![]() |
Photo - Aleksandr Karjaka |
“Storm,” the latest single from Amanda DeBoer Bartlett (of Ensemble Dal Niente), is out today on all platforms. Following the dreamy sway of March’s “Skyscraper,” “Storm” hits with fire and force—a driving, fiddle-charged collaboration with the powerhouse players of Fiddle in the Middle. It’s folk fusion with heart: Appalachian grit colliding with Irish fiddle fireworks, all sweeping into bold, cinematic terrain.
Amanda recorded this one at Chicago’s Electrical Audio with producer Taylor Hales, continuing her blend of classical training, experimental chops, and raw Americana spirit.
The full album Braided Together arrives June 6, and she’s just announced a string of Midwest tour dates this June, including appearances in Des Moines, Milwaukee, Omaha, and Chicago—joined by a rotating cast of special guests like Abbie Sawyer, Ben Eisenberger, and Fiddle in the Middle.
============================================================================
![]() |
Photo - Andrea Zvadova |
MF Tomlinson unveils the new single 'Blink And You'll Miss It' a lush, expansive second taste of new album 'Die To Wake Up From A Dream', out 11th July on PRAH Recordings. MF Tomlinson will launch the new album with in-stores at Rough Trade East, Rough Trade Bristol, Drift Records in Totnes and David's Music in Letchworth.
Written in collaboration with Is Tropical's Gary Barber, new single 'Blink And You'll Miss It' opens the album with a blend of shimmering beauty and melancholic depth. Softly plucked guitars, feathery flute runs, and warming saxophone interweave with luminous harmonies, as Tomlinson explores the challenge of staying present: 'I try to keep all the pieces from drifting away / Here in the darkness.'
With nods to the sonic mastery of Galaxie 500, My Bloody Valentine, Astral Weeks and Bon Iver all in the same breath, Tomlinson thinks of the song as “the sound of all of your life happening at once.”
Speaking more on the song, Tomlinson shared: "The song is about aging, at any age. As the album's opener, it flows seamlessly from We Are Still Wild Horses down to the beat. It’s a moment — a view from a great height — when the full weight of the distance between the person you used to be and the person you are now hits you like a freight train. It fills you up and empties you out all at once. Everything that has happened brought you here. You can never go back, but then again, you don’t need to. All of those moments are still happening endlessly inside you. You’re holding them all like a vessel."
============================================================================
Blue Foundation - Close to the Knife (Album).
‘Twilight’ soundtrack legends Blue Foundation dropped their new album ‘Close to the Knife’ on Friday!
Blue Foundation is renowned for their distinctive fusion of electronic music and dream pop. Drawing inspiration from the ethereal nature of dream pop and a moody, introspective atmosphere, the band creates immersive soundscapes characterized by emotive vocals and intricate production. Their music often evokes a sense of melancholy and reflection, resonating with listeners who appreciate ambient, emotive melodies and introspective themes.
Blue Foundation's music has been featured in various popular films, such as Michael Mann’s ‘Miami Vice’, and TV shows like ‘The Vampire Diaries’. Their song ‘Eyes on Fire’ gained significant fame after being included in the soundtrack of the movie ‘Twilight’. Blue Foundation is sampled by Lil Durk featuring French Montana on his track ‘Fly High’ and Young Thug's song ‘She Noticed’. They co-wrote the song ‘Taurus’ for Machine Gun Kelly.
‘Close to the Knife’ begins a new chapter for the band as Nina Dahlgaard Larsen joins their lineup.
============================================================================
![]() |
Photo - Peyton Dollar |
Twin-brother country duo The Kentucky Gentlemen release "Whiskey Does," a boot-scootin' drinkin' song about pouring one up to get over heartbreak. It is the latest single from the pair's full-length debut album Rhinestone Revolution, which is out June 6 via River House Artists.
The Kentucky Gentlemen on their new single: “We had an absolute blast recording this one. 'Whiskey Does' is one of those ‘drinking 'cause I want to stop thinking’ kind of songs — the kind you blast when you're laughing through the heartbreak. Sometimes it’s easier to toast to the losses when you’ve got a good vice in your glass. Breakups suck, but whiskey doesn’t.”
The Kentucky Gentlemen have been making their way in Nashville's country music scene as independent artists for the last decade while simultaneously embracing, defying, and expanding the constructs of genre. Recorded with producer David “Messy” Mescon (Megan Moroney, Nicki Minaj and Ariana Grande, Reyna Roberts), Rhinestone Revolution encapsulates the infectious blend of authenticity, self-acceptance and joy that has led them to quickly become one of Nashville’s most exciting new acts. The pair announced the album last month and shared the music video for their song "Made for Movin' On," an earworm blend of old school country and 2000s pop that Rolling Stone called "a catchy mid-tempo country-rocker that contains layers of depth." Earlier this year, they released the come-as-you-are country bop "Country Hymn," which prompted MusicRow to declare "These guys always know how to bring the party."
============================================================================
Woahgetter - Even Dad Had A Fiver On Love.
Following the release of their single ‘I Can’t Love You Anymore’, alt-indie collective Woahgetter explore the absurdities of contemporary romance with ‘Even Dad Had A Fiver On Love,’ out this week via Silent Kid Records.
Fusing angular guitars, lush chamber strings and infectious avant pop melodies, the latest offering from the Northampton based group is a sharp, unsentimental lament on postmodern alienation delivered in the guise of an increasingly manic internal monologue spilling out in front of a mirror.
"I'm sure most of us can easily call to mind a 'Dad' figure that has seemingly very little invested in the notion of love," says Woahgetter of the titular character, "but even in the coldest of cases, there's usually some small stake in something classifiable, if only tenuously, as love... which probably says more about the nebulousness of the word 'love' than it does about any particular individual.”
The narrative is delivered by an end of tether baritone, accompanied by five other (as far as we are aware) genetically unrelated voices, giddily riffing on the limitations of a seemingly singular eponymous anti hero and is set against an assuredly danceable and momentarily anthemic arrangement. With the fusion of vocal tones, the chorus reflects a relatable frustration towards the meaning of love and how to find it in an increasingly chaotic world.
The self-produced track promises to resonate with fans of sharp-witted, deeply affecting storytelling. Imagine if The National taught a masterclass in brooding indie rock and Father John Misty delivered a lecture on musical storytelling, Woahgetter would be the brilliantly rowdy students who learned the lesson, then blew up the classroom.
============================================================================