Posts

Showing posts with the label Paper Hawk

Brooke Annibale - Paper Hawk - Phillip Broussard - Frog Eyes

Image
Brooke Annibale - Glow. Background - Singer-songwriter/guitarist Brooke Annibale will release her third full-length album Hold To The Light on June 8th. The new record marks Annibale's return following her 2015 critically acclaimed album The Simple Fear and features several major departures in terms of both songwriting and production. Annibale sheds a few layers of her folk-acoustic skin and introduces a new indie-pop direction offering a fusion of textured electronic and traditional instrumentation centered around Brooke's stunning voice and keen, soulful lyricism. This week she released her radiant new single "Glow. The songs on Hold To The Light develop like Polaroid photos: each reveals a memory suspended between the perspective of the past with all its wistfulness, pain, and joy, and the revelations of the present. Produced by Sam Kassirer (Josh Ritter, Lake Street Dive) at his Great North Sound Society in Maine, Hold To The Light features contributions from seas

Luna Neptune - Paper Hawk - The Bae Beach Club - Second Still

Image
Luna Neptune - Elspeth and Elijah. Background - Psych folk producer Luna Neptune releases new single 'Elspeth & Elijah’  and accompanying music video for the 2nd single from the artists upcoming EP ‘Next Automated Wave’.  Fully written, recorded and produced by Luna Neptune, mixing and mastering was completed by Alex Fernandes. Jim Gellatly had the exclusive first radio play on his show on Amazing Radio on Sunday 15th April 2018. Melodic and memorable, Elspeth and Elijah features haunting guitar lines, and glitch beats to make an old folk trope - love lost at sea - contemporary and relevant. The video, filmed and edited by Luna, was shot around Hastings after a nasty flu sent her looking for fresh air, and so she decamped to stay with family on the English south coast. The video is a dream-like postcard of seaside Britain – kitsch, nostalgic, but also hinting at economic depression. The track is a response to the way in which “Britannia rules the waves” has been mythologis