Showing posts with label Tammy. Show all posts
Showing posts with label Tammy. Show all posts

Tuesday, 6 December 2016

Genre Wander: Tammy - Seldom Few - James Sayer - Ivey - Linnea Olsson

Tammy - Doing Something Right.

Background - Indie-folk duo Tammy share their newest tune, "Doing Something Right". The irresistible track is off Tammy's upcoming LP titled This set for release December 16, 2016.

"We had grown accustomed to writing songs about breakups and unrequited love and after a while, realized that we should write about the other side of love, the good side of it I guess...it's a song about appreciating a new love and that feeling of trusting that it's gonna last. We went a little further in the country direction than we usually do with this one. That vibe seemed to suit the lyrics. We recorded it with Andrew Oedel at Connecticut College where we held the sessions for the whole record. They had an upright bass and this song is the only one we did with that bass," says Tammy of "Doing Something Right".

2016 has been an exciting year for Tammy. "Hated It (With You)", the lead single off This was given high praise from notable music site, Consequence of Sound: "Vocalist Brooke's smoky voice plays off her bandmate Aaron's arpeggiated chords to form a seductive one-two punch that plenty of listeners will be powerless to resist." Their follow-up single titled "Away For The Weekend" exclusively premiered with Pancakes & Whiskey who wrote, "This gorgeous song premiere by TAMMY immediately entrances us with hushed guitar and the line -'Traveled on horseback to get, under your skin.' That line, while striking, is just the beginning of a four-minute adventure of love, loss and the need to get away from it all. The lyrics that are sung beautifully, wash over us like a warm blanket on a stormy night while the soothing guitar and minimal percussion is like a big inviting mug of Hot Toddy."

Tammy has announced a New York City show date on December 7th, 2016 at hotspot Berlin. Tammy's This LP will be available to stream and download on December 16, 2016. Website here, Facebook here.


Third time around on Beehive Candy this year for Tammy and this time with 'Doing Something Right'. Once again the gentle acoustic back drop makes a splendid foundation for the vocals and consistently pleasing melodies and harmonies. There are some more goodies on the forthcoming album!

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Seldom Few - Barely A Moon.

Background from one of the band (and a short and sweet one at that) - My name is Ali Murray. I am a songwriter/musician from the isle of Lewis in Scotland.

I currently play in a band called Seldom Few. We are an atmospheric rock trio from the western isles of Scotland. We just recently released our self-titled debut album. 


Musically it's kind of a mix of post-hardcore, dreampop, gothic post-punk and shoegaze. We just called it atmospheric rock to keeps things simple, and because I hate describing my own sound haha. Facebook here.

Well I guess one effect of receiving a minimalist email is I get straight on the listening! 'Barely A Moon' is the first of eight tracks on the bands debut album, and highlights the meaty, expansive sound the trio produce. They comfortably drift between genres, however Seldom Few retain a consistent sound throughout and it's perhaps the change in tempo's rather than a wholesale change of direction between songs, that makes the album really work.

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James Sayer - Sweet Baby Jane.

Background - James Sayer is a singer-songwriter, known throughout London for his session work & shows at the capital’s swankiest piano bars.

Hailing from Birmingham, James’ fascination and love of music began at a very young age when he learnt all things Rock n Roll through artists such as Jerry Lee Lewis, Elton John and Billy Joel. James moved to London in 2012 where he became a gigging musician, performing almost every night in piano bars, clubs and pubs. Eventually James met American producer, Alan Glass (Mis-Teeq, Kenny G), and they began working on James’ debut material. By early 2015, James had recorded an album's worth of demo recordings, and they were passed on to five time Grammy winner and former member of The Doobie Brothers, Michael McDonald.

Blown away by his music, Michael then contacted James with the opportunity for a U.S. tour with BBC Radio 1 breakthrough act Ruen Brothers. During which time they supported George Ezra, played Coachella, and even snagged a live recording session with legendary producer Rick Rubin.

Later that year, James finished his first piece of solo work - ‘Taking Back My Love’. A pure representation of what James’ sound embodies - musicianship, passion & a bit of danceability! The Follow-Up Sweet Baby Jane, see’s James at his vintage best. Influences range from the big band sound, to jazz & all out feel-good pop. The stand-out feature is James’ musical flair & love of songwriting. It’s a track that will leave the listener with a smile, as well as appealing to an audience of elitist music fans. Facebook here.

Live London Dates:
The Savoy, Beaufort Bar - 9th, 15th, 16th, 22nd, 30th December
Charing Cross Theatre, Players Bar - 3rd, 10th, 17th Decenber
The Ritz - New Year's Day.


'Sweet Baby Jane' is a vibrant, punchy song, with piano, rhythm and horns providing a potent backdrop for James Sayer's superb vocals. Add in the background harmonies, and this is one floor filling danceable upbeat and fun fuelled song!

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Ivey - Last Week.

Background - Simultaneously hitting the books, either at high school or university, and playing packed-out shows to adoring fans, Ivey craft indie-pop that's primed for dance floor shenanigans. Tightening the screws since appearing on the scene in 2013, the Gold Coast quartet exude boundless charisma and magnetism with their music.

Premiered by Music Feeds, Ivey are brimming with delight to today release their new single into the world. After ceaselessly kicking goals with their previous single, 'All Things Good', new track, 'Last Week', is out today via Gd Frnds.

Unabashedly fronted by Millie, (16) Lachlan (19) and backed by Matthew (17) and Dante (20) filling out the rhythm, Ivey hit home with their passionate pursuit for danceable indie tunes. The young purveyors of songwriting craft sounds that far exceeds their aptitude and 'Last Week' is no different.

Highly infectious and executed so effortlessly, 'Last Week' is a massive, mature leap in terms of resonance for the group. Once again produced by George Carpenter (Waxhead, Jimmy the Saint & the Sinners, Karl S. Williams), acts as a quip to anyone who's fallen in love in mere hours. Shimmering guitars, hooks-a-plenty and the distinctive duo harmonies of Millie and Lachlan power this song through its breezy four minutes.

Ivey are not only maturing as musicians, but are doing it with style and ease. Continuing to further their gleaming, indie-pop sound that fans have come to adore just reaffirms the group's much deserved, unremitting success. Facebook here.


Back in July when we featured the band for the first time we said "Ivey runs the risk of too many age related comments, because it's such an excellent and well developed song". Well they clearly have the knack for doing so over and over as new song 'Last Week' well demonstrates. Less beach pop and more indie rock, the band have clearly an ear for hooks and a talent for developing really fine songs.

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Linnea Olsson - Weekend.

Background - The fantasy pop cellist Linnea Olsson drops her new single 'Weekend'.
   
Having worked with the likes of Peter Gabriel, Sting, Ane Brun and Maia Hirasawa, Linnea leaves no doubt regarding the high level of her talent and musicianship.


Being supported by The New York Times, Linnea's sonic journey within the "cello driven fantasy pop" continues. The beautiful, soft and enchanting new single "Weekend" is out now!


Website here and Facebook here.

OK, so not much is being given away regarding Linnea Olsson except as far as I can establish the words above. Well I guess when a song is as good as 'Weekend' teasing those in the dark might as well be accepted, let the music do the talking and so forth. In fairness it does more than talk, it's a beautiful piece where vocals and cello merge in wonderful harmony. Superb!

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Sunday, 18 September 2016

Sunday Best: Tammy - SALT - Miniature Tigers - INDIIA

Tammy - Away For The Weekend

Background promo - Friday just gone and indie twosome Tammy release their latest single, "Away For The Weekend". Of the track, the band says, "'Away' is one of the first songs we ever played together. When we would play it at shows we'd always say we were playing our future hit single... In the Tammy repertoire, we break most of our songs down into the categories of love songs, hate songs, and songs about making out.. this one, written before we conceived of those designations, doesn't fit so neatly into any one of them. The subject is in love but it's a hopeless kind of love, and in the end we dont get the feeling that it's come to fruition."

Members Aaron and Brooke, who met for the first time at a New York bar called Ioana, possess the kind of undeniable chemistry that brings to mind some of the most beloved American folk duos, like Simon & Garfunkel and Dylan and Baez. Aaron’s bouncy acoustic riffs provide the perfect backdrop for Brooke’s sweet yet sultry, honey-soaked vocals, giving Tammy its truly original and unforgettable sound.

 Influenced by everyone from Burt Bacharach to Nirvana, both Aaron and Brooke began developing their musicality at the age of four. Now, asTammy, they draw inspiration from their experiences as New Yorkers. And as Brooke puts it, “We can’t wait to keep singing and writing songs about love, hate and making out.” Website here.


I featured Tammy back in early July and their new song 'Away For The Weekend' really is deserving of a share. This is a slower piece, however the hallmarks of fine vocals, melody and just right music, is all there.

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SALT - Don't Look at Me That Way.

Background - SALT’s intoxicating blend of high-energy, narrative-driven rock’n’roll began to take shape in the summer of 2014 as the five-piece came together to “drink milk and play music”. Milk swiftly drunk, the band turned their attention to the music, forging an exhilarating take on alternative rock, melding elements of Kings of Leon, My Morning Jacket, The Killers and Pearl Jam into a standalone, stadium-ready sound. The youthful outfit’s rapid ascent belies their short lifespan, as they’ve accumulated an avid fan-base to pack out sweaty gigs in their home town of High Wycombe and beyond, as well as having recorded live sessions for BBC radio, enjoyed prime billing at a number of summer festivals and even cut tracks at Abbey Road Studios after emerging triumphant from an online competition. “If The Beatles were bigger than Jesus, then we might just about be on a par with Ant-Man,” says singer Frankie with tongue-in-cheek modesty. SALT may be temporarily under-the-radar but it won’t be that way for long — like the miniature Marvel hero, they pack an almighty punch. SALT are: Frankie Lord, vocals; Jack Reynolds, guitar and backing vocals; Ryan Morritt, guitar and backing vocals; Sam Brookland, bass; Dean Ward, drums.

Directed by Peter Roe with Jesse Llande as director of photography, the striking, stylish video to SALT’s ‘Don’t Look At Me That Way’ frames the band in smoky, atmospheric monochrome, before surreal visual cutaways pair with flashes of colour that soon submerge proceedings in something of a neon storm. It’s a powerful presentation in-keeping with the tenor of the song, a ballad of longing for a distant partner who’s far away from home. Pealing guitar gives way to a crunchy, skittering grunge progression and a rollin’ and tumblin’ rhythm that underpins singer Frankie Lord’s stirring verses and anthemic, arms-aloft chorus, which he emphatically guides to its lung-busting climax. “The song is about a dream,” says Frankie, “where you wake but the dream was so vivid you can't help but attach real emotion to it.” There’s real emotion to ‘Don’t Look At Me That Way’ all right, conveyed here in masterful sound and vision.

Live:
Saturday 24 September: Musicians Against Homelessness Festival, Newport Pagnell, Buckinghamshire
Friday 30 September: The Troubadour, London SW5 (acoustic set).


The video may be stylish and a little intriguing, however it's the song that really gets me. 'Don't Look at Me That Way' is a really fine rock song. Maybe indie or alt rock, who cares, the musicianship is superb no nonsense rock'n'roll and the vocals are just right for this type of song. I look forward to hearing more!

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Miniature Tigers - Crying In The Sunshine.

Background - "Persistence is the key ingredient when it comes to the story of Miniature Tigers. Originally started as a bedroom project by front-man Charlie Brand in Phoenix, Arizona in 2006, the band has since released 4 studio albums, toured the planet and cultivated a cult base of die hard fans through their constant output of brilliantly written records. Early albums such as Tell It To the Volcano and Fortress garnered them critical acclaim from the likes of Pitchfork, NPR and Stereogum while later albums such as Mia Pharaoh and Cruel Runnings (recorded in Jamaica) sent them on more futuristic indie-pop realms, garnering support from Neon Gold and festival appearances at Lollapalooza, ACL, Fun Fun Fun, and international touring with multi-platinum act Fun.

Like many bands after nearly a decade of hard work and moderate success, Charlie Brand started considering his future. He started an exciting buzz-worthy project with close friend Jeremy Malvin (Chrome Sparks) called Promises Ltd. , wrote and produced for other artists such as rapper Skizzy Mars and after a long relationship came to and end, naturally he turned to what he always turned to….and the output took shape in what eventually would become Miniature Tigers 5th LP.

 “I Dreamt I Was a Cowboy was written after the end of a long relationship. I wanted to leave those recordings intentionally raw to maintain the feeling of that time. I wanted it to feel clear and immediate.” As the “demos” came together, it became evident that the recordings were actually album cuts. “I spent a few months couch surfing with friends in Texas and New York before eventually moving to Los Angeles. Many of the songs on the record were written and recorded while I was living on someone’s air mattress. This album felt so specifically personal that when it came time to finish I decided to not re-record anything in a studio and to just mix and master it myself. ”

The end result is a 5th album jam packed with the excitement and energy of a debut album…but with the mastery that can only come from a seasoned writer like Brand, where the lessons learned and scars bourn from a life dedicated to music are not in this case in vain but celebrated in the mastery of expression in it’s truest form.


'Crying In The Sunshine' is from the forthcoming album, "I Dreamt I Was A Cowboy" due 28 October. It's a smooth alt rock song with the quality and production you would expect from a band with their experience. Vocals and music are refined and energised in what is a hook laden piece.

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INDIIA - Sunny Day.

Background from Indiia - We are INDIIA a new act from Stockholm Sweden and we just dropped our debut single “Sunny Day”. Would be humbled if you wanted to post the tune on Beehive Candy.




 
It's useful (to say the least) if bands/artist or their agents at least forward some background details and information, however the above is all I received from INDIIA and in fairness I quite like 'Sunny Day' so why not just feature it and be done! -- It's a lively indie pop song, see, I can be minimalist to!

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Sunday, 3 July 2016

Quality Not Quantity: Scatter Factory - Yassassin - Tammy

Scatter Factory - Out the Blocks.

Background -  Scatter Factory presents the new single 'Out The Blocks' from the forthcoming self-titled debut album. Set for release via Flecktone Recordings, this track delivers us a motorik, ghostly and infectious roller-skate bass groove.

This is the solo project of Will Foster, a multi-instrumentalist, songwriter and arranger who was a member of acclaimed art-pop band Delicatessen, as well as Top 40 hit-scoring Lodger in the 1990s. He has since written string arrangements for acts under Simon Raymonde’s guardianship, been a touring keyboardist / guitarist with Martina Topley-Bird, Brett Anderson/ Bernard Butler reunion vehicle The Tears, and Heather Nova.  Since 2008, Will has been regularly touring and recording as keyboardist with The Fratellis. Foster neatly sums up his shift in position: “I’m still in the background – but now there’s nobody else there with me.”

Suede’s Brett Anderson, with whom he toured in support of his solo album, describes Scatter Factory's music as “beautiful stuff”. Scatter Factory is an eloquent instrumental album that manages to be both vividly imagistic and intriguingly open-ended, playing as a set piece while ranging across pastoral tranquillity, cosmic spookiness and indeterminate dread. Composed, played, produced and mixed by Foster at his home in Oxford, this album features an array of electronica, pianos, guitars and percussion, while also making imaginative use of field recordings and treated sounds.

‘Scatter Factory’ is a non-prescriptive record that poses more questions than it provides answers and artist James Marsh, renowned for his Talk Talk album covers, has responded to this with a striking, retro-futurist graphic design for the cover artwork. It’s bold and dynamic in a way that befits someone flying solo for the first time, even if they are obscured by clouds. From the nine tracks featured on the LP, one other track ‘PowWow’ (edited version) is available for free download and streaming on Bandcamp. Its mix of light-filled lyricism and downright eeriness illustrates Foster’s knack for shifting mood, as well as pace and tone.

As of July 22, ‘Scatter Factory’ will be widely available through digital stores and also as a handsome digipak CD.


From the forthcomingg self titled album we have 'Out the Blocks', a piece of music than merges elements of Neu!, Kraftwerk and even Can, and yet still has plenty of vibrant originality. This is an incredible album, and whilst I'm name dropping you can comfortably add Vangelis and Mercury Rev into the equation. Some of the music is gently melodic, other tracks leaning towards experimental ideas without being self indulgent, and beyond that you have the steady hypnotic beat of early Krautrock. Collectively this is simply wonderful music, and a must listen for anyone who has a taste for any of the above artists.  

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Yassassin - Social Politics.

Background - Kinetic quintet Yassassin are probably the kind of colourful chaos that you need right about now. With all guns blazing, no exceptions made and nothing left unsaid, Yassassin premiere their debut single ‘Social Politics’. The single is mixed by Margo Broom (Fat White Family, Telegram) and will be available as a limited free download and then released via Enate Records (distributed by PIAS) on all digital platforms in July.

Following successful stints in other bands including The History of Apple Pie and LUST, Yassassin combine insistent, loud-mouthed guitars and throaty bass murmurs with ear-dwelling, pop perfection.

The single is a true reflection of the girls’ ideologies and doing things the Yassassin way. Extrapolating further, they suggest that: ''Social Politics is about standing up to the bullies, both in personal life and in today's society. It's about not always fitting the norm but daring to go your own way. It’s about rebelling against the ‘zombie scene,’ which could be either a social clique where only certain people are accepted, or a society where racism is becoming more glaringly visible.” After just stepping out of the studio with producer Dave Allen (The Cure, Neneh Cherry, Depeche Mode), the band are set to release their debut EP later in the year.

Tuesday 9th August - The Waiting Room, London (w/ Labradoor).


'Social Politics' is a totally likeable indie rock, come jangle pop song. Vocals are part raw and part refined and the harmonies just add melody and beautiful hooks. With a message in the lyrics, and upbeat energy it's one very fine single.

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Tammy - Hated It (With You).

Background - Two people, one name and a wholly captivating style is the simplest way to describe the breakthrough Sex-Folk duo, Tammy. Members Aaron and Brooke, who met for the first time at a New York bar called Ioana, possess the kind of undeniable chemistry that brings to mind some of the most beloved American folk duos, like Simon & Garfunkel and Dylan and Baez. Aaron’s bouncy acoustic riffs provide the perfect backdrop for Brooke’s sweet yet sultry, honey-soaked vocals, giving Tammy its truly original and unforgettable sound.

Today, Tammy reveals their debut single, "Hated It (With You)." Of inspiration for the candid single, Tammy says, "Brooke had a bad breakup and they starting writing hate songs to make her feel better.” “Hated It” is about trying to forget the bad, walking in the sunshine, and ultimately, moving on. The bridge presents the man who has been left behind, admitting to his loneliness and distress, in a rare moment of clarity. The response of the woman is fittingly unforgiving. She only offers the hopeful image of her pink shoes, along with the simple admission that she "really f##kin' hates you."

Influenced by everyone from Burt Bacharach to Nirvana, both Aaron and Brooke began developing their musicality at the age of four. Now, as Tammy, they draw inspiration from their experiences as New Yorkers. And as Brooke puts it, “We can’t wait to keep singing and writing songs about love, hate and making out.”


Oh what a timeless and beautiful song 'Hated It (With You)' is. It's hard to know what to add beyond the press release above, which is refreshingly accurate. It's a pristine modern folk/pop song with plenty of natural emotion and feeling.

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Joe Kelly & The Royal Pharmacy - Cult Of Venus - Tora Luna

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