Thursday, 15 December 2016

Thursdays Treasure: Red Sleeping Beauty - The Regrettes - Mr. Elevator

Red Sleeping Beauty - We Are Magic.

Background - Red Sleeping Beauty formed in Stockholm in 1989 by singer Kristina Borg, singer/guitarist Niklas Angergård (Acid House Kings), guitarist Mikael Matsson (The Shermans), and bassist Carl-Johan Näsström. They made a huge impact on the international indiepop scene with two fantastic albums and a series of singles and EPs. Their first release was in 1992 with EP Pop Sounds (Marsh Marigold), followed by four 7"s all on different pop labels (Somersault, Motorway, Grimsey, and Sunday) before returning to Marsh-Marigold for the first full length Bedroom. They then signed to the legendary Siesta Records to release their fifth single Sick & Tired, their second album Soundtrack, and a compilation of singles.

Album named after the band’s female singer. On the recent album ”Kristina” Red Sleeping Beauty is a duo consisting of vocalist Niklas Angergård and Mikael Matsson with help from Kristina Borg on vocals on four songs. The album title is a tribute to her. - She’s had a tough struggle with cancer but things are looking brighter now. We expect her back as a full time member on the next album, the band states.

First album in 19 years time - ”Kristina” is the band’s first album in 19 year’s time. But that doesn’t mean the members have been disconnected from making music all these years. Niklas has released numerous albums with Acid House Kings on Labrador while Mikael Matsson has released several albums with both The Charade and The Shermans on Skipping Stones Records and Shelflife. Record label here.


'We Are Magic' has rich synthy vibes and beautifully smooth melodic vocals. The song has something of a timeless feel to it, almost as if the band have picked up from where they left off nineteen years previous.

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The Regrettes - A Living Human Girl.

Background - The band is releasing their debut album, Feel Your Feelings, Fool! a month from now. The Regrettes are Lydia Night's latest project with friends Genessa Gariano (guitar), Sage Chavis (bass) and drummer Maxx Morando. The Regrettes have been tearing up the LA club scene playing with Kate Nash, Peaches, Bleached, Deap Vally, PINS, La Luz and Summer Twins leaving L.A.'s jaded rock critics to write such things as "Everybody was floored by The Regrettes—the new poster children for local teen garage rock." and "The Regrettes rocked with a ferocity and penchant for hooks that schools most indie rockers twice their age. They will surely run an empire in ten years tops."

A song by The Regrettes is, essentially, a diary entry into Lydia’s life. “My music is a spectrum of every emotion that I have felt in the last year, and you can hear that when you hear the songs. Everything that is happening in my life influences me. It’s everything from boys, to friends, to being pissed off at people, to being really sad. Just everything.”

The most intoxicating draw of The Regrettes is their bashful, heart-on-your-sleeve temperament - writing urgent and fast-paced pop songs with a punk rock mentality. “The way that we write, it’s all based on honesty,” muses Lydia on the group’s punk aesthetic. “If I finish a song, I’ll just leave it - I won’t really go back to it. I like things to feel in the moment and I don’t want it to be perfect. If I work on something too much I lose it and get bored and I want to do the next one.” Website here and Facebook here.


We first featured The Regrettes in early August, and it's great to be able to share another song, this time from next months album release we have 'A Living Human Girl' the second of fifteen gorgeous, vibrant, punky songs in the collection. Energised and genuine, this is one band to watch out for, come the new year!

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Mr. Elevator - Sunshine Daydream.

Background - Mr. Elevator – formed in Southern California in 2012 by Thomas Dolas and Justin Martinez (and their mutual love of Donovan) – eschews guitars for vintage synthesizers, organs, and electric pianos, distinguishing themselves within the fuzzy, distorted contemporary Psych-Pop scene.

Today on Brooklyn Vegan, Mr. Elevator shares the first track and video "Sunshine Daydream" from their upcoming album.  'When the Morning Greets You,' is scheduled for release in February 10, 2017, on Rad Cat Records.

Under the original name Mr. Elevator and the Brain Hotel, the band began playing shows as a three-piece with bassist Wyatt Blair, and a short-while later, in 2013, relocated to Los Angeles where they released their first album, 'Nico & her Psychedelic Subconscious,' with Burger Records. After a few years of live shows, perfecting their sound alongside acts like Thee Oh Sees, The Fresh & Onlys, The Black Lips, Allah-Las, and more, Mr. Elevator recently completed their second album, 'When the Morning Greets You'.

On 'When the Morning Greets You,' the bands’ love for vintage keyboard sounds, concept albums, and 70s pop remains intact, furnishing an album that entrances listeners and evolves over the course of its run-time into an array of bright, complex patterns and shapes. The upbeat, colorful pop feel of Side A, for example, is slowly engulfed in the lush, synth-heavy soundscape of Side B (pointing in at least two distinct directions in regards to the sound of the next album).

With the addition of a fourth member to the performing band, Mr. Elevator will be supporting the release of 'When the Morning Greets You' with national and international live dates. Facebook here.


If it was not for the more modern production and audio quality 'Sunshine Daydream' could be taken as something from the sixties psychedelic music scene. A little bit quirky and a whole lot gorgeous melodic and catchy, my only complaint is it's over so quickly, still with more on the way who can complain!

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Wednesday, 14 December 2016

Midweek Muse: Ferlein - Donnie Biggins - The Desert Sea

Ferlein - Forgive Me For Falling.

Background - Forgive Me for Falling is Ferlein’s debut single from her upcoming debut album Poetic Mind.  Ferlein is a singer/songwriter with a gift for poetic storytelling.  Her unique contralto voice with lush velvet tones combined with a mix of delicate and powerful delivery enables her to tell her stories with genuine passion and emotion.

Marcel Yammouni is Ferlein’s music producer and guitarist.  Marcel describes Ferlein's music as fearless and inventive. "Ferlein has a unique sound which I struggle to put in any category all I know is I love it and am thrilled to be working with her".

Ferlein has a very experienced band including Marcel Yammouni, John Salerno, Paul Cecchinelli, Rod Bustos and Phil Turcio.  They have worked with many top Australian artists including Vanessa Amorosi, Kate Ceberano, Olivia Newton John, Guy Sebastian, John Farnham, Jimmy Barnes, Jessica Mauboy, Em Rusciano and Hugh Jackman.  They have also toured and performed with international artists including Suzi Quattro, K.D Lang, Belinda Carlisle, Sting and Richard Marx. Website here, Facebook here.

'Forgive Me For Falling' is something of a classic sounding pop song, with a genuinely timeless feel to it. Musically as you would expect with the calibre of the band, it's one professional piece, which it really needs to be, as Ferlain has such a powerful and melodic voice. With an album to come, if you like your pop in the classical style, this could be something rather special.

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Donnie Biggins - Lula.

Background - Donnie Biggins, founder of Chicago’s The Shams Band and owner/promoter/head of Tonic Room, Harmonica Dunn and the annual Dunn Dunn Fest, dropped his solo debut, Profiles, on Tuesday, Nov 29.

Profiles, which will be available on limited edition vinyl and for digital download, features contributions from Ryan Joseph Anderson, Dan Ingenthron and Jamie Gallagher. All song were written by Biggins, who also handled vocals, guitar and piano. The album was produced by Ryan Joseph Anderson, recorded and mixed by Matt DeWine at Pieholden Suite Sound and mastered by Carl Saff at Saff Masterting.

Donnie Biggins celebrated the release of Profiles with back to back shows at Tonic Room in Chicago, earlier this month. Website here and Facebook here.

The first of eleven tracks on the album is 'Lula'. Oozing laid back charm and original rock'n'roll vibes, it's a good taste of whats to follow on the album. Mixing tempo's, melodies, and rhythm, every piece carries it's weight on this very assessable collection. I'm guessing this must be well worth seeing performed live.

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The Desert Sea - All Mine.

Background - With a reputation for high-energy live performances, The Desert Sea’s unique blend of raw vocal melodies, earthy riffs and chest pounding rhythm’s, serve up a tasty cocktail that’s sure to leave you with a sore head and a vague recollection of what could’ve been the night of your life.

Having built some solid momentum with the release of the EP’s first single ‘Elevator’ earlier in the year, the boys are now ready to drop their follow up single ‘All Mine’; A blues rock thumper with hook laden vocal melodies and a signature guitar riff that’s sure to stick firmly in your brain.

Drawing influences from bands like The White Stripes, Arctic Monkeys, Royal Blood and Led Zeppelin, The Desert Sea have tailored their sound on a fusion of heavy blues and rock. ‘All Mine’ tells a story of personal discovery through observation as the subject struggles to quantify his own worth by society’s measures.

A massive 2015 saw The Desert Sea release their debut Oceanic EP (receiving radio play Australia wide and in the US), score supports with great Aussie acts like Sticky Fingers, The Fumes, Ash Grunwald and Jebediah and leave a trail of sweaty stages and ringing ears in the wake of their biggest tour to date. Finishing off the year at ‘Szyslak Studios’ with Sydney producer Mo Mayhem (Hell City Glamours, The Lockhearts), The Desert Sea knuckled down to record their second EP Steal The Light From The Sun. Look for the whole EP to be released in early 2017. Website here, Facebook here.

Upcoming Shows:
Wednesday, 21st December - The Lass O’Gowrie, Newcastle
Wednesday, 28th December - Frankie’s Pizza, Sydney
Friday, 6th January - The V Room, Noosa
Satuday, 7th January - The Milk Factory, Brisbane
Feb 2017 - Moonshine Manly Residency, every Friday of the month.


'All Mine' has a delightfully wacky storyline video (story might be pushing it a bit), however once the music starts your in for one feisty and potent rock song.

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Tuesday, 13 December 2016

Quality Not Quantity: Erin Pellnat - The Plastic Attraction - Tallisker

Erin Pellnat - Dream in Color.

Background - Erin Pellnat is currently an unsigned singer-songwriter based in Brooklyn, NY. Her new EP Dream In Color includes songs that range from colorful acoustic, to accordion waltz, to Bossa Nova.

Erin is also a member of Brooklyn band Caretaker, however her solo material takes her in a number of  very different directions.

If you want to play detective then Beehive Candy featured a relative of Erin Pellnat earlier this year, no prizes for guessing, it's a small world. The EP was recorded in the fall of 2016. Bandcamp here.


'Dream in Color' is the title track and the first of four really fine songs in this EP collection. Although the songs take differing directions, Erin's vocals consistently stand out. Musically melodic, there is considerable attention to detail within the soundtrack which adds that little extra and makes this EP pretty special.

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The Plastic Attraction - No Foresight.

Background - The Plastic Attraction is the lovechild of four childhood friends from the southern suburbs of Perth, Western Australia - Liam (vocals), Matt (guitar/vocals), Horna (bass/ vocals) and Chris (drums/vocals). They grew up together on a diet of gratuitous guitar solos, pop anthems and late nights singing harmonies at house parties.

The band released their debut single, ‘Holding You’, in August 2016. The single was met with critical acclaim by radio stations, blogs and the band members’ parents. Sounds of Oz reported that the band had “hit a home run with its debut single” and Eat Sleep Breathe Music similarly praised the band’s release, saying “with its first melodies you are instantly attracted to their 90s vibe”.

‘No Foresight’ is the band's follow-up single to its August debut. And, like the debut, the band was supported in its production by industry heavyweights: recorded by Tristan Sturmer at Sumo Sound Studios (Sparrow, Verge Collection, Make Way For Man); mixing by Andy Lawson at Debaser Studios (Tired Lion, Eskimo Joe); and mastering by the master himself, Leon Zervos at Studios 301 (Boy & Bear, Art vs Science, Last Dinosaurs).

‘No Foresight’ is a mix of frenetic beats and a fuzzy-buzzy meld of guitar and bass. Set against this backdrop, the lyrics spin a story of angsty pain – it’s a melodic push back to the persecutor, the bully, the tormentor – it’s catharsis on the dance floor! In anticipation of the release of No Foresight, The Plastic Attraction will be playing at Four5Nine (North Perth) on Sunday 18 December 2016 (doors at 8:30pm). Facebook here.


'No Foresight' mixes some feisty alt rock sounds with fine vocals and harmonies. Add in the energy and melody and you have one very catchy piece!

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Tallisker - Astraea (Instrumental Edit).

Background - Parisian producer and electronic artist, Tallisker is pleased to share the video for new instrumental track 'Astraea'. This new video follows the story of an androgynous heroine, Astraea, who is stuck in an endless Matrix-esque loop of life and death… Tallisker is the DIY solo project of French artist Eléonore Melisande, 28. A former cellist and guitarist with a classical and folk background, she is now a full-time DJ, producer and performer with electronic, post-folk & rave aesthetics. Winning the Inrocks Lab Award (2014), the Booster Award (2015) and performing every weekend helped her take off pretty quickly and now she's pleased to celebrate the release of her debut EP 'Heliotrop'.

Baroque aesthetics are a major driver to her work: movement, expansion, tumult, ostentation, super-emotion, drama and tension. Her introspective universe often draws comparisons to artists like Björk or Fever Ray while her epic, soaring string sections are reminiscent of post-rock and neo-folk bands like Sigur Ros or Woodkid. The arrangements also feature rough drumkits and nasty sub-bass unveiling a full allegiance to trap & rave culture.

On 'Heliotrop': "Most of the tracks were written in Glasgow, Summer 2015, while listening to a lot of classical Music, mainly Baroque & Romantic-era masterpieces, plus techno and trap music! It was my purpose to explore these extreme genres, from the most traditional to the most recent forms of music to accelerate the genesis of something hybrid and awkward. Heliotrop is also a manifest."

"The artwork reveals this hybridity too. I’m wearing a costume that stands for tradition -religious, aristocratic, sacred. But this costume has been distorted and alienated thanks to contemporary, forward-thinking devices and tricks - Photoshop or other software. So in the end it looks like a ghostly, electronic silhouette full of mystery. You couldn’t say whether the portrait comes from the Tsardom of Russia or from a spaceship. It pictures how you can turn heritage into innovation, and vice versa."


The video storyline for 'Astraea' may be intriguing enough, however for me, it's the sublimely original music that I am fascinated by. With and without the imagery a story unfolds, don't get me wrong the video really is something quite artistic and original, however so is the music. I guess it's a case of having your cake, and eating it (hopefully that old saying crosses borders).

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Monday, 12 December 2016

Monday Double: Expanda Fuzz - Hand Habits

Expanda Fuzz - Flavour : Zombie (Bleuets EP).

Background - Expanda Fuzz is a caustic homing device for wayward spirit animals. Have you ever had a ripped speaker that sounded so killer you didn't want to fix it? Or how about the excitement of that raw distortion sound that rips through a guitar part like a divining rod and makes your heart skip a beat?

Those are some of the sweet ingredients that inspire Expanda Fuzz to write catchy, trance-inducing, garage pop songs. The songs are a dark cuisine of droney hooks, garage spunk and muddy pop, all crushed with a Velvet Underground spirit, Helium flavour and Suicide daydream.

Find the first sampling of those tracks in the first official release from the band: Bleuets! Now available for download and for record collectors, it is also available on gorgeous black and white splatter vinyl. Limited to 100 copies only, website here, Facebook here.


The first of six tracks on the 'Bleuets' EP is 'Flavour : Zombie' a song that typifies the raw energy that drives this collection of songs. Sometimes some stripped back rock'n'roll is just enough, add in the darker garage edge, and that's enough boxes ticked for me!

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Hand Habits - Flower Glass.

Background - "Meg Duffy, aka Hand Habits, is a singer, songwriter and guitarist from Upstate New York. She has been putting her time in on the road and in the studio over the past two years with  pacific northwest band Mega Bog, and the Kevin Morby Band, making an impression on everyone she comes across with her natural charisma and uncharted talent as a multi-instrumentalist. But let Wildly Idle (Humble Before The Void) be her open invitation to the world to step inside and take a much deeper look into who Duffy actually is. Tracked in an Upstate New York living room, then finished in her current home in Los Angeles - it is appropriate that this album was recorded by Meg herself - for Meg, who has an acute ear for detail, has touched every corner, has seen every vision 'til its end.

Because of this, Wildly Idle feels incredibly intimate, like a secret between her and the listener. It hits soft, like warm water, and before you know it it is all around you - a bath, and Meg's whisper has made its way inside you. Like many bedroom-debuts before it (The Microphones, Jessica Pratt, Little Wings, Grouper)  let this be the first of many to come, for Meg has music in her touch - and this is only the beginning. But let us not look to the future now, but instead stand alongside her, our trust in her will, both humble before the void, with her first chorus as the mission statement; 'hold you like a flower, hold you like an hour glass'."- Kevin Morby. Facebook here.

Live dates:
01/18 Brooklyn, NY - Music Hall of Williamsburg *
02/10 Brooklyn, NY - Baby’s All Right #
02/11 Philadelphia, PA - Everybody Hits #
02/12 Cambridge, MA - Lily Pad #
02/13 Portland, ME - Apohadian Theatre #
02/14 Winooski, VT - The Monkey House #
02/15 Montreal, QC - La Vitrola #
02/16 Albany, NY - House Show #
02/18 Washington DC - Songbyrd DC #
02/19 Asheville, NC - The Mothlight #
02/20 Louisville, KY - Zanzabar #
02/21 Chicago, IL - Schuba’s #
02/22 Columbus, OH - Rumba Cafe #
* = ACLU / PP Benefit show w/ Kevin Morby, Sharon Van Etten, Beirut, Daniel Rossen
# = w/ John Andrews & The Yawns


We featured Hand Habits back in October and 'Flower Glass' is most definitely worth a second share on Beehive Candy! Once again we are treated to some gorgeous dreamy pop music, that just oozes beautiful vibes. Wonderful!

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LeVolume - Clint Wilson - Pam Ross - Chad Price Peace Coalition

LeVolume - LeVolume (Album). LeVolume is a new project for its members Jenny Whiteley, Joey Wright and Julian Brown. "That Was Then, T...