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Showing posts with the label Lasse Matthiessen

Ariel Bui - Kirby Heard - The Orchids - Julianna Riolino - Lasse Matthiessen

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Ariel Bui - Real & Fantasy. Nashville based singer / songwriter Ariel Bui has released the music video for “Real & Fantasy”, the second taste from her new album of the same name. The music of Ariel Bui, who Ann Powers of NPR Music once described as "a psychedelic cowgirl cool rockabilly queen”, pulls from her wide ranging musical background as a performer and music educator, blending elements of indie rock, indie pop, country, soul, surf, and psych rock into a distinct sound that should instantly appeal to fans of artists like Angel Olsen and Courtney Barnett.  This new album Real & Fantasy reunites Ariel with Grammy-nominated producer Andrija Tokic (Alabama Shakes, Hurray for the Riff Raff), with the entire new LP recorded at his Nashville studio, The Bomb Shelter. The video was recorded in Tokic’s Bomb Shelter Studio, featuring a team of seasoned Nashville musicians who helped bring this record to life – including Jo Schornikow (Phosphorescent) on Piano & Keys,

Lasse Matthiessen - HVOB - Timo de Jong

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Lasse Matthiessen - Closer. Hot off the heels of the release of his new EP ‘Coordinates Remain’, Danish artist Lasse Matthiessen is set to release a perfectly reflective new single for Xmas time, ‘Closer’. The new single continues a bold new change in direction for Matthiessen which he fleshed out with ‘Coordinates Remain’. Having previously built up a large following with a folky sound, the EP and ‘Closer’ push in a bigger, atmospheric, electronic direction. The works are Matthiessen’s most experimental and effect-bearing pieces to date.  The striking change in sound and new material was inspired by a dive back into the memory banks of Matthiessen’s past during the lockdowns of 2020. Having re-visited many child-hood haunts and feelings during this time, the music plumbs deep depths and eschews genre categorization, combining a feeling of melancholic dystopia with big electronic-pop moments and then evading the listener completely in a mysterious nostalgic shadow.  ‘Closer’ seems to