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Showing posts with the label Mae Mae

Black Bordello - The Sully Band - Chrissi Poland - Mae Mae

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Photo - Lou Smith Black Bordello - Drones. Peckham, London based band Black Bordello today release new single "Drones" and announce their new EP 'White Bardo', out March 2022 via Hideous Mink Records (Opus Kink, Fake Turins, Body Horror). With inspirations ranging from PJ Harvey and Björk to Aphex Twin and David Bowie, Black Bordello's carnivalesque blend of art-rock, punk, jazz and Turkish psychedelia is a wholly unique aural experience. Recently supporting the likes of Goat Girl and L.A. Salami as well as being handpicked by The Libertines to support them on their November UK tour, Black Bordello are a truly captivating live proposition. Regularly appearing on the London underground circuit alongside fellows risers Opus Kink, Blue Bendy, Modern Woman, Malady, Honeyglaze and Robbie & Mona, they have organically garnered a reputation as one of the most exciting live acts in the country. The band's self-titled debut album was released in 2020 to a small bu

Alyssa Gengos - Mae Mae - KAVYA - Phonosonics

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Photo - Morgan Hamilton Alyssa Gengos - Gothenburg English. Alyssa is a multi-talented producer who's been making records auteur-style on her laptop for years ("I feel most comfortable when I'm completely alone" she says in the bio below). Her music is straight forward in style, but elegant in construction and form. Here's what Alyssa had to say about the meaning behind the song and the video: I began writing “Gothenburg English” in my head while walking around the titular city near the end of my Scandinavian sojourn. Six months prior, I’d left a long term partner behind in New York City, hoping the relationship would survive. It did not. I finally accepted the end of it while wandering around Gothenburg and the Delsjö wilderness on the outskirts of the city. A friend told me the local accent is one of the most sing-songy in the Swedish language, and it’s audible when speaking English, too, creating a kind of “Gothenburg English.” I think of this song as a road s