Zach Berkman - Fast Romantics - Georgia Mooney - Bedolina
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| Photo - Nicole Mago |
Zach wrote "Alone" at the beginning of the end of a relationship, just when he knew he could feel something slipping away. "The verses describe a crumbling house as a metaphor for a crumbling love. The crooked pictures and fading marks of a thing untended," he says. "I thought about my grandparent’s old farmhouse where we made these recordings, left dusty and in disrepair for so long then restored and renewed, and I wondered whether you could do that with people.
I know that when I wrote the song, the chorus was meant to be sung to someone else. It’s all in the second person, but I hear and sing those lyrics now as directed to self. The repeats of the title are at once mantra, warning, and a facing of fear. If we can’t reconcile our differences, we will end up Alone."
A renowned songwriter whose compositions have been featured on ABC, NBC, The CW, Nickelodeon, The Travel Channel, and more, Zach had found himself at a crossroads artistically. He enlisted his inner circle to help him flesh out what would be his ninth LP, The Heart Of. Recorded over four days in his family's rejuvenated farmhouse in rural Michigan, these songs, which began as a quest for answers, became a beautiful celebration of the journey itself. It's a fantastic listen.
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| Photo - Jen Squires |
Toronto duo Fast Romantics offer up another provocative new single and video, “Smoke + Lightning,” taken from their new album, Happiness + Euphoria, scheduled to be released September 29 via Postwar Records.
Fast Romantics never shy away from exploring the complicated or the contemplative. Kirty takes the lead on “Smoke + Lightning” with her ethereal vocals, and offers this insight on the track: "‘Smoke + Lightning’ was written during a time that I felt like I was being swallowed up in the most vivid dreams every night. It started to blur my waking hours with a twisted, colourful dream-life in my sleeping hours. This song is filled with stream-of-consciousness words and images that made up those dreams.”
Fast Romantics have built a reputation as tenacious musical adventurers, working their way up the mountain of classic pop songwriting, eager to carve out a piece of it for themselves. Matthew Angus and Kirty - partners on and off stage, are bringing F.R. fans, ten sprawling new songs, masterfully crafted and equally and intentionally split into two distinct sides this fall.
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| Photo - Cybele Malinowski |
Sydney-based polymath Georgia Mooney has just unveiled her stunning debut solo album ‘Full of Moon’. The record is a meticulously crafted sonic universe, the birth of which marks the stepping forward of a major talent. Carried by Mooney’s soaring ethereal voice over lush, cinematic soundscapes, Full of Moon features the singles ‘War Romance’, ‘Break It Off’, ‘I Am Not In A Hurry’, ‘Soothe You’ and ‘Nothing Is Forever. “Go look at your eyes, they’re full of moon” - Joni Mitchell
This album is for daydreaming. Lyrically, it yearns for connection, examining intimate human relationships, and their variations in perception and fantasy. When stories have many sides, they also have many truths. Musically, it’s a glorious and cinematic sonic fresco, holding beauty, musicality and romance in highest regard. It was recorded remotely over 18 of the strangest months in living memory, linking an all-star band based across three continents. The album grew outward in response to the physical world closing in; even the more intimate songs luxuriate in their drama.
Full of Moon’s songs were penned between All Our Exes Live in Texas tours, on solo writing trips all over the world, half on piano and half on a handmade dulcimer Mooney won in a raffle and subsequently fell in love with. Influences from every member of the Wainwright family, Joni Mitchell, the sophistication of the Great American Songbook and even classical composers sift through the songs seamlessly, alongside fuzzed out guitars and production that evokes the unsettling genius of Kate Bush. It was made during a period of global tragedy, as a way to find solace and catharsis in art and love. This record seeks someone to spend the end of the world with.
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Bedolina are thrilled to share their self-released debut album, Bedolina. Developed at Miner Street Recordings, the album dissects society’s greatest imperfections and their effects on human nature, all with a crooked smile.
Philadelphia’s own Ken Gould is the heart and brain behind sleek new indie rockers, Bedolina. Debuting after previous singles “Yellow Boat” and “C’mon Fun”, Bedolina continues to test the limits of conventional pop music. With jackhammer beats and smooth guitar solos that flow effervescently throughout, the record’s eight tracks each tell a unique story.
Altogether, Bedolina is an abstract musical cornucopia that channels the listener to ponder the faultiness of the digital age. Centerpieces of the album are “Cicadas” and “The Zoo”, with the former charging into a snapping drum beat with atmospheric sweeps in the background. About halfway through the track, Gould laments “This year’s gone so wrong”, allowing the listener to question what begins as a triumphant, happy-go-lucky sounding tune. Then there’s “The Zoo”, who’s purposely out of tune third chord creates an eerie sense of dissonance, further pulling the audience towards an unsettling atmosphere. Here, the crude message of human beings acting animalistic is put on display, building up to a shocking climax of shrieking and a nasal guitar tone that sounds like a hornet’s nest.
Another album highlight is the final track, “Taking the Canyon”, a saturated bass-heavy dance track that invokes classic shoegaze guitar motifs of My Bloody Valentine. The repeated refrain “Boots marching in a line” showcases the narrator’s disdain for fascist dystopia as it cascades its way into a final minute of drone-like noise. Ending the album on a just as surprising note as it begins, Bedolina show that although this is their debut, their musical gusto and expertise couldn’t be clearer.
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