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Showing posts with the label Rina Mushonga

Winola Oak - Kim Bingham - Rina Mushonga - Jesse Marchant - Piney Gir - Paul Mosley and The Red Meat Orchestra

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Winola Oak has just released her new single 'Let Me Know'. Accompanied by a video the new song follows on from the exceptional track 'Break My Broken Heart' a tough act to follow but Winola delivers a different and faster paced piece, that nonetheless gorgeous. Released yesterday we have a really cool music video from Kim Bingham for 'Beppe Green'. The song is upbeat, fast flowing and melodic indie pop/rock, that's very catchy. Rina Mushonga returns for a fourth time on Beehive Candy with the brand new track 'Cassiopeia'. Last time we stated that "Rina Mushonga continues to consistently impress us with her distinctive and charismatic music." Well, she has done it again and in a very creative manner. From Jesse Marchant we have 'I've Got Friends' accompanied by an in the studio video. The song is a gentle predominately acoustic affair from this very talented indie folk artist. We featured Piney Gir a couple of times la

Running Red Lights - And The Kids - Rina Mushonga - Money For Rope - Ivan & The Parazol - Popincourt

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Still catching up on some bands and artists whose new tunes came our way a few days ago. Running Red Lights atmospheric and gentle song exudes emotion, And The Kids serve up a hook filled indie rocker with a message, whilst Rina Mushonga continues to consistently impress us with her distinctive and charismatic music. Melbourne's Money For Rope share some timeless psych rock with plenty of determined attitude, and Budapest's Ivan & The Parazol are rocking with style and class. Finally we have the first of four fine songs from Popincourt's new E.P, a refined and charming collection of material. Running Red Lights - Calls of Prudence. Nostalgia is an addictive comfort to snuggle up to when the present day seems intolerably bleak. “Calls of Prudence” is a moodier, more sorrowful track in comparison to our previous, most recent releases. It was penned during a moment where I felt myself longing for the vibrancy of youth, the thrill of experiencing things for the firs

Jana & The Lanterns - The Room in the Wood - Rina Mushonga - Elvyn Rhud - Cape Weather

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Jana & The Lanterns - Birdhouse. London-based singer-songwriter Jana (originally from Slovakia) - a voice reminiscent of Joni Mitchell is self-releasing her debut single ‘Birdhouse’ along with the music video on 16th November 2018. A personal folk-rock anthem of a traveller who finds freedom looking for a ‘piece of home’. Recorded by Luke Oldfield at Tilehouse Studios, originally built for Mike Oldfield, Jana teamed up with top musicians on London jazz scene. Their versatile musicianship and exceptional craft brought special flavour to the music. Jana & The Lanterns arranged and produced 5 songs for an EP that will be released in 2019. The debut single will be accompanied by a new music video with a hint of 70’s nostalgia. Jana is a classically trained musician with a wide spectrum of genres. In her native Slovakia she was a member of ‘Persona Grata’ – a band, that was invited to perform at ‘Progressive Nation at Sea 2014’ in Miami, organised by Mike Portnoy (Dream Theatre

The Woolly Mammoths - Chorusgirl - Rina Mushonga - Terry Emm - The Hate Club - Tania Vinokur

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The Woolly Mammoths - No Confidence Man. Background - No Confidence Man is the funky fresh track from the self-effacing young Bostonites, The Woolly Mammoths. Consummate music nerds The Woolly Mammoths create sly, idiosyncratic dance punk that falls somewhere between Parquet Courts and Animal Collective. Their high energy, cheeky vibe seems to be a direct response to their starchy childhoods on the Seacoast of New Hampshire, where they learned to escape the doldrums by indulging themselves in off-beat esoteric indie rock. Since their inception in 2014, the quintet has cut loose with two LP’s and EP, culminating in 2017’s Resist Consumerism, Buy Our Album which received a positive shout out from Anthony Fantano of The Needle Drop. Their dynamic, collaborative recordings and sweaty live show quickly created a local groundswell, culminating in praise from Greater Boston Music Publications and prodding the band to leave NH behind to pursue music in Boston proper, locking in openin