With deep roots in the Gainesville, Florida's music scene, Chimes borrows just the smallest bits from their previous members’ work (Against Me!, Averkiou, and Sunshine State) as they veer towards a more synth-driven sound, striking a balance between post-punk, synth-pop, and dark wave.
Singer/guitarist Mike Magarelli and keyboardist/guitarist Kyle Fick formed the band in 2019 as a vessel for new ideas. Bassist/singer Matt Brink and drummer Todd Weissfeld joined soon after, and Chimes began playing live in early 2020. However, the pandemic quickly paused their efforts, and Todd Weisfeld moved abroad, being replaced by Warren Oakes.
Chimes' debut album, Pile of Parts, is the sound of something unraveling — slow, deliberate, and honest. A record born from the weight of living, where each track leans into the darker corners of the human experience: loss, disconnection, the quiet violence of time. There’s no false uplift here, just an attempt to sit with the ache and translate it into sound. It’s bleak by design — but not without purpose.
Written and recorded collaboratively between 2023 and 2024, the album was captured in Gainesville by Ryan Williams at Black Bear Studios, Kevin Bruchert at Little Wing Studios, and Kyle Fick in his home. Kyle also mixed the record. Mastering was handled by Jason Livermore at The Blasting Room. The artwork — stark and fitting — was created by Noelle Shuck. Pile of Parts sees release on May 23 via Ashtray Monument.
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Bristol-based alt-indie quartet Adult Leisure are proud to announce that their debut album ‘The Things You Don’t Know Yet’ will be released on October 3rd 2025. Its next single ‘See Her’ is out this weekend, featuring guest saxophone from longtime The 1975 / Sam Fender collaborator John Waugh.
‘See Her’, recorded and mixed with Ollie Searle at Humm Studios and mastered by John Webber (David Bowie, Duran Duran, Coach Party) is a blink-and-you’ll-miss it pocket rocket of vibrant energy. Through nostalgia-laden melodies and singalong choruses that Adult Leisure are fast becoming known for, ‘See Her’ offers a sarcastic take on the breakdown of a relationship and the biting realisation that you’re happier now that it's over.
On the single’s lyrical inspirations, vocalist and lyricist Neil Scott explains, “We wrote ‘See Her’ towards the end of 2023. In its full form, almost two years later, it's developed into a song unapologetically soaked in pop, yet true to who we are and the stories we want to tell. Lyrically, ‘See Her’ offers a sarcastic take on the breakdown of a relationship. Far from doom and gloom or sorrow, it’s about that feeling you get when you realise just how much better off you are now that it’s over.
“The song features the incredible John Waugh (The 1975, Sam Fender) on saxophone. When we found out that he was interested in joining the project, we were over the moon - he adds the perfect bit of spice this tune has been waiting for since its inception.
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| JSLVR Photography |
As anticipation builds toward the release of her sophomore EP this fall, Lily Monaghan is sharing another preview with the single “Snow In May.” A haunting piano ballad, it is arguably Lily’s most affecting song to date, offering emotional swells like the waves on the sea near her current location in Scotland where she has been completing her higher education.
Still, the singer/songwriter from Edmonton, Alberta has also been fully concentrating on her musical evolution, and like Lily’s previous single “Willing To Wait,” “Snow In May” is a product of sessions conducted back home with producer and multi-instrumentalist Kurtis Schultz.
Lily explains, “I wrote this song while watching a snowfall in Edmonton last May. The unseasonable weather seemed ironically reflective of my own mood at the time. I was months away from moving out of Canada and although the change was exciting, I was very melancholic."
She continues, “‘Snow in May’ articulates this sentimental feeling of outgrowing something and the reluctant awareness of aging out of your youth. I wanted the song’s contrasting dynamics to mirror these complex emotions that I was feeling. The isolated piano at the beginning of the tune is me playing on an old upright piano at Blue Willow Studios, which had a very similar sound to the piano at my parents’ house that I’ve used to write the majority of my songs.”
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