, Chloe Foy returns with "Are We There Yet", the second track to be taken from her forthcoming synonymous EP which will be released on Friday 12th May. Showcasing her talent for skewed, ambitious folk songwriting, The Line Of Best Fit described her first single 'Flaws' as "stunning" in their premiere last week. Folk Radio UK said in their premiere of 'Are We There Yet' that "she has a unique quality, one that can be heard in her vocal delivery and which is heightened by delicate musical arrangements."

Chloe Foy has previously been likened to such artists as Laura Marling and Sharon Van Etten. Her songs are imbued with lyrical and textural inflections evocative of much of the music she loves - taking inspiration as much from neo-classical music as much as wider trends within indie-rock, Chloe’s new EP comprises carefully constructed arrangements that delicately compliment her cryptic lyrics.

Chloe’s last single, ‘In The Middle Of The Night’, received generous support from Steve Lamacq on both his Radio 6 & 2 shows. The single has generated over one million plays on Spotify, being featured on two popular playlists ‘Stress Buster’ and ‘The Most Beautiful Songs in the World’. Facebook here.

Our second feature for Chloe Foy and once again we have a fabulous song. 'Are We There Yet' demonstrates her artistry and finesse, melodic and captivating vocals and a beautifully produced musical arrangement, makes the forthcoming EP something to be excited about.


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The Howlin' Souls - Free And Young.

Background - Formed in Downtown Manhattan in 2012, The Howlin' Souls have emerged onto the music scene with a fresh yet classic sound that has been welcomed by critics & fans alike.

Singer-songwriter, Pete Smith has infused his Indiana roots into his songs with raspy and honest vocals and lyrics reminiscent of Petty and Dylan. Pete’s guitar playing is supported by lead guitarist and New York native, Scott Sepe, who lends his nostalgic riffs to the Souls’ sound, pulling from the blues and modern rock standards he mastered as a teenager. The rhythm section is comprised of New England natives, Nate Lang (drums) and Robbie Sokolowsky (bass). Their shared love of classic blues, Motown and R&B offer a humble yet infectious backbeat groove.

The Howlin’ Souls’ collective influence includes British rock greats The Rolling Stones, as well as the blues legends that inspired them - Muddy Waters, Jimmy Reed and the iconic Howlin’ Wolf (whom they honor in their name). Fritz Lang, long time engineer with time at CBGBs, Record Plant NYC, Sigma NYC and others as well as touring with Miles Davis, the Stones, Prince and other icons of music, co-produced the record with songwriter, Pete Smith.

Smith and Sokolowsky self-produce the band’s music videos while Lang has been taking roles in front of the camera, most recently as drummer Carl Tanner in the Oscar nominated film Whiplash. In the Fall of 2016, the band released their first single, “Anyway You Take It.” Their debut self titled EP, The Howlin’ Souls has just been released. Website here, Facebook here.

The bands self titled EP comprises of four songs and 'Free And Young' is a fine bluesy rocker that gives the listener an idea of the calibre and talent of the band. They can and do mix there rock'n'roll styles, adding variety to a passionate and potent collection of music.

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The Vex - EP.

Background - Though hailing from London’s outer fringes, where the capital unceremoniously bleeds into Kent, The Vex actually came into being some 1,500 miles away, with an Eighties pop superstar playing his part. While on tour in Moscow with a previous band, the schisms in the group were made apparent by an offer of management from one Adam Ant. The faction that opposed the deal broke away to form The Vex, playing their debut gig at Moscow’s BlastFest, where the only thing that wasn’t ice-cold was, typically, the band’s beer rider. 

Back in the UK, Josh (guitar/vox), Jacko (guitar/vox), Andrew (bass) and Joshua (drums) soon honed a sound inspired by the classic roots and rock of both Kingston, Jamaica, and London, England. Dealing in dirty guitars and big beats, played with passion and precision, the quartet’s heavy rocksteady sonics became a draw on both sides of the Thames, their ferocious shows earning them a rep as one of the best live bands on the circuit. The Vex hit hard and they cut deep. Spin this EP and hear for yourself. 

About the ‘The Vex’ EP - A vital meditation on life, death and melodica, The Vex’s eponymous third EP ups the ante with its vice-like grooves, searing rock’n’roll edginess and volcanic dynamics, peaking with the fluid vocals of Jacko and Josh. It was recorded straight to tape at Ranscombe Studios in Medway and engineered by Jim Riley, key protagonist of the famed Medway scene. Within are five songs that tackle the big issues impacting on 21st-century existence, evidence of the band’s awareness that in our wide, wonderful and sometimes terrifying world, peace, love and unity are the only things that truly matter. Facebook here.

The Vex's five song, self titled third EP is boisterous and exuberant, with the bands robust and dynamic heavy rock-steady, providing a scintillating listen. It pretty much demanded a second play!

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Quiet - Powerful Me.

Background - Quiet is anything but. It’s gnawing, encapsulating atmosphere, with real post-punk / metal-rock songs within dark, heavy, disturbing sounds. Their debut EP introduces the listener to a deep world of intimate confessions and barely concealed revelations — songs made from subterranean urges, feeling like a forbidden roller coaster ride through tidal wave riffs surrounding epic lyrical psychodramas. 

Quiet is a brand new Seattle band made up of lead Avtar (ex-Atomic Bride and Our Mother the Mountain bassist, now on guitars), Count Louisifer lll (bass), Eamon (guitar), Ulysses (drums), and features the lead vocals of Æon (ex-Wandering King). This is basically everyone else's first "real" band in a sense, as they put it, brought together by Avtar, who eventually connected with Æon through a mutual friend. 

The quintet write and rehearse in the same space as The Gods Themselves and Kid Leather, the members of which came from Atomic Bride like Avtar did. After some woodshedding, vox and drum-free for a year, the band found their missing members, and roiled on the lovely yet leviathan “Deepest Blue Sea,” their first single that was the first step in realizing the expansive emotional palette they were after. 

Quiet's debut EP 'Walk Into The Night' will be accompanied with a Barboza release show on June 9, 2017.

'Powerful Me' gives some idea of what to expect on the bands EP, although it's not actually included within the collection itself. The band tend to drift across genres with imaginative albeit sometimes darker musical ideas. As debut's from recently formed bands go, clearly they have something to offer, I guess expectations will be set quite high on the strength of these few tracks.


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Bumper Jacksons - The School Book Depository - Chloe Foy - Bonzie - Hunter & The Bear - Lillie Mae - Louise Lemón

Bumper Jacksons - I've Never Met A Stranger.

Background - 4am, campfire in Your Backyard, summertime. - The firelight bounces off fiddles, horns, guitars, and the faces of the men and women singing together in the deep parts of the night. They might not know each other’s names, but there they are, pouring their hearts out to one another in song, playing tunes older than their great-grandmothers.

A certain magic happens in moments like this where a common thread of humanity, going back thousands of years, is plucked – and strangers become old friends.

Music creates a sort of temporary social apocalypse where the niceties and norms of society are blown away and a radical openness to others is allowed to take it's place.

These are the experiences that birthed the Bumper Jacksons. Our new album "I’ve Never Met A Stranger" is a toast to all the ways in which we humans bridge the divide between our souls. Website here, Facebook here.

Traditional folk music full of Americana goodness makes 'I've Never Met A Stranger' just so likable. The video manages to increase the charm, this is a fabulous example of whats to follow on the new album.


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The School Book Depository - Salvation.

Background - The School Book Depository is an imaginary storage facility where the Swedish musician and songwriter Fredrik Solfors releases his songs and videos. In April The School Book Depository releases it’s first album, a bunch of songs recorded in his home studio in Växjö, Sweden during 2016. The motto for this project has been ”it’s my party, I can do what I want”, in order to embrace all forms of creative outlet both musically and lyrically. The songs range from groovy, psychedelic hip hop to noisy and catchy garage pop and beautiful, atmospheric post-rock.

Humorous lyrics depicting depressing gym-visits, metaphorical micro-analysis of the American presidential election, weird poems and songs about being a rabies ridden stray dog, all fit in The School Book Depository.

Fredrik Solfors started early playing the drums but moved on to vocals, guitar, piano and songwriting in bands as Wagon, The Low Season Combo and Kinetics, appointed best international act by the British Magazine Pure M in 2015. He also played drums in Surrounded, a Swedish band signed by American Deep Elm and British One Little Indian. The first single from the album is “Salvation” released this week.

'Salvation' is a melodic post rock kind of a song, with a laid back vibe and atmospheric feeling running right through it.

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Chloe Foy - Flaws.

Background - Flaws is the first track to be taken from Chloe’s forthcoming EP ‘Are We There Yet?’ which will be released on Friday 12th May. Showcasing her talent for skewed, ambitious songwriting.

Chloe Foy has previously been likened to such artists as Laura Marling and Sharon Van Etten. Her songs are imbued with lyrical and textural inflections evocative of much of the music she loves - taking inspiration as much from neo-classical music as much as wider trends within indie-rock, Chloe’s new EP comprises carefully constructed arrangements that delicately compliment her cryptic lyrics.

Chloe’s last single, ‘In The Middle Of The Night’, received generous support from Steve Lamacq on both his Radio 6 & 2 shows, as well as favourable reviews from mainstream media across the country.

The single has generated over one million plays on Spotify, being featured on two popular playlists ‘Stress Buster’ and ‘The Most Beautiful Songs in the World’. Facebook here.

A very gentle and gradual introduction provides the ideal entry point for Chloe's enchanting and beautiful vocals. 'Flaws' grows in layers of sound adding additional melody, to this charming song.

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Bonzie - Fading Out.

Background - Bonzie shares new track "Fading Out". The song is the first to be released from her highly anticipated sophomore album, Zone on Nine, out May 19th.

The second album from Chicago-based songwriter and multi-instrumentalist Bonzie, Zone on Nine pulls off the sublime feat of feeling both intensely intimate and otherworldly in scope. “All of my songs basically start as a conversation I’m having with myself alone in my room,” says 21-year-old Nina Ferraro, who’s created under the moniker of Bonzie since age 17. “It’s how I process and interpret things that have happened to me or in life in general; it’s my way of trying to understand the world.”

Throughout Zone on Nine, Ferraro eschews the confessional singer-songwriter approach and claims her role as a fiercely honest observer and commentator who delivers her lyrics with powerful abandon. That self-possessed artistry has earned acclaim from the likes of Spin, Vogue, and Paste, as well as led to praise in the pages of the New York Times (“Delicacy and drama, surrender and anger, made a riveting combination when Bonzie performed,” wrote chief popular-music critic Jon Pareles of a SXSW performance). At the same time, Zone on Nine finds Bonzie greatly expanding her sonic palette—formed from inspirations as eclectic as Tchaikovsky, Gil Scott-Heron, Judee Sill, and the score to Disney’s Mulan—and creating a more intricately composed take on surrealist pop. Website here, Facebook here.

'Fading Out' achieves a considerable amount. The soundtrack is both intricate and distinctive and yet it carries a reasonably straight forward melody, that somehow has it's own emotions. Add in Bonzie's vocals and the whole song grows into something quite memorable and stunning.


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Hunter & The Bear - Paper Heart.

Background - Hailed as “the heroes British rock needs right now” by the Huffington Post, the band have been featured on Classic Rock, Total Guitar and Punktastic already. They have already toured and  supported Eric Clapton, Van Morrison and Simple Minds.

Brought up on a heavy diet of classic bands like Led Zep, Sabbath and Pink Floyd, they’re equally inspired by modern acts like Biffy Clyro and Royal Blood and have had extensive plays on BBC Radio 6, as well as spots on big stages at Reading & Leeds, T in the Park and Hard Rock Calling. Website here, Facebook here.

Sometimes back to basics rock'n'roll is more than enough to satisfy my ears, especially with a song like 'Paper Heart'. There is a little bit of a stadium rock feel to the song, no problem with that, the band are polished in their delivery, thankfully they also add bags of energy and passion ensuring a more natural feel.


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Lillie Mae - Wash Me Clean.

Background - Third Man Records recording artist Lillie Mae is set to release her Jack White-produced album Forever And Then Some on April 14th. 

Pre-orders for Forever And Then Some are available here, with all digital pre-orders receiving instant downloads of the album's wistful first single "Over The Hill and Through The Woods," "Honky Tonks and Taverns," and  latest track "Wash Me Clean." "Over The Hill and Through The Woods" is also available as a  7" vinyl single -- backed with non-album track "The Last Time" -- at thirdmanstore.com. "Over The Hill and Through The Woods" was praised by Rolling Stone Country for "melding unique old-time vocal breaks, a rich sonic chug that evokes some Seventies rock psychedelia and evocative storytelling".

Lillie Mae will start a run of shows supporting Ben Harper & The Innocent Criminals on April 28th in New Orleans, followed by festival dates this Summer and additional shows, including Canadian dates, to be announced soon. See Beehive candy's tour news page for more details, website here, Facebook here.

I'm sorry Jack White, but I thought Lillie May was the star of the show at your last Glastonbury set. So the new album is a welcome surprise and featured song 'Wash Me Clean' suggest we are in for a fine collection of songs, the producer is pretty good as well!


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Louise Lemón - Appalacherna.

Background - The up and coming death-gospel female artist Louise Lemón hails from Sweden and intertwines the dark, windy and cold Scandi ambiance into her music. Her debut EP ‘Purge’ has the opening track called 'Appalacherna' as the lead single of this release.

The haunted sound on the EP fits right in the isolated space between dream and reality, which stretches endlessly from one melancholy track to the next. In short it is strange that a barometer of youth culture trades in such intensely depressing music.

Louise says: “This record has been a very personal journey, first writing the songs, then getting to records it together with my long time band member and friend Anders Ludwigsson, then expanding the sound with Randall Dunn.“

What’s the outcome? The tracks sound like they belong to a larger canon of Southern California gothic albums because they send the listener into gloomier and rawer territory, giving it that hypnotic and supernatural edge when a scuzzy blend of guitars take over, reminding us of the self-confessed sad girls Cat Power, Lana del Rey and PJ Harvey.

Louise adds: “It is very important for me to be completely involved and to be able to work with people I trust and respect. To then have them colour the music and sound is very rewarding. Working with Randall Dunn was an amazing experience and I chose him because I wanted to expand the sound, make it heavier and darker and at the same time opening it up, letting it be vulnerable The record is called ‘Purge’, and making it has really been a cleansing and growing process, everything I write is deeply personal, and to me the sounds express just as much as the lyrics.”

The artistically poignant ‘Purge’ EP is out NOW through Icons Creating Evil Art. Website here, Facebook here.

'Appalacherna' takes us into a slightly darker and melancholic place and at the same time has a level of warmth due to the emotional commitment and the richness of both music and haunting vocals.

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Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama

Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...