BEEHIVE CANDY

Background: On their third album (released a few days ago) 'Letters From The Coast'  The Caseworker exude the feel of a shoegazing Velvet Underground reared by the Flying Nun label - the perfect balance of drone and chime. The band creates an enigmatic intimacy and atmosphere, which they wrap around immaculately crafted pop songs like smoke. Perfectly intoxicating. With opening track and lead single ‘National Runner’, The Caseworker have an instant pop classic on their hands. The song's consummate mix of hypnotic guitars and driving rhythm section are perfectly balanced with Conor Devlin's starry-eyed vocal. Elsewhere, bassist Eimer Devlin assumes lead vocal duties for ‘The Slow Track’ and ‘Sea Years’, both reminiscent of prime Yo La Tengo, while standout ‘Boats’ carries the listener away on its buoyant yet melancholic waves of arpeggios and feedback. The album exudes a wonderful sense of timelessness and romanticism - these are songs to attach to memories. “The C

Background: The Coasts are Eric Mount and Ike Peters. The two met as freshman in college, became best friends, played music together just once, and laid down a rock n' roll album shortly thereafter. Enter Lovely Hearts Club. The advent of turntable.fm has allowed us to not only meet a ton of really great folks out there on the interweb but also hear some really special demos. Ike, a copywriter in Little Rock and one half of The Coasts, played a track for us in the Paper Garden Records room and we were hooked. How do we promote ourselves? Do we suck? These were just a few questions The Coasts had for us. No, you don't suck. You rule. Let us promote you! So here we are. The Coasts are just effortlessly fun, as if The Black Keys and Elvis Costello conceived an uncombed lovechild. The first track off their self-titled release, which you can listen to here, "Poltergeist" is a infectious, rolling pop song about moving into a haunted house. The thing is, you're nev

Background: Named for the idiosyncratic Cocteau Twins remix EP, Otherness is the collaboration of two California musicians, David Reep (Elephant & Castle) and Dylan Travis (Man/Miracle). With an ear for the unique and the limitless, the pair began production on a number of experimental pop songs in the midst of a winter both emotional and literal. The result has been a number of beautiful songs, first delicately cut from a web of sampled records and then elaborated upon with live instrumentation and bedroom-recorded vocals. The collaboration has also given rise to a live performance unlike any other. Almost exclusively improvisational, the pair create an impossible-sounding wall of Monome-manipulated vocals, warped into shuddering bass and icy re-pitched harmony. However, the four songs here, from an upcoming album, are catchy, structured, and fully-realized pop. The lush, sample-oriented backing tracks suggest electronic music innovators such as DJ Shadow or Juan Atkins, while