Showing posts from September 3, 2017

Lilikoy Mananas - Sarah Klang - Joana Serrat

Lilikoy Mananas - IAMWHATIAM. Background - Lilikoy Mananas​ ​​prepare the release of their debut release ‘Dangerous​ ​Calm​’ with the release of the dreamlike single “IAMWHATIAM​” in September 2017. The track delivers unashamedly pop melodies over dreamy guitar lines and melancholy tones. This is a great introduction to the band’s sound marking the beginning of what promises to be a very prolific year. Lilikoy​ ​Mananas​ have a unique offering in the current Tel​ ​Aviv​ a contemporary musical landscape where they find themselves moving between the claustrophobic feeling of the modern world and a constant search for existential tranquility. Combining the harmonious sound of live instruments with the electronic tools from their studio setting the band is unafraid to explore new sounds and combinations. Songwriter/ multi-instrumentalist and band leader Yonatan​ ​Marcus​ recruited his close friends to collaborate on what would become the debut single “IAMWHATIAM​”. The chemistry dur

Cape Weather - Verandan - Wooden Arms - Slaughter Beach, Dog

Cape Weather - Telephono. Background - Cape Weather's debut single "Telephono" is out tomorrow. They signed to the Future Gods label a few weeks ago. The song prematurely hit Spotify a couple weeks back and got 'Fresh Finds' immediately and has been getting spins by several KCRW DJ's at the moment. It will drop everywhere this Friday, 9/8. The band is a collaboration between Natalie Smith and Eric Jackowitz. They’ve both played in bands for years; Eric playing drums for Nick Waterhouse, and Natalie releasing music under solo monikers. With Eric at the production helm, the record was made over the internet, with instruments being recorded and mixed in LA, Oakland, Nashville, New York, and Europe.  Instrumental contributors to the record include Ben Alleman (keyboards; Ryan Adams), Erik Groysman (composer; Drunk History), Joe Berry (keyboards + sax; M83), with mixing and mastering done Andrew Sarlo (producer; Big Thief). The inspiration for Telephono came

Trudy and the Romance - WellBad - Adam & Elvis - M.I.L.K.

Trudy and the Romance - Is There A Place I Can Go. Background - Somewhere among the daydreamers and heartbreakers, beauty queens and jock teens, Trudy and the Romanceare looking to lure you into their suitably skewed, cinematic world. On new single Is There A Place I Can Go’, the trios dubbed Mutant 50s Pop takes a more contemplative turn. The single is part of their Junkyard Jazz EP, which will be released through B3SCI on November the 17th.  From character creation to alter-ego exploration, Trudys overtly-romanticised, technicolour realm runs deep. Like David Lynch dicing and splicing Walt Disney film reels, Junkyard Jazz EP is a larger-than-life introduction to their saccharine sound, right through to the Grease-style illustrations by LA-based artist Hello Thunderpuss. Their upcoming Junkyard Jazz EP - recorded in former vicarage, Stockports Eve studios with producer David Pye - takes its title from another genre they use to describe their seemingly hotchpotch influences. “Ou

Lachlan Vines - Glassmaps - Days Are Done - Reverend and the Makers - Helen Culver

Lachlan Vines - This Could Mean The End. Background - Lachlan Vines combines soulful, emotive vocals with rich, colourful, modern sounds. His fusion of Rock, Soul, Pop and Electronic music provides truly original songs from the Sydney-sider. Lachlan was born and raised in Inner-West Sydney where, as a die-hard Muse fan in high school, he started teaching himself to play piano like Matt Bellamy. Though piano was and still is his first love, as he went deeper into music and song writing he found a need to branch out to more varied means of musical expression, namely the electric guitar, which he learnt by listening to the likes of John Mayer and Stevie Ray Vaughan who taught him above all else the endless melodic and expressive potential of the guitar solo – a lesson Lachlan sure puts into practice with devotion, as can be heard in his new single, ‘This Could Mean The End.’ ‘This Could Mean The End’ was written, produced and recorded by Lachlan Vines at his residence in Glebe, Sydne

Twin Seas - The Rural Alberta Advantage - Triggerfinger - Bermuda Angels - Nathan Xander - Úlfur

Twin Seas - Alpha Pup. Background - On Friday, September 29th, LA Dream-pop newcomers -- Twin Seas -- will release their highly anticipated debut self-titled LP.  Following in the footsteps of fellow East-LA creatives, Chicano Batman, Twin Seas has built a strong following in the SoCal area, playing to energetic, dancing crowds! Out of the East LA creative hotbed, Twin Seas was born. Inspired by 80s new wave, 60s psychedelia -- and of course, their own Latin roots -- Twin Seas creates a fresh soundscape that leads the listener on a voyage of warm tones and sun-kissed melodies.  After forming in 2016, Twin Seas have made a name for themselves in the LA indie rock scene, playing to excited and loyal audiences all over the SoCal area. The crowd can't help but dance when the band breaks into favorites such as "Surf Wave", "Machine Gun", and "Alpha Pup." In a short time, the band has perfected the art of live performance.  Twin Seas completed their

We Used to Make Things - The Luxembourg Signal - Frida Sundemo - Trupa Trupa - Sophia Marshall - Pale Honey - KLARA

We Used to Make Things - Yes Man (no no no). Background - We Used To Make Things are an East London based band, the product of a fusion of influences as diverse as ELO and The Beatles, taking in Indie Rock, Punk and Horns along the way to create an explosion of sound, perfectly exemplified by new single 'Yes Man'. The song is a about embracing the powerlessness inherent in our modern lives before a chaotic and angry eruption of sound rallies us with a battle cry against apathy, a catchy earworm of dissatisfaction. The band chose a name to hint at their disillusionment with post-industrial Britain but also more personally about a danger that accompanies adulthood, that of losing the ability to play, make mistakes, be creative and ultimately, make things. The songs on their album are shaped by warm, witty lyrics about dissatisfaction, personal politics, open plan offices and the kind of characters Mike Leigh and Pinter would be proud of. It is in turn funny, poignant and