Agora Sci-Fi - Nouvelle Vague ft. Hannah Hu - OK Go

Agora Sci-Fi - sloppy.

The enigmatic Agora Sci-Fi return with their fresh new hit, “sloppy” . Serving as the second single from the forthcoming EP Finding It Hard to Explain Something So Obvious, the new track is now available on all streaming platforms.

"Keep your job, but lose your mind", Agora Sci-Fi hums with sheer bliss on the new lo-fi pop tune. It’s one of the first lyrics we hear throughout “sloppy”, and although they may appeal bleak to some, they are far too relatable to those feeling stuck in a rut.
 
Crafted for a bright, dreamy day,  "sloppy" offers a relatable narrative to those feeling tangled in the death grips of capitalism. Untangling the desire to escape from the social, economic, and psychological restraints of contemporary life, "sloppy"  flirts with dynamics by gradually getting louder towards the end of the track, as Agora Sci-Fi highlights the injustice of the metaphorical shackles we are chained to.

Speaking in further detail about “sloppy” is Nathania Rubin herself: “Weaving in the fictional narrative in “sloppy” allowed me to really ramp up the stakes of the song. I was picturing a singular sane person, in a world with completely maddening and inhumane mandates. I imagined it as two separate songs in one, two personalities of the same person too, that kind of smash into each other at the end. Like many songs on the EP, it speaks to a desire to escape social confines, and the fracturing of self that happens when playing different roles in various areas of your life. The person who doesn’t conform, gets gaslit from inside and out, and labeled something like sloppy.” 

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Photo - Linda Bujoli

Nouvelle Vague - Sorry (ft. Hannah Hu).

Marc Collin has been following Terry Hall since The Specials. "Sorry" was originally a B side of Hall's project The Colourfield, released in 1984. Collin immediately fell in love with this song, revealing the beauty of Terry Hall's vocal and songwriting. When Terry passed away, he asked Hannah Hue, who had worked with Terry and whose voice he liked, if she wanted to do a cover of "Sorry" for the Nouvelle Vague album. She came to Paris to record probably the only cover existing of this beautiful song.

Hannah Hu is a singer-songwriter based in London, UK. In recent years, Hannah has collaborated with a diverse range of artists including names such as Terry Hall, The Specials, I Monster, The Moonlandingz and Primal Scream. Hannah has been described as a chanteuse of torch songs. Her voice channels the spirit of pop noir and sixties girl groups. It is a whirlwind of romance, violence and vulnerability, wrapped up in a candy shell.  

Speaking about the track, Collin said: "I’ve followed Terry Hall since The Specials, and I had the chance to work with him on the cover Nouvelle Vague has done of "Our Lips Are Sealed" in 2009. “Sorry” was released in 1984. I remember I’ve bought this maxi single at Champs Disques in the 'export' row. I immediately fell in love with this song, revealing the beauty of his vocal and his songwriting.

"When Terry passed away, I saw a message of Hannah Hue that was working with him, I liked her voice and asked her if she wanted to do a cover of Sorry for the Nouvelle Vague album. She said yes and came to Paris to record it. I think that’s the only cover existing of this beautiful song."

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OK Go - And the Adjacent Possible (Album).

OK Go returns with And the Adjacent Possible, the band’s ambitious fifth studio album and first full-length release since 2014’s Hungry Ghosts. Even for a band known for pushing boundaries, the album is wildly eclectic—postmodern and genre-dissolving, with nods to Phil Spector, Toni Visconti, and Nile Rodgers sandwiched between the fuzzy, psychedelic opener, “Impulse Purchase,” and the meditative, Zen-like closer, “Don’t Give Up Now.”  Glued together by the distinctive mixing of the band’s longtime collaborator Dave Fridmann (The Flaming Lips, Spoon, Tame Impala, MGMT), the twelve tracks collectively paint a portrait of a band comfortable in its own chameleon skin.

The band will deliver an extra special performance of “Love,” its new single, on The Late Show with Stephen Colbert on Tuesday, April 15. Like the album’s first track, “A Stone Only Rolls Downhill,” “Love” is written from a father’s perspective, but the weighty concerns of the first song give way to wonder and joy on this soaring new anthem.

Damian Kulash says, “You know that dream where you’re somewhere familiar, maybe your childhood home, but there’s a door, one that was never there before, leading to some impossible magical place? Having children did that to my understanding of love. Suddenly, a huge new ballroom opened up off of the little apartment I’ve inhabited so long: a whole new wing of love, grand and soaring and utterly overwhelming. It is endlessly amazing that we exist — little, conscious clusters of stardust occurring, apparently by chance, in the vast emptiness of the universe. And we get to experience love. It is unbelievable.”

And since this is OK Go, of course there is a mind-melting music video. It always seems like the band can’t possibly top themselves, but with the release of the video for “Love," they’ve done it again. The single-take video features complex choreography between the band, 29 robots, and upwards of 60 mirrors to create a dazzling — and this time deeply moving — spectacle of infinite reflections and human-scale kaleidoscopes. Shot in the faded glory of a Budapest train station, the clip was concepted in partnership with creative agency SpecialGuest, co-directed by Damian Kulash, Aaron Duffy, and Miguel Espada, and produced by 1stAveMachine, with technology integration by SpecialGuestX.


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Emily B - aibai & vinny - Echo Valley - Alice Phoebe Lou

Emily B - Got To Get Your Own.

Got To Get Your Own is an beautiful song that's hard to place in any one specific genre, it's a bit of a musical journey that develops and quickly draws the listener in with some enticing hooks. Emily B is clearly a multi talented artist, as her bio below demonstrates, this new song demonstrates her talent to create something special and deserves to be heard.

Emily B is a music artist and classically trained musician, releasing music in many genres including pop, R'n'B, jazz, soul, dance, drum and bass, disco, triphop & reggae. Not only a singer, Emily B also plays saxophone, piano and many other instruments. She is a sound engineer and trained at The Royal Welsh College of Music and Drama with a Diploma in Music Technology and also trained at The Round House Studios in Farringdon, London.

Starting her music career making tea for Petula Clark & Mungo Jerry at Red Bus Recording Studios in Marylebone, London to then becoming Studio Assistant at a recording studio run by famous session musicians - guitarist/bassist Erwin Keiles and trumpeter John Thirkell who played for Level 42, Jamiroquai, Three Degrees, Lisa Stansfield and many other big 70's, 80's & 90's artists. Through them she met famous producer Guy Chambers (Robbie Williams) and recorded saxophonist Snake Davis! Emily enjoyed session singing for them and also met with Billie Ocean’s manager Laurie Jay!!

With this experience she built and managed her own commercial recording studio in Watford called The Sound Cube for ten years. She recorded, edited and mixed every session - including singers, musicians and groups of all kinds.

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aibai & vinny - aibai & vinny (EP).

Now this really is an impressive EP from aibai & vinny. Described as "a dreamlike fusion of indie folk and ethereal soundscapes" this is no exaggeration, each of the four songs are incredibly well constructed and can only draw us in, although we receive countless songs each week this EP really does stand out.

aibai & vinny's collaboration is a fusion of their distinct musical backgrounds, blending soulful, ambient, electronic, and indie folk influences. Working completely remotely, this duo has built a sound based on their shared love of music and creative synchronicities. Based in the Midwest, Aibai (producer) and Vinny (vocalist) met while working as producers for a sync licensing company in Minneapolis. Before teaming up, Aibai was known for her indie electronic music production, and Vinny sang in the Minneapolis R&B band, The Love Channel. Through this unexpected creative partnership, they quickly discovered a natural synergy—Vinny’s soulful vocals and Aibai’s atmospheric production blended seamlessly. Inspired by this chemistry, they launched their collaborative project, aibai & vinny.

Their new self-titled EP is a dreamlike fusion of indie folk and ethereal soundscapes. Inspired by themes of nostalgia, introspection, love and personal growth their songs blend celestial soundscapes with raw, heartfelt storytelling, drawing from personal experiences and emotions. Sonically, their sound is influenced by a mix of indie folk artists, and indie electronic artists, blending organic folk elements with lush, atmospheric production. The duo shares, “Our debut EP really captures the sound and style we’ve been working toward. Each song fits together sonically, creating a cohesive sound, yet they all have their own unique vibe. The songs tell genuine stories about love and relationships, and we hope they resonate with people in a way that feels personal and timeless."

aibai & vinny break industry stereotypes with their unique duo dynamic. With Aibai producing and Vinny as the singer, they challenge expectations, proving that women belong in the production space just as much as men. Their collaboration not only pushes creative boundaries but also helps redefine representation in the music industry. With their innovative sound and bold approach, aibai & vinny are poised to be standout artists in 2025.

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Echo Valley - Crabbuckit.

Echo Valley, the dynamic band known for its electrifying blend of Bluegrass, Rock Americana, and Folk, is thrilled to announce the release of its new video for the single "Crabbuckit." The video, a visual feast of vibrant colors and captivating performances, is now available on all streaming platforms.

This highly anticipated track is a tantalizing preview to their forthcoming Album, Leave You Behind, and showcases the band's signature energy and musical prowess. The vibrant video captures the spirit of Echo Valley, featuring the captivating harmonies and infectious stage presence that fans have come to love. "Crabbuckit," written by Kevin Deron Brereton, is a reflection of our collective experiences and the joy we find in making music, and it exemplifies the group's unique sound with a retro vibe that will resonate with audiences".

Echo Valley takes pride in its talented lineup: Olivia Anderson leads with her powerful vocal and acoustic guitar, supported by her sisters Elizabeth and Emily Anderson on harmony vocals, and a remarkable ensemble that includes Dave Anderson on dobro, Emmaline Anderson on upright bass, and Dolly Anderson on mandolin. The track, produced by Valerie Smith and Elizabeth Anderson, highlights their exceptional musicianship and creativity.

Crabbuckit is not just a song; it's a testament to our journey and the joy of performing together," says Elizabeth Anderson. "We can't wait to share this with our fans and bring them along on this musical adventure." Since its inception in 2009, Echo Valley has won over audiences nationwide with high-energy performances and a distinctive sound. The band has graced prestigious venues and festivals, earning credits such as the title of Official Showcase Band at IBMA 2022 and impactful performances at the Pennsylvania Fairs and Showmen Convention.

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Alice Phoebe Lou - You and I.

Singer-songwriter Alice Phoebe Lou makes her first ever self-produced release with the tender “You and I.” The stripped back love song returns to the busking simplicity of Alice Phoebe Lou’s early career, but the songwriting shows the maturity and directness of a woman reaching a new radiance. Few others can pen a love song in the same delicate, looping handwriting as Alice. In a direct, yet dreamlike way, she asks for a lover to shed the past and see the possibility of a future with one another.

“‘You and I’ speaks of longing and surrendering in love, it’s a confession and a prayer, a declaration that this is where we are and want to be and let’s stop holding back and dive deeper into everything together,” she shares. “It asks the other to let go of what has happened before and to be here now and dream up the future together. It’s about telling one another what our needs are so we can be there for each other in a deeper, more fundamental way.”

“After five band records, I’ve opened my treasure chest of personal storytelling songs that I’ve built up over a decade. Songs that didn’t make it into other albums, some songs I never thought would see the light of day. I am embarking on the brave and thrilling journey of recording these songs as they are, with love and playfulness, simple and all my own. Leaning into imperfection and taking inspiration from some of my biggest influences who have made timeless folk acoustic albums.”

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MORA & the Fabulous Wonderfuls - Mayvie - Raynes - Jo Davie - Sofia Härdig

MORA & the Fabulous Wonderfuls - Tool.

MORA & the Fabulous Wonderfuls bring a unique blend of righteous anger and soul-lifting songs to rouse your spirit and move your feet - combining their passions for music and justice to defy genre with atmospheric prog-protest punk...for the masses!

MORA & the Fabulous Wonderfuls is a unique father daughter duo, of George Guitar Borowski and his daughter, who is gifted with a voice described as “Janis Joplin meets Nina Simone”, MORA performs with her hand-picked top-drawer players; The Fabulous Wonderfuls! Together they have been captivating audiences with pieces reflecting our times, sharing compassion with conviction and shaking the foundations with powerful vocals and unifying anthems. They  quickly found themselves in demand on the festival circuit and will be releasing their first album in spring 2025.

Drawing on a rich musical heritage and an inclusive sense of troubadour camaraderie, MORA & the Fabulous Wonderfuls never fail to raise the voices, hands and hearts of the people they meet and share their music with.

The new single Tool, is released today and is the 4th and final single from MORA & the Fabulous Wonderful ahead of a debut album release next month, is a warped and wavy sonic journey through the aural wormhole into a galaxy of smoking baselines and soaring synth - the latter courtesy of renowned multi-genre maestro John Ellis (studio engineer, producer and musician for this album). A summoning march booms into waves of bouncy lead bends and sultry vocals speaking on the mirages of power and success - this latest single is the final furious fanfare to hail the full album ‘Hot Property’ arriving in May.

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Mayvie - Keep Going.

Admittedly, many claim to know the recipe for a good pop song. But Mayvie can rightfully make that claim. After all, the singer—whose real name is Nadine Nigg and who hails from Bern, Switzerland—has actually published cooking recipes for each of her songs. Since last year, those have even been available in book form.

And because it was so well received—as evidenced by Mayvie’s regular presence on radio, TV, and in print over the past few years the story continues: "Keep Going" the name of her new single is both title and motto. The cheerful soul-pop tune was once again inspired by the likes of Bob Dylan, India Arie, Sheryl Crow, and Jason Mraz.

Mayvie means life. And yes, she’s lived quite a bit: the self-made artist has toured with and without a band to places as far as Berlin, Vienna, and Cape Town, steadily building a loyal and growing fanbase.

To take things to the next level, Nadine studied composition for film, theater, and media at the Zurich University of the Arts from 2013 to 2015. Following several albums and EPs, and her much-acclaimed podcast “Tunes & Coffee Beats”, more singles—and a vinyl album—are set to be released this year.

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Raynes - It's So Quiet Without You.

BottleRock Festival-bound British-American pop act Raynes are thrilled to announce the April 11th release of “It’s So Quiet Without You,” the second single from their highly anticipated seven-song EP, Bloom.

Layering dozens of vocal tracks over a chamber ensemble of strings, the song combines flute textures, sleigh bells, and orchestral chimes with electric guitars and drums to create a hard-hitting rock song, mixed by GRAMMY award-winning engineer Chris Sclafani (Ed Sheeran, The Weeknd, Ariana Grande, Selena Gomez, and more).

“This song was written several years ago and existed only in demo form until recently,” says songwriter Mat Charley. “Over the years, ‘It's So Quiet Without You’ stayed in our heads. Unlike some of our other songs, this one changed very little from the demo version to the final record—the strings were fleshed out and a few sounds were replaced, but even the title and the lyrics stayed the same (which is rare for us). It felt like a very honest song from the beginning. It's simply about the feeling of distance—specifically, the distance that comes from being apart from someone you love.”

Bloom draws inspiration from the Arts and Crafts movement, using its distinctive floral and botanical elements to visually and sonically evoke a garden. The EP is designed to “bloom” from the first song to the last; the opening track has a relatively spare arrangement, and each subsequent track becomes more layered and lush until the EP ends in a full symphony. Bloom will be available everywhere on June 20th.

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Jo Davie - Colder.

Embrace the changing seasons with Jo Davie’s unearthly alt-indie single ‘Colder’ when it came out yesterday Thursday, April 10, and prepare for the best in the wait for her upcoming debut EP ‘Nothing Comes Free’, out on Friday, May 2.

Ever since Jo Davie graduated from the Queensland Conservatorium in 2017 with First Class Honours and the University Medal, her music career has bloomed, becoming a regular on the festival circuit with regular performances at the Woodford Folk Festival (QLD), The National Folk Festival (ACT), and the Caloundra Music Festival (QLD) among others since 2018.

In the last few years, her career has been rising to new heights, receiving the Carol Lloyd Award at the Queensland Music Awards, performing a sold-out solo show at the 2024 Sydney Festival, supporting ARIA-winning artist Katie Noonan across a variety of venues, performing internationally on other projects, all while completing her PhD. Her lilting voice, impressive versatility and technical skill, and masterful storytelling weave together an experience that stirs the soul and lingers in the heart.

‘Colder’ is her newest single, a folk-pop song that feels like a well-worn memory. With kaleidoscopic guitar, heavenly strings, and dreamy riffs, this song builds an intimate atmosphere. Jo Davie’s vocals are powerful yet gentle and vulnerable, perfectly carrying the listener through the story of the song.

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Photo - Jessica Nettleblad

Sofia Härdig - Lighthouse of Glass (Album).

Following a string of successful single releases, Swedish songstress Sofia Härdig drops her highly anticipated 9th studio album Lighthouse of Glass today April 11th via Icons Creating Evil Art and Bark At Your Owner.

Showcasing Härdig's distinctive vocal range and innovative songwriting, Lighthouse of Glass emerges as a portal into hundreds of untold stories, each track representing a crystallised moment from two years of intense artistic isolation."I wrote on my own in solitude for almost two years. I read a lot, wrote a lot, and recorded more than hundred of songs," Härdig recalls. "I was in this cave of writing.”  This prolific period of creation has culminated in what might be her most ambitious and personal work to date. From the brooding piano of ‘Pale Fire’ to the power ballad of ‘Kingdom Come’, each track unleashes the full force of her commanding vocals while highlighting her masterful touch as both producer and songwriter.

Each song on Lighthouse of Glass represents what Härdig describes as "the tip of the iceberg of a long cycle of lyrics, often a novel or short story built in solitude." Her process involved"taping images, fragments of text up on the wall," with many songs starting as half-hour epics before being distilled to their essence. "I think and hope that listening is like dipping your toes into these different fragments of worlds that exists under the surface," she reflects. The album’s centrepiece and title track ‘Lighthouse of Glass,’ emerged as a rare moment of pure artistic channeling – captured in its original form during an improvisational session, with Härdig's initial guitar take remaining untouched throughout the production process. This track became the catalyst for her collaboration with Risenfors, whose contributions helped shape the album's distinctive sound.

The record features an impressive roster of collaborators, including Bebe Risenfors (known for his work withTom Waits and Elvis Costello), who was so moved by Härdig's live performance that he spontaneously joined her musical journey. "It was amazing to open the projects from Bebe when he sent them back to me and see what he had added to my demos," Härdig says. "It spurred me on recording more, building soundscapes." The album also brings together some of Sweden's finest musicians, including guitarists Robert Johnsson (Robert Johnson and the Punchdrunks) and John Essing (Bob Hud), with Grammy-awarded Nille Perned handling the mixing duties.

Sofia Härdig · LIGHTHOUSE OF GLASS

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Paco Cathcart - Paige Barnard - Jont - Esther Rose - Ways of Seeing

Paco Cathcart - Invasive Species.

“Invasive Species” is the second advance single from Paco Cathcart’s new album Down on Them (out 2nd May) and it’s streaming everywhere now. 

The song is a snapshot of Paco’s life in NYC working to make rent while sharing the city with fellow invasive species like the Spotted Lantern Fly.

The absolute wrecking crew that Paco put together to record Down on Them is on full display on “Invasive Species.” The band comprises Miriam Elhajli (Guitar, Vocals), Ellie Shannon (Synth, French Horn, Piano, Vocals) and Fantasy of a Broken Heart’s Bailey Wollowitz on drums.

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Paige Barnard - What Else.

Singer-songwriter Paige Barnard has released yet another gut-punch single,  ‘What Else’, gripping the minds of its listeners for four minutes and forty seconds. The track is a preview of her upcoming debut album, 'Find Your Way Back', set for release on June 4. In her second release of 2025, Paige gives it her all in yet another showcase of her talents, showing why she’s earned praise from Triple J Unearthed, Aus Music Scene, Milky, and more, and why she’s received recognition from the Darebin Songwriters Judges Award 2020 and the AIR Women in Music Mentor Program.

Though this single encapsulates her iconic emotive sound and the grandeur of her storytelling, 'What Else' breaks from her usual style with its country twist, through the pedal steel guitar, slow drums and bed of piano the track is laid upon. The heart of the track is the vocal performance of Paige Barnard, adventuring the emotional and literal highs and lows of the track in truly showstopping form. ‘What Else’ is a ballad reminiscent of a song at the emotional peak of a musical, its incredible vocal range paired with immersive storytelling.

This song explores the stage of a relationship where the same arguments repeat, the threads wear thin, and love feels like a cycle of unresolved problems—no matter the effort, both sides are always in the wrong. Paige describes the inspiration as,

"Having the same disagreements play on repeat, feeling guilty for how I react but still trapped in the cycle, like nothing will ever change. This song was me screaming out in desperation to find a way to change the narrative. But at the end of the day, it’s unconditional love, so we always find a way to forgive each other."

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Jont - Fingers Crossed.

Nova Scotia via London, UK singer-songwriter Jont's new single, "Fingers Crossed," is a powerful and emotionally charged anthem that dives deep into the complexities of forgiveness, accountability, and the transformative process of taking control of one's own emotional freedom. The song offers an unflinching exploration of the personal struggle to let go of anger and pain, turning them into liberation rather than allowing them to fester into resentment.

Jont's music has always carried a sense of introspection, and "Fingers Crossed" is no exception. It comes from a place of yearning for release—release from waiting for someone else to acknowledge their wrongdoing. The song highlights how we often find ourselves trapped in the prison of unspoken grievances, waiting for apologies that may never come, all the while neglecting the fact that we have the power to release ourselves from this self-imposed captivity.

Sometimes we need to see the truth, to be shocked by the unrelenting truth of how things are, so that we can make a change. And that change invariably needs to happen in us, not in someone else. "Fingers Crossed" is about that realization. It's about forgiveness, and how it's often not about the person we are waiting to apologize, but about us choosing to forgive and move on. – Jont

The song's music video, directed by Annaka Gale and Dario Lozano-Thornton, is a visual extension of its themes. "We knew we had the opportunity to create something deeply connected to the shadow realms," says Jont. "The moments in the video are shocking but playful, and the intense, graphic re-enactments of toxic relationship dynamics are designed to be visceral, dark, and most importantly, true to the nature of those deeply painful moments that so many experience."

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Photograph by Char Klein

Esther Rose - The Clown.

Esther Rose will release Want on May 2, 2025 via New West Records. The 11-track set was produced by Ross Farbe (of Video Age) and recorded live-to-tape at the Bomb Shelter in Nashville, TN. Want is the anticipated follow up to 2023’s Safe to Run which was met with wide acclaim from The New York Times, Pitchfork, Stereogum, No Depression, and more. The album features appearances by the singer songwriter Dean Johnson as well as members of Video Age, The Deslondes, and Silver Synthetic. 

Following the wide-open serenity of Safe to Run, Rose now leans toward confrontational arrangements full of distortion and full-band spontaneity, never sacrificing a classicist’s gift for melody that makes each song instantly memorable. “For me, these songs felt like revelations,” she explains, comparing the record to a memoir, alive with kinetic storytelling and personal insight. Ranging from stark solo performances to grungy blowouts, the album maintains a steady focus while never staying too long in one place. Vivid and bracing, she has made the most adventurous, hardest-hitting record of her career.
 
Now Rose shared the album standout “The Clown.” Rose says, “This song is about self-acceptance, gender identity, and being turned on. Clothing and how it makes me feel is a huge part of my process. I heard that David Bowie would dress up in the studio when he was making records. The band caught on to my process, and it was fun to surprise them each morning with a lewk. Nothing too wild, but alluding to a vibe that would carry into the music. For ‘The Clown,’ I wore my favorite outfit: a blazer with huge shoulder pads and low-rise leather pants.”

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Ways of Seeing - Idolise.

ork risers Ways Of Seeing share the atmospheric yet buoyant new single ‘Idolise’. Taken from the band's upcoming sophomore album, The Inheritance of Fear the single displays the band’s blend of shoegaze and alt-rock elements.

‘Idolise’ was brought to life with Christian Best (Susan O’Neill, Mick Flannery, O Emperor) at the helm of production, with additional production and mixing by Daniel Fox of Gilla Band (Sprints, Lambrini Girls, Silverbacks). The result is a textured, immersive listening experience that continues to build on the band’s growing reputation.

Highlighting the band's evolution towards a rawer, darker and more foreboding sound, ‘Idolise’ marks a bold departure from their debut album, End Comes To Light. Danceable and driven thanks to the up tempo drums and pulsing bass, the tracks intricate guitar work, which shifts between fuzzy lead lines and the twinkling modulation tinted verses. Topped with commanding, theatrical and expressive vocals throughout, the track is at once haunting and subtly hooky.   

Speaking on the track the band explains: “This song explores the dangers of idolisation in a relationship or any other realm of society for that matter. It has the potential to lead to a loss of identity, a power imbalance and the hindrance of growth. Putting anyone on a pedestal means there is a good chance that you might miss the red flags attached which can lead to an unravelling into chaos and destruction. Sometimes only seeing the good in something or someone can tear you apart more than acknowledging and tackling the messy parts of life.”

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