Showing posts with label Sturle Dagsland. Show all posts
Showing posts with label Sturle Dagsland. Show all posts

Friday, 10 October 2025

Megan Bee - Sturle Dagsland - Eve Goodman and SERA - Ivan Moult

Photo - Chad Cochran
Megan Bee - Fiction (Album).

Megan Bee’s new album Fiction features ten original songs of slowing down, softness, and enjoying the sweetness of life.  Known for lyrics that evoke a sense of place, these new songs carry that tradition of Bee’s unique way to make her settings come to life from spring pushing up from the ground in “Sweeter Things” to fireflies dancing in the trees in “Waiting”.  The album spans a myriad of themes from sensual intimacy in a song about making a quilt, to yearning for creativity to make the world a better place, and to the heartbreak of losing a friend to suicide.

What sets this album apart from Bee’s previous work sonically is the sheer expressive closeness of her vocals combined with a production that leans over the edge of the Folk/Americana genre and dips its toe into an Arthouse sound at times.  The album features Bee not only on acoustic guitar, but also piano and wurlitzer.  Guest musicians range from longtime Athens collaborators like John Borchard on pedal steel to surprisingly supple additions of Kate Wakefield on cello (Lung), Chris Justice on bass (Local Honeys), and Ammed Solomon on drums (Mountain Stage).

The album was produced by Eddie Ashworth at The Oxide Shed in Athens, Ohio.  A Southern California native, Ashworth brings his years of experience engineering chart-toppers and multi-platinum albums in L.A. in the 1990s to the production of Fiction.  Ashworth handles these minimalist yet rich songs with an ingenious ear while letting the emotive vocals and lyrical depth be the main focus of the album.


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Sturle Dagsland - Dreams And Conjurations (Album).

Back in January 2021 we featured Sturle Dagsland on Beehive Candy. We were very short of help at that time and so, just copied and pasted the promo info we received (yep we were amateur) such was our desire to share the music. I can in all honesty say that their music blew me away! On their sophomore album The Norwegian duo continue to weave the rich musical tapestry that their 2021 debut showcased, combining elements of Norwegian folk, electronica, metal, experimental pop and a wild mixture of different vocal techniques. Once again this is really creative, at times outstanding, even blissful and worth listening to in full. Beehive Candy are mightily impressed.

With a wild and unique performance Sturle captivates the audience and takes the listeners on an adventurous journey. Together with his brother they have toured extensively at festivals all across the world, from Shanghai to New York, Greenland and all the way to the Source of the Nile in Africa. The two brothers conjure an expressive ever-changing soundscape with a distinctive sonic palette and an uncompromising whirlwind of sound. 

Dominated by Sturle`s astonishing voice their sound evolves from the ethereal and beautiful to wild and abrasive in a matter of seconds. Expect the unexpected and lean into a musical odyssey that conjures sounds of the netherworlds and intertwines old primordial knowledge with screaming metal, folk music and immersive soundscapes. The project’s distinctive sonic palette has found the band perform not only at prestigious international festivals, but also alongside the likes of Big Thief in US and Oranssi Pazuzu in Europe.


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Eve Goodman and SERA - Natur (Album).
 
North Wales based singer-songwriters Eve Goodman and SERA share their long-awaited collaborative Welsh album 'Natur', a hymn of love to the cyclical element of women and nature. Ranging from a whimsical sea shanty about a Menai Strait mermaid to an evocative acapella spell-song; from a love song inspired by a moth, to an ode to emotions and the weather, this is a meaningful and creative folk songbook. The album is a rich and varied journey from percussive, hooky ear-worms about burnout and modern life (Anian), to expansive and moving Celtic blessings that sing of reverence for the land (Bendith). 

Eve Goodman and SERA (Sarah Zyborska) began working together when they were both selected as BBC Horizons Artists in 2019. Both women, with rising solo careers, grew up in Caernarfon, North Wales. After just one writing session they found common ground in their connection to and curiosity around nature. Surrounded by the beautiful North Wales landscape that is such an important part of their lives, they began to explore the Welsh names for birds, trees, flowers and the more-than-human world. The song tendrils soon grew to touch upon the cyclical element of both nature and women. Soon enough a body of work was growing, each song a celebration of both. Natur was born. 

“We both loved the Spell Songs project (ft. Julie Fowlis, Karine Polwart et al) and the way the songs serve as a call to reawaken our love of the wild. We approached our songwriting with this call in mind in the language of our land, Welsh. As one of the lines in our song Anian says ‘I cofio ein natur, edrychwn ar natur’ (to remember our nature, we look to nature). It’s about accepting our wild nature in an increasingly complex and digitalised landscape.”

The album was recorded in Wild End Studio near Llanrwst, North Wales, nestled in the foothills, with co-producer Colin Bass (member of Camel and also producer of the Tincian album from 9 Bach which won ‘Best Album’ at the BBC Radio 2 Folk Award in 2015). 

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Ivan Moult - I Should Have Asked Your Name.

Following on from Did You Think That I Was Lost?, the next glimpse of Ivan Moult’s upcoming album, Stood Out in The Storm, is 'I Should Have Asked Your Name'.

Ivan explains: “A song exploring instant attraction and missed opportunity, resolving with love finding a way to wait for us and allowing us to meet again. Sonically carried along on a lazy river of electric guitars that burst out at times in solo alongside organ flourishes and light touch drums and bassline.”

Ivan’s signature sound remains at the core: a seamless blend of 1960s/70s folk and blues infused with modern textures, drawing influence from John Martyn, the late great Terry Reid and Ry Cooder. On Stood Out In The Storm, that familiar intimacy is expanded with a greater presence of guitars and organs, adding new depth and urgency to the sound. As with his previous records, Ivan wrote, played, recorded and mixed the album at his Cardiff home studio, and the record sits as a companion piece to Songs From Severn Grove.


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Tuesday, 19 January 2021

Wyndow - Katey Morley - Sturle Dagsland - Erica Knox - David Olney & Anana Kaye

Wyndow - Take My Picture.

Wyndow is the brand-new psychedelic-pop project of revered singer-songwriters Lavinia Blackwall and Laura J Martin. Today, the duo has announced their collaboration via the sharing of astral new single ‘Take My Picture’ alongside the news that they are working on an album together.

The pair first met whilst playing on the same bill at Moseley Folk Festival in Birmingham and hit it off instantly over a shared love of the music of Robert Wyatt. Over the years that followed, their paths crossed several more times, Lavinia and her partner collaborated on new material with Laura and Laura contributed flute parts to Lavinia’s debut solo album in 2019. “As the world took a nose-dive, I wanted to lose myself in a new project” explained Laura. “I was listening to Japanese environmental music and wanted to present those atmospheres alongside two voices. I mentioned it to Lavinia, and we formed a plan to start working on a cover.”

“We collaborated on a cover of Robert Wyatt's song 'Free Will and Testament. After recording, it felt like we’d found a new combination and we wanted to develop it further, so we continued sending ideas back and forth” explained Lavinia.

To while away the hours in a closed down country, the pair began working on a new set of songs together. Writing and recording separately, with contributions from Iwan Morgan (Cate Le Bon, Meilyr Jones, Euros Childs) and Marco Rea (Euros Childs, Alex Rex, Lavinia Blackwall), it was a completely new process for both artists. “I see this project as a set of musical postcards sent across the wires from Liverpool to Clydebank” says Laura. “The cards arrive rain damaged and dog eared on the other side and end up in new fantastical shapes”. ‘Take my Picture’ the ethereal first cut, talks of shadow lives and half stories. Fragments of time filtered through a celestial lens.  With ‘Take My Picture’, Laura J Martin and Lavinia Blackwall build enveloping soundscapes around winding serpentine voices. Pulse heavy minimalist piano lines provide a bed for vertiginous flute solos, multi-tracked bass, bouzouki and autoharp to intertwine, in wild combinations. “My 4-year-old nephew described it as a nightmare, which I took as a compliment” joked Laura.

Wyndow’s new sound is an exciting next step for the duo, both of whom have enjoyed abundant success in their careers to date. Laura J Martin has so far released three critically acclaimed albums. Her latest, ‘On The Never Never’, was recorded in Nashville with members of Lambchop, Silver Jews and Jesus Lizard. A mercurial and bewitching live performer who interweaves layers of vocals, flute, mandolin and electronics; Laura and her band have toured regularly across the UK and Europe and supported acts such as PJ Harvey, Teenage Fanclub, Cate Le Bon and performed and collaborated extensively with Euros Childs. Lavinia Blackwall’s work with prolific Glaswegian psych-folk outfit Trembling Bells has earnt her a reputation as one of the best voices in the scene, many critics having likened her singing prowess to that of Sandy Denny. Along with Trembling Bells she has released seven full-length albums and performed as the backing band to folk legends Bonnie Prince Billy and The Incredible String Band’s Mike Herron. Her 2020 debut solo album ‘Muggington Lane End’ was extremely well received by the press.

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Katey Morley - Little Man.

Katey Morley has released her eagerly anticipated EP “Hearts & Heads & Thoughts & Deeds” on Jan. 1st, 2021. This five song gem opens with a euphonious and bombastic Folktronica tune, ambles through Country Noir to end on a haunting piano ballad that you won’t soon forget. 

The single “Little Man” will be released on Jan 19th, but you won’t find it on most of the major streaming services. The Canadian singer-songwriter is taking a stance: “My wish for 2021 is the healing of the music industry, and I believe it starts with releasing music only to services that support and pay musicians fairly. 

I can no longer gripe about being exploited by Spotify, yet continue to give my music to them.” She also believes that consumers are starting to understand how streaming negatively impacts music creators, and they too have begun to demand a fair alternative to support their favourite independent artists

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Sturle Dagsland - Dreaming.

Sturle Dagsland – Sturle is sharing his new single “Dreaming” today and I wondered if this single/album might appeal for support at Beehive Candy?

He has his self-titled debut album release out on February 5 and we've got some support in the pipeline from Bandcamp Daily, MOJO, Under The Radar Magazine, etc so far. It's a pretty diverse record with some very heavy, wild parts and other much more ethereal sections – this latest single, “Dreaming”, is definitely a cornerstone of the latter with hints of Björk, Sigur Rós and FKA twigs shining through. It was actually recorded in a lighthouse off the coast of the North Sea using South American flutes.

A bit on Sturle – Sturle's got a unique sound that blends the world of experimental-pop with avant-garde and metal. Areas of the new record touch on the intensity of Death Grips and Sunn O))) whereas others point towards flamboyant pop experimentalism. Sturle has just been announced for a string of Spring 2021 dates opening for Finnish act, Oranssi Pazuzu; previously he has performed at Iceland Airwaves, SXSW and Tallinn Music Festival. In recent times he's done some film scoring for the award-winning animator, Eirik Heggen.

Sturle helms the project with his brother, Sjur, and following previous tips at The Quietus, Drowned in Sound, and Vice, they put the record together over the last couple of years, using over 40 different and unique instruments to create the sound – more details on these in the press release below, but they include Zimbabwean finger harps, Armenian duduks and Norwegian billy goat horns. Themes on the album reflect the duo's culture and ancestry – Norse Paganism arrives on "Blot" whilst "Noaidi" references some of their mother's indigenous Sami roots. The record was recorded at a number of different locations, these include abandoned industrial estates in Russia, Soviet Navy ships in Eastern Europe, a remote lighthouse in the North Sea, and the Norwegian mountaintops.

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Erica Knox - Running Inside Of My Brain.

I'm super excited to share "Running Inside of My Brain" with you. Produced by Kadeema's Tal Vaisman, the song is available now on all streaming platforms.

Inspiration for this song came from a relationship that wasn't meant to be. Start to finish, there were so many red flags and obvious signs that were ignored. I'm always looking for that fairytale ending, hoping that even when it's unrealistic, it will somehow work out. And I wanted that so bad with this person, but it just wasn't happening, no matter how hard I tried. Although this person was wrong for me, I still had to grieve the relationship, and accept that I have to surrender to these feelings until they've fully healed.

I reflect on that time after a breakup where even after you've made peace and come to terms with it, something brings you back as if it happened yesterday. You relive it all, imagining what that could have been, and everything that went wrong.

"Running Inside of My Brain" serves as a reminder that you've gotta put yourself first when it comes to love. It's not worth losing yourself to be with someone else, no matter how good the ending could be.

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David Olney & Anana Kaye - My Favorite Goodbye.

If the futile longing to reach back through memory and grasp what is in the past could be set to music, it would sound like Whispers and Sighs. Over the course of 13 tracks, David Olney and Anana Kaye manage to craft a journey that amounts to far more than just another Americana album. This is to be expected with Olney, an acclaimed songwriter responsible for more than 20 solo albums and songs covered by and/or co-written with the likes of Emmylou Harris, Steve Earle, and Linda Ronstadt, among many others. Further, just as Townes Van Zandt reportedly saw something special in him, Olney felt a similar admiration and kinship towards Kaye, a smoky-voiced Americana darling whose star is assuredly on the rise in Nashville, and her husband and musical partner Irakli Gabriel, both of whom are originally from the country of Georgia.

On Whispers and Sighs, due out March 26, 2021 on Schoolkids Records, the pair create a unique, sonic landscape that blends the haunting sensuality of European music with the raw intimacy of Americana, weaving raucous, unapologetic rock anthems like “Lie to Me, Angel” and “Last Days of Rome” with sparse, introspective ballads such as “Tennessee Moon” and the record’s title track. All of the songs were written by the trio of Olney, Kaye, and Irakli. In addition, longtime Olney collaborator and hit songwriter John Hadley earns co-writing credits on a few.

Brett Ryan Stewart (Wirebird Productions) produced and mixed the record at his studio in Nashville. Stewart is another rising star in his field, having garnered Grammy consideration for projects he’s helmed, along with notable TV and film placements. Richard Dodd, recipient of the Best Engineer Grammy Award for Tom Petty’s Wildflowers, mastered the project. Whispers and Sighs features an impressive array of Nashville musicians and vocalists — perhaps most notably Olney’s long-time musical collaborator and bassist Daniel Seymour, and bassist Chris Donohue, who has worked with such artists as Emmylou Harris, Robert Plant, and Elvis Costello.

All in all, Whispers and Sighs is an Americana record that explores what it means to be human. Over its course, Olney and Kaye take turns leading the listener through intimate self-portraits, myths, and tales of historical fiction, all in an effort to illustrate the various devices we use to cope with our own impermanence. Though the project deals heavily in weighty, existentialist themes, the prevailing message proves to be a celebration of human connection, friendship, and love. As Olney put it in 2019, “We have no idea where the songs come from, but they bring a peace of mind like an old photograph of home. Wherever that may be.”

And while it’s hard to escape the seeming cosmic significance of the album as posthumous Olney release, at no point does this create the air of morbidity; rather, it lends the project a bittersweet ambiance. According to Anana and Irakli, mere moments after hitting save on the final mixes, the phone rang with news of David’s passing. This seems tragically fitting; for what is found on Whispers and Sighs is a collection of songs into which two artists and friends clearly poured the full extent of their souls. Within it is an undeniable reminder that David Olney’s extraordinary legacy can never fade, while Anana Kaye’s star grows deservedly brighter by the day.

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Celestial Bums - The Brook & The Bluff - KiKi Holli & The Remedy - Cut Flowers - The Legal Matters

Celestial Bums - The Letters. Shoegaze warmth and dream pop elegance converge in Celestial Bums’ “The Letters” Barcelona’s Celestial Bums ...