9Bach - Alex Amor - Izabella Lily

9Bach - Llaw 101 Mix.

Welcome back 9Bach although in all honesty this is our introduction to the band, and what an fabulous intro this is. The vocals shine above the subtly developing rhythmic beats that beautifully works alongside the soaring singing. OK then it's time to search out their back catalogue, something that Beehive Candy loves to do on occasions like this.   

The acclaimed Welsh band 9Bach is set to make their long awaited return to the music scene after a five-year hiatus, with a new single exclusive to Bandcamp and a series of live performances coming up in May & June 2025. 9Bach stand as one of Wales' most visionary bands, establishing themselves as a unique creative force on the music scene. Led by Lisa Jên Brown, they have broken new ground by combining Welsh musical heritage with contemporary sounds.

Groundbreaking Collaboration with Andy Gangadeen: In 2025, the band reached a completely new stage in their musical journey through collaboration with Andy Gangadeen - an artist with extensive experience working with leading bands, among them, Chase & Status and Lava La Rue. This marks the first opportunity to hear their exciting musical partnership, bringing "powerful big beats and up-tempo grooves" to 9Bach's unique sound.

This new material draws deeply from Lisa and Martin’s personal roots in the acid house movement of the '80s and '90s. It was an amazing time of togetherness. Although Martin and Lisa didn’t know each other then, they both connect on a level where those powerful beats of a London warehouse party or rave in a North Wales quarry puts them both back in that joyful place of freedom and euphoric pulse to move your body. It’s a powerful energy they crave to relive through their own music.

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Photo - Lewis Vorn

Alex Amor - Seeing Angels.

London-via-Glasgow singer-songwriter Alex Amor makes a luminous return with her new single ‘Seeing Angels’. The release follows a triumphant, sold-out show this week at London’s Folklore Hoxton, capping off recent dates supporting rising pop talents Good Neighbours and Gretta Ray.

New single 'Seeing Angels,' produced by Peter Brien (Kojaque, Kean Kavanagh) is a captivating return for Amor. Her rich Glaswegian lilt drifts through gauzy indie-folk and sunlit country-pop tones, with songwriting that feels both effortless and finely honed. Beneath the track’s soft glow lies a quiet resilience - a story of rediscovery and emotional clarity, where tenderness becomes transformative and love gently realigns what once felt adrift.

“‘Seeing Angels’ is about the healing nature of women—our ability to guide, nurture, and mend broken hearts," Alex explains. "It speaks to the way we become a source of strength in love, offering steady hands and acting as a compass pointing north, leading toward better days. Finding the wrong person can be devastating, but choosing the right partner can change everything. This song is about that kind of love—the kind that turns your world upside down, alchemises your pain, and makes you believe in something greater. Makes you believe in angels."

A tapestry of laid-back grooves, shimmering guitars, and vocals that feel both close and distant, like a memory half-remembered, 'Seeing Angels' is the first new taste of Alex Amor's first full length project, which she is currently adding the finishing touches to.

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Izabella Lily - Freedom.

Swedish-Finnish artist Izabella Lily returns with her third single “Freedom,” a modern folk rock anthem filled with lyrical depth and spiritual introspection. Following Izabella’s debut “Varandra”, 2nd single Indi rock genre “Fields of Green” and a recent live appearance on Sveriges Radio P4 Gothenburg & iHeart Radio, Izabella continues to build momentum with this evocative new release.

"Izabella Lily delivers a raw folk indie single with poetic lyrics and spiritual depth, with a heart beating for social justice. "Freedom" follows her Sveriges Radio debut and previews her 2025 EP. Rich acoustic textures meet modern indie production in this moving anthem about the kind of love that is selfless and sacrificial— that which empowers us to use our freedom for the good of others."

“The track brings genuine and authentic beauty, with acoustic instrumentation that perfectly complements the soft essence of the song. The melody is captivating and conveys a welcoming feeling, while the vocals bring emotion and sincerity, essential characteristics of the genre”.

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Pistol Daisys - James Lloyd Smith - Domi Hawken

Pistol Daisys - Calling Your Name.

Following the breakout buzz of “St Glasgow” and the emotionally raw “Crying in Marseille”, Scottish alt-pop trailblazers Pistol Daisys return with a shimmering new single full of heartbreak, groove, and unexpected truth. “Calling Your Name,” out 30 April 2025 via OneRPM Records, draws inspiration from co-frontwoman Belly’s own experience — an unforgettable night out in Kuala Lumpur that left more questions than answers and planted the seed for what’s now one of the band’s most personal and powerful songs yet.

“It was my first time at Zouk,” Belly shares, referring to KL’s infamous superclub, “My heart wasn’t broken—that was Lorna in Crying in Marseille—but I was surprised by a young six-foot-tall man. I thought we hit it off. One minute we were dancing, and the next, he was gone. When I was leaving, I saw him kissing a man. I called his name, but he couldn’t—or wouldn’t—hear me. That was the last time I saw him.”

Having moved from a conservative upbringing in the peaceful coastal town of Kota Kinabalu to study at Taylor’s University, Belly found herself immersed in a world of late nights, neon lights, and emotional curveballs. “Calling Your Name” captures that jolt of reality—when surface-level charm gives way to something more profound, complicated, and harder to process.

Musically, the track is vintage glitter laced with modern grit—a sparkling lovechild of Blondie and ABBA with a punk-pop bite reminiscent of The Gossip and the flamboyant honesty of Lady Gaga. The result is a dancefloor-ready confession: raw, reflective, and totally irresistible. “It just goes to show that it's an ever-changing world,” Belly says, “What appears to be one thing on the surface doesn't show you the whole truth. “Calling Your Name” is for those who want to keep an open mind… and maybe get a snog off the right guy.”

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James Lloyd Smith - Lake Walk.

Kent-based indie-folk songwriter James Lloyd Smith is set to release another charming and laid-back single, with ‘Lake Walk’ available across all major streaming platforms now. Blending the peaceful nature of Nick Drake and Joni Mitchell with the lo-fi and DIY methodology of Sufjan Stevens, ‘Lake Walk’ is an ode to simple living in the English countryside, which James explains has a strong impact on his music.  Born during an introspective time in his life where he became withdrawn socially, he takes solace and peace from long evening walks around the lake at Hever Castle & Gardens in Edenbridge, a routine that shaped the essence of the song's atmosphere.

“The Kent Countryside, sometimes known as The Garden Of England has had a huge influence on my sound,’ James explains. ‘“ try to write music that to some degree reflects how the landscape makes me feel,’ he added, calling the song a ‘thank you letter to the edifying quality of the natural world.”

James Lloyd Smith’s authenticity is what shines on ‘Lake Walk’ as the song is self-produced on the now-obsolete 2011 MacBook Pro, while the beautiful guitar work actually stems from a £10 parlour acoustic guitar he bought on eBay. The production lends some wonderful layers to the track, with a glockenspiel melody that James said was inspired by The Beach Boys’ legendary album Pet Sounds, as well as brushes on a snare drum that underlie a piano, double bass and electric bass. “I wanted to keep the palette of sounds fairly natural drawing from folk music and 1960’s baroque pop as inspirations,”  he adds.

Adding to the authenticity are the locations that James used for recording the track. His ode to the comfort found in the natural world is recorded in the places he frequents, including his bedroom, friends’ houses, and college classrooms. In Particular, he arranged a recording session at his friend’s house just to record the single’s double bass. “I think recording outside of the traditional studio setting gives music a different context and quality.”

James Lloyd Smith · Lake Walk

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Domi Hawken - Water And The Wine.

Domi Hawken, London’s dark rock poet, has just released her second EP, Water And The Wine following the success of her debut Sociable Pariah. An emblem of her creative expansion and a testament to the deep well of influences she draws from, the evocative and haunting record is out now.

Armed with nothing but a VHS camera and an unflinching vision, Hawken has transformed her debut into a launchpad for something far more ambitious. Water and The Wine is a sonic landscape that varies from climactic instrumentation to vulnerable, exposed folk, showcasing Hawken's growth as an artist and her willingness to try new things artistically. Across three songs, the EP is a tour-de-force that demonstrates true versatility and flexibility from both Hawken and her band.

"With my first EP, we followed a system; I would write the songs, then Matt Robson and I would record it together, with him mostly trying to bring my ideas to fruition," she recalls. "With this second EP, we approached things differently, getting the other members of the band more involved. I remember recording a demo myself of 'Water And The Wine' and sending it to my drummer Cyprien Jacquet to see what he could do with my ideas. When he sent the first version back, he asked me, 'Is this what you wanted?' and I replied, 'No, this is so much better than what I wanted.' From that moment, I was a lot more relaxed with letting the guys put their ideas and their stamp on the songs."

Moving beyond her previous approach, Hawken has embraced a more collaborative method with her band members Matt Robson, Cyprien Jacquet, and Kobi Pham. The result is a grittier, more creative sound that benefits from the collective input of the entire band. While Hawken maintains her involvement in production, the process has become more collaborative, with Pham handling the precise mixing before Robson adds his signature rough edges.

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Dubmones - Scott C. Park - Emily Hines

Dubmones - Dubmones (Album).

This takes me back to Dread Zeppelin and in a good way. Rather than trying to be clever, the mixing of The Ramones and Dub actually breathes new life into both dimensions, it's subtle & in your face at the same time & like the aforementioned D.Z. works at all levels.

Inspired by theory: what if a punk rock band like The Ramones would have met at another part of the globe, but at a similar decade?

Inspired by theory: what if a punk rock band like The Ramones would have met at another part of the globe, but at a similar decade? What if they wouldn’t have formed in NYC but Kingston, and how would they had expressed their anti-stance while being inspired by Toots & The Maytals and King Tubby instead of MC5 and the Stooges? A probably bizarre theory – even though they all share a common origin that just took different paths at different parts of the globe: Rock’n’Roll.

But bizarre theories and creating a musically vision are nothing new to the Dubmones: emerged from the entourage of 2008’s dubXanne (The Police In Dub), this latest project does give an insight how it might have sounded if The Ramones would have created their songs in a different way, by still keeping its original attitude and band’s message.
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Scott C. Park - Rose Pink Sky.

Scott C. Park’s debut full-length, Crossing the Line (due 23 May 2025), is a raw, deeply personal body of work that lands with quiet confidence and undeniable authenticity. Scott allowed this record to unfold organically, creating an eclectic yet focused indie rock album, unburdened by genre expectations. There's a warmth and looseness here - think Wilco's Yankee Hotel Foxtrot and early Pavement, but with a melodic sensibility that pulls from Nirvana and early Sheryl Crow.

Each track feels lived-in, performed with the synergy of a well-oiled live band rather than a polished studio machine. And while Scott cites influences ranging from John Frusciante to Courtney Barnett, the record feels distinctly his own, rooted in personal stories and shaped by a willingness to follow musical instinct rather than trend.

The album title Crossing the Line carries multiple layers, each explored with lyrical nuance. The first half of the album deals with the pragmatic slog of daily life and human experience, crossing the line from youth to adulthood, while the second half deals with the transition from faith to skepticism. It’s deeply autobiographical, but never alienating, Scott’s reflections are specific yet universally resonant.

One of the more poetic threads comes from his familial maritime tradition. “Crossing the line” refers not just to personal thresholds, but also to an old merchant navy ceremony for sailors crossing the equator, where roles are reversed and traditions are honoured.

Opener and last single ‘Rose Pink Sky’, is a meditation on the soul-crushing routines of adulthood, working a day job, chasing funding, holding onto creative dreams through the haze of fatigue. The lyrics are filled with wit (a huge ‘Don’t Stop Believin’’ joke in verse two) and the guitar solo is, in Scott’s words, “like a slingshot rollercoaster launch”, exhilarating, explosive, and deeply satisfying.

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Photo - Ellie Carr

Emily Hines - My Own Way.

Nashville-based songwriter Emily Hines announces her debut album These Days, out August 1 via Keeled Scales. Today she shares the lead single "My Own Way." "This is the last song I wrote for the record. I wrote it on my porch in Nashville. I felt stuck in place and needed to sing myself out of it."

"This recording ended up playing an important role in shaping the sound of the album. At first, we weren’t planning to track any live drums on the record. We enjoyed playing with drum machines, and the cassette presented some challenges to recording live drums. But we got in an experimental mood one day and asked our friend John-Ruben Medina to play on it for us. We were so happy with how it sounded that it inspired us to record live drums on some of the other songs as well."

A self-described chronically-sincere farm girl, Hines grew up on a farm in rural Ohio before moving to Nashville where she played in other songwriters’ projects before recording her own songs on a 4-track cassette recorder.

Hines worked with producer Henry Park. Together they drew inspiration from acts like Duster, Laura Marling, and Karen Dalton to record simply and add layers one at a time.

Emily Hines · My Own Way

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Monday’s Monsoon - The Salt Collective - The Gentle Good

Monday’s Monsoon - Sink/Swim/Fly (Album).

As albums go, this is one of those that needs to be heard in full, rather than the odd track peppered in a playlist somewhere. Monday's Monsoon have delivered a standout album in the crowded market place of modern folk and indie music. In fact trying to put them in any one or two genres is difficult they cover far more than that, doing so with some beautiful, thoughtful songs and lyrics. Highly recommended by Beehive Candy.

About the band: Monday’s Monsoon are a London-based band weaving together dreamy, folky indie rock with introspective lyricism and soulful songs that traverse hope and longing. Drawing influence from artists like Elbow, Fink, John Butler, and Radiohead, the band has carved out a sound that feels both grounded and ethereal — built for deep introspection yet filled with roaring moments of triumph that demand to be shared.

Their music explores nostalgia, trust, and the quiet strength of human connection, wrapped in warm guitars and soaring melodies. Whether through headphones or on stage, Monday’s Monsoon create space for their audience to feel part of something both vast and comfortingly close.

Their recent album launch at The Amersham Arms marked a milestone in the band’s journey, cementing their reputation for captivating live performances — shows that crackle with energy, sincerity, and a sense of belonging.

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The Salt Collective - Last Day That We’re Young.

The international super group the Salt Collective returns with a six-song EP of fresh recordings due for release May 23. The groundwork for the new EP actually dates back to 2000, when Collective leader, Stéphane Schück, first met the late Scott Miller (Game Theory / Loud Family) in San Francisco, seeding the inspiration for the project.

The multifaceted Paris- and North Carolina-based ensemble kicks off the EP with the single “Last Day That We’re Young,” a recently completed, anthemic version of a beloved Game Theory song tracked initially in 2005 with Miller himself on guitar.

When asked about how this recording came to be, Schück explains: “We have to go back to December 31, 1989. The last day of the 80s. My friends and I had an important question to answer: What song were we going to leave the 80s with? We'd entered the decade at the age of 12 and were going to leave it at 22. This question consumed us for 6 months . . . until we all agreed it would be “Last Day That We're Young” by Game Theory. We launched the track at 11:58 p.m. and went into the 90s with Scott!

In 2005, when Scott came to France to produce one of my albums, I told him this story, which made him smile. I think it was quite an unexpected revelation. I couldn't resist asking him if we could play “Last Day That We're Young” together. Scott knew how important that song was to me. . . . We [hit record] and he played these two wonderful riffs."

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The Gentle Good - To Be in Summer.

Written in an off-grid cottage during a year- long residency in the Cambrian Mountains, The Gentle Good’s new album ‘Elan’ is a psychedelic portrait of the Elan Valley in Powys, Wales. Featuring songs in both Welsh and English, ‘Elan’ explores the landscape, history and politics of the valley, which was flooded at the end of the Victorian era to create a series of reservoirs for drinking water.

The third single from the album, ‘To Be in Summer’ is about the romantic notion of the rural idyll, how we are drawn to such places and fantasise about a never-ending summer. The song is partly inspired by the famous romantic poet Percy Shelley, who was so enchanted by the scenery of the Elan Valley he tried his best to move to there to live.

The title comes from the Welsh word ‘Hafod’, which translates literally as ‘to be in summer’. A ‘Hafod’ is a summer dwelling, linked to the traditional practice of moving livestock to the upland pastures in summertime. The practice, known as Hafod and Hendre (old town), was common for centuries in Cwm Elan. The new album ‘Elan’ will be released on the May 16th 2025.

The Gentle Good · To Be in Summer

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